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    A Tale of Two Cities
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    A Tale of Two Cities
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    A Tale of Two Cities
    Ebook578 pages8 hours

    A Tale of Two Cities

    By Charles Dickens

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    About this ebook

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    LanguageEnglish
    PublisherSheba Blake Publishing
    Release dateMay 1, 2007
    ISBN9781312263529
    Author

    Charles Dickens

    Charles Dickens was born in 1812 and grew up in poverty. This experience influenced ‘Oliver Twist’, the second of his fourteen major novels, which first appeared in 1837. When he died in 1870, he was buried in Poets’ Corner in Westminster Abbey as an indication of his huge popularity as a novelist, which endures to this day.

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    Reviews for A Tale of Two Cities

    4/5

    6,809 ratings192 reviews

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    • 4/5
      It was my first Dickens, it was not my last. It was summer in Chicago and I was surrounded by lovely albeit unruly children. Oh dear, it was a struggle at times, watching three kids while my wife and their mother were in the city. Still I finished the novel over a long afternoon without drugging my charges.

      It is a story of sacrifice, maybe of redemption. I felt for everyone, zealots and drunkards alike. The concluding scaffold scene engendered tears, it has to be admitted. Is there a better novel about the French Revolution, its aspirations and its contradictions?
    • 5/5
      Suuuuuper glad I read this as an adult. I'm sure I appreciated it a lot more than I would have at 15. Not sure if it was reading via audiobook (Dickens' writing is incredibly lyrical), but I really enjoyed this book.
    • 2/5
      over rated
    • 2/5
      The French Revolution takes an interest in a family of expatriates.2/4 (Indifferent).There are some good characters (and also some terrible ones who exist purely to be noble or evil). About half the book is spent dwelling on Big Important Historical Tragedy in a way that guarantees the book is regarded as a Big Important Historical Work. A Tale of Two Cities is to Charles Dickens what Schindler's List is to Steven Spielberg.
    • 5/5
      It's been so long since I read this intense love story that much of it seemed new to me when I read it again. That's not bad. I am always attracted to Dickens' dialogue. His characters feel what they say and they distinctly say what they mean. Sydney Carton, of course, is the protagonist, he does the 18th century version of singing the blues and he's a laid back superhero. I don't mean to disdain his performance; Carton perfects his moral life in a bravely spectacular way, and the escape of Evremonde and his family really is one of literature's most unheralded anticlimaxes.For my money, Miss Pross is the heroine, a classic Dickens supporting character, so haughty, so tenderly solicitous of her Miss Lucie, so contentedly secondary, with such genius of physical and moral courage. Madame Defarge never had a chance when she went up against that pride of the English nation.A reading of Dickens is a swirl of characters you'd really like to meet.Read more on my blog: Barley Literate by Rick
    • 5/5
      A Tale of Two Cities with David Copperfield & Great Expectations acclaimed by some as one of the finest of Dickens many superb novels, however, other critics have been much less positive: It really does depend on the reader's viewpoint of Dicken's blend of historical-fiction with very well known events & and cities. It is a story that evokes the thrilling excitement and ghastly butchery of the French Revolution & all the social emotional explosion surrounding it told through the life, love and experiences of French Dr. Manette in Paris, & his daughter Lucie in London. Every student or lover of literature should have read it.
    • 4/5
      A family is caught up in the drama and terror of the French Revolution.Often I can summarize the plot of a classic, even one I have not read, because it's such a touchstone in the general culture. Not so this book. I knew the first line and the last line, but not much about what happened in between (just, blah, blah, blah, French Revolution, blah, blah, blah...). Now, having read it, I still find it a little difficult to summarize. It's a great story, full of love and sacrifice, high ideals and Revolutionary fervor. As with all of the classics I've tackled this year, I'm glad I read it -- and (which is not the case with all the classics I read this year), I'm keeping it on my shelf against the possibility of future rereadings.
    • 3/5
      A Tale of Cities. Charles Dickens. Open Road. I haven’t read any Dickens since high school and I enjoyed this as it was quite a change from the books I usually read even for book club. I enjoyed the love story and the description of life in France before and after the revolutions. Faults on both sides, friends, and Dickens showed them. I was only familiar with the first and last paragraphs of the book before I read it. And those are still the best lines. If you like to sink into Dickens, this is a good one.
    • 4/5
      This is book number 22 of the Kings Treasuries of Literature Series. Beside the text of the story itself, the book contains commentaries on: The structure of the story, the historical basis of the story, a memoir of Dickens and some notes and suggestions for student readers. As with all of these little books, it is a pleasure to hold, to see on your shelf and to read.
    • 3/5
      Probably nothing I can say that hasn't been said before: a socially-conscious novel from Dickens full of gorgeous description and startling passages of anger against the inhumanity of man. Particularly interesting to read in 2016, as the Arab world recovers from several years of revolution and the English-speaking Western world faces some surprising outsider politicians.

      Coming along in 1859, after Dickens had spent a couple of years primarily enjoying the theatre lifestyle and working for the betterment of sick children, it seems as if CD felt the need to write a historical novel to cleanse some personal creative desires. His 12th novel (and 20th important work), Two Cities doesn't seem to follow logically from the works that precede it. Unlike most of Dickens' novels, the characters here are particularly wooden (Lucie Manette just seems to faint a lot, really, and Dr. Manette and Charles exist primarily for things to happen to them) and the plot rather straightforward. I've seen it likened to Barnaby Rudge but I somewhat disagree; that book still had a lot of typical Dickensian aspects to it, even if it was ultimately a "historical novel" like this one. Still, it's a quick and entertaining read, with plenty of alternating sentimentalism and anger. The two most redeeming characters - Madame Defarge and Miss Pross - make it all worthwhile. How can anyone not adore a woman so English she refuses to cross the Channel? And Sydney Carton's final internal monologue is every bit the equal of that powerful first paragraph. Sydney is not as developed a character as those who came before, but this seems in part because he is seen through other people's eyes so often. Nevertheless, the desire to start him off so unlikable and gradually create his portrait is admirable.

      The relatively few bits of humour in the novel are less successful, because Cruncher lacks the human elements of previous grotesques but also lacks the purely "fantastic" elements that allow us to separate our sense of morals from our respect for their self-preservation. Miss Pross is good for a few laughs, admittedly! Still, for the kind of work it is, A Tale of Two Cities is a dashing good read nonetheless. Now on to the final black spot in my knowledge of his books: Our Mutual Friend!
    • 4/5
      I read this one on a plane on the way to England and actually enjoyed it. It isn't my favorite of all the Dickens I've read but it was valuable in and of itself. Everything really leads up to the last moments, which are insanely devastating in so many ways but touching. It didn't bring tears to my eyes - it didn't touch me on a deeply emotional level - but it was good. Definitely recommend.
    • 5/5
      It was the best of times, it was the worse of times, it was the age of wisdom, it was the age of foolishness… Thus starts one of my favorite books. This could have been written today, for it is so appropriate to our times! And who doesn’t know the first words of Dicken’s “Tale of Two Cities”? Well, actually I had never read it—English not being my mother tongue—and am very glad I do now. What a marvelous book. (I actually read about it in Mrs. Kantor’s excellent “Politically Incorrect Guide to English and American Literature.”) This is the story of love’s redeeming qualities: it purifies the soul, it saves the lost—the best of times; it is also the story of the horrors of the French Revolution and its many excesses and crimes—the worse of times… A tale of love and hate, of the duality of human soul, but also the endurance of good. The movies I watched based upon this book could not perfectly recreate the beauty of its very touching end: one must read it to understand its meaning in the author's own words. Dickens was certainly a Christian man and everywhere we find mentions of God; but I am inclined to believe this will not be an impediment to the agnostic or the atheist readers. Definitely a must read for its literary quality, its lessons and the unmistakable Dickensonian style.
    • 4/5
      I started this book for two main reasons. First, I read Great Expectations last year for the second time and love it. Second, I teach A.P. European History and we study the French Revolution in detail each year. Since this book is the classic novel of the time period, it only makes sense that I read it. Now that I am finished, I am truly glad that I chose to read the book. Dickens does a fantastic job of bringing out the emotions and chaos of Paris during the Reign of Terror. From the blind hatred and violence of the Defarges and their fellow "citizens", to the love and heartache of the Manette and Darnay families, I felt immersed and connected with all the characters involved. It is easy to read the history books and learn all about the Revolution, but living the story through the mind of Dickens has given me a real appreciation of what it was like.
    • 2/5
      All I can say about this book is "I got through it"! Without the spark notes, I would not have understood a single thing here, but I have officially read a classic because I wanted to, not because I was forced to.
    • 5/5
      Still one of my favorites and maybe the best last line of any book ever.
    • 2/5
      Documentair zeker waardevol, maar als roman echt mislukt.Geen doorlopende verhaallijn: de stukjes lijken nergens naar toe te voeren.Stilistisch: soms opflakkerend, maar over het algemeen flauw; overdreven toepassing van de spiegelingstechniek (Londen-Parijs, Darnay-Carton)nogal doorzichtig-sociaal gedreven
    • 4/5
      My favorite Dickens book!
    • 3/5
      I'm not really sure what to say about this; parts of it were really good, but huge chunks felt like filler. It's rather obvious that this was published as a serial; a substantial amount of it has the feelings of a "penny a page" hack type work. The overall story was good, but just so.much.crap in the middle of it.
    • 3/5
      I liked the book but I think it should have boon a little shorter and less wordy.
    • 4/5
      This book has many fine parts. Dickens' remarks about the behavior of the mob that follows the funeral cortege in London is timeless. The fight between Miss Pross and Madame Defarge is amusing yet crucial to the plot. However, Sydney Carton is not all that convincing as a dissolute, worthless rake --- he drinks a lot, has a steady if not prominent job, and has a noble and selfless passion for Lucie Manette. How bad can he really be? Should we all go looking for guillotine's to rid ourselves of our not entirely adequate lives in a noble cause? How precious are the people he sacrifices himself for anyway? Are they merely an excuse? Is this just suicide by republic?Of course, Dickens was also trying to make a political and social point about cruel injustice revenged leading to yet greater and more widespread cruelty and disregard for human life. That point is fairly timeless as well.Ian Richardson's reading is excellent...his female characters are quite astonishingly good and his accents as well.
    • 4/5
      It's good. Who knew?
    • 4/5
      Some of the coincidences are clunky and unbelievable, but that would be my own personal criticism.
    • 5/5
      It has been more than ten years since I've read this and in truth I cam to re-reading it in the strangest way - it was referenced in a YA novel and I was reading that and I remembered how much I had loved this book and decided it was past time I read it again and saw if it was as good as I remembered.

      As it was - it was every bit as good as my teenage memories led me to believe and if anything it just got more tragic as I aged. I am the first to admit that I find Dickens extremely hit and miss as an author, which I know is bordering on blasphemous in some circles, but it is really true for me. His prose is often too flowery, his characters too unsympathetic and the novels too bleak to warrant the attention they require. This, based on the subject, should be in that category yet somehow it rises above the potential traps. We have a dark subject, a truly tragic hero, a rather unsympathetic and/or unlucky counter hero who gets bailed out, along with a rather bland heroine yet despite all that the book and the story rises above it all. The opening and closing lines are two of the most perfect lines in literature and everything in between just works.

      There are faults, yet somehow they don't really detract from the story. Maybe I'm biased, but even some of the irritating moments (Lucie is just one of those characters you roll your eyes at and deep down you want to know how she can justify sending another man to his death when her husband had knowingly endangered his own life in the first place) yet I find myself willing to overlook it. There are also parts of the book that are driven by plot other than characterisation and that jars a little. When Charles abandons his wife and child to go on a suicide mission I know we are supposed to be sympathetic of his goodness, but you just want to strangle him for his martyr complex and other moments that in a lesser story I would have judged more harshly. As it was, I overlook the flaws and concentrate on the good stuff and the good stuff is very, very good.

      This is a book I would recommend to anyone, and even if Dickens intimidates you, give it a try. It is a beautiful book with a wonderful story and one of those characters you will grow to love and will stay with you long after you finish.
    • 4/5
      I've no idea why it took me so long to get around to this, but I really enjoyed it. Dickens is a very skilled storyteller. No wonder people got so caught up in his serials.
    • 4/5
      My only recorded comment while reading this was: "Dickens writes in a Victorian style, even if he is a big author." I think the reason I remember the story is not because I read the book but because I heard it dramatized on Cecil B. DeMille's Lux Radio Theater before I read the book.
    • 4/5
      There is a reason Dickens is great. And this is one of those reasons.
    • 5/5
      Summary: Ahhh Dickens and one of my favorites.
    • 5/5
      I re-read this after first reading it about 12 years ago in high school. I remembered it as a slow burner, taking a while to build momentum but having an unforgettable ending, and I was pleased to find that I like it more on the 2nd read. I'm now in a position to appreciate the more subtle literary flourishes that Dickens employed -- all of the wonderful foreshadowing, and social commentary through satire and irony. It's an intensely satisfying read, with a wonderful story and memorable characters, less cartoonish than any of his previous works. Sydney Carton is the tragic hero of modern times, and his devotion to Lucie is a beautiful thing to witness. The characters help make the emotional impact of the story stronger than almost any other book I've ever read. Sure it's cheesy, and very contrived in all of the coincidental meetings among characters, but it's toned down as far as Dickens go. The last two pages equal those of 100 Years of Solitude as my favorite all-time endings.

      I'm almost done with reading all of Dickens' later works. And of Bleak House, Hard Times, Little Dorrit, and this, Tale is my favorite, followed closely by Bleak. List subject to change, as I still have Great Expectations and Our Mutual Friend to go.
    • 5/5
      How do you describe a classic other than to explain the writing? How do you explain the writing without having to explain the upsetting circumstances surrounding the characters involved? The last part is easy, as is the case with the classics, most know already that A Tale of Two Cities is set in the time of the French Revolution. It begins in good times, but ends on the opposite end of the spectrum, while still finding a way to give hope to those turning the pages of history.There are visuals within these pages that will touch any reader, clear and beautiful in their wording. However, in keeping with the dual nature of things, there are also visuals that will touch the reader holding the sadness and horror of what had come about during the time of multiple executions. Life changes for many this book touches, that includes those holding it in their hands.
    • 4/5
      Difficult read at times, but worth the effort. Really good tale of wartime France with multiple viewpoints weaved together.