g rush to stand in front of six thousand people and talk about yourself.After graduating in May, I moved to Los Angeles and got a three week contract ata small cable show. I got a $380 a month apartment and bought a 1977 Isuzu Opel, a car Isuzu only manufactured for a year because they found out that, technically, it's not a car. Here's a quick tip, graduates: no four cylinder vehicle should have a racing stripe. I worked at that show for over a year, feeling prettygood about myself, when one day they told me they were letting me go. I was fired and, I hadn't saved a lot of money. I tried to get another job in television but I couldn't find one.So, with nowhere else to turn, I went to a temp agency and filled out a questionnaire. I made damn sure they knew I had been to Harvard and that I expected thevery best treatment. And so, the next day, I was sent to the Santa Monica branchof Wilson's House of Suede and Leather. When you have a Harvard degree and you're working at Wilson's House of Suede and Leather, you are haunted by the ghostly images of your classmates who chose Graduate School. You see their faces everywhere: in coffee cups, in fish tanks, and they're always laughing at you as youstack suede shirts no man, in good conscience, would ever wear. I tried a lot ofthings during this period: acting in corporate infomercials, serving drinks ina non-equity theatre, I even took a job entertaining at a seven year olds' birthday party. In desperate need of work, I put together some sketches and scored ajob at the fledgling Fox Network as a writer and performer for a new show called"The Wilton North Report." I was finally on a network and really excited. The producer told me the show was going to revolutionize television. And, in a way, it did. The show was so hated and did so badly that when, four weeks later, newsof its cancellation was announced to the Fox affiliates, they burst into applause.Eventually, though, I got a huge break. I had submitted, along with my writing partner, a batch of sketches to Saturday Night Live and, after a year and a half,they read it and gave us a two week tryout. The two weeks turned into two seasons and I felt successful. Successful enough to write a TV pilot for an originalsitcom and, when the network decided to make it, I left Saturday Night Live. This TV show was going to be groundbreaking. It was going to resurrect the career of TV's Batman, Adam West. It was going to be a comedy without a laugh track or astudio audience. It was going to change all the rules. And here's what happened: When the pilot aired it was the second lowest-rated television show of all time. It's tied with a test pattern they show in Nova Scotia.So, I was 28 and, once again, I had no job. I had good writing credits in New York, but I was filled with disappointment and didn't know what to do next. I started smelling suede on my fingertips. And that's when The Simpsons saved me. I got a job there and started writing episodes about Springfield getting a Monorailand Homer going to College. I was finally putting my Harvard education to good use, writing dialogue for a man who's so stupid that in one episode he forgot tomake his own heart beat. Life was good.And then, an insane, inexplicable opportunity came my way . A chance to auditionfor host of the new Late Night Show. I took the opportunity seriously but, at the same time, I had the relaxed confidence of someone who knew he had no real shot. I couldn't fear losing a great job I had never had. And, I think that attitude made the difference. I'll never forget being in the Simpson's recording basement that morning when the phone rang. It was for me. My car was blocking a firelane. But a week later I got another call: I got the job.So, this was undeniably the it: the truly life-altering break I had always dreamed of. And, I went to work. I gathered all my funny friends and poured all my years of comedy experience into building that show over the summer, gathering thetalent and figuring out the sensibility. We debuted on September 13, 1993 and I
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