Blueprint Plan for the Program entitled
Aesthetics through the Classical Masterpiece
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Eight MainCategories
Full Explanation of Project Plans
(Please note: The timeline refers to Courses that may be conducted extensively or briefly)CoreCompetenciesand SkillsCourse LearningOutcomes (MEd)
• Project design
and rationale arebased uponcurrent learningtheory andresearch
• Specific
measurableoutcomes of learning areaddressed (see farright column)4a. Identificationof the TargetPopulation andLearningCommunity thatthe Project WillEngage (How theProject offers animportantcontribution tothe EducationalCommunity, thusprovidingevidence of thefulfillment of MEd)dialectic. Alan Singer and Allen Dunn refer to the antithetical properties of beauty and reasonand sublimity and dramatized limits, as defined by Edmund Burke (1729-1797) and ImmanuelKant (1724-1804) (Singer & Dunn, 2000, 6). Quintus Horace (65-8 BCE) and Aristotle (384-322 B.C.) regarded literary aesthetics as a rhetorical instrument that suggested much morethan its mere physical components, including historical incidents, issues, and ethical
implications. Of foremost importance, the included definition in Aristotle’s
Poetics
didhighlight the aesthetic as an art that aspires insight into profound or sublime dimensions, anapex or climax, then a resolution or denouement.Research continues in the work of Aristotle, who applied taxonomic principles to hisdescription of the mechanics of tragedy as a meditative ploy
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the revelation and perseveranceof
peripeteia (
a turning point or reversal of circumstances) and
anagnorisis
(the compellingrealization of knowledge). Principles in dynamic activities exhibit universal characteristicsthat Aristotle observed in philosophy, rhetoric, and the sciences. Important concepts that herecognized continue to be important to literature and poetic masterpieces with monumentalitythat for centuries influenced organizations of writers and publishers with the literary quest torealize cleansing and revelation, even to those who avoid the ancients. Also coined byAristotle,
katharsis
(spelled catharsis in English) which involves a purging of ideas andrelated emotions or impressions as they are replaced with new ones. This process is ongoingin the revelations of the developing world of social and technical interaction; hence,community communications and the educational-governmental institution that cannot restrictthe structure of poetics to any one area.Critics such as Joe Sachs of Annapolis criticize Aristotle for his irregular usage of logikos, the Greek term for logic (Sachs, 2005). However, Sachs implements a dialecticapproach to his reference of those who disregard the powerful thinking of the ancient
theorist’s extensive analysis of the praxis of Nichomachean Ethics, the perception that he
covers in De Anima, the sublimation he addresses in his Metaphysics, the continualsublimation he addresses in his Metaphysics, and the continual evolution of the tragic flaw
—
the hamartia that andragogic beings must experience as they are transformed throughApply researchmethods toimprove learningorganizations
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