His look was concentrated, he made striking gestures with his hands asif he were discoursing. All the others maintained an intent and expec-tant silence. I witnessed this phenomenon countless times thereafter andcame to regard it as entirely natural.
2
The scene has a strange quality, as if observed from outside a language, since weunderstand what is happening but not what is being said. Philosophically adeptas he is, Malcolm cannot decipher Wittgenstein’s meaning yet observes that theperformance gains everyone’s “respectful attention.” Malcolm thus finds him-self groping for an unknown standard of communicative success. The ratiobetween Wittgenstein’s inarticulateness and his deferential reception by otherspeaks when Wittgenstein actually falls mute. Although he only gestures “as if he were discoursing,” the audience still listens intently: they too act “as if he werediscoursing.” Malcolm must have felt like a man who does not yet know therules—“like a madman alone among people who were all normal” (as Wittgen-stein describes this kind of experience) “or a normal person alone among mad-men.”
3
After “countless” such experiences and by way of a process that Malcolmdoes not explain—perhaps a process we can only undergo ourselves, by read-ing Wittgenstein and Malcolm—he becomes one of the natives who regardssuch scenes as “natural.” Before this naturalization, it is not clear who is mad, Wittgenstein or Malcolm: the speaker who appears to communicate withoutspeech or the listener who does not know the rules for what constitutes com-munication. Wittgenstein’s weirdly functional dysfunction thus points to a tenserelation between sense and perceived force—force less articulate than rhetoricalfinesse and more like social status, aggression, or “force of personality.” In thisinstance, sense seems to rely on the acceptance of force, but effective force is notidentifiable in advance either.
Persuasion
is one of Wittgenstein’s favorite termsfor this kind of force. A madman, perhaps, is one who sees force where others seesignification, or who sees himself as signifying where others see a show of force. Wittgenstein’s nervousness about the fragility of making sense thus appearedin his tendency to detect coercion in unremarkable transactions. Such coercionis one concern of
On Certainty,
as we will see. In Wittgenstein’s life, this con-cern (as O. K. Bouwsma says) inflected his inability to “bear idle talk and unin-telligibility gladly.”
4
“Idle talk and unintelligibility”—it may not be evident what
C O M M O N K N O W L E D G E
4 6 6
2.Norman Malcolm,
Ludwig Wittgenstein: A Memoir
(Oxford: Oxford University Press, 1958), 23.3.Ludwig Wittgenstein,
On Certainty
, trans. Denis Pauland G. E. M. Anscombe, ed. G. E. M. Anscombe andGeorge Henrik Von Wright (New York: Harper and Row,1972), §420.4.O. K. Bouwsma,
Wittgenstein Conversations, 1949–1951
,ed. J. L. Craft and Ronald E. Hustwit (Indianapolis, IN:Hackett, 1986), 3; see also Malcolm,
Ludwig Wittgenstein
,30–31, 50, 53; Fania Pascal, “Wittgenstein: A Personal Memoir,” and Drury, “Some Notes on Conversations,” inRhees,
Ludwig Wittgenstein
, 42–43 and 114, respectively.His acquaintances often recall occasions when talk wastense or halting (Malcolm,
Ludwig Wittgenstein
, 29, 40; John King, “Recollections of Wittgenstein,” in Rhees,
Ludwig Wittgenstein
, 85).
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