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Gilles Deleuze (1925–1995)
Deleuze is a key figure in postmodern French philosophy. Considering himself an empiricist and a vitalist, his body of work, which rests upon concepts such as multiplicity,constructivism, difference and desire, stands at a substantial remove from the main traditions of 20th century Continental thought. His thought locates him as an influential figure in present-dayconsiderations of society, creativity and subjectivity. Notably, within his metaphysics he favoreda Spinozian concept of a plane of immanence with everything a mode of one substance, and thuson the same level of existence. He argued, then, that there is no good and evil, but rather onlyrelationships which are beneficial or harmful to the particular individuals. This ethics influenceshis approach to society and politics, especially as he was so politically active in struggles for rights and freedoms. Later in his career he wrote some of the more infamous texts of the period,in particular,
 Anti-Oedipus
and
 A Thousand Plateaus
. These texts are collaborative works withthe radical psychoanalyst Félix Guattari, and they exhibit Deleuze’s social and politicalcommitment.Gilles Deleuze began his career with a number of idiosyncratic yet rigorous historical studies of figures outside of the Continental tradition in vogue at the time. His first book,
 Empirisism and Subjectivity,
isa study of Hume, interpreted by Deleuze to be a radical subjectivist. Deleuze became known for writing about other philosophers with new insights and different readings,interested as he was in liberating philosophical history from the hegemony of one perspective.He wrote on Spinoza, Nietzche, Kant, Leibniz and others, including literary authors and works,cinema, and art. Deleuze claimed that he did not write “about” art, literature, or cinema, but,rather, undertook philosophical “encounters” that led him to new concepts. As a constructivist,he was adamant that philosophers are creators, and that each reading of philosophy, or each philosophical encounter, ought to inspire new concepts. Additionally, according to Deleuze andhis concepts of difference, there is no identity, and in repetition, nothing is ever the same.Rather, there is only difference: copies are something new, everything is constantly changing,and reality is a becoming, not a being.
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1. Biography
Gilles Deleuze was born in the 17th arrondisment of Paris, a district that, excepting periods in hisyouth, he lived in for the whole of his life. He was the son of an conservative, anti-Semiticengineer, a veteran of World War I. Deleuze’s brother was arrested by Germans during the Nazioccupation of France for alleged resistance activities, and died on the way to Auschwitz.Due to his families’ lack of money, Deleuze was schooled at a public school before the war.When the Germans invaded France, Deleuze was on vacation in Normandy and spent a year  being schooled there. In Normandy, he was inspired by a teacher, under whose influence he readGide, Baudelaire and others, becoming for the first time interested in his studies. In a lateinterview, he states that after this experience, he never had any trouble academically. After returning to Paris and finishing his high school education, Deleuze attended the Lycée Henri IV,where he did his kâgne, an intensive year of study for students of promise, in 1945, and thenstudied philosophy at the Sorbonne with figures such as Jean Hippolyte and GeorgesCanguilheim. He passed his agrégation in 1948, necessary for entry into the teaching profession,and taught in a number of high schools until 1956. In this year, he also married Denise Paul
 
“Fanny” Grandjouan, a French translator of D.H. Lawrence. His first book,
 Empiricism and Subjectivity
, on David Hume, was published in 1953, when he was 28.Over the next ten years, Deleuze held a number of assistant teaching positions in Frenchuniversities, publishing his important text on Nietzsche (
 Nietzsche and Philosophy
) in 1962. Itwas also around this time that he met Michel Foucault, with whom he had a long and importantfriendship. When Foucault died, Deleuze dedicated a book-length study to his work (
 Foucault 
1986). In 1968, Deleuze’s doctoral thesis, comprising of 
 Difference and Repetition
and
 Expressionism in Philosophy: Spinoza
were published. This was also the period of the first major incidence of pulmonary illness that would plague Deleuze for the rest of his life.In 1969, Deleuze took up a teaching post at the ‘experimental’ University of Paris VII, where hetaught until his retirement in 1987. In the same year, he met Félix Guattari, with whom he wrotea number of influential texts, notably the two volumes of 
Capitalism and Schizophrenia
,
 Anti-Oedipus
(1972) and
 A Thousand Plateaus
(1980). These texts were considered by many(including Deleuze) to be an expression in part of the political ferment in France during May1968. During the seventies, Deleuze was politically active in a number of causes, includingmembership in the
Groupe d’information sur les prisons
(formed, with others, by MichelFoucault), and had an engaged concern with homosexual rights and the Palestinian liberationmovement.In the eighties, Deleuze wrote a number of books on cinema (the influential studies
TheMovement-Image
(1983) and
The Time-Image
(1985)) and on painting (
 Francis Bacon
(1981)).Deleuze’s final collaboration with Guattari,
What is Philosophy?
, was published in 1991(Guattari died in 1992).Deleuze’s last book, a collection of essays on literature and related philosophical questions,
 Essays Critical and Clinical 
, was published in 1993. Deleuze’s pulmonary illness, by 1993, hadconfined him quite severely, even making it difficult for him to write. He took his own life on November 4th, 1995.
2. The History Of Philosophy
Deleuze’s whole intellectual trajectory can be traced by his shifting relationship to the history of  philosophy. While in later years, he became quite critical of both the style of thought implied innarrow reproductions of past thinkers and the institutional pressures to think on this basis,Deleuze never lost any enthusiasm for writing books about other philosophers, if in a new way.Most of his publications contain the name of another philosopher as part of the title: Hume, Kant,Spinoza, Nietzsche, Bergson, Leibniz, Foucault.Deleuze expresses two main problems with the traditional style and institutional location of thehistory of philosophy. The first concerns a politics of the tradition:
The history of philosophy has always been the agent of power in philosophy, and even inthought. It has played the repressors role: how can you think without having read Plato, Descartes, Kant and Heidegger, and so-and-so’s book about them? A formidable school of intimidation which manufactures specialists in thought – but which also makes those who stayoutside conform all the more to this specialism which they despise. An image of thought called  philosophy has been formed historically and it effectively stops people from thinking.
(D 13)This hegemony of thought recurrently comes under attack later in Deleuze’s career, notably in
What is Philosophy?
This criticism also sits well with a general theme throughout his writings,which is the immediate politicisation of all thought. Philosophy and its history is not separated
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