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4K 2:1 Workflow15 minute short
By Chandra Kilaru
 ABOUT THE PROJECT
Logline: Religion against Religion, country against country, wars are waged, innocents die,and a generation is lost. Set around a backdrop of a psychological thriller, it questionsone's perception of what is right and what is wrong.Shooting Format: REDCODE 4K 2:1, 23.97 FPSFinal Output File: HD Uncompressed 10 Bit 2K (2048 X 1024) .mov fileDistribution Format: SD DVD. Blu ray DVDExhibition Format: HDCAM. 35MM.
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Copyright © 2008 Chandra Kilaru. All Rights Reserved.
 
SHOOT DAYS - 2
- 06/14/08 & 06/15/08
PRODUCTION H ARDWARE
- Red Camera- 2 Red Drives- 4 Red Bricks w/2 chargers- EVF- LCD- Cradle for Red Drive- Battery Plate- Zeiss Super Speeds- Matte Box with follow focus- O’ Connor 2575 Fluid head- O’ Connor 55L standard legs- XLR to mini-XLR cables- 1 Ton grip & lighting package- Doorway dolley- Lacie T1 Terabyte HDD- 2 WD Passport 250 GB HDD- Macbook Pro 15”/4G RAM
POST HARDWARE
- Macbook Pro 15”/4G RAM- 1TB HDD- DVI to HDMI convertor
SOFTWARE
- Final Cut Pro 6.04- Crimson Workflow- Redcine- Color- Compressor- DVD Studio Pro
Chandra Kilaruckilaru@comunx.comwww.chandrakilaru.com Writer/Editor/Producer/Director
 A STEP TOWARD HEAVEN
 WORKFLOW 
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PRE-PRODUCTION
The following are important points to note for a RED shoot.
1.Things to get:1.1.At least 2 Red Drives. This is an absolute must if you are shooting high speed as the drive needs to beformated when changing from 4K to 3K or 2K.1.2.2 to 4 compact flash cards to capture a quick shot to test lighting for a scene.1.3.XLR to mini XLR cables to record sound into the proxy files.1.4.2, 1TB external HDD's for on set backup. 1 TB HDD will be used for editing, the other for storage.1.5.Firewire 800 Hub.2.Format the external HDD’s.3.Create separate folders for each day in theexternal HDD's. For each day create foldersfor 24P and high speed (if applicable).4.Create a log sheet designed for RED andapplicable to the shooting style. Find belowa sample log sheet.
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Copyright © 2008 Chandra Kilaru. All Rights Reserved.
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PRODUCTION
1.After each shot, take note of the file number and the scene/shot/take details in the log sheet for post.2.BACKUP the data from the RED DRIVE into the 2 external HDD’s after each scene.3.After the backup double check each RED file in RedAlert/proxy file in QuickTime for video & audio (quicktime proxy, use_M files).4.If there is a camera PAN at close range, there is a good chance that there might be a stutter (based on the speed of thecamera moment). Double and triple check these shots in both RedAlert & QuickTime.5.Work with your DP to create the right color tone for the movie duringthe shoot. This can be worked on in post, but even better if worked onduring principle photography.
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Copyright © 2008 Chandra Kilaru. All Rights Reserved.
DO NOT CHANGE THE NAMES OF THEFILES OR FOLDERS CREATED BY THECAMERA.
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dailychief10

Yeah thanks but I still prefer the Nikon D5000 DSLR http://bit.ly/cfwcVt :P

reply05 / 05 / 2010
12 / 26 / 2009<span class="translation_missing">en_US, this_document_made_it_onto_the</span>Rising List!
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