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PAGE 2 DIOGEN
Copyright Sabahudin Hadžiali
ć
& Authors 2009-2011. All rights reserved. Copying articles, images and other content free of charge with obligation tounderline from where it has been taken from: DIOGEN pro culture magazine, Sarajevo, Bosnia and Herzegovina. Otherwise, forget it!Publisher: Dhira Verlag, Gartenstrasse 348700, Küsnacht., Schweiz, http://dhirasbk.weebly.com—ISBN: 978-3-905869-44-6NA NASLOVNICI....ART— Zoran Spasojevi
ć
- DESIGN LOGO I NASLOVNICA/FRONT PAGE: STEVO BASARA, grafi
č
ki dizajner/graphic designer ...ART Zoran Spasojevi
ć
copyright
http://diogen.weebly.comhttp://maxminus.weebly.comhttp://sabihadzi.weebly.com
 
 
NO15 —SPECIAL ART PAGE 3
 Rije
č 
urednika
Ra
đ
anjem nastaje smrt
 
Godine o
č 
 aja, trauma i izgubljenogidentiteta prostora, ali i osobnosti unutar sveobuhvatnih društvenih procesa atipi
č 
 no predstavljenih kao prostor izgubljenih nadanja u sukobu sa...Vlastitim viškom sujete koja ovdje kao pozitivan proces otrežnjenja na pijadestal  sudbine postavlja...Libido snažnih pretpostavki Zorana Spasojevi
ć 
 a...Koji osvjetljava porodicu, sebe, ali i uže okruženje svjetlom tame što ga okružuje...Bljesak istine u susretu sa portetiranjem najbližih je suprostavljen crnoj kapulja
č 
i zla što se nadvija nad globalnim o
č 
ekivanjima...Post Pop art je umjetnost koja je itekako vidljiva u „Internet E- mail art“ objektivu kojem nas izlaže reporter snova...Ne samo svojih...Rijetki su oni koji žesticu ne okre
ć 
u ka mogu
ć 
im „neprijateljima“ opstojnostivlastitog bi
ć 
 a, ve
ć 
i prema „neprijateljima“ vlastite refleksije. Dalijevske sentence otrežnjenja u susretu sa Spasojevi
ć 
evim notama wagnerovskih odsjaja pred nas postavljaju viziju mogu
ć 
ih nadomjestaka jedinom, ontološkom...SEBI.Grube, snagom ome
đ 
ene, linije otiska digitalnog doba su pred nama kao alternativa lažnim nadanjima. Svjestan da smo mi samo zrnce u pijesku NJEGOVIH pretpostavki, Zoran Spasojevi
ć 
  pokušava vezivanjem tla uve
ć 
 ati tanku, ali i tananu opstojnost. Njegovo vezivanje je u žestokoj, na momente iritantnoj satiri, koja, dok blago intoniraljubav prema bližnjem, ne preza ni od  demistifikacije vlastitog naslije
đ 
 a kao mogu
ć 
eg krivca. No, kod njega je krivnja na nama. Ljudskom rodu.
 In general.
Onome što u ogledalu života može samo gledati, ali ne i u
č 
estvovati. Osim odabranih, naravno.Umjetnik koji piše maestralne aktove i crta blještave pri
č 
e i ne može druga
č 
ije. Do živjetivlastitu smrt. Jer jednom živiš, ali, nažalost, više puta umireš.Gl. i odg. urednikSabahudin Hadžiali
ć 
 
 Editor’s word 
With birth death occur
Years of despair, trauma and lost identity of space, but also personality within the overall social processes presented atypically as an area of lost hopes in conflict with... Our own .excess of vanity that here as a positive process of  sobering up sets to the pedestal of fate... Libido of  strong assumptions of Zoran Spasojevic...Thatilluminates family, himself and the immediateenvironment with the light of darkness darkness that surrounds him...Flash of truth in face of  the portraiture of the closest is opposed to the black hood of evil that hangs over the global expectations... Post Po art is an art that is very visiblewithin "Internet E-mail art" lens which exposes us an reporter of the dreams ...not only his...Few are thosewho not turn the to the potential "enemies" of theexistence of their own being, but also towards the "enemies" of their own reflections. Dali's sentences of sobering in meeting notes of Spasojevic’s with Wagner’s glare in front of us set the vision of possible replacement of the only, ontological...ONESELF. Rough, vigorously bounded, line prints of the digital age are in front of  the us as an alternative to false hopes. Aware that we are just a grain of sand in HIS assumptions, Zoran Spasojevi
ć 
is trying to increase the binding of  the soil to increase the thin, but also tenuous existence/survival. His binding is in tough, at times annoying, satire, which, while gently intones thelove of the closest, is going to anyextent of demystification of his own heritage as a possible culprit. However, he puts the blame on us. The human race. In general. The one who in the mirror of life can only watch but not participate aswell. Except the selected ones, of course. An artist who writes masterful nudes and  draws birght stories and can not do otherwise. Live up to his death. Because you live once, but,unfortunately, repeatedly dies.
  Editor in chief Sabahudin Hadžiali
ć 
 
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