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Sunsets and Dogshits
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Sunsets and Dogshits
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Sunsets and Dogshits
Ebook234 pages3 hours

Sunsets and Dogshits

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About this ebook

Presented as a collection of articles about apocryphal artworks, exhibitions, books, and other cultural phenomena, Sunsets and Dogshits follows the convention of a collected writings” book. Most pieces adopt a well-recognized formata catalog essay for an exhibition, a book review, or an item of sports correspondencebut at the same time they incorporate incongruous elements or attempt to see things from inverted perspectives. For example, "The Hudson Variation" is a review of a book about chess hooliganism, while "Whipping Boys" imagines the criminal memoir written from the viewpoint of professional victims, and "The George Carnegie Award" is a critical review of the writers shortlisted for the best use of a semicolon in the English language. Witty, trenchantly funny, and flittingly flirting with genres as diverse as poetry, philosophy, biography, cookbooks, volumes on municipal architecture, government investigations into national disasters, and technical manuals, Sunsets and Dogshits occupies a unique place in modern fiction.
LanguageEnglish
PublisherAlma Books
Release dateOct 1, 2008
ISBN9781846882173
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Sunsets and Dogshits
Author

Sean Ashton

Sean Ashton writes fiction, art criticism and poetry. From 2007-11, he was associate editor of MAP Magazine, and from 2012–17 wrote for Art Review. His 2007 book Sunsets (Alma Books) is a collection of reviews of imaginary artworks and books. His novel Living in a Land (Ma Bibliothèque 2017) is a fictional memoir written in sentences constructed in the negative. His book Sampler (Valley Press, 2020) is a selection of pieces from an imaginary encyclopaedia written entirely by poets. A vinyl LP of excerpts from Living in a Land has been issued with the journal Inscription (Information as Material, 2020). He has also contributed poems, essays and stories to many other publications, including Oxford Poetry, Poetry London, Poetry Ireland, the philosophy journal Collapse and the book Walking Cities. In 2017 he was awarded second prize in the International Awards for Art Criticism.

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