BIOGRAPHY
http://www.drunvalo.net/bio.html
Drunvalo is the author of four books including The Ancient Secrets of the Flower of Life,
Volumes I and II, Living in the Heart and his newest one, Serpent of Light. These books have
been published in 29 languages and reach out to over one hundred countries throughout the
world.
Drunvalo also founded the Flower of Life Workshops with over 300 trained and certified
facilitators teaching in over sixty countries.
He is consultant for the international Internet magazine, Spirit of Ma\u2019at,
http://www.spiritofmaat.com with over 1 million viewers each year.
Drunvalo is a world traveler and has given workshops, seminars and lectures on sacred
geometry, human energy fields, spirituality, meditation and living in the heart in 45 countries.
His meditation with the angels and his work with prana and energy healing has helped tens of
thousands of people. Drunvalo has expressed that healing in these areas are of extreme
importance for the difficulties with one's own body often stops us from continuing on our
spiritual path. His research on the 3rd dimension with natural products and methods to help
heal Mother Earth and all life forms is also a major focus in his life.
Though written long ago, here is an excerpt about Drunvalo\u2019s life from his first two
books, the Ancient Secret of the Flower of Life, Volume I and II.
I majored in physics and minored in mathematics at the University of California at Berkeley
until I was just about to receive my diploma. I only needed one more quarter to graduate. I
decided I didn't want the degree because I discovered something about physicists
themselves that turned me off to the idea of becoming involved in a science that I realized
was no science at all. This in itself could be a book, but the 'why' of it is related to the same
subject that we talk about with archeologists. Physicists, just like archeologists, will turn their
heads to the Truth if it means too much of a change too fast. Perhaps the real truth is that
this is human nature. So I switched to the other side of my brain and started majoring in fine
arts. My counselors thought I was nuts. "You're going to give up a physics degree?" they
asked. But I didn't need it, didn't want it. Then to graduate I had to go for two more years
majoring in fine arts. Finally, I was in my last quarter before getting my degree in fine arts,
thinking "I don't know if I can do this. I'm so tired. I just can hardly handle this."
Then Kent State happened. The whole school system across the United States closed down,
and they gave all the students straight Bs and let them go. So I got my fine arts degree
without having to finish the last little bit.
My changing majors makes sense now, because when you study the ancient writings, you
find out that the people of the time perceived art, science and religion as being interwoven,
interconnected. So the programming that I was putting myself through was appropriate for
what I'm doing now.
Moving to Canada
I got my degree in 1970. Then, after being in Viet Nam and looking at what was happening in
our country at that time, I finally said, "I've had it! This is it! I don't know how long I'm going to
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