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The Return: A Novel
The Return: A Novel
The Return: A Novel
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The Return: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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Already a #1 bestseller in the UK, The Return is a captivating new novel of family, love, and betrayal set against a backdrop of civil war, flamenco, and fiery Spanish passion. The author of the beloved international bestseller The Island, Victoria Hislop now transports the reader to Granada, Spain, in a time of historic turmoil. The Return is a colorful and spellbinding saga of a family inspired by music and dance, only to be torn apart by fragile hearts and divided loyalties during the bitter war that brought the dictator Generalissimo Francisco Franco to power.

LanguageEnglish
Release dateSep 23, 2009
ISBN9780061901249
The Return: A Novel
Author

Victoria Hislop

Victoria Hislop is the internationally bestselling author of The Island and The Return. She writes travel features for the Sunday Telegraph, Mail on Sunday, House & Garden, and Woman & Home. She divides her time among rural Kent, London, and Crete. She is married and has two children.

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Reviews for The Return

Rating: 3.5454545422459893 out of 5 stars
3.5/5

187 ratings21 reviews

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  • Rating: 4 out of 5 stars
    4/5
    I learned a lot about the Spanish Civil war in the novel "the Return". I enjoyed it very much. Her descriptions of war ravaged Spain, combat and the brutal atrocities by Franco's regime are told through the Ramirez family, parents Concha and Pablo and chilldren Antonio, Ignacio and Emilio and mostly Mercedes.
  • Rating: 4 out of 5 stars
    4/5
    I liked this book, I thought it was interesting, well written and engaging. I have not read the author's previous book but will do so as soon as a I get a copy!
  • Rating: 4 out of 5 stars
    4/5
    I read `The Island' by Victoria Hislop a while ago and really enjoyed it, so I had high hopes that this would be another satisfying read, despite the somewhat mixed reviews I have read previously. I'm not going to summarise the plot as that has been done countless times already and I believe a spoiler-free review is always best! What I will say however is that this novel was an intriguing mix of history, politics, romance and Spanish culture and I found it a very interesting and worthwhile read. It was emotive in some places, tense in others and just a great first book for me to pick in 2012 as it held my attention all the way through.The characters and settings are very well written, particularly Granada (past and present) and it is clear that the author has done a lot of comprehensive research into her subject matter. I am ashamed to say that prior to this novel I had very little knowledge of the Spanish civil war and this book has certainly opened my eyes as to the horrors that occurred. I have `Guernica' on my TBR pile and will be tackling that at some point soon now so this novel has certainly piqued my interest in that time period. The book also isn't completely dominated by grim subject matter either and is lifted by the fantastic descriptions of the flamenco dancing which actually really interested me.What loses a star for me though is that the plot is indeed a bit predictable and regrettably, a bit contrived in places- it is also a bit slow to gather pace initially. You can also see the ending coming a mile off, unfortunately. Despite this though, I still enjoyed the novel and I am anticipating reading `The Thread' (Hislop's newest novel) with high expectations. Recommended if you enjoy contemporary fiction mixed with history and a dash of romance-this would make an excellent beach book. *This review appears on Amazon.co.uk*
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed reading this book. I had previously read and enjoyed the author's other book 'The Island'. This book documents the suffering and experiences of people in Spain during the time of Franco, and gives real insight into what happened to ordinary people during that very difficult time. I was surprised at the ending, but thought that there definitely was a connection between one of the main characters Sonia, and the family whose story Miguel recounts to Sonia. I would highly recommend this to others to read. It is very well written, and I was sad to come to the end, and realise that I had finished reading the book.
  • Rating: 1 out of 5 stars
    1/5
    What a disappointment after "The Island" which was fantastic!! It was very childlike and did not seem to get anywhere...really tried to give it a chance but in the end gave up and didnt finish it.
  • Rating: 5 out of 5 stars
    5/5
    I adored this book and didn't want it too end. A wonderful mix of travel, history and discovery, along with flamenco dancing. This has stimulated me to listen to Spanish guitar artists.
  • Rating: 2 out of 5 stars
    2/5
    In Victoria Hislop's earlier work, The Island, she has a modern day woman visit a scene of historical import and proceeds to tell a fascinating story through historical flashbacks. It worked wonderfully for The Island, so Hislop tried it again here. Unfortunately, this time the storytelling device fell flat. This time there was too much focus on the current day in an uninteresting plotline and not enough detail about the history. After about 100 pages, I couldn't bear to read another word. Not worth reading.
  • Rating: 3 out of 5 stars
    3/5
    The Return by Victoria Hislop is truly a history lesson regarding the turmoil in Spain and the civil war that the people endured. Through the eyes of Miguel, the current owner of El Barril, a café in the heart of Granada we eavesdrop as he explains events to Sonia a young visitor from England.Sonia has traveled with her life long friend to Granada to further her dancing experiences. While there she learns that her love for the flamingo is almost as powerful as the dance itself. She is driven to it; it feeds her soul. Why? Watch as the mystery of Granada, the love of the dance, her attraction to El Barril and the poet Lorca are all revealed to her. All this information will help Sonia to reinvent herself and her life.I enjoyed The Return; however, at times I was a bit dragged down by the historical details. The story seemed to be fairly predictable with one much unforeseen surprise. I definitely recommend this book especially to those that love historical fiction. As historical fiction goes, The Return is one of the finest.
  • Rating: 5 out of 5 stars
    5/5
    After being blown away by "The Island" I immediately ordered "The Return" and I am not disappointed. I am now an official Victoria Hislop fan. Her novels are to be savored and enjoyed. "The Return" begins in recent times in England. Readers are introduced to a middle aged woman named Sonia. This part is very similiar to "The Island" as both heroines are having relationship issues and are both facing similiar difficult choices.. basically "stay with this jerk or leave" type choices. I found parts of the book regarding Sonia rather predictable but that did not deter me. Sonia and her friend take up salsa dancing and after finding some old pictures of her mother and taking a trip to Spain, Sonia becomes fascinated with the story of the Ramirez family. The middle part of the book is about the Ramirez family and Spain's Civil War in the 1930s. There is a mother, Concha and father, Pablo. They run a cafe and for a while things are wonderful in their life. Their oldest son, Antonio is a teacher. Their middle son, Ignacio is a bull fighter. Their youngest son, Emilio is slowly taking over the cafe and has a passion for music. The daughter, Mercedes is a talented flamenco dancer. The Ramirez family's world shatters with the beginning of the war as their sons oppose each other, betray each other, and one by one, the family members are arrested, killed, or face some life changing complication due to the war. There is a romance between Mercedes and a guitarist, Javier. She spends the duration of the war searching for her love and taking many risks to find him. She never loses her love of dancing tho and she brightens many a person's day with her skills. Even in times of war, one must find joy and express it. The last part of the novel takes readers back to present day England and Sonia must make a difficult choice after making some surprising revelations. Will the story of the Ramirez family inspire her somehow? A beautiful novel and a fabulous look at the life of Spain, the passion behind flamenco, the risks behind bullfighting, and the trials families face in civil war. Just like an appreciative audience watching a flamenco dancer tap and twirl or a bullfighter swing his cape, I say "Ole! Ole!" to this fine novel.
  • Rating: 4 out of 5 stars
    4/5
    My knowledge of the Spanish Civil War comes solely from reading Hemingway's For Whom the Bell Tolls many years ago and while there are certain scenes from that novel that remain vivid in my memory, it doesn't, perhaps, form the most coherent and complete view of that war. But aside from a brief mention of Franco, his Fascists, and their officially undeclared (but well known) sympathies during WWII, this was a bit of history that was mostly absent from any history classes I took in school. So the chance to read a book that would fill in some educational gaps was appealing to me. Victoria Hislop's The Return offered me just that opportunity.A weekly escape from her bloodless marriage, Sonia's salsa class becomes of prime importance in her life. So when her best friend Maggie joins her, subsequently booking a girls' vacation in Granada in order for the two of them to take more lessons and to celebrate Maggie's birthday together, Sonia defies her increasingly distant and potentially alcoholic husband's wishes and jumps into the vacation with gusto. While in Granada, she meets an elderly man who runs a cafe there and who offers her intriguing tidbits about the Spanish Civil War and the history of the city. When the vacation ends, Sonia reluctantly returns to her stultifying life in London. But Maggie, free-spirit that she is heads back to Spain and the freedom and joy she found there. And eventually Sonia, suffocating in her loveless marriage, is drawn back to Granada as well, returning to the cafe and the elderly man who promises to tell her more. He narrates, for the bulk of the novel, the fascinating story of the Ramirez family, one family among many who suffered and were split apart by the Civil War. Mercedes was a spirited and amazing flamenco dancer. One brother was a firm believer in Franco and the fascists while another fought hard for the Federalists. And yet a third was apolitical but was a homosexual and therefore a target of the Nationalists. While the Civil War played an enormous role in the story, this was very much a love story as well, familial love, filial love, and passionate love as well.The story of Mercedes and her brothers and their eventual fates makes for fairly riveting reading. The framing device, using Sonia and the elderly barrista in the modern day to contrast with the strife and struggle of the past, works well. But the frame also offers a chance for a very predictable but incredibly unlikely coincidence and the author isn't strong enough to resist this easy and unbelievable ending. The tale of Sonia's marriage, set against Mercedes' all-consuming love for Javier before having it torn asunder by war helps to clarify things in Sonia's mind and drives home the power of true love. Hislop doesn't shy away from vividly depicting the soul-sucking effects of war and the way it destroys people both physically and emotionally. This is a dramatic and mostly compelling read and those who enjoy historical fiction will find themselves engrossed in the historical world os the Spanish Civil War even if the modern day frame is less compelling and a little too obvious.
  • Rating: 4 out of 5 stars
    4/5
    Sonia is looking to get away for a bit from her less than happy marriage and travels with her friend Maggie to Spain. They go to take dance lessons, but in a cafe one morning, Sonia finds more. She knows her mother was Spanish but never returned after the Civil War, but she knows no more than that, either about her family's history or about the history of the Spanish Civil War. Befriending Miguel, the owner of the small cafe, Sonia begins to learn the story of the family who once owned it, before and during the ravages of the Civil War.The Ramirez family was a fairly liberal family in conservative Granada, which did not bode well for the when the fascists wrenched control from the government, particularly as Granada fell rather early in the conflict. Mercedes Ramirez was the heart of Miguel's story and, as the youngest and the only girl, the heart of the Ramirez family. She is a remarkable flamenco dancer and soon falls in love with Javier, an equally remarkable guitar player, for whom she dances.Honestly, I found the arc of the story to be a bit predictable - the family's story, that is, and how everything fit together, not the outcome of the war, that would be a silly thing to complain about. I knew the connections that would be made far before the end of the story. I also had a very hard time getting into the book at the beginning. Sonia's trip to Spain didn't really capture my imagination, nor did some of the early descriptions of the family's life before the war began. All that being said, once the war started, the story really gained momentum. I became enamored of Mercedes' story, as well as those of her mother and brother and didn't want to put the book down. The writing and language was quite good throughout, I just wasn't drawn into the plot or invested in the characters very quickly. Once I was, though, I quite enjoyed the story.
  • Rating: 4 out of 5 stars
    4/5
    In an attempt to escape from her unhappy marriage, Sonia starts taking salsa lessons and quickly falls in love with dance. Her friend, Maggie soon joins her and together they plan a trip to Granada to take more lessons and dance the nights away in the local bars. While there, Sonia befriends a grizzled cafe owner, and soon discovers an interest in Spanish history, in particular the Spanish Civil War. Upon her return to England, Sonia's father tells her her mother was from Granada and pulls out some old pictures from those days Sonia has never seen before. One in particular stands out. Her mother, in a flamenco dress and pose, reminds her vividly of the girl she saw on the walls of the Granada cafe. Is it her mother? The only way to find out is to return to Granada and hear the tale of the Ramirez family...The Return is broken into 3 parts. The first and third parts take place in England and Granada in 2001 and focus on Sonia. The second, and longest, part is the tale of the Ramirez family in the 1930's. Father Pablo, mother Concha, sons Anotonio, Ignacio and Emilio and daughter Mercedes. Their trials and tribulations during the bloody and terrifying war are recounted to Sonia as we, the reader, listen in.The history was so well researched, that, at times, it seemed Hislop tried to cram in things she'd learned, though they really didn't have anything to do with the story. The narrative focus also jumped from character to character rather abruptly at times, which could be disconcerting. However, the prose was well-written and the story was compelling enough to keep me reading. Anyone who enjoys historical fiction or has an interest in Spain would certainly enjoy the history and the mystery of The Return.
  • Rating: 5 out of 5 stars
    5/5
    This novel was an unexpected gem. To help explain how riveting it was for me: it takes me awhile to get into new books, and I have never really been able to read more than a page or two while flying as planes scare me to death. I started this novel on a cross-country flight and it was so good there were moments I forgot I was in a plane!The novel contains the present-day story of Sonia, an Englishwoman who is learning to dance salsa and flamenco and goes to Granada to further her dancing skills. She is unhappily married to a stuffy, likely alcoholic, man named James and the trip to Granada clarifies her feelings about her marriage.Set into, and connected with, Sonia's own story, is the story of the Ramirez family, which Sonia learns slowly through her conversations with Miguel, the elderly owner of a cafe she frequents in Granada. Miguel illuminates for Sonia, and for the readers, the little-known history of the Spanish civil war and the rise of fascism in Spain. The history is brought to life through the story of the Ramirezes, whose family and history is irrevocably altered by the civil war. Yes, the novel is a bit predictable in some places. But it is also illuminative, gut-wrenching, and thought-provoking. Beautiful language and an engrossing plot bring history to life.
  • Rating: 4 out of 5 stars
    4/5
    Knowing very little about the Spanish Civil War, I had a lot of interest in reading this book. I was a little disappointed in the presentation of the historical aspect of the story, as I felt it went into too much detail about each battle. I actually skimmed over some of the descriptions. I like being educated while reading a book, but became a bit bored at some points. I loved the descriptions of flamenco and the guitar performances - entrancing! I now want to go to Spain to see the flamenco in person. The author dida wonderful job describing the passions and emotions involved in the dance.I did enjoy this book very much, though I wish the entire story had been set in Spain during the period of the Civil War. I didn't feel as if the present day characters added anything, and in my opinion, were a distraction.I'd recommend this book to friends and family.
  • Rating: 3 out of 5 stars
    3/5
    There are some moments in this book where the writing feels fluid, but those moments are few and far between. Mostly the writing felt forced and stilted. Which is a shame because the narrative idea has a lot of potential, if only it were executed better. There are some good dramatic moments, and parts of the story could even be described as compelling. But the connection between the present-day (more or less) frame and the historical story set in the Spanish Civil War is too predictable (and not quite believable), and many characters lack a motivational back-story. Overall, there just wasn't enough to this book to hold it together.
  • Rating: 4 out of 5 stars
    4/5
    The Short of It:Passionate, lyrical and teeming with life…The Return is a love story like no other.The Rest of It:I fell in love with this book! I picked it up and had absolutely no idea what to expect when I opened its cover. What I found inside was a beautiful story about love and a heated battle to protect one’s country. This is a story within a story and alternates between Sonia’s story, which takes place in 2001 and the story of the Ramirez family that takes place between 1931-1936 and includes the Spanish Civil War.The story opens with Sonia and her close friend Maggie’s trip to Granada. There, they enjoy the local color and Sonia realizes that her love of dancing is really a thirst that cannot be quenched. Sonia also realizes that her marriage is falling apart yet she isn’t quite ready to admit it. She wanders into a café and meets Miguel, a kind waiter that begins to tell her about Granada and the history of the Ramirez family. Upon her return home, Sonia enrolls in a dance class. A dance class that her husband James sees as an intrusion upon their marriage. He lets his relationship with a bottle dictate what happens next and before you know it, Sonia is headed back to Grenada to visit her friend Maggie who has decided to live there permanently.Upon her return to Spain, Sonia’s love of dance continues to grow. The fiery passion of flamenco pulls her in and she gives into the rhythmic stomping of feet and the clapping of hands. As the music falls upon her, and her feet take over, she finds her true self and begins to truly appreciate the culture around her. As she sorts through her thoughts, she goes back to the café to see Miguel and to learn more about the Ramirez family. Miguel is a natural storyteller, and regales Sonia with the story of Mercedes and her family. What she discovers changes her life forever.I highly recommend this book! Victoria Hislop takes a period of history that I knew very little about and creates a sweeping tale that’s left quite an impression on me. So much so, that I have been reading up on the Spanish Civil War. It’s THAT kind of book! Once it ends, you want the adventure to continue. This would make a wonderful book club selection and actually with Christmas around the corner a copy of this book along with a flamenco CD would be a great gift idea.
  • Rating: 5 out of 5 stars
    5/5
    Sonia is taking a trip from London to Granada for her friend Maggie's birthday. She's recently discovered a love for dancing and she and Maggie intend on taking Salsa lessons while in Spain. While Maggie is foot loose and fancy free, Sonia is bogged down by her marriage to James, an alcoholic with a touch of a controlling streak. One morning, while her friend was sleeping off a steaming night spent at a dance club, Sonia found herself drinking coffee at El Barril, a local cafe. Miguel, the cafe's elderly owner, engages Sonia in conversation when he sees her tour book. This begins a friendship between the two. It may lack the sensuality of Maggie's vacation fling, but it warms Sonia to her deceased mother's homeland. When Maggie decides impulsively to move to Granada shortly thereafter, Sonia must return for a visit. It is there that she learns more about Spain's Civil War and the history of the Ramirez family.What could be more inviting of a story than a pleasant location and a cup of coffee? I found this to be the perfect way to move from the Granada of 2001 to the Granada of the Civil War and back. I enjoyed the friendship that developed between Miguel and Sonia and I could see her finding his company and his stories intriguing and satisfying. His passion may be for the past, but the fact that there is something he cares for so much that draws her attention. Her far younger husband lost even that long ago. There was nothing between the two but friendship, yet James had every cause to be jealous. He just didn't know exactly why.Flamenco dancing, bullfighting, and the flamenco guitar and passionate, vivacious, and colorful. They are the driving force of the Ramirez family and they so brilliantly portray Granada before Franco's army came. I could almost feel the life behind Mercedes, Ignacio, and Emilio when they were at one with their family's and their country's culture. In contrast, the Spanish Civil War was brutal, dark and terrifying. No one was safe from the threat of death, often an ugly, violent death. Artists, homosexuals, innocent women and children, and those who voiced their opinion on both sides of the war were in constant danger of imprisonment and execution. This novel highlighted Granada's poet Federico García Lorca. Not only was his death unnecessary, it was carried out in a vicious way that almost only seems possible in the midst of the emotions of a Civil War. Just as with Mercedes' dancing, Hislop made the chaos and destruction of the war come to life. As ugly as the war was, knowing that her dancing shoes were never far from her was a beautiful and powerful statement of hope and destiny.The Return is an amazing journey into the Granada both in modern day and the 1930s. While I liked Sonia, my heart was with the Ramirez family. That the four children were each coming into their own as Francisco Franco and his army began the coup d'état which led to the Spanish Civil War. As vividly as I could see Granada through each of the Ramirez children's dreams, I could feel the terror on her streets, in her cafes, and inside her bedrooms. Once again, an inviting work of historical fiction has awakened in me an interest in a time period I previously knew very little about. I wish I could pick up For Whom the Bell Tolls and Guernica right now and read more about it. That is the sign of a wonderful novel.
  • Rating: 5 out of 5 stars
    5/5
    The Return feels as if it’s almost told in two parts. In the present day you meet Sonia. She’s a middle-aged woman who is having relationship issues and is facing some tough decisions when it comes to her marriage. She is visiting Spain with a friend and they decide to take some dancing classes to celebrate her friend’s birthday.While on her trip she meets an elderly waiter at a cafe who tells her the story of the Ramirez family and the Spanish Civil War in the 1930s. Pablo and Concha Ramirez run a cafe and lead a happy life with their children - Antonio who is a teacher, Ignacio the bull fighter, Emilio who is in line to take over the cafe and, their daughter, Mercedes, who is a talented flamenco dancer.This second part of the book tells the story of the Ramirez's and how their world and lives are affected by the war. Plenty of family drama ensues - disagreements, betrayals and eventually deaths.Ms. Hislop’s writing is so vividly detailed that you feel as if you are whisked away on an epic adventure to Spain where you have a front seat to bull fights, flamenco dancing and a stroll through the streets of Granada. My favorite character was Mercedes - her love for Flamenco and her guitarist Javier were an inspiration. I really didn't know much about the Spanish Civil War and this book had a lot of insight into that time - I actually felt I learned something while reading it.I highly enjoyed this and recommend it to anyone - there's a little bit of everything (love, hate, drama, violence, adventure) in it, so it can definitely appease a wide variety of readers.
  • Rating: 5 out of 5 stars
    5/5
    Synopsis:Sonia visits Granada to celebrate a friend's birthday with a dance class. Unfamiliar with the city's past and the brutality under Franco's regime, a chance encounter at a neighborhood cafe introduces Sonia to the brave and complex story of the Rodriguez family's suffering and survival through the Spanish civil war.Seventy years earlier, Concha and Pablo owned and managed the same cafe with no notion of the danger and pain that would soon visit their family. Their eldest son, Antonio, is an idealistic young teacher. Their second child, Ignacio, is a star matador. Their only daughter, Mercedes only loves to dance and would spend her days honing her skills with their third child, Emilio, a gifted musician. But when Ignacio is seduced by General Franco's policies, the civil war tears the family apart.Book Review:Beautifully written, The Return transports you to the Spain during the complex and extraordinary time of the Spanish Civil War. You will be drawn in as Concha and Pablo try to keep the Rodriguez family together and safe. The children battle their fates. Bullfights, Spanish dancers, Federico Garcia Lorca, warring brothers, loving parents, and star-crossed lovers, the story offers beauty, drama and violence. The stories of love and sorrow will linger with you for a long time.Publisher: Harper Paperbacks (October 6, 2009), 416 pages.Review copy provided by the publisher and TLC Book Tours.
  • Rating: 4 out of 5 stars
    4/5
    In 2003, two thirty-something friends take a vacation to Granada, Spain to enjoy the town and take lessons in flamenco dancing. Sonia is in a love-less relationship with her husband and has taken refuge in her weekly flamenco classes. During her trip, she meets an elderly waiter who proceeds to divulge the torrent history of Granada and Spain during the Spanish Civil War which started in 1936 in an army coup led by General Franco. The story revolves around one family's tale, the Ramírez family who's daughter Mercedes was a talented flamenco dancer and who's son was a famous bullfighter. The first part of the story was ok. I'm more of a historical fiction fan so I was impatient to get to the Ramírez family's story. But it did drive home a point that many of us are not too familiar with Spain's story during this time period. When it was time for the Ramírez family's story, I almost thought I wasn't going to like this book. The story is definitely laid out as a narrative with few actual dialogue pieces. I'm not used to this type of story telling. I thought it was a bit too removed and distant. BUT...then I got into the story. Victoria Hislop paints the town of Granada with such vividness that I can almost see the streets. Mercedes was such a beautiful character living for two things: flamenco dancing and her love for the gypsy guitarist Javier. Long after the story ended I still think on the Ramírez family, just one of thousands of families who's lives were ripped asunder by the Spanish Civil War and Franco's regime. Now I want to see a flamenco dance.
  • Rating: 3 out of 5 stars
    3/5
    Victoria Hislop's second book follows the lives of a family from Granada during the Spanish Civil War. It paints a vivid picture of Granada and of the horrors of Civil War as it tears a country apart, destroying individuals, communities, and cultures. It's an ambitious theme, covering a large number of characters for an extended period of time, and I didn't find the book as compelling as Hislop's earlier book, The Island. However, it was an enjoyable read, and has prompted me to do further reading about the Spanish Civlil War.

Book preview

The Return - Victoria Hislop

PART I

CHAPTER 1

Granada, 2001

Just moments before, the two women had taken their seats, the last of the audience to be admitted before the surly gitano slid the bolts decisively across the door.

Voluminous skirts trailing behind them, five raven-headed girls made their entrance. Tight to their bodies swirled dresses of flaming reds and oranges, acid greens and ochre yellows. These vibrant colors, a cocktail of heavy scents, the swiftness of their arrival and their arrogant gait were overpoweringly, studiedly dramatic. Behind them followed three men, somberly dressed as though for a funeral, in jet black from their oiled hair down to their hand-made leather shoes.

Then the atmosphere changed as the faint, ethereal beat of clapping, palm just brushing palm, seeped through the silence. From one man came the sound of fingers sweeping across strings. From another emanated a deep and plaintive wail that soon flowed into a song. The rasp of his voice matched the roughness of the place and the ruggedness of his pockmarked face. Only the singer and his troupe understood the obscure patois, but the audience could sense the meaning. Love had been lost.

Five minutes passed like this, with the fifty-strong audience sitting in the darkness around the edge of one of Granada’s damp cuevas, hardly daring to breathe. There was no clear moment when the song ended—it simply faded away—and the girls took this as their cue to file out again, rawly sensual in their gait, eyes fixed on the door ahead, not even acknowledging the presence of the foreigners in the room. There was an air of menace in this dark space.

Was that it? whispered one of the latecomers.

I hope not, answered her friend.

For a few minutes, there was an extraordinary tension in the air and then a sweet continuous sound drifted toward them. It was not music, but a mellow, percussive purring: the sound of castanets.

One of the girls returned, stamping her feet as she paced down the length of the corridor-shaped space, the flounces of her costume brushing the dusty feet of the tourists in the front row. The fabric of her dress, vivid tangerine with huge black spots, was pulled taut across her belly and breasts. Seams strained. Her feet stamped on the strip of wood that comprised the dance floor, rhythmically one-two-one-two-one-two-three-one-two-three-one-two…

Then her hands rose in the air, the castanets fluttered in a deep satisfying trill, and her slow twirling began. All the while she rotated, her fingers snapped against the small black discs she held in her hands. The audience was mesmerized.

A plaintive song accompanied her, the singer’s eyes mainly downcast. The dancer continued, in a trance of her own. If she connected with the music she did not acknowledge it, and if she was aware of her audience they did not feel it. The expression on her sensual face was one of pure concentration and her eyes looked into some other world that only she could see. Under her arms, the fabric darkened with sweat, and watery beads gathered at her brow as she revolved, faster and faster and faster.

The dance ended as it had begun, with one decisive stamp, a full stop. Hands were held above her head, eyes to the low, domed ceiling. There was no acknowledgment of the audience’s response. They might as well not have been there for all the difference it made to her. Temperatures had risen in the room and those close to the front inhaled the heady mix of musky scent and perspiration that she spread in the air.

Even as she was leaving the stage, another girl was taking over. There was an air of impatience with this second dancer, as though she wanted to get it all over with. More black dots swam in front of the audience’s eyes, this time on shiny red, and cascades of curly black hair fell over the gypsyish face, concealing all but the sharply defined Arab eyes, outlined in thick kohl. This time there were no castanets, but the endlessly repeated, rattling of feet: clack-a-tacka tacka, clack-a-tacka tacka, clack-a-tacka tacka…

The speed of movement from heel to toe and back again seemed impossibly fast. The heavy black shoes, with their high, solid heels and steel toecaps vibrated on the stage. Her knees must have absorbed a thousand shockwaves. For a while, the singer remained silent and gazed at the ground, as though to catch this dark beauty’s eyes might turn him to stone. It was impossible to tell whether the guitarist kept up with her stamping or whether he dictated its pace. The communication between them was seamless. Provocatively she hitched up the heavy tiers of her skirt to reveal shapely legs in dark stockings and further showed off the speed and rhythm of her footwork. The dance built to a crescendo, as the girl, half whirling dervish, half spinning top, rotated. A rose that had clung precariously to her hair, flew out into the audience. She did not stoop to collect it, marching from the room almost before it had landed. It was an introverted performance and yet the most overt display of confidence they had ever seen.

The first dancer and the accompanist followed her out of the cave, their faces expressionless, still indifferent to their audience in spite of the applause.

Before the end of the show, there were another half-dozen dancers, and each one conveyed the same disturbing keynotes of passion, anger, and grief. There was a man whose movements were as provocative as a prostitute’s, a girl whose portrayal of pain sat uncomfortably with her extreme youth, and an elderly woman whose seven decades of suffering were etched in her deeply furrowed face.

Eventually, once the performers had filed out, the lights came up. As the audience began to leave, they caught a glimpse of them in a small backroom, arguing, smoking and drinking from tall tumblers filled to the brim with cheap whiskey. They had forty-five minutes until their next performance.

It had been airless in the low-ceilinged room, which reeked of alcohol, sweat, and long-ago smoked cigars, and the crowd was relieved to emerge into the cool night air. It had a clarity and purity that reminded them they were not far from the mountains.

That was extraordinary, commented Sonia to her friend. She did not really know what she meant, but it was the only word that seemed to fit.

Yes, agreed Maggie. And so tense.

That’s exactly it, agreed Sonia. Really tense. Not at all what I imagined.

And they didn’t look particularly happy, those girls, did they?

Sonia did not bother to answer. Flamenco clearly had little to do with happiness. That much she had come to realize in the past two hours.

They walked back through the cobbled streets toward the center of Granada and found themselves lost in the old Moorish quarter, the Albaicín. It was pointless to try to read a map; the tiny alleyways hardly had names and sometimes even petered out in sets of narrow steps.

The women soon got their bearings when they turned a corner and were confronted with a view of the Alhambra, now gently floodlit, and though it was already past midnight, the warm amber glow that bathed the buildings almost convinced them that the sun was still setting. With its spread of crenellated turrets that stood out against a clear black sky, it looked like something from The Arabian Nights.

Arms linked, they continued their walk down the hill in silence. The dark and statuesque Maggie reduced the length of her stride to match Sonia’s. It was a habit of almost a lifetime between these two close friends, who were physical opposites in every way. They did not need to talk. For now, the crisp sound of their feet on the cobbles, percussive like the claps and castanets of the flamenco dancers, was more pleasing than the human voice.

It was a Wednesday in late February. Sonia and Maggie had arrived only a few hours earlier, but even as they were driven from the airport, Sonia had fallen under Granada’s spell. The wintry sunset illuminated the city with a sharp light, leaving the snow-capped mountains that were its backdrop in dramatic shadow, and as the taxi sped into the city along the freeway, they caught their first glimpse of the Alhambra’s geometric outline. It seemed to keep watch over the rest of the city.

Eventually their driver slowed to take the exit into the center and now the women feasted their eyes on regal squares, palatial buildings, and occasional grandiose fountains before he turned off to take a route through the narrow cobbled streets that spread through the city.

Even though her mother had been from Spain, Sonia had visited this country only twice before, both times to the resorts of the Costa del Sol. There she had stayed on the slick stretch of sparkling coast, where all-year sun and all-day breakfasts were marketed to the British and Germans who came in droves. Nearby plantations of matching villas, with ornate pillars and fancy wrought-iron railings, were so close and yet a million miles away from this city of confused streets and buildings that had been built over many centuries.

Here was a place with unfamiliar smells, a cacophony of ancient and modern, cafés overflowing with local people, windows piled high with small, glossy pastries, served by serious men proud of their trade, tatty shuttered apartments, glimpses of sheets hung out on balconies to dry. This was a real place, she thought, nothing ersatz here.

They swung this way and that, left and right, right and left and left again, as though they might end up exactly where they had started. Each of the small streets was one-way, and occasionally there was a near miss with a moped that was going the wrong way up the street and approaching them at speed. Pedestrians, oblivious to the danger, stepped off the pavement into their path. Only a taxi driver could have negotiated his way through this complex maze. A set of rosary beads suspended from the rear-view mirror clattered against the windscreen, and an icon of the Virgin Mary watched demurely from the dashboard. There were no fatalities on this journey, so she seemed to be doing her job.

The sickly, boiled-sweet smell of air-freshener combined with the turbulence of the journey had made both women feel nauseated, and they were relieved when the car eventually slowed down and they heard the grating sound of the handbrake being yanked into position. The two-star Hotel Santa Ana was in a small, scruffy square, flanked by a bookshop on one side and a cobbler on the other, and along the pavement was a row of stalls now in the process of being packed up. Smooth golden loaves and hefty tranches of flat, olive-studded bread were being wrapped, and the last remaining segments of some fruit tarts originally the size of wagon wheels were being stowed away in waxed paper.

I’m ravenous, said Maggie, watching the stallholders loading up their small vans. I’ll just grab something from them before they disappear.

With typical spontaneity, Maggie ran across the road, leaving Sonia to pay off the taxi driver. She returned with a generous section of bread that she was already tearing into pieces, impatient to satisfy her hunger.

This is delicious. Here, try some.

She thrust some of the crusty loaf into Sonia’s hand and they both stood on the pavement by their bags, eating and scattering crumbs liberally on the stone slabs. It was time for the paseo. People were beginning to come out for their evening saunter. Men and women together, women arm in arm, pairs of men. All were smartly dressed, and though they enjoyed a stroll for its own sake they looked purposeful.

It looks attractive, doesn’t it? said Maggie.

What?

Life in this city! Look at them! Maggie pointed at the café on the corner of the square, which was packed with customers. "What do you think they talk about over their tinto?"

Everything, I expect, replied Sonia with a smile. Family life, political scandal, football…

Look, let’s go and check in, said Maggie, finishing her bread. Then we could go out and have a drink.

The glass door opened into a brightly lit reception area that was given a sense of grandeur by a number of kitsch silk flower arrangements and a few pieces of heavy baroque furniture. A smiling young man behind a high desk gave them a registration form and, after photocopying their passports, told them the time of breakfast and handed them a key. The full-size wooden orange attached to it was an absolute guarantee that they would never leave the hotel without handing it in for replacement on the row of hooks behind reception.

Beyond the lobby, everything else in this hotel was tawdry. Nose to nose, they went up in a tiny box of a lift, their luggage balanced in a tower, and on the third floor emerged into a narrow corridor. In the darkness they clattered along with their suitcases until they could make out in large, tarnished figures the number 301.

Their room had a view of sorts. But not of the Alhambra. It looked out onto a wall and, specifically, onto an air-conditioning unit.

We wouldn’t spend much time looking out of the window anyway, would we? commented Sonia, as she drew the thin curtains.

And even if there was a balcony with gorgeous furniture and far-reaching views over the mountains, we wouldn’t use it, added Maggie, laughing. It’s a bit early in the year.

Sonia quickly threw open her suitcase, squashed a few T-shirts into the small bedside drawer and hung the rest of her things in the narrow wardrobe; the scrape of metal coat hangers on the rail set her teeth on edge. The bathroom was as economically sized as the bedroom, and Sonia, though petite, had to squeeze behind the basin to shut the door. Having cleaned her teeth, she tossed her brush into the single glass provided and reappeared in the bedroom.

Maggie was lying on top of the burgundy bedspread, her suitcase still unopened on the floor.

Aren’t you going to unpack? inquired Sonia, who knew from experience that Maggie would probably spend the week living out of a suitcase that frothed over with bits of flirtatious lace and tangles of ruffled blouses, rather than actually hang anything up.

What’s that? Maggie asked distractedly, engrossed in reading something.

Unpack?

Oh, yes. I might do that later.

What’s that you’re reading?

It was with a pile of leaflets on the table, Maggie replied from behind a flyer, held close to her face in an attempt to make out the words.

The low-voltage lighting lifted the gloom of the dark beige room only a little and scarcely provided enough illumination to read. "It’s advertising a flamenco show somewhere called Los Fandangos. It’s in the gypsy area, as far as my Spanish can tell, anyway. Shall we go?"

Yes. Why not? They’ll be able to tell us on reception how to get there, won’t they?

And it doesn’t start until ten thirty, so we could go and eat first.

Shortly afterward, they were out on the street, a map of the city in hand. They wound their way through a labyrinth of streets, partly following their noses, partly the orientation of the map.

Jardines, Mirasol, Cruz, Puentezuelas, Capuchinas…

Sonia remembered the meaning of most of these words from her schooldays. Each one held its magic. They were like brushstrokes, painting the landscape of the city, each one helping to build up a picture of the whole. As they got closer to the heart of this city, the street names clearly reflected the dominance of the Roman Catholic religion.

They were making for the cathedral, the city’s central point. According to the map, everything emanated from here. The narrow alleyways seemed an unlikely way to reach it, but it was only when Sonia saw some railings and two women sitting begging in front of a carved doorway that she looked up for the first time. Towering above was the most sturdy of buildings. It filled the sky, a solid mass of distinctively fortress-like stone. It did not reach up to the light, like St. Paul’s, St. Peter’s or the Sacré-Coeur. From where she stood, it seemed to blot it out. Nor did it announce itself with a huge empty space in front of it. It lurked behind the workaday streets of cafés and shops and, from most places in these narrow streets, was unseen.

On the hour, however, it reminded the world of its presence. As the two women stood there, the bells began to toll. The volume was enough to make them reel back. Resoundingly deep, metallic clangs banged inside their heads. Sonia cupped her ears with her hands and followed Maggie away from the deafening noise.

It was eight o’clock and the tapas bars around the cathedral were already filling up. Maggie made a speedy decision, drawn to the place where a waiter stood outside on the pavement, smoking.

Once they were perched on high wooden stools, the women ordered wine. It was served in small stubby tumblers with a generous plate of jamon, and each time they ordered another drink, more tapas magically appeared. Although they had been ravenous, these small offerings of olives, cheese, and pâté slowly filled them up.

Sonia was perfectly happy with Maggie’s choice of venue. Behind the bar, ranks of mighty hams hung from the ceiling, like giant bats suspended upside down in trees. Fat dripped from them into small plastic cones. Next to them were chorizos, and on shelves behind sat huge tins of olives and tuna. There were rows and rows of bottles just out of reach. Sonia loved this dusty chaos, the rich, sweet smell of jamon and the hum of conviviality that wrapped itself around her like a favorite coat.

Maggie interrupted her reverie. So, how is everything?

It was a question typical of her friend. As heavily loaded as the cocktail stick onto which she had speared two olives and a cherry tomato.

Fine, answered Sonia, knowing as she said it that this response would probably not do. It sometimes annoyed her that Maggie always wanted to get straight to the heart of things. They had kept conversation quite light and superficial since they had met up at Stansted early that day, but sooner or later, she knew Maggie would want more. Sonia sighed. This was what she both loved and loathed about her friend.

How’s that dusty old husband of yours? This more direct question could not be deflected with one single word, especially not Fine.

Since nine o’clock, the bar had filled up rapidly. Earlier in the evening the clientele had been mostly elderly men, gathered in tight-knit groups. They were neat figures, Sonia observed, small and smartly jacketed, with highly polished shoes. After that, slightly younger people began to pack the place and stood chatting animatedly, balancing wine and plates of tapas on the narrow ledge that ran around the room especially for this purpose. The volume of noise meant that conversation was more difficult now. Sonia drew up her stool so close to Maggie’s their wooden frames touched.

Dustier than ever, she said in her ear. He didn’t want me to come here, but I suspect he’ll get over that.

Sonia glanced over at the clock above the bar. Their flamenco show was beginning in less than half an hour.

We really should go, shouldn’t we? she said, slipping down off her stool. Much as she loved Maggie, for the time being she wished to deflect her personal questions. In her best friend’s view no husband was really worth having, but Sonia had often suspected that this might have been something to do with the fact that Maggie had never had one, at least not one of her own.

Coffee had just been served to them on the bar, and Maggie was not going to leave without drinking it.

We’ve got time for this, she said. Everything starts late in Spain.

Both women drained their rich cups of café solo, maneuvered their way through the crowds and went outside. The throng continued into the street and almost all the way to the Sacromonte where they soon found a sign pointing to "Los Fandangos." The cueva where they were going to see flamenco was set into the hillside, a white-washed, roughly plastered building. Even as they approached, they could hear the alluring sound of someone picking out chords on a guitar.

CHAPTER 2

That night, back in the hotel bedroom, Sonia lay awake staring at the ceiling. As is the way with cheap hotel rooms, it was too dark in the day and too light in the night. Through the unlined curtains a beam of light from the lamp outside illuminated the beige pattern of hallucinogenic swirls on the ceiling, and her mind, still stimulated by caffeine, whirled. Even without the light and the coffee, the thin mattress would have kept her awake.

Maggie’s rhythmic breathing in the next bed only a few inches away was strangely comforting. She mulled over the evening and how she had deflected her friend’s questions. Whatever she said, Maggie would get at the truth sooner or later and would simply know how things were with her in spite of any words. She could tell merely from a shadow that flickered across a face in answer to the question How are you? what the answer should be. This was why James did not like her, and indeed why so many men shared his feelings. She was too perceptive, generally too critical of men and never gave them the benefit of any doubt.

James was, as Maggie so kindly put it, dusty. It was not his age alone, but his attitudes. Dust had probably settled on him in the cradle.

Their wedding five years earlier, following a courtship of textbook romanticism, had been a vision of contrived but fairy-tale perfection. In this hard, narrow bed, so distant in every way from the expansive luxury of the four-poster where she had spent her wedding night, Sonia thought back to the time when James had appeared in her life.

They met when Sonia was twenty-seven and James was hurtling toward his fortieth birthday. He was a junior partner in a small private bank and for the first fifteen years of his career had worked an eighteen-hour day, ambitiously climbing his way up the corporate ladder.

Only weeks before his landmark birthday James reprioritized. He needed someone to take to the opera, to dinners, to have his children. In other words, he wanted to be married. Though she was unaware of it for several years, Sonia eventually realized that she had nicely fulfilled an entry in his Filofax to do list.

Sonia remembered their first meeting very clearly. James’s employer, Berkmann Wilder, had recently merged with another bank and had taken on the PR consultancy she worked for to rebrand them. Sonia always dressed provocatively for meetings with financial institutions, knowing that men who worked in the City of London usually had rather obvious taste, and when she was shown into the bank’s boardroom, her attraction was not lost on James. Petite, blond, with a pert bottom well outlined by a tight skirt, and a neat bosom cupped in a lace bra just visible through a silk blouse, she satisfied several male fantasies. James’s stares made her feel almost uncomfortable.

Peachy, James described her to a colleague that lunchtime. And quite sparky too.

The following week when she returned for a second meeting, he suggested a working lunch. The lunch led to a drink in a wine bar, and within the week they were what James called an item. Sonia was being swept off her feet and she had no desire to feel the ground beneath them. As well as being quite handsome, he filled in all kinds of gaps in her life. He came from a large, terribly English, entirely conventional family. Such firm foundations had been lacking in Sonia’s life and proximity to them made her feel secure. The two significant relationships she had been through in her twenties had ended disastrously for her. One had been with a musician, the other with an Italian photographer. Neither had been faithful to her and the appeal of James was his reliability, his prep school solidity.

"He’s so much older than you!" objected her friends.

Why does that matter so much? queried Sonia.

It was the very fact of this age gap that probably gave him the resources for lavishly extravagant gestures. On Valentine’s Day, he did not send a dozen red roses—he sent a dozen dozen, and her small flat in Streatham was overwhelmed. She had never been so spoiled or indeed so happy when, on her birthday, she found a two-carat diamond solitaire ring in the bottom of a glass of champagne. Yes was the only possible answer.

Although Sonia had no intention of giving up a job she enjoyed, James offered her long-term security and in return she brought a dowry of childbearing potential and tolerance of a mother-in-law for whom no one was good enough for her son.

As she lay in her cramped Granada hotel room now, Sonia thought of their glorious white wedding. The marriage had taken place, two years after their first meeting, in the Gloucestershire village close to James’s family home. There was a rather obvious imbalance in the congregation (representation on the bride’s side was noticeably thinner than on the groom’s, which swelled with second cousins, fleets of small children, and friends of his parents), but for Sonia the only really noticeable absence was her mother’s. She knew that her father felt it too. Apart from that, everything was perfect. Sprays of freesias festooned pew-ends and scented the air, and there was a gasp as Sonia entered through the arch of white roses on her father’s arm. In a full tulle gown that almost filled the width of the aisle, she floated down the strip of carpet toward her groom. Her hair crowned with flowers, the sun created a halo of light around her, and the silver-framed photographs in her home reminded her that she had looked translucent, other-worldly on that day.

After the reception (a four-course dinner for three hundred in a pink candy-striped marquee), James and Sonia left in a Bentley for a reception in a stately home, and by eleven the following morning they were on their way to an Indian Ocean paradise. It was a perfect beginning.

For a long while, Sonia had loved being petted, cared for. She enjoyed the way that James opened doors for her, came home from business trips to Rome with satin lingerie in silk-lined boxes, from Paris with perfumes packaged in boxes within boxes layered like Russian dolls, and with airport scarves from Chanel and Hermès that were not quite her.

On the surface of things, all looked rosy. They had everything: good jobs, a house in an affluent neighborhood that was steadily increasing in value, and plenty of space to begin a family. They seemed a solid couple, just like their home and the street where they lived. The obvious next stage in their lives was to become parents, but to James’s irritation something held Sonia back. She had begun to make excuses, both to herself and to James, usually to do with it not being the right moment to take a career break. Admitting, even to herself, the real reason was not easy.

Sonia could not put a date on when the drinking had seemed to become a problem. There probably was not an exact moment, a particular glass of wine, a specific bar or an evening when James had come home and she felt he had had too much. Perhaps the moment had been at a business lunch, or even at a dinner party, possibly the one they had given the previous week when the large mahogany table had been laid with their best china and cut glass, all gifts at their perfect fairy-tale wedding five years earlier.

She could picture her guests standing around sipping flutes of champagne in their comfortable shades of ice-blue drawing room, making conversation that followed a predictable pattern. The men had been uniformly dressed in suits, but the women had their own strict dress code too: floaty skirts and kitten heels and what at one time would have been called a twinset. Some kind of diamond pendant was de rigueur, too, and a set of fine jangly bangles. It was the smart-casual dress style of their generation: feminine, slightly flirty but steering well clear of tarty.

Sonia recalled how conversation had followed its usual pattern, and she remembered feeling almost at screaming point with the sheer predictability of the middle-class talk and with these people with whom she felt she had nothing in common.

That night, as usual, James had been eager to show off his huge collection of vintage clarets, and the husbands, tired after a long week in the City, had enjoyed knocking back a few bottles of 1978 Burgundy, though even after a glass and a half they began to get disapproving looks from their wives who now realized that it would be their job to drive home.

Cigars had made their appearance at midnight.

Go on, coaxed James, passing around a box of pure Havana cigars, guaranteed to have been rolled between a virgin’s thighs!

Though they had heard it said a thousand times before, the men all roared with laughter.

For conservative forty-six-year-old bankers like James, an evening such as this was perfect: safe, respectable, and just what his parents would have enjoyed.

That previous week, it had not been until well after midnight that the guests had all departed. Faced with the depressing aftermath of the dinner party, James had displayed a level of belligerence that had taken Sonia by surprise, given that it had been, as usual, his decision to fill their home with City colleagues and their shrill wives. It was not exactly her idea of fun either, dealing with glasses that were too fragile to go in the dishwasher, ashtrays full of smoldering dog-ends, tidemarks of soup now stuck to the bowls like green concrete, a tablecloth stained with splatters of claret, and white linen napkins covered with perfect lipstick kiss marks. Someone had spilled coffee onto the carpet and not mentioned it, and there was a splash of red wine on a pale armchair.

What’s the point of having a cleaner if we still have to scrub the dishes? exploded James as he attacked a particularly resistant pan and sent a tidal wave of water flying over the edge of the sink. Even if his guests had limited the amount they had drunk, James had not.

She only works during the week, said Sonia, mopping up the lake of greasy water, which lapped against James’s feet. You know that.

James knew full well that the cleaner did not come on Friday nights, but it did not stop him from asking the same question every time he found himself at the sink doing battle with stubborn stains.

Bloody dinner parties, he swore, carrying in a third tray laden with glasses. Why do we give them?

Because we get invited to them and you like them, Sonia replied quietly.

It just goes round in bloody circles, doesn’t it?

Look, we don’t have to give another one for ages. We’re owed lots of invitations.

Sonia knew not to pursue this line of conversation. It would be much better to button her lip.

By one o’clock, the plates were filed in perfect order, facing right in the dishwasher like a row of soldiers. They had had their usual argument about whether or not the sauce should be rinsed off the plates before stacking them. James had won. The smart Worcestershire china already gleamed inside the now humming machine. The pans were spotless too, and James and Sonia had nothing more to say to each other.

Retiring to bed in Granada was so different. She loved the solitude of this narrow bed and being alone with her own reflections. There was such peace in this. The only sounds she could hear were reassuring: a moped buzzing in the street below, a muffled conversation amplified by the acoustics of the narrow street, and the faintly rasping breath of her oldest friend.

In spite of the light that still streamed in from the lamppost outside, and even now a subtle brightening of the sky suggestive of dawn breaking, her mind finally shut down, like a candle extinguished. She slept.

CHAPTER 3

Only a few hours later the insistent pulse of an alarm woke the women.

Rise and shine, said Sonia with mock cheerfulness, peering at the bedside clock. Almost time to go.

It’s only eight, groaned Maggie.

You haven’t changed your watch, replied Sonia. It’s nine and we’re meant to be there at ten.

Maggie pulled her sheet up over her head while Sonia got up, showered and dried herself with a threadbare towel. By nine twenty she was dressed. She had come to Granada for a purpose.

Come on, Maggie, let’s not be late, she said coaxingly. I’m going to nip down for some coffee while you get dressed.

While she breakfasted on a limp croissant and tepid coffee, Sonia studied the map of Granada and located their destination. The dance school was not far away, but they would have to concentrate on taking the correct turnings.

As she sat, Sonia mused on how things evolved. It had all begun with a film. Without that, the dancing would never have happened. It was like a board game—she had not known where the next move would take her.

One of the few things that James occasionally agreed to do on a weekday was to go to their local cinema, even if he was usually asleep well before the film’s denouement. The local south London picture house resolutely refused to show blockbusters but had enough local clientele wanting to see high-brow, art-house films, to half fill it most nights. It was only a mile or so from where they lived, but the atmosphere was much edgier by the theater: Caribbean takeaways, kebab houses, and tapas bars competed with Chinese, Indian, and Thai restaurants, all a contrast with the glassy metropolitan restaurants closer to their home.

The side street into which they emerged after the film matched the hauntingly gloomy Almod var film they had watched. As they walked along, Sonia noticed something that she hadn’t seen before—a brightly illuminated, flashing, Las Vegas-vulgar sign: SALSA! RUMBA! it shrieked in neon. In the dimly lit street, there was something reassuringly cheerful about the sign.

As they approached, they could hear music and see a suggestion of movement behind the frosted windows. They must have walked past this building on their way to the cinema but not even given it a second look. In the intervening two hours, the prosaic-looking 1950s hall, squeezed into the space where a bomb had fallen during the Blitz, had come to life.

As they passed, Sonia had taken in a smaller, illuminated sign:

Tuesday—Beginners

Friday—Intermediate

Saturday—All Levels

From inside came a scarcely audible but alluring Latin American beat. Even the faint suggestion of rhythm exerted a strong pull on her. The clipped sound of James’s heels retreating down the street confirmed to her that he had not even noticed it.

Coming home from the office a few weeks later, she had, as usual, to force open the front door and push aside the embankment of paper that lay behind it. Leaflets clogged up the hallway as irritatingly as slush on winter roadsides—every type of takeaway and home delivery imaginable, catalogues for DIY shops that she had no intention of visiting, offers of carpet cleaning at half price, English lessons that she did not need. But there was one leaflet that she could not throw into the recycling bin. On one side was a photo of the neon sign that had winked at her all those weeks ago and the words: Salsa! Rumba! On the reverse were days and times for lessons, and at the bottom of the page, rather endearingly, the following words: Lern to dance. Dance to live. Live to dance.

As a little girl, she had been taken to weekly ballet lessons and later on to tap dancing. She had given up dance school as a teenager but was always there until the bitter end at any school disco. Since they married, James had made it clear that dancing was not his thing so the opportunity rarely arose. The thought that there was somewhere she could take dance lessons less than ten minutes’ drive from where she lived kept coming back to her. Perhaps she would pluck up the courage to go one day.

That day came sooner than she had imagined. It was a few months later. They had planned to see a film, and James had rung on her mobile just as she was arriving at the cinema to say that he was stuck in the office. Across the way, the neon lights of the dance school winked at her.

The hall was as seedy on the inside as it appeared on the outside. Paint peeled from the ceiling, and there was a waist-high tidemark all the way round the room as though it had once filled up with water like a giant fish tank. This might have explained the unmistakable smell of damp. Six bare lightbulbs hung down from the ceiling on irregular lengths of flex, and a few posters advertising Spanish fiestas were intended to cheer up the walls. Their tattiness only reinforced the general sense of decay. Sonia’s nerve almost failed her, but one of the instructors spotted her in the doorway. She was given a warm welcome and was just in time for the start of a lesson.

She found that she soon picked up the rhythm. Before the end of the evening she discovered that the movement could turn into something as subtle as a twitch of the hips rather than a meticulously counted sequence of steps. Two hours later she emerged, flushed, into the chilly evening air.

For some reason that she could not have articulated to anyone, Sonia felt exhilarated. Even the music had filled her to the very top of her being. She was brimming—that was the only way she could describe it to herself—and without hesitation she signed up for a course. Each week the dancing thrilled her more. Sometimes she could hardly contain her exuberance. For an hour or so after it had finished, the mood of the dance class remained with her. There was an enchantment about dancing. Even a few minutes of it could leave her in a state of near-ecstasy.

She loved everything about her Tuesday evening engagement with Juan Carlos, the stubby Cuban with the shiny, pointy-toed dancing boots. The rhythm and the momentum and the way the music reminded her of sunshine and warm places.

Over the following weeks, Sonia acknowledged that Tuesday was her favorite of all days, and her class the one unmissable commitment in her diary. What started as a distraction grew into a passion. Salsa CDs littered the boot of her car, and on her journeys to work she mind-danced as she drove. Each week, she returned warm and flushed from the exhilaration of her lesson. On the occasions when he was already in, James would greet her with a patronizing comment, bursting the balloon of her euphoria.

Good time at your dancing class? he inquired, glancing up from his newspaper. "How were all the little girls

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