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AVID EDITING PRODUCTS &
PANASONIC P2
TesTed Panasonic cameras & devices
The following Panasonic devices have been tested withAvid editing products:
• AG-HVX200P/E• AG-HPG10 portable P2 card player• AJ-HPM110P• AJ-HPM100P• AJ-SPD850• AJ-PCS060• AJ-HD1200AP• AJ-HD130• AJ-HD150• AJ-HD3700• AJ-HD1400• AJ-HD1700• AJ-PCD10• AJ-PCD20
comPaTible avid ProducTs
Panasonic P2 cameras are supported by the following
Avid
®
editing systems:• Avid Media Composer
®
software
• Avid Media Composer Adrenaline
™
• Avid Media Composer Mojo DX• Avid Media Composer Nitris
®
DX• Avid NewsCutter
®
software
• Avid NewsCutter Adrenaline• Avid NewsCutter Nitris DX• Avid NewsCutter Mojo DX• Avid Symphony
™
Nitris• Avid Symphony Nitris DXFor the latest information, check out a complete
list of supported devices
at avid.com
 avid workflow benefiTs
• Native Codec Support – Start editing DVCPRO HD andAVC-Intra 50 Mbit/s and 100 Mbit/s right away withoutany digitizing, transcoding, or le conversion delays.• Thin Raster Support - Maximize performance for editingand playback using the native raster size for DVCPRO HD orAVC-I50 with simultaneous full raster output via HD-SDI.*• Open timeline – P2 formats can be mixed in real time inthe same timeline with SD or HD media that uses thesame time base.• Native MXF support – Import metadata automaticallyinto the Avid bin for fast access and trouble-freemedia management.• Auto import of P2 metadata – Information such as JournalistName, Production Number, Scene Number, Take Numberand Project Name all appear automatically in the Avid bin.• Variable frame rate support – Take advantage of Panasonic’s wide range of frame rates and get beautifulslow motion effects without having to render.• Real-time pull-down – Real-time support for both normaland advanced pull-down eliminates time consumingintermediate steps. (For tape-based formats.)
*Full resolution output with Avid Adrenaline hardware requires a transcode toAvid DNxHD media
f  t t ..
COmPATIbIlITy ChECklIST
 
key P2 feaTures suPPorTed
• Native MXF support
 
• Direct edit of P2 Media from cards or hard drives
 
• P2 Store supportFor the latest information on P2 workows with Avid editing systems, go towww.avid.com/P2
.
key P2 formaTs suPPorTed
The following information details the formats supported with the latest versions of Avid Media Composer family, Avid NewsCutterfamily and Avid Symphony.
1
Alternative project type is the format as recorded by the camera. All le-based recordings can be converted to the Avid nativeproject type by usingDVFilm’s RayLight MXFX
tool. 
AVID EDITING PRODUCTS & PANASONIC P2 CAmERAS
FormatResolutionAvid Project Type
(Native Frame Rate)
Avid Project Type(Alternative)
1
480i/24pADV25NTSC 23.976NTSC 30i480i/24pDV25NTSC 23.976NTSC 30i480i/30pDV25NONENTSC 30i480i/60DV25NTSC 30iNONE576i/25DV25PAL 25iNONE576P/25DV25PAL 25pNONE480i/24pADVCPRO (25)NONENTSC 30i480i/24pDVCPRO (25)NONENTSC 30i576i/25DVCPRO (25)PAL 25iNONE576P/25DVCPRO (25)PAL 25pNONE480i/30pDVCPRO (25)NONENTSC 30i480i/60DVCPRO (25)NTSC 30iNONE480i/24pADVCPRO (50)NONENTSC 30i480i/24pDVCPRO (50)NONENTSC 30i576i/25DVCPRO (50)PAL 25iNONE576P/25DVCPRO (50)PAL 25pNONE480i/30pDVCPRO (50)NONENTSC 30i480i/60DVCPRO (50)NTSC 30iNONEFormatResolutionAvid Project Type
(Native Frame Rate)
Avid Project Type(Alternative)
1
720p/24pNDVCPRO HD (100)AVC-I (50)AVC-I (100)720p/23.9761080p/23.976720p/25pNDVCPRO HD (100)AVC-I (50)AVC-I (100)720p/501080p/25720p/30pDVCPRO HD (100)NONE720p/59.94720p/30pNDVCPRO HD (100)720p/29.971080i/59.94720p/50DVCPRO HD (100)AVC-I (50)AVC-I (100)720p/50NONE720p/60pDVCPRO HD (100)AVC-I (50)AVC-I (100)720p/59.94NONE1080p/24pAVC-I (50)AVC-I (100)1080p/23.976NONE1080i/24pDVCPRO HD (100)NONE1080i/59.941080i/24pADVCPRO HD (100)NONE1080i/59.941080i/30pDVCPRO HD (100)NONE1080i/59.941080i/50DVCPRO HD (100)AVC-I (50)AVC-I (100)1080i/50NONE1080i/60DVCPRO HD (100)AVC-I (50)AVC-I (100)1080i/59.94NONE
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