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THE STORY OF CIVILIZATION (tm) Ver. 4.8
5: The Renaissance
Durant, Will
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THE STORY OF CIVILIZATION
VOLUME FIVE
THE RENAISSANCE
1953
A History of Civilization in Italy from 1304-1576 A.D.
by Will Durant
Copyright (C) 1953 by Will Durant
Copyright renewed (C) 1981
Exclusive electronic rights granted to World Library, Inc.
by The Ethel B. Durant Trust, William James Durant Easton,
and Monica Ariel Mihell.
Electronically Enhanced Text (c) Copyright 1994 World Library, Inc.
DEDICATION
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TO MY WIFE
Who has shared in a hundred ways in writing this book
TO THE READER
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THIS volume, while complete and independent in itself, forms Part
V in a history of civilization written on the "integral method" of
uniting in one narrative all phases of human activity. The series
began in 1935 with Our Oriental Heritage *05000 a history of Egypt
and the Near and Middle East to 323 B.C., and of India, China, and
Japan to 1930. Part II, The Life of Greece (1939), recorded Greek

history and culture from the beginnings, and the history of the Near
and Middle East from 323 B.C., to the Roman Conquest in 146 B.C.
Part III, Caesar and Christ (1944), carried the story of white
civilization to A.D. 325, centered around the rise and fall of Rome,
and the first centuries of Christianity. Part IV, The Age of Faith
(1950), continued the narrative to 1300, including Byzantine
civilization, Islam, Judaism, and Latin Christendom.

The present work aims to give a rounded picture of all phases of
human life in the Italy of the Renaissance- from the birth of Petrarch
in 1304 to the death of Titian in 1576. The term "Renaissance" will in
this book refer only to Italy. The word does not properly apply to
such native maturations, rather than exotic rebirths, as took place in
France, Spain, England, and the Lowlands in the sixteenth and
seventeenth centuries; and even in Italy the designation lays undue
stress on that revival of classic letters which was of less importance
to Italy than the ripening of its economy and culture into their own
characteristic forms.

In order to avoid a superficial repetition of the excellent books
already in print on this subject, the scale of treatment has been
enlarged as compared with the previous volumes in the series.
Moreover, as we approach our own epoch our interests are more widely
engaged; we still feel in our blood the sap of those effervescent
centuries in which modern Europe began; and their ideas, events, and
personalities are especially vital to an understanding of our own
minds and times.

I have studied at first hand nearly all the works of art mentioned
in this book, but I lack the technical training that would give me the
right to express any critical judgments. I have ventured, however,
to voice my impressions and preferences. Modern art is absorbed in a
forgivable reaction against the Renaissance, and is zealously
experimenting to find new forms of beauty or significance. Our
appreciation of the Renaissance should not deter us from welcoming
every sincere and disciplined attempt to imitate not its products
but its originality.

If circumstances permit, a sixth volume, probably under the title of The Age of the Reformation, will appear three or four years hence, covering the history of Christian, Islamic, and Judaic civilization

outside of Italy from 1300, and in Italy from 1576 to 1648. The
enlarged scale of treatment, and the imminence of senility, make it
advisable to plan an end of the series with a seventh volume, The Age
of Reason, which may carry the tale to the beginning of the
nineteenth century.

Acknowledgments are due to Mr. Joseph Auslander for permission to
quote his fine translation of a sonnet by Petrarch; to the Cambridge
University Press for permission to quote a paragraph by Richard
Garnett from Volume I of The Cambridge Modern History; to my wife
for a hundred illuminating suggestions and conversations; to Dr. C.
Edward Hopkin for aid in classifying the material; to Miss Mary
Kaufman and Miss Flora Kaufman for varied clerical assistance; to Mrs.
Edith Digate for her highly competent typing of a difficult
manuscript; and to Wallace Brockway for expert editing and advice.

A tardy acknowledgment is due to my publishers. In my long
association with them I have found them ideal. They have given me
every consideration, have shared with me the expenses of research, and
have never let calculations of profit or loss determine our relations.
In 1926 they published my Story of Philosophy hoping only to
"break even." We have been together now for twenty-seven years; and it
has been for me a fortunate and happy union.

Notes on the Use of This Book
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1. Dates of birth and death are omitted from the text, but will be
found in the index.
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2. Passages in reduced type are for students and may be safely
omitted by the general reader.
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3. In locating works of art the name of the city will be used to
indicate its leading picture gallery, e.g.:
Bergamo, the Accademia Carrara;
of 00

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