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La silla de plata: The Silver Chair (Spanish edition)
La silla de plata: The Silver Chair (Spanish edition)
La silla de plata: The Silver Chair (Spanish edition)
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La silla de plata: The Silver Chair (Spanish edition)

Rating: 4 out of 5 stars

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This high-quality Spanish-language book can be enjoyed by fluent Spanish speakers as well as those learning the language, whether at home or in a classroom.

Aquí está el ebook español de La silla de plata, libro seis en la serie clásica de fantasía, Las crónicas de Narnia. Esta versión ofrece dibujos esplendidos en blanco y negro dibujado por la ilustradora original, Pauline Baynes. Entre peligros indecibles y cavernas profundas y oscuras, unos amigos noble son enviado a liberar un príncipe captivo. Pero su misión para Underland les trae cara-a-cara con un mal más bello y más letal de lo que ellos nunca esperaban. La silla de plata es el sexto libro de la serie clásica de fantasía de C.S. Lewis, la serie que ha estado dirigiendo gente de todas edades a una tierra mágico con personajes inolvidables. Esta es una novela sola, pero si quieres regresar a Narnia, lees La última batalla, el septo y último libro de Las crónicas de Narnia.
LanguageEspañol
PublisherHarperCollins
Release dateDec 4, 2012
ISBN9780062246707
La silla de plata: The Silver Chair (Spanish edition)
Author

C. S. Lewis

Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a fellow and tutor in English Literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement.

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Reviews for La silla de plata

Rating: 4.152777777777778 out of 5 stars
4/5

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  • Rating: 5 out of 5 stars
    5/5
    Excelente historia y genial final, siempre es un gusto volver a Narnia.
  • Rating: 4 out of 5 stars
    4/5
    Me gustó muchísimo, quiero volver a leer toda la saga antes de el último para sentirme mejor.
  • Rating: 5 out of 5 stars
    5/5
    Una hermosa pieza de literatura. C.S. Lewis muestra una vez mas sus dotes de escritor maduro y nos lleva de la mano de los niños Eustace y Jill a traves de una maravillosa aventura, donde tendrán que encontrar al príncipe perdido Rilian, hijo del rey Caspian X.
  • Rating: 4 out of 5 stars
    4/5
    Imagine an edition that looks like this, but instead of Puddleglum on the cover it's the chair. Imagine the book on one of the little display easels in an elementary school library in a tiny town in rural Wisconsin. Now imagine a young girl, an avid reader who is going through the library with no guidance coming upon that. Well, I was that little girl. And I intrigued enough to pick it up and dive right in. Only well into the book did I realize it was part of a series. My first thought was one of relief - oh, yay, I'm coming in after a lot has already happened, my confusion is natural and not stupidity. My second thought was, of course, now it's time to read the whole set. Thank goodness for browsable libraries of physical books - who knows when I'd have encountered this otherwise.
  • Rating: 2 out of 5 stars
    2/5
    The penultimate Narnia book in ‘reading order’ sees Eustace (from The Voyage of the Dawn Treader) enter Narnia again to help find Price Rilian, King Caspian the tenth’s son, who has been missing for some years. This time Eustace takes with him a school acquaintance called Jill Pole. Jill is being bullied at their laid-back, progressive school and Eustace finds her crying and hiding from a bunch of girls. He tells her about Narnia and as they run to hide from the bullies, they open a gate on the school boundary and find themselves on a cliff in Aslan’s country where they meet the great lion. Eustace falls from the cliff and Aslan blows him to safety in Narnia. He then gives Jill four signs that will enable the pair to rescue Rilian, and so begins an adventure that will lead them through many perils on their quest to do Aslan’s bidding.

    I quite enjoyed this story, if only for the character of Puddleglum, a pessimistic ‘Marsh Wiggle’ based on Lewis’ gardener, Frederick Paxford, a man whom Lewis’ stepson, Douglas Gresham described as "always ready to say the most depressing things and apparently to take the gloomiest attitude to everything while at the same time to expect everything to turn out well." However, yet again it failed to live up to the first two (in ‘reading order’) – the spirit of which Lewis didn’t seem to capture as well in my humble opinion.
  • Rating: 3 out of 5 stars
    3/5
    Knock knock.... Hi yeah this is a kids book and there is not one moment where anything even remotely funny happens..... Good story and good characters but come on! I want my kids to enjoy life.
  • Rating: 5 out of 5 stars
    5/5
    This book would be good to use when talking about following instructions, even when you do not know what they mean. I think students would like this book because of the strange adventure the characters go on underground.
  • Rating: 5 out of 5 stars
    5/5
    Eustace Scrubb and his classmate Jill Pole escape some bullies and are transported to Narnia where they join up with Marsh-wiggle Puddleglum to find King Caspian's missing son, Prince Rilian, who has been kidnapped by The Green Lady. This was one of my favorite books as a child and, although the religious allusions are too heavy-handed for an adult, every time I reread it, Eustace and Jill bring me the same joy they always have. This, and the other books in the series, will be on my to-reread list for the rest of my life. This audio version is brilliantly read by Jeremy Northam.
  • Rating: 2 out of 5 stars
    2/5
    These books have an aura of sexism and contempt for modernity that, frankly, sucks.
  • Rating: 3 out of 5 stars
    3/5
    Aslan was irritating as usual. His signs were pointless and I couldn't remember them any better than Jill could.The ancillary character, Puddleglum, was probably one of the best. The contrast of the speech of the different characters, Prince Rillian's princely, Eustace and Jill's that of schoolchildren, Puddleglum's glum, and so forth, was fun.The world the children come from is still post-war, with rationing and so forth. The description of the school is just an opportunity for C. S. Lewis to let his reactionary spleen loose on people who make their living by being responsible for the bringing up of children.
  • Rating: 4 out of 5 stars
    4/5
    This is one of my favourite Narnia stories. Eustace Stubbs, considerably better since his time as a dragon in "Dawn Treader" goes on a rescue mission to a very creepy place. he succeeds, and we do get to meet Puddleglum, a great depressive. (Tom Baker put in a great performance in a BBc episode of the Chronicles.)
  • Rating: 5 out of 5 stars
    5/5
    My favorite book of my favorite series. Just listened to it again on audiobook, I have probably read/listened to it over ten times. It never gets old and I'm am about ready to start again.
  • Rating: 3 out of 5 stars
    3/5
    Prince Rilian is the next in a series of chivalrous and utterly uninteresting Narnian royalty. The book is not really about him, though, as Scrubb, Pole and Puddleglum are the real heroes. The books about the Pevensies have a distinctly different tone, since they're about siblings. In the Lion, the Witch and the Wardrobe, you love Lucy immediately because she is the little sister. In this book the protagonists have an opportunity to get to know each other, and so the reader has a chance to get to know them, as well. And unlike in The Horse and His Boy, the characters are vaguely realistic (a fatalistic guardian and his two school-aged charges) instead of exotic.
  • Rating: 3 out of 5 stars
    3/5
    This book (which, despite the description in the title above, is actually the fourth book in the Narnia series) was okay, but not great. I enjoyed "Voyage of the Dawn Treader" much more. This one involved no battles and not much fantasy, only a simple search-and-rescue with a few twists and turns. I'm hoping the next book in the series, "The Horse and His Boy," is better. However, there was one passage with a really, really wonderful and insightful comment by one of the main characters showing how believing in Heaven and Christ is always better than the alternative of atheism.
  • Rating: 5 out of 5 stars
    5/5
    one of my fave of the series. I like the relationship between Eustace & Jill & also the marsh wiggle. Who was pretty funny :)
    I dont like the prince he's kind of annoying but overall the book has some strong characters who you root for, a great adventure & some monsters :)
    & more stuff.

    One thing I dont get. Why did aslan change into a lamb.. random..
  • Rating: 4 out of 5 stars
    4/5
    As much as I enjoy this book, I'll say the Pevensies have always been my favorite characters in The Chronicles of Narnia, so having a book centered solely on Eustace and Jill doesn't make me LOVE the book in the same way. I did really enjoy the introduction of Jill and it was nice to see Eustace post-Voyage of the Dawn Treader. Also wins points for Puddleglum.
  • Rating: 5 out of 5 stars
    5/5
    This is one of my favorite Narnia book!
  • Rating: 5 out of 5 stars
    5/5
    Somehow, although read many times, I had never truly realized that the hero of the story is Puddleglum Eustice and Jill are interesting, but they never really propel things forward. It is Puddleglum that, in his own quirky way, provides the moral foundation of the story and he is the one who holds it together. Most of the memorable scenes are centered on Puddleglum That being said, one of my favorite scenes does not involve him - it is the resurrection of Caspian at the end of the book. It can still put chills down your spine (in a good way).As with all of the Narnia stories it is good from 9 to 90 and is highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    Great series, I loved these as a kid. Read them over and over again.
  • Rating: 3 out of 5 stars
    3/5
    The last two books are definitely not in line for my favourites. There are various factors -- one of which is simply that I don't like seeing Narnia come to an end! But the main one is that I don't find Jill, Eustace and Puddleglum that compelling as main characters. Or Rillian, for that matter, even though he's Caspian's son. They're quite realistic and human, and lack the nobility that Peter, Susan, Edmund and Lucy have, I think. Perhaps too realistic. I want to kick Jill a lot of the time for making excuses and not doing what she knows is right. Nobody else is much better. Puddleglum is an interesting idea for a character, but I don't find him that compelling.

    It doesn't help that this book is fairly dreary. Snow, stone, cold, giants, underground, sunless seas... there are some beautiful, beautiful sections, like the description of Bism, and little gems about Narnia, like about how serious it is to ask a centaur to stay for the weekend. Overall, though, I find it hard to get into and sympathise with the characters.

    I do find myself tearing up, even now, at Caspian's death and renewal.
  • Rating: 3 out of 5 stars
    3/5
    Eh, Narnia. I just can't warm to it. Too episodic, and I always end up tripping over the allegory. After seeing a documentary that posits that each Narnia book corresponds to one of the planets in the medieval understanding of the cosmos, I picked up The Silver Chair because it was the next one in order I hadn't yet read. I might just get the book which inspired the documentary ([Planet Narnia]) and put the rest of the Chronicles aside. I don't know. I want to like them. I'll allow as how this one held my attention more than the dreadful, interminable Voyage of the Dawn Treader. Blee.
  • Rating: 5 out of 5 stars
    5/5
    Narnia ... where giants wreak havoc ... where evil weaves a spell ... where enchantment rules.Through dangers untold and caverns deep and dark, a noble band of friends are sent to rescue a prince held captive. But their mission to Underland brings them face-to-face with an evil more beautiful and more deadly than they ever expected.
  • Rating: 5 out of 5 stars
    5/5
    Once again C.S. Lewis went beyond the borders of Narnia for another "Narnian" book - and once again, he came up with a new character with enormous humor and appeal for children.

    In this case, the character is Puddleglum the Marsh-Wiggle. He guides Jill Pole and Eustace Scrubb as they "follow the signs" on a quest given them by Aslan. They must rescue the lost Prince Rilian, son of Prince Caspian.

    There are several points at which characters are irritatingly oblivious to the obvious, throughout the book. I'll give no spoilers, but they're rather obvious. And Aslan comes off as something of a nagging wanker; what's with the mysterious "signs"? Jerking people around with hints and confusing portents may represent some sort of divine test of their moral fiber, but in my book it's just irritating. As Lewis himself seems to realize, since Aslan says at the end "I shall not always be scolding."

    It's towards the very end of the book that we get a flash of that imagination that made The Voyage of the Dawn Treader such a refreshing change in the Narnia series. The deep land of Bism sounds quite interesting, and I wish Lewis had set a Narnia story there.

    All in all, The Silver Chair is quite an exciting and well-told story. It's clear that Lewis' considerable talents as a writer continued to develop over time. The later Narnia books are better than the earlier ones, although The Lion, the Witch, and the Wardrobe does have a special quality that makes it particularly memorable.

    (As always, I must note that recent editions have been burdened with an incorrect ordering by the publisher. The books should be read in the order in which they were written and published, NOT the order indicated by the numbering of modern editions. The publisher's recommended order spoils many of the nicest surprises, and I regard it as pure idiocy.)

    One small point, however: there are a number of rather dated Briticisms which have changed greatly in meaning since The Silver Chair, at least in the United States. I had a hard time keeping a straight face while reading some of them aloud.

    For example, within seven pages I found these three gems:
    "Gay," said Puddleglum with a deep sigh. "That's what we've got to be. Gay." ...

    "All right. Gay's the word," said Scrubb. "Now, if we could only get someone to open this door. While we're fooling about and being gay, we've got to find out all we can about this castle."
    and
    She made love to everyone - the grooms, the porters, the housemaids, the ladies-in-waiting, and the elderly giant lords whose hunting days were long past them. She submitted to being kissed and pawed about...
    and
    ...the children soon took no more notice of it than you would of hooters outside the window...
    It is, of course, dreadfully unfair of me to take these quotes out of context. They had quite a different meaning back when C.S. Lewis wrote them, and in context, they're quite innocent. Still, they were a bit unsettling to come across when I read them aloud. As I recall, I changed "made love to" to "made friends with" on the fly.

    There are similar examples in some of the other Narnia books, but The Silver Chair is the most extreme case.

    I might also mention the BBC television adaptation of this book. It featured Tom Baker (best known as Doctor Who) in the role of Puddleglum, and he did his usual outstanding job. But some of his best lines were cut, which surprised me - particularly since my rendition of them while reading to my son earned me some very enthusiastic laughs.
  • Rating: 4 out of 5 stars
    4/5
    I love that Lewis introduces us to a new protagonist in nearly every book so that, in introducing Narnia to that character he is re-introducing it to us. Unlike most series of today, Lewis doesn't waste his time repeating lots of information from books past, which I love. Instead, he adds even more detail to Narnia -- introducing more characters and more layers to the strange world.

    Puddleglum may be my favorite character in any of the books I've read so far of the series and Eustace and Jill make for fantastic substitutions for the Pevensies.
  • Rating: 3 out of 5 stars
    3/5
    This one isn't as good as the others. It's a little too predictable, and some of its moral points are a bit trite. So so.
  • Rating: 4 out of 5 stars
    4/5
    In The Silver Chair we return to Narnia with Eustace Scrubb (the tag-along cousin of the Pevensie's in Voyage of the Dawn Treader). Some time has passed since Dawn Treader and Eustace is at a boarding school. As the book begins, he's just run across a classmate Jill Pole who's crying after being bullied. They are commiserating together about how awful school is and how nice it would be to get away. Eustace starts romanticizing his times in Narnia and before long the two children want to go there. At the same time, the group of bullies is rapidly approaching to continuing their bullying efforts. They find themselves cornered by a door that is always locked. In desperation they try the handle, and it is surprisingly unlocked…and whisks them away to Narnia.Like the previous books, Eustace and Jill are a bit disoriented and unsure of their location upon arriving. In this instance, they aren't in the kingdom of Narnia but rather high high high up in the kingdom of Aslan Himself. This introduction to the world seemed more unique than some of the other entrances to this mystical land. Eustace and Jill find themselves perched on a cliff so high that they aren't entirely sure what they're looking at below them. They encounter Aslan and are given a quest before being blown off (quite literally) to the kingdom of Narnia.Aslan gives the children a quest to find and return the long lost prince. We learn that the prince is the son of Prince Caspian from the previous two adventures. Eustace is a little dismayed that he didn't get to talk to Caspian and he's also surprised to find that Caspian is now an old man on the verge of death. We learn that the prince went missing after seeking revenge for his mother's death. Many quests were undertaken to find him, but years later there has been no success.The children seek allies to help in their quest and are guided into the company of a Marsh Wiggle named Puddleglum. I loved the character of Puddleglum. First of all, the Marsh Wiggle creature characteristics are fun in themselves just physically. As a character Puddleglum is a lot of fun because of his personality and the way he interacts with everything. To some degree, he seems to be the eternal pessimist, always imagining the worst possible outcomes to any situation. At the same time, he often finds the most realistic perspective (once you shave away some of the more unlikely scenarios). He also has a bravery and insight that really helps the kids out along the way.As part of their instructions, Aslan provided certain signs that would help them on their way. They continually "muff up" finding or recognizing the signs until it's too late. Naturally this makes the adventure a lot more interesting, but it certainly frustrates matters for the group.As the kids encounter various people, creatures and clues along their way most of the time I found the encounters to be fairly predictable (even though the kids and Puddleglum didn't immediately jump to the obvious conclusion). Still, the encounters were pretty fun. There were a lot of different elements and adventures throughout the story. Each new area was unique and interesting. I found it interesting that we make our way almost to the very end of the book before we come upon the source of the title…The Silver Chair. While it played a key element in the story, I really would like to have had a little more development of the Chair. To learn more about it. To perhaps have found another object, weapon or item that used the same magic as the Chair. I really found it to be very interesting. I also loved the final confrontation with the witch. That whole scene was lightly suspenseful and creepy the way she wrapped them in her spell.After the successful conclusion of the adventure, I was a little surprised at the sort of postlogue encounter with Aslan and Caspian. As far as the plot of the story, it was completely unnecessary, but it did provide the author with a chance to expand his allegorical allusions. I felt like the God allegories for Aslan were more heavy handed than they'd been in previous books. Granted, there were some pretty overt situations in the earlier books as well, but this time it felt like Lewis was pulling the curtain back even a little farther in case you didn't happen to catch on earlier. He doesn't explicitly say anything overly religious, but the allegory felt even more straightforward to me in this book than it had in the earlier novels.I really enjoyed this story. As I said, I found a number of the elements to be predictable and I would liked to have seen some elements (especially the Chair) to have been developed a bit more. But overall, this was a lot of fun. I especially loved the characterizations in this book, particularly Puddleglum. They were super fun.This is a great addition to the Narnia adventures and makes me look forward to the conclusion in The Last Battle.****4 out of 5 stars
  • Rating: 3 out of 5 stars
    3/5
    Incredibly imaginative and beautiful. If you are religious, you can enjoy the immense allegory in the series, if not, enjoy it for the marvel that it is.This is my least favorite of the series. It's just very awkward and unusual. When I saw the movie version, I was embarrassed to have my mother walk in on me watching it; the book was the same, just a quieter embarrassment.
  • Rating: 5 out of 5 stars
    5/5
    Eustace Scrubb ventures back to Narnia with his schoolmate Jill Pole. There they are sent on a mission to rescue Prince Rilian, who has been kidnapped by an evil witch. This is another lovely installment of the Chronicles of Narnia. Very cute.
  • Rating: 4 out of 5 stars
    4/5
    I was unaware of C.S. Lewis' Cristian interests when I read the book and was able to enjoy it without the association. Fantasy has never been my favorite genre, I had tried to read his first book in the series as a teen and was left uninterested. Reading this book as as adult though, I was able to see the beauty in it. I found it a warm, imaginative creation. It dealt with friendship and bravery, and thoughtful clues to a great puzzle.
  • Rating: 5 out of 5 stars
    5/5
    Studying the Word. Depending on God's Sovereign will. These are two theological concepts that are at the center of our relationship with out Lord, Savior, and *Treasure* (as John Piper urges us to think) Jesus Christ. These themes are explored, along with many others, in C. S. Lewis's *The Chronicles of Narnia: The Silver Chair*. As the story starts, two children are desperately fleeing from bullies who are picking on them at a boarding school in England. They are young Eustace Scrubb (who first went to Narnia with his cousins, Edmund and Lucy Pevensie, in the previous book) and his schoolmate, Jill POle. In an attempt to cheer up his friend, Eustace tells her about Narnia. They get this idea to flee to Narnia, and do a pseudo-religious ceremony. Of course, it doesn't work, but then when they are trapped, and despair of escaping the mocking (and possbily beating), they find a doorway into Narnia. Stunned, they enter, and the adventure starts. This well-loved children's story is one that has taught so many young children, and their adult family members, the lessons of trust in, and faithfulness to, our Heavenly Father. When Jill is given the signs to find the lost Prince, missing son of King Caspian, and heir to the Narnian throne, she must memorize them. She is admonished by Aslan to always recite them to herself, and never forget them. At first, she complies, but as the quest becomes more and more difficult, she soon gives up on them. Many *may* be tempted to condemn Jill, but really she is a picture of all of us. We all forget to memorize and keep track of our own signs, God's Word. As the children soon discover, once we repent, God will be sure to set us on the right path. Not to say that there will not be discipline, but set us aright, He will. The children and their Narnian guide and companion, Puddleglum the Marsh-Wiggle, discover that even after they messed up, that Aslan's signs are still useful. Indeed, Aslan anticipated and prepared for the recalcitrance of the servants he chose out to send on the journey. He is in control. As the Great Lion Himself told young Jill Pole, they only called to Him, because He first called to them. That is one of the deepest truths of the Scriptures. Often we think that we are capable of calling to God, or desiring Him, when really it is *Him* calling to *us*. God constantly awakens our hearts and desires. He resurrects our souls to accept Him to salvation, and then continues to awaken our base, carnal desires. Indeed, every one of us has a pivotal part (even when sometimes it may seem small to us in our limited vantage point of our own, finite bodies and minds) to play in the King of the Universe's grand plan, in His grand drama. when we *think* that we chose Him, He really chose us. When we think that we called to Him to allow us to enter His presence and serve Him, He really called us to Himself for these purposes. The exciting part of all of this, as the children discover, is that He ensures that we only have what we can handle. Sometimes it may seem tedious or be truly painful, or our brothers and sisters in the faith may seem boring or unlikable, but they are what and who He gives to us to help us out. Just as the children discover this with their resources they bring to the table and with their Marsh-Wiggle friend, so we too discover this as well. Beyond this wonderful story and the lessons behind it, is the vivid descriptions of the world that Lewis created. One almost finds oneself transported to this area of lush, green grass; cold, wet snow; frightening giants; and wonderful, hearty food. Like almost no other author, Lewis could really describe these externals that most writers and readers don't even pay attention to. This is sad that more authors today do not try to learn to write about these facets of a good story, for they really add to the overall pleasure of reading. Finally, characters are my major focus when I read any work. I love good, well-rounded characters, and Scrubb, Pole, and Puddleglum are just that. These characters are, even more than the Pevensies in my opinion, truly accessible to the reader. You see yourself in their foibles. Your own doubts, fears, and issues with trusting God. Given some of Lewis's biographical information, as revealed in his intellectual autobiography *Surprised by Joy: The Shape of My Early Life*, this is likely due to Lewis's own experiences. He put into Scrubb and Pole the vulnerabilities that he himself had. We can be grateful that he did, for it gave us a rich and rewarding story, and great Biblical lessons. Highly Recommended.

Book preview

La silla de plata - C. S. Lewis

CAPÍTULO 1

Detrás del gimnasio

Era un día desapacible de otoño y Jill Pole lloraba detrás del gimnasio.

Lloraba porque se habían reído de ella. Éste no va a ser un relato escolar, de modo que contaré lo menos posible sobre el colegio de Jill, pues no es un tema agradable. Era un centro coeducacional, una escuela tanto para chicos como para chicas, lo que se daba en llamar una escuela «mixta»; había quien decía que el problema no era la mezcla de alumnos sino la confusión mental de los que la dirigían. Eran personas que pensaban que había que permitir a los alumnos hacer lo que quisieran; y, por desgracia, lo que más gustaba a diez o quince de los chicos y chicas mayores era intimidar a los demás. Ocurrían toda clase de cosas, cosas horrendas, que en una escuela corriente habrían salido a la luz y se habrían zanjado al cabo de medio trimestre; pero no sucedía así en aquélla. O incluso aunque sí se desvelaran, a los alumnos que las hacían no se les expulsaba ni castigaba. El director decía que eran casos psicológicos muy interesantes y los hacía llamar a su despacho y conversaba con ellos durante horas. Y si uno sabía qué decirle, acababa convirtiéndose en un alumno favorito en lugar de todo lo contrario.

Por ese motivo lloraba Jill aquella desapacible tarde de otoño en el sendero húmedo que discurría entre la parte trasera del gimnasio y la zona de arbustos. Y seguía llorando aún cuando un niño dobló la esquina del gimnasio silbando, con las manos en los bolsillos, y casi se dio de bruces con ella.

—¿Por qué no miras por dónde vas?—lo increpó Jill Pole.

—Vale, vale—respondió él—, no es necesario que armes …—Y entonces le vio el rostro—. Oye, Pole, ¿qué sucede?

La niña se limitó a hacer muecas, de esas que uno hace cuando intenta decir algo pero descubre que si habla empezará a llorar otra vez.

—Es por «ellos», supongo … como de costumbre—dijo el muchacho en tono sombrío, hundiendo aún más las manos en los bolsillos.

Jill asintió. Sobraban las palabras, así que no habría dicho nada incluso aunque hubiera podido hablar. Los dos lo sabían.

—¡Oye, mira!—siguió él—, de nada sirve que todos nosotros …

La intención era buena, pero realmente hablaba como quien está a punto de echar un sermón, y Jill se enfureció; algo bastante frecuente cuando a uno lo interrumpen mientras llora.

—Anda, ve y ocúpate de tus asuntos—le espetó la niña—. Nadie te ha pedido que te entrometas, ¿no es cierto? Y, precisamente, no eres quién para andar diciendo a la gente lo que debería hacer, ¿no crees? Supongo que lo que quieres decir es que deberíamos pasarnos todo el tiempo admirándolos y congraciándonos y desviviéndonos por ellos como haces tú.

—¡Ay, no!—exclamó el niño, sentándose en el terraplén de hierba situado al borde de los matorrales y volviéndose a incorporar a toda prisa ya que la hierba estaba empapada. Su nombre, por desgracia, era Eustace Scrubb, pero no era un mal chico.

—¡Pole!—dijo—. ¿Te parece justo? ¿Acaso he hecho algo parecido este trimestre? ¿Acaso no me enfrenté a Carter por lo del conejo? Y ¿no guardé el secreto sobre Spivvins? … ¡y, eso que me «torturaron»! Y no …

—No, no lo sé ni me importa—sollozó Jill.

Scrubb comprendió que todavía seguía muy afectada y, muy sensatamente, le ofreció un caramelo de menta. También tomó uno él. De inmediato, Jill empezó a ver las cosas con más claridad.

—Lo siento, Scrubb—dijo al cabo de un rato—, no he sido justa. Sí que has hecho todo eso … este trimestre.

—Entonces olvídate del curso pasado si puedes—indicó Eustace—. Era un chico distinto. Era … ¡Cielos! Era un parásito con todas las letras.

—Bueno, si he de ser franca, sí lo eras—manifestó Jill.

—¿Crees que he cambiado, entonces?

—No lo creo sólo yo—respondió la niña—. Todo el mundo lo dice. También «ellos» se han dado cuenta. Eleanor Blakiston oyó a Adela Pennyfather hablando de eso en nuestro vestuario ayer. Decía: «Alguien le ha hecho algo a ese Scrubb. No está nada dócil este curso. Tendremos que ocuparnos de él».

Eustace se estremeció. Todo el mundo en la Escuela Experimental sabía qué quería decir que «se ocuparan de alguien».

Los dos niños permanecieron callados unos instantes. Gotas de lluvia resbalaron al suelo desde las hojas de los laureles.

—¿Por qué eras tan diferente el curso pasado?—inquirió Jill.

—Me sucedieron gran cantidad de cosas curiosas durante las vacaciones—respondió él en tono misterioso.

—¿Qué clase de cosas?

Eustace no dijo nada durante un buen rato. Luego contestó:

—Oye, Pole, tú y yo odiamos este lugar con todas nuestras fuerzas, ¿no es cierto?

—Por lo menos yo sí—dijo ella.

—En ese caso creo que puedo confiar en ti.

—Me parece estupendo por tu parte.

—Sí, pero voy a contarte un secreto impresionante. Pole, oye, ¿te crees las cosas? Me refiero a cosas de las que aquí todos se reirían.

—Nunca he tenido esa oportunidad, pero me parece que las creería.

—¿Me creerías si te dijera que estuve totalmente fuera del mundo, fuera de este mundo el verano pasado?

—No sé si te entendería.

—Bien, pues dejemos de lado eso de los mundos, entonces. Supongamos que te digo que he estado en un lugar donde los animales hablan y donde hay … pues … hechizos y dragones …, y … bueno, toda la clase de cosas que encuentras en los cuentos de hadas.—Scrubb se sintió muy azorado mientras lo decía y enrojeció sin querer.

—¿Cómo llegaste ahí?—quiso saber Jill, que también se sentía curiosamente vergonzosa.

—Del único modo posible … mediante la magia—respondió Eustace casi en un susurro—. Estaba con dos primos míos. Sencillamente fuimos … trasladados de repente. Ellos ya habían estado allí.

Puesto que hablaban en susurros a Jill le resultaba, en cierto modo, más fácil creer todo aquello; pero entonces, de pronto, una terrible sospecha se adueñó de ella y dijo, con tal ferocidad que por un instante pareció una tigresa:

—Si descubro que me has tomado el pelo jamás te volveré a hablar; jamás, jamás, jamás.

—No te tomo el pelo—respondió Eustace—, te lo juro. Lo juro por … por todo.

(Cuando yo iba a la escuela uno acostumbraba a decir: «Lo juro por la Biblia». Pero en la Escuela Experimental no se fomentaba el uso de la Biblia.)

—De acuerdo—dijo Jill—, te creeré.

—Y ¿no se lo dirás a nadie?

—¿Por quién me tomas?

Estaban muy emocionados cuando lo dijeron. Pero a continuación Jill miró a su alrededor y vio el nebuloso cielo otoñal, escuchó el gotear de las hojas y pensó en lo desesperado de la situación en la Escuela Experimental—era un trimestre de trece semanas y todavía quedaban once—, y no pudo evitar decir:

—Pero a fin de cuentas, ¿de qué sirve eso? No estamos allí: estamos aquí. Y está claro que no podemos ir a Ese Lugar. O ¿sí podemos?

—Eso es lo que me preguntaba—repuso Eustace—. Cuando regresamos de Ese Lugar, alguien dijo que los dos Pevensie, mis dos primos, no podrían regresar nunca más. Era la tercera vez que iban, ¿sabes? Supongo que ya cubrieron su cupo. Pero no dijo que yo no pudiera. Seguramente lo habría dicho, a menos que su intención fuera que yo regresara. Y no dejo de preguntarme: ¿podemos … podríamos …?

—¿Te refieres a hacer algo para conseguir que suceda?

Eustace asintió.

—¿Quieres decir que quizá podríamos dibujar un círculo en el suelo … y escribir cosas con letras raras dentro … y meternos en él … y recitar hechizos y conjuros?

—Bueno—respondió Eustace después de reflexionar intensamente durante un rato—, creo que yo también pensaba en algo así, aunque nunca lo he hecho. Además, ahora que lo pienso mejor, los círculos y cosas como ésas me dan un poco de repugnancia y no creo que a él le gustaran. Sería como obligarlo a hacer cosas, cuando en realidad sólo podemos pedirle que las haga.

—¿Quién es esa persona que no paras de mencionar?

—En Ese Lugar lo llaman Aslan—repuso él.

—¡Qué nombre más curioso!

—Ni la mitad de curioso que él mismo—indicó Eustace en tono solemne—. Pero sigamos. No hará ningún daño pedirlo. Coloquémonos el uno al lado del otro, así. Y extendamos las manos con las palmas hacia abajo: como hicieron ellos en la Isla de Ramandu …

—¿La isla de quién?

—Ya te lo contaré en otra ocasión. Y a lo mejor le gustaría que miráramos al este. Veamos, ¿dónde está el este?

—No lo sé—respondió Jill.

—Resulta sorprendente que las chicas nunca sepáis dónde están los puntos cardinales—observó Eustace.

—Tampoco lo sabes tú—respondió ella, indignada.

—Sí que lo sé, sólo que no dejas de interrumpirme. Ya lo tengo. Ahí está el este, en dirección a los laureles. Bien, ¿repetirás las palabras después de mí?

—¿Qué palabras?

—Las palabras que voy a decir, claro—respondió él—. Ya …—Y empezó a repetir—: ¡Aslan, Aslan, Aslan!

—Aslan, Aslan, Aslan—repitió a su vez Jill.

—Por favor, déjanos entrar en …

En aquel momento se oyó una voz desde el otro lado del gimnasio que gritaba:

—¿Pole? Sí, sé dónde está: lloriqueando detrás del gimnasio. ¿Voy a buscarla?

Jill y Eustace intercambiaron una veloz mirada, se metieron bajo los laureles y empezaron a gatear por la empinada pendiente de tierra de la zona de arbustos a una velocidad muy meritoria por su parte, pues, debido a los curiosos métodos de enseñanza de la Escuela Experimental, uno no aprendía demasiado Francés, Matemáticas, Latín o cosas parecidas; pero sí aprendía cómo escabullirse de prisa y sin ruido cuando «ellos» te buscaban.

Tras gatear durante un minuto se detuvieron a escuchar, y supieron por los sonidos que les llegaron que los seguían.

—¡Si al menos la puerta volviera a estar abierta!—exclamó Scrubb mientras seguían adelante, y Jill asintió.

En la parte superior de la zona de matorrales había un muro de piedra muy alto y en la pared una puerta por la que se podía salir al páramo. Aquella puerta estaba casi siempre cerrada con llave, pero en determinadas ocasiones había aparecido abierta; o tal vez sólo había ocurrido una vez. Sin embargo, se puede imaginar cómo el recuerdo siquiera de una única vez hacía que los alumnos mantuvieran la esperanza y siguieran probando la puerta por si acaso; pues si por casualidad uno se la encontrara abierta sería un modo magnífico de salir del recinto de la escuela sin ser visto.

Jill y Eustace, muy acalorados y sucios por haber tenido que avanzar casi a gatas bajo los laureles, alcanzaron la pared jadeantes. Y allí estaba la puerta, cerrada como de costumbre.

—Seguro que no servirá de nada—declaró Eustace con la mano en la manilla; y a continuación—: ¡Caray!—Pues el picaporte giró y la puerta se abrió.

Un momento antes, ambos habían tenido la intención de cruzar aquel umbral a toda velocidad, si, por casualidad, se encontraban la puerta abierta. Sin embargo, cuando ésta se desplazó, los dos permanecieron inmóviles como estatuas de sal. Lo que veían era muy distinto de lo que habían esperado.

Habían esperado ver la ladera gris y cubierta de brezo del páramo ascendiendo sin pausa hasta unirse al nublado cielo otoñal, pero, en su lugar, un sol esplendoroso apareció ante ellos. Penetró por el umbral igual que la luz de un día de junio penetra en un garaje cuando se abre la puerta, e hizo que las gotas de agua de la hierba centellearan como cuentas de cristal a la vez que resaltaba la suciedad del rostro manchado por las lágrimas de Jill. Además, el sol provenía de lo que ciertamente parecía un mundo distinto; al menos lo que podían ver de él. Contemplaron una hierba lisa, más lisa y brillante que cualquier otra que la niña hubiera visto nunca, un cielo azul y, pasando veloces de un lado a otro, criaturas tan relucientes que podrían haber sido joyas o mariposas enormes.

A pesar de desear algo parecido, Jill se asustó. Miró la cara de su compañero y vio que también él tenía miedo.

—Adelante, Pole—dijo el niño con voz jadeante.

—¿Podemos regresar? ¿Es seguro?—inquirió ella.

En aquel momento una voz gritó a su espalda, una vocecita mezquina y malévola:

—Vamos, Pole—chirrió—. Todos sabemos que estás aquí. Baja de una vez.

Era la voz de Edith Jackle, no una de «ellos» exactamente, pero sí uno de sus satélites y soplones.

—¡Rápido!—dijo Scrubb—. Vamos. Tomémonos de la mano. No debemos separarnos.

Antes de que ella supiera exactamente qué sucedía, él la había agarrado de la mano y arrastrado al otro lado de la puerta, fuera de los terrenos de la escuela, fuera de Inglaterra, fuera de nuestro mundo y al interior de Ese Lugar.

La voz de Edith Jackle se cortó tan de repente como la voz en la radio cuando uno la apaga y, al instante, se oyó un sonido totalmente distinto alrededor de los dos niños, proveniente de aquellas criaturas brillantes que volaban sobre sus cabezas, que resultaron ser pájaros. Producían un sonido bullicioso, pero se parecía más a la música—una música moderna y atrevida que uno no entiende bien la primera vez que la oye—que al canto de los pájaros en nuestro mundo. Sin embargo, a pesar de los cantos, existía una especie de inmenso silencio de fondo. Aquel silencio, combinado con la frescura del aire, hizo pensar a Jill que debían de hallarse en lo alto de una montaña imponente.

Scrubb apresaba todavía su mano y avanzaban juntos, mirando a todas partes con asombro. Jill vio que árboles enormes, muy parecidos a cedros aunque más grandes, crecían en todas direcciones; pero debido a que no crecían muy pegados, y a que no había monte bajo, aquello no les impedía ver el interior del bosque a derecha e izquierda. Y hasta donde alcanzaba la vista de la niña, todo era muy parecido: hierba lisa, aves que volaban veloces como flechas con plumajes amarillos, azul libélula o de todos los colores del arco iris, sombras azules y soledad. No soplaba la menor brisa en aquella atmósfera fresca y luminosa. Era un bosque muy solitario.

Justo al frente no había árboles; sólo cielo azul. Siguieron adelante sin hablar hasta que de improviso Jill oyó gritar a su compañero: «¡Cuidado!» y sintió que tiraban de ella hacia atrás. Estaban en el borde mismo de un farallón.

Jill era una de esas personas afortunadas que no padecen de vértigo, y no le importó en absoluto estar al borde de un precipicio. Por eso se sintió un tanto molesta con Scrubb por tirar de ella hacia atrás—«como si fuera una cría», se dijo—, y se desasió con violencia. Al ver lo pálido que se había quedado el niño, sintió un gran desprecio por él.

—¿Qué sucede?—inquirió.

Para demostrar que no sentía miedo, fue a colocarse muy cerca del borde; en realidad, mucho más cerca de lo que incluso a ella le habría gustado. Luego miró abajo.

Comprendió entonces que Scrubb tenía una cierta excusa para palidecer, pues ningún precipicio en nuestro mundo podía compararse a aquello. Intenta imaginar que estás en el acantilado más alto que conozcas, luego imagina que miras al fondo y a continuación imagina que el precipicio sigue descendiendo aún más, mucho más abajo, diez veces, veinte veces más abajo. Y después de haber contemplado toda esa distancia imagina cositas blancas que podrían confundirse a primera vista con ovejas, pero que en seguida se distingue que son nubes—no pequeñas espirales de neblina sino nubes enormes, blancas e hinchadas que en sí mismas son tan grandes como la mayoría de montañas. Y por fin, entre aquellas nubes, ves la superficie, un suelo tan lejano que no puedes apreciar

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