Media, Crime and Ideology

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Child Victims as Symbols:Media, Crime and Ideology

Authors:

Mark Williams-Thomas MA & James Found MA

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Child Victims as Symbols: Media, Crime and Ideology

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As we have moved from the 20

th

century into the 21

st

century we haveseen a protracted growth in communication technologies, its relativechannels and outlets, and a growth in media structures and institutions.Today we are now able to access a wide variety of media interactivetechnologies which have completely revolutionised the ways in which weare able to access and receive information. The use of television, whichnow offers 24 hour news channels, satellite, telecommunications,including mobile phones, the internet (websites and blogs), radio andnewspapers, have completely reconstructed our concepts of time andspace as we are now able to access first-hand information from aroundthe world. These new technologies have also completely restructured the

way in which the media ‘does’ news reporting. Now the media is able to

present global news stories to a wide variety of viewers from a range of

respective cultural backgrounds. The media’s ability to tra

nsmit liveimages through satellite to an ever-present audience has completelychanged our perspective on news reporting. We are now constantlyinundated with news, images, reporting and discourses, which have onlysought to develop our perspective of the

media as an information ‘tool’.

This relative ‘revolution’ in communication technologies, systems and

media structures has also been met with a protracted growth in mediadiscourses towards crime.

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In the modern context, crime has continued to represent a consideredproportion of news reporting, with dedicated crime reporters givingdetailed, up to the minute accounts of recent cases on Television newsshows. Newspapers give ever increasing column inches to the latest crimeheadline and internet websites provide sources of information anddedicated blogs for members of the public to indulge.We have also seen a growth in both fictional crime programmes and crimedocumentaries, both on Television and through Film, with film-makersfollowing Police on their latest case, so-

called ‘cop’ shows

gaining high TVratings, and the show Crimewatch becoming a regular part of Britishevening viewing.These recent developments have, in essence, turned crime into whatKidd-

Hewitt and Osborne (1995) would describe as ‘th

e post-modern

spectacle’ in that:

‘

media portrayals of crime and violence have become part of the spectacleof everyday life. We have become voyeurs of factual programmes that entertain and frighten us with reconstructions of violent crimes, and amaze us with the sheer audacity of wily confidence tricksters. We view all manner of police, uniformed, undercover, secret or special, inpartnership groups, organisations or as loners. We see them as cosy, ill disciplined, tough, violent, reasonable, idiosyncratic, racist, sexist, quirky,

honest and corrupt. We encounter personal lives, lives ‘on the job’, the

clash of gender tensions,

and sexual dilemmas.’

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