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20WaystoImproveYourStory
ByH.R.Morgan
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 ©2007
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2
TABLEOFCONTENTS
1.
Keepopinionstoyourself....
3
2.
Causeandeffect....
4
3.
Activatethesenses....
4
4.
Emotionalthermometer....
5
5.
Verbsarefriends....
6
6.
Givethereadercookies....
7
7.
Aninteractivesetting....
8
8.
Organizeaparade....
9
9.
Handlingexposition....
9
10.
Speechtags....
10
11.
Getspecific....
11
12.
Simplify....
11
13.
Tenseconfusion....
11
14.
Characterbuilding....
12
15.
Pacing....
12
16.
Conflict....
13
17.
Tickingclockandquests....
14
18.
Scenestructure....
15
19.
Firstpersoninteriormonologue……….……….……….……….
15
20.
Jackinthebox....
16
ThreeFinalTips
17
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18
 
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31.
Keepopinionstoyourself
Amajorpitfalloftheamateurwriteristocheatbydescribingscenerywithanopinion,whentheyshouldmakethesceneprojectthatfeelinguponthereaderwithouttellingthemhowtofeel.Unlessthenarratorisanintegralpartofyourstoryline,descriptionsinthird-personnarrationshouldnotcontainopinionatedwords.Donottellthereaderthatthedarkforestisscary,eerie,ghastlyorhorrible.Showthemthroughvividdescriptionandcharacteraction.Whenyouleavethedescriptionopentointerpretation,thereaderbecomesmoreinvolvedinthestoryprocess.Opinionatedwordsdohavetheirplace.Theyshouldbeclosedinsideofmonologueordialoguetodevelopcharacters.Showthesettingobjectivelyandthenmakeyourcharacterreacttoit.Thisway,thesceneiswrittentomakethereaderdeveloptheirownopinion.Forexample,somepeoplewouldfeelperfectlyathomeinaswamporcave.Otherswouldfinditdreadful.Itaccomplishesnothingtodescribeyourswampasa“dreadfulswamp”inthesettingdescription.Showuswhymostpeoplethinkitisdreadful.Youwillhavetoworkharderbutyoureffortswillbewell-rewarded.Conjureuptheelementsthatpeopleassociatewithdread:creepycrawlies,putridsmellsofdecay,fog,soundsandtwilight.Letthereaderusetheirimaginationandformanopinionandtheywillbemorewillingtoacceptthecharacter’sreactiontothesetting.
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