Fashion orges ahead or all with distinctive clarity in universal, global themes which include:
The reverberation of
-insired ooks isstrengthened by the yearning for the ast, whenwomen dened their status by strict suitings andaccessories. The ook sees the reemergence of thejacket, as we as dresses and skirts that ni in at thewaist and fa gracefuy at the knee. Tweed is ontrend, but aso imortant are woo cree, sik, satinand sensuous, sutry fabrics that soften the strictsuit sensibiity. High-sit hemines, ouche ingerieayers and a touch of shine modernize this message.
The Iron Lady
The suit emerges as the uniform for fa,and the mascuine mood oers a nicejuxtaosition for those who dismiss theconcet of adyike. Pantsuits are aramount,doube-breasted jackets emerge in strengthand sexy ares heighten the sex quotient. The’40s are in favor with Marene Dietrich as amuse. Menswear atterns of houndstooth,Prince of Waes aid, instrie and Genchecks suant the strong soid cree story.
Sa v i le Ro w
Baroque fabrics aced with shiny yarns areemerging aong with ready-to-wear, dresses andouterwear. Other fabrics to consider vevet,jacquard and a wide range of embroideriesand decorative embeishments. Pattern isgetting a big ay. The fabrics are ightweightand aear in jewe tones, incuding emerad,ure amethyst, ruby and, of course, back.Many fabrics are mixed and matched withsime soids. In many cases, the dressy,baroque item is mixed with something casuaand chic, à a cashmere sweatshirts andcroed eather jackets. Fur is anotherdimension to this rega rature.
The Age O Opulence