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Art Theory

A Companion to Art Theory Blackwell Companions in Cultural Studies Advisory editor: David Theo Goldberg, University of California, Irvine This series aims to provide theoretically ambitious but ...
  • skopofil published this 11 / 02 / 2009
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A Companion to Contemporary Art Since 1945

A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in...
  • peterek2 published this 09 / 17 / 2009
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648 p.
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a Companion to Contemporary Art Since 1945

A Companion to Contemporary Art since 1945 BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way t...
  • harrynjane published this 09 / 28 / 2009
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648 p.
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A Companion to Contemporary Art Since 1945

A Companion to Contemporary Art since 1945 BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way t...
  • dogan1234 published this 08 / 21 / 2009
  • 841 reads
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432 p.
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Post-Impressionism to World War II (Blackwell Anthologies in Art History)

"Post-Impressionism to World War II", edited by Debbie Lewer (2006) is the first volume in the "Blackwell Anthologies in Art History" series. Contents Part I: Programs and Manifestos Introduction...
  • Cravan published this 09 / 17 / 2009
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44 p.
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Athena Taylor thesis final version aug11

This is my masters thesis I wrote in 2006: APPLYING AN INTEGRATIVE THEORETICAL APPROACH TO THE INTERPRETATION OF ART
  • athenaqui@yahoo.com published this 09 / 07 / 2008
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197 p.
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boris groys - art power

Art Power Art Power Boris Groys The MIT Press Cambridge, Massachusetts London, England © 2008 Boris Groys All rights reserved. No part of this book may be reproduced in any form by any el...
  • Gerusija published this 08 / 03 / 2009
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93 p.
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your face - on how to fall with grace—or fall flat on your face

Notes for an Art School Mai Abu ElDahab On How to Fall With Grace—or Fall Flat on Your Face The Art School Project The Manifesta Biennial is not unique; its pitfalls are shared by most similar ...
  • ilijapet published this 07 / 31 / 2009
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197 p.
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boris groys - art power

Art Power Art Power Boris Groys The MIT Press Cambridge, Massachusetts London, England © 2008 Boris Groys All rights reserved. No part of this book may be reproduced in any form by any el...
  • ilijapet published this 07 / 30 / 2009
  • 1,338 reads
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266 p.
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T H E T H I R D HAND Collaboration in Art From Conceptual Ism to Postmodernism

THE THIRD HAND University of Minnesota Press Minneapolis London THE THIRD HAND c o l l a b o r a t i o n i n a r t f r o m c o n c e p t u a l i s m t o p o s t m o d e r n i s m Charles Gr...
  • liquid_fiction published this 09 / 03 / 2009
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16 p.
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Artur żmijewski . the Applied Social Arts

The Applied Social Arts artur Ŝmijewski (warsaw) 1 Artur śmijewski (born 1966 in Warsaw, lives and works in Warsaw) is counted as one of Poland’s most renowned contemporary artists. In 2005, the...
  • magnis published this 09 / 27 / 2008
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130 p.
 
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Digital Visual Culture: Theory and Practice

Digital creativity is boundless. Art practitioners and scholars continue to explore what technology has to offer and practice-based research is redefining their disciplines. What happens when an ar...
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  • Intellect Books published this 08 / 27 / 2009
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Art and Theory After Socialism

Contemporary visual culture, art, theory and criticism shifted after the end of the Cold War, so that cultural production in both the East and the West underwent radical new challenges. Art and The...
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  • Intellect Books published this 08 / 27 / 2009
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11 p.
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Art Critics

For other uses, see Critic (disambiguation). “Critical” redirects here. For the threshold mass of a fissile material, see Critical mass. “Critique” redirects here. For the socialist magazine, see C...
  • flyingblindman published this 09 / 20 / 2009
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28 p.
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Week 1

When I say what I am about to say I am not doing so to gain pity but rather to have a place to begin. There were never any studios for me. However, there have been tables in rooms, and when there i...
  • our class published this 01 / 13 / 2009
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