Film, Media & Cultural Studies 2010

Film, Media & Cultural Studies 2010

Contents
Film Studies World Cinema American Film Film History Film Genre Film Theory Television Studies Media Studies Music & Media Cultural Studies American Culture Cultural Theory Index Representatives and Agents Order Form cover image: iStockphoto 3 5 9 11 13 14 15 16 19 20 22 24 26 30 31

Highlights
Post-Classical Hollywood Journalists in Film
By Barry Langford Guides students through the evolution of Hollywood filmmaking since 1945 (p9) By Brian McNair Provides the inside scoop on the portrayal of journalists in film releases from 1997 to 2008 (p3)

Cultural Studies and the Study of Popular Culture

By John Storey A revised and fully updated edition of this best-selling introduction to the study of contemporary popular culture (p20)

Orders

You will find the order form at the end of the catalogue. Please photocopy it if you need extra copies.

Textbook Inspection Copies Ebooks

t Titles marked with a textbook logo are available to lecturers on inspection. See order form for details. e Books marked with the ebook logo are available as ebooks. The majority of our ebooks are available from
Dawsonera, Ebrary, Ebook Library, Follett, MyiLibrary, NetLibrary and Questia.

Journals

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Mailing List Contacts

Join our mailing list of request for email updates by registering at www.euppublishing.com Commissioning Editor Esm Watson +44 (0)131 651 1723 Esme.Watson@eup.ed.ac.uk 2 Film, Media & Cultural Studies Marketing Manager Anna Glazier +44 (0)131 650 4223 Anna.Glazier@eup.ed.ac.uk Rights Consultant Claire Abel Claire.Abel@eup.ed.ac.uk

Film Studies
NEW

Journalists in Film
Heroes and Villains
Brian McNair, University of Strathclyde More than 2,000 films have been made about journalism and journalists, including some of the greatest works in cinema history. From Citizen Kane to La Dolce Vita, from Capote to Good Night, and Good Luck, from Salvador to A Mighty Heart, journalism has fascinated and inspired writers, directors and actors. Brian McNairs study of journalists in film asks what they tell us about changing public perceptions of journalism and its role in society. Journalism is an important cultural form and cinema provides an arena to articulate societys expectations of and public debates about journalism. This book approaches films about journalism as cinematic works of art in their own right, as well as evidence of journalisms evolving public role. It considers key issues including the commercialisation of news values, the power of the columnist and the implications of digital technologies using films such as Shattered Glass, The Sweet Smell of Success, and Ace in the Hole. Illustrated throughout, the volume contains an appendix of mini essays covering films from 1997 to 2008. January 2010 o 240pp Pb o 978 0 7486 3447 7 o 19.99 Hb o 978 0 7486 3446 0 o 70.00

NEW

Cinematic Journeys
Films and Movement
Dimitris Eleftheriotis, University of Glasgow Cinematic Journeys explores the interconnected histories, theories and aesthetics of cinematic movement. It traces the links between certain types of movement of/in the frame and broader cultural trends that have historically informed Western sensibilities, then contextualises that genealogy with an analysis of emerging trends in world cinema. The book investigates how movements of exploration, discovery and revelation are activated in specific cinematic narratives of travelling and displacement. These narratives are analysed with attention to the mass population movements and displacements that form their referential background. Finally, the book examines the ways in which travelling affects film itself. Case studies focus on the films of Jules Dassin, tracing thematic and aesthetic trends that can be related to his status as an exiled director; on films as travelling commodities (focussing on the popularity of Indian films in Greece in the 1950s and 60s); and on the category of the foreign spectator (who moves across cultural borders when encountering foreign films). April 2010 o 224pp Hb o 978 0 7486 3312 8 o 60.00

FORTHCOMING

Heritage Film Audiences

Period Films and Contemporary Audiences in the UK

Claire Monk, De Montfort University The concept of heritage cinema is now firmly established as an influential, but also contested, critical framework for the discussion of period or historical representation in film yet the very idea of the heritage film has rested on untested assumptions about its audiences. This book breaks significant new ground in both the scholarship on contemporary period films and film-audience studies by presenting the first empirically based study of the audiences for quality period films. December 2010 o 256pp Hb o 978 0 7486 3824 6 o 65.00

Memory and the Moving Image

French Film in the Digital Era
Isabelle McNeill, University of Cambridge This book investigates the role of the moving image in cultural memory, taking into account the impact of digital technologies on visual culture. Focusing on the French context, the book examines the ways in which recent French moving image works and films conceptualise both the past and the workings of memory. March 2010 o 208pp 9 b&w illustrations Hb o 978 0 7486 3891 8 o 60.00 www.euppublishing.com 3

Film Studies
British Film Directors
JOURNAL

Robert Shail, University of Wales, Lampeter As a basic primer on Brit movie-makers with a well-argued intro, Shails book is hard to beat. 4 stars. Total Film This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs, providing an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. 2007 o 256pp o e 10 b&w illustrations Pb o 978 0 7486 2231 3 o 17.99 Hb o 978 0 7486 2230 6 o 55.00

Journal of British Cinema and Television

Film Sequels

Principal Editors: Julian Petley, Brunel University & James Chapman, University of Leicester The Journal of British Cinema and Television has rapidly established itself as indispensable for anyone seriously interested in British cinema and television, and is now the prime site for publishing cutting-edge work in these fields. Themed issues alternate with general issues, and future themes will include colour, stardom, the producer, Continental connections, and British film and television in the first decade of the new century. Each issue contains: A wide range of papers Substantial book reviews A section intended to stimulate on-going debate about the study of British cinema and television Interviews with leading practitioners Reports of conferences and other relevant events Reviews of soundtracks of British films and television programmes released on CD Three issues per year Volume 7 o 2010 ISSN: 1743-4521 o e-ISSN: 1755-1714 www.eupjournals.com/jbctv

Theory and Practice from Hollywood to Bollywood

Carolyn Jess-Cooke, University of Sunderland The film sequel has been much maligned in popular culture as a vampirish corporative exercise in profit-making and narrative regurgitation. Drawing on a wide range of examples, this volume situates the sequel within its industrial, cultural, theoretical and global contexts. February 2009 o 176pp o e 6 b&w illustrations Hb o 978 0 7486 2603 8 o 50.00

Film Remakes

Figurations of Exile in Hitchcock and Nabokov

Constantine Verevis, Monash University, Australia This comprehensive and systematic account of the phenomenon of cinematic remaking is divided into three broad sections: remaking as industrial category, remaking as textual category, and remaking as critical category. Case studies include the remaking of classics (Double Indemnity, Psycho), foreign art-films (Solaris, Le Samoura), cult movies (Planet of the Apes, Dawn of the Dead), and television properties (Batman, Charlies Angels). 2005 o 208pp o e Pb o 978 0 7486 2187 3 o 18.99 Hb o 978 0 7486 2186 6 o 60.00

Barbara Straumann, University of Zurich Barbara Straumanns close reading of selected films and literary texts makes an important contribution to cultural analysis by opening up the work of two canonical authors to issues of exile and migration. It discusses psychoanalysis both as a critical approach and as a crucial reference point for the cinematic and literary texts themselves. 2008 o 272pp o e Hb o 978 0 7486 3646 4 o 60.00

Film, Media & Cultural Studies

World Cinema
FORTHCOMING

New Zealand Cinema

FORTHCOMING

Ian Conrich, Roehampton University Despite the success of films such as The Piano, Heavenly Creatures, Once Were Warriors, Whale Rider, and The Worlds Fastest Indian, New Zealand cinema remains one of the best kept secrets. Internationally, the country has become known for the location possibilities it offers, but since 1977 New Zealand has produced more than 250 movies and an array of acclaimed short films. This full-length study of New Zealand cinema explores a series of recurring themes and issues - law and authority, post-settler identity, neo-colonialism, Asia-Pacific diasporas, the Kiwi Gothic, and the reworking of American genres - across more than a hundred years of New Zealand film history. It presents critical readings of a diverse range of films - shorts, features, and documentaries - and considers the work of directors, producers, cinematographers and actors. Drawing on a private archive of pre-cinema New Zealand this book also includes a study of stereoviews and magic lantern slides. December 2010 o 224pp o t 50 b&w illustrations Pb o 978 0 7486 2464 5 o 22.99 Hb o 978 0 7486 2463 8 o 70.00

Bollywood in the Age of New Media

The Geo-televisual Aesthetic
Anustup Basu, University of Illinois This study of popular Indian cinema in the age of globalization, new media and metropolitan Hindu fundamentalism examines Hindi film between 1991 and 2004. From the early nineties popular Hindi cinema took a spectacular turn as a signature Bollywood style evolved in the wake of liberalisation and the inauguration of a global media ecology in India. Basu connects this filmic geo-televisual style to an ongoing story of the uneven globalising process in India. September 2010 o 256pp 25 b&w illustrations Hb o 978 0 7486 4102 4 o 65.00
FORTHCOMING

Scotland: Global Cinema

Genres, Modes and Identities

David Martin-Jones, University of St Andrews Wonderfully concrete, engaging, and detailed, this study patiently and systematically explores the fascinating phenomenon of global films shot in Scotland. Professor Mette Hjort, Lingnan University, Hong Kong Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s and situates cinema in Scotland in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland. October 2009 o 256pp 10 b&w illustrations Hb o 978 0 7486 3391 3 o 60.00

Film and Video Censorship in Modern Britain

Julian Petley, Brunel University This book analyses how film and video censorship have developed since 1979, a year which marked the arrival of both Mrs Thatchers government, with its strong streak of moral authoritarianism, and the birth of the domestic video industry, which posed a distinct threat to the long-standing modus operandi of film censorship in Britain. September 2010 o 192pp Pb o 978 0 7486 2539 0 o 19.99 Hb o 978 0 7486 2538 3 o 60.00

www.euppublishing.com

World Cinema
SERIES

Traditions in World Cinema

FORTHCOMING

Series Editors: Linda Badley, Middle Tennessee State University & R. Barton Palmer, Clemson University This series introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national or regional (in some cases crosscultural) cinema which constitute a particular tradition. The series comprises both cutting edge monographs and student textbooks. Praise for the series: Traditions in World Cinema takes a sophisticated and wide-ranging approach This collection contains plenty of useful and informative material [and] several chapters throw light on neglected corners of cinematic history. Times Higher Education Not only does Armes canvass enormous territory, succinctly and in elegant prose, but he has also made a judicious selection of directors and films. H-Africa [Japanese Horror Cinema] is a well written, deeply thought out publication. Horror News [Chinese Martial Arts Cinema is] an excellent resource for the history of the genre, as well as topical and retroactive critical appraisal. Golden Pigsy (blog) www.euppublishing.com/series/tcac

The International Film Musical

Chinese Martial Arts Cinema

The Wuxia Tradition
Stephen Teo, National University of Singapore and RMIT University, Melbourne This book presents the first comprehensive account of the wuxia (martial chivalry) tradition as it developed in the early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries. Its most popular association is with the film Crouching Tiger, Hidden Dragon (2000). Films discussed include Come Drink With Me (1966), The One-Armed Swordsman (1967), A Touch of Zen (1970-71), Hero (2002), House of Flying Daggers (2004) and Curse of the Golden Flower (2006). March 2009 o 240pp o t o e Pb o 978 0 7486 3286 2 o 19.99 Hb o 978 0 7486 3285 5 o 60.00

Edited by Corey K. Creekmur & Linda Y. Mokdad, both University of Iowa This book fills a significant gap in scholarship on film genre, popular music and world cinema by providing the first comparative consideration of the musicals role within national cinema traditions. While the musical is one of the cinemas few genuinely international genres, it has often functioned as an explicitly local or national form, drawing upon distinct traditions understood as native rather than international. Individual chapters provide discussions of musicals from sixteen major national film traditions, along with the transnational musical. September 2010 o 256pp 18 b&w illustrations Hb o 978 0 7486 3476 7 o 60.00
NEW IN PAPERBACK

Traditions in World Cinema

Czech and Slovak Cinema

Theme and Tradition
Peter Hames, Staffordshire University This unique study provides a historical overview of the Czech and Slovak film industries, considering key stylistic and thematic tendencies such as comedy and lyricism, and examining the political role of film, with particular emphasis on the period of the Prague Spring. September 2010 o 272pp o t o e 11 b&w illustrations Pb o 978 0 7486 2082 1 o 19.99 Hb o 978 0 7486 2081 4 o 60.00

Edited By Linda Badley, Middle Tennessee State University, R. Barton Palmer, Clemson University & Steven Jay Schneider, CUNY The core volume in the Traditions in World Cinema series brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. 2005 o 288pp o t o e Pb o 978 0 7486 1863 7 o 21.99 Hb o 978 0 7486 1862 0 o 60.00

Film, Media & Cultural Studies

World Cinema
ALSO AVAILABLE

Introduction to Japanese Horror Film

Palestinian Cinema
Landscape, Trauma and Memory

Colette Balmain, Buckinghamshire Chilterns University College Starting with the cultural phenomenon of Godzilla, this historical and cultural overview charts the evolution of Japanese horror from the 1950s through to contemporary classics such as Ringu and Ju-On: The Grudge. Divided thematically, it explores key motifs such as the vengeful virgin, the demonic child, the doomed lovers and the supernatural serial killer, situating them within traditional Japanese mythology and folk-tales. October 2008 o 232pp o t o e 9 b&w illustrations Pb o 978 0 7486 2475 1 o 16.99 Hb o 978 0 7486 2474 4 o 60.00

Asian Cinemas

A Reader and Guide

Nurith Gertz & George Khleifi 2008 o 256pp o t o e Pb o 978 0 7486 3408 8 o 19.99 Hb o 978 0 7486 3407 1 o 60.00

Edited by Dimitris Eleftheriotis, University of Glasgow & Gary Needham, Nottingham Trent University This book uses a number of detailed case studies to investigate the limitations of Anglo-US theoretical models and critical paradigms. By engaging the readers with familiar areas of critical discourse such as post-colonial criticism, national cinema, genre, authorship and stardom the book aims to introduce in context the unfamiliar case studies which will be explored in depth and detail. 2006 o 488pp o t Pb o 978 0 7486 1777 7 o 20.99

African Filmmaking
North and South of the Sahara

Roy Armes 2006 o 240pp o e 12 b&w illustrations Pb o 978 0 7486 2124 8 o 19.99 Hb o 978 0 7486 2123 1 o 72.00 Edited by Jay McRoy 2005 o 240pp o t Pb o 978 0 7486 1995 5 o 19.99 Hb o 978 0 7486 1994 8 o 80.00

Japanese Horror Cinema

New Korean Cinema

New Punk Cinema

Edited by Nicholas Rombes 2005 o 224pp Pb o 978 0 7486 2035 7 o 22.99

Edited by Chi-Yun Shin, Sheffield Hallam University & Julian Stringer, University of Nottingham A vital addition to the body of work available to those teaching Asian cinema in the west. Screening the Past New Korean Cinema adopts a cross-cultural perspective and provides a comprehensive overview of the production, circulation and reception of modern South Korean cinema. 2005 o 256pp o t Pb o 978 0 7486 1852 1 o 22.99

Contemporary World Cinema

Europe, the Middle East, East Asia and South Asia

Shohini Chaudhuri, University of Essex This book provides an overview of the flourishing cinemas of parts of Europe, the Middle East, East Asia and South Asia. Highlighting transnational and cross-cultural structures, influences and themes, it offers a broad critical context for the study of contemporary world cinema and includes case studies of Scandinavian, Iranian, Hong Kong and Indian cinema. 2005 o 200pp o t Pb o 978 0 7486 1799 9 o 17.99 www.euppublishing.com 7

World Cinema
French Queer Cinema
Nick Rees-Roberts, University of Bristol French Queer Cinema looks at queer selfrepresentation in contemporary auteur film and experimental video in France. Nick ReesRoberts addresses the political background and material culture informing films such as Patrice Chreaus Son Frre and Franois Ozons Le Temps qui reste. He also provides the historical setting for this recent crop of films by looking at earlier productions such as Chreaus groundbreaking LHomme bless. 2008 o 176pp o e Hb o 978 0 7486 3418 7 o 50.00

The Cinema of Small Nations

Mette Hjort & Duncan Petrie This analysis of small national cinemas comprises twelve case studies of small national - and sub national - cinemas from around the world; Ireland, Denmark, Scotland, Bulgaria, Tunisia, Burkina Faso, Cuba, Quebec, Singapore, Taiwan, Hong Kong and New Zealand. Each chapter looks at a particular cinema and the book as a whole provides the basis for a broader understanding of small or minor national cinemas. 2007 o 256pp o e Pb o 978 0 7486 2537 6 o 17.99 Hb o 978 0 7486 2536 9 o 55.00

ALSO AVAILABLE

Cinema and Sensation

French Film and the Art of Transgression

Martine Beugnet 2007 o 208pp o e Hb o 978 0 7486 2042 5 o 19.99

A Cinema of Contradiction
Spanish Film in the 1960s

Sally Faulkner 2006 o 208pp o e Hb o 978 0 7486 2160 6 o 55.00

Sapphism on Screen
Lesbian Desire in French and Francophone Cinema

Stalinist Cinema and the Production of History

Museum of the Revolution
Evgeny Dobrenko, University of Sheffield This book explores how Soviet film worked with time, the past, and memory and looks at its role in the conversion of the present and experience into history. The author uses the works of the great filmmakers of the Stalinist era to show the role of cinema in the formation of the Soviet political imagination. 2008 o 320pp o e Hb o 978 0 7486 3445 3 o 60.00

European Cinemas in the Television Age

Lucille Cairns 2006 o 232pp o e Hb o 978 0 7486 2165 1 o 60.00

Dorota Ostrowska, University of Edinburgh & Graham Roberts, University of Leeds In this radical rethinking of the post-war history of European cinemas the authors approach the subject from the perspective of televisions impact on cinematic culture. Televisions growing popularity has drastically reshaped cinemas audiences and forced governments to introduce regulatory policies. It includes detailed case studies of Britain, France, Germany, Spain, Poland, Italy and Denmark. 2007 o 208pp o e Pb o 978 0 7486 2309 9 o 19.99 Hb o 978 0 7486 2308 2 o 65.00

Film, Media & Cultural Studies

American Film
NEW

Post-Classical Hollywood

FORTHCOMING

Film Industry, Style and Ideology since 1945

Barry Langford, Royal Holloway, University of London At the end of World War II, Hollywood was incredibly prosperous. Numerous challenges and crises have since changed the American film industry yet Hollywoods worldwide dominance remains intact at the start of a new century. Barry Langford explores the concept of post-classical Hollywood cinema and how it can help or hinder our understanding of Hollywood from the forties to the present. He looks at how todays Hollywood - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differs from the legendary studios of Hollywoods Golden Age. He discusses the dominant frameworks and conventions that influence the way films are made, marketed and consumed today and asks how these have changed across the last seven decades. Have these evolving contexts shaped the form, the style and the content of Hollywood movies, from Singin in the Rain to Pirates of the Caribbean? May 2010 o 256pp 13 b&w illustrations Pb o 978 0 7486 3858 1 o 19.99 Hb o 978 0 7486 3857 4 o 70.00

American Politics in Hollywood Film

Second edition
Ian Scott, University of Manchester From Arnold Schwarzeneggers rise to the Governorship of California through to the drama of the celebrity-fuelled 2008 Presidential election, Hollywood and politics have never been more intimate. In this second edition of American Politics in Hollywood Film, Ian Scott takes up his analysis of political content and ideology through movies and contends that American culture and the institutional process continues to be portrayed, debated and influenced by a whole series of films. Scott describes how television has been an increasingly important part of this process, especially in the post-9/11, Bush era. Utilising a wide range of new films since 2000, as well as revisiting classic political texts from earlier Hollywood periods, Scott further extends his notion of the way sub-generic categories like Election Films and Bio-Pics work, while re-articulating the ideological and iconographic symbols at play in Hollywoods political movie culture. December 2010 o 240pp 15 b&w illustrations Pb o 978 0 7486 4023 2 o 19.99 Hb o 978 0 7486 4024 9 o 60.00

NEW IN PAPERBACK

Hollywoods Blacklists

A Political and Cultural History

Reynold Humphries, University of Lille III I recommend Hollywoods Blacklists as a concise introduction to a turbulent period in American history both on and off the screen. Journal of American Culture Are you now or have you ever been a member of the Communist Party? This question was endlessly repeated during the anti-Communist investigations carried out by the House Committee on un-American Activities (HUAC) in the 1950s. Hollywoods Blacklists is a history of the political and cultural factors relevant to understanding the why and the how of the various investigations of the alleged Communist infiltration of Hollywood. March 2010 o 192pp Pb o 978 0 7486 2456 0 o 19.99

Hollywoods Cold War

Tony Shaw, University of Hertfordshire This is the first book to explore the American film industrys propaganda role throughout the Cold War, from the 1917 Bolshevik Revolution to the collapse of the Berlin Wall in 1989. 2007 o 352pp o e 42 b&w illustrations Pb o 978 0 7486 2524 6 o 19.99 Hb o 978 0 7486 2523 9 o 65.00 www.euppublishing.com 9

American Film
SERIES

American Indies

FORTHCOMING

Series Editors: Gary Needham, Nottingham Trent University and Yannis Tzioumakis, University of Liverpool This series of books covers contemporary American films that have found commercial success but which have not been constrained by the formal and ideological parameters often associated with mainstream Hollywood cinema. Each volume explores a specific film and combines innovative and original research with clearly defined classroomorientated frameworks of film analysis. www.euppublishing.com/series/amin

Far From Heaven

NEW

Glyn Davis, The Glasgow School of Art This first full-length study of Far From Heaven includes chapters on key topics such as authorship, genre, postmodernism, queer theory, and positions the film in relation to the rest of Haynes career, the New Queer Cinema movement, and the history of US independent cinema. April 2011 o 160pp 12 b&w illustrations Pb o 978 0 7486 3779 9 o 12.99 Hb o 978 0 7486 3778 2 o 50.00
NEW

Lost in Translation

Geoff King, Brunel University From consideration of industrial factors such as funding and release strategy to the role of star performance and formal qualities, this book provides an in-depth analysis of the balance of more and less mainstream qualities offered by Lost in Translation. March 2010 o 160pp 25 illustrations Pb o 978 0 7486 3746 1 o 12.99 Hb o 978 0 7486 3745 4 o 50.00
ALREADY AVAILABLE

NEW

Memento

Brokeback Mountain

The Spanish Prisoner

Claire Molloy, Liverpool John Moores University This study considers Mementos position as an independent film before addressing key aspects of its narration, genre, distribution, marketing and reception. March 2010 o 160pp 4 b&w illustrations Pb o 978 0 7486 3772 0 o 12.99 Hb o 978 0 7486 3771 3 o 50.00

Gary Needham, Nottingham Trent University This book offers an overview of Focus Features as a hybrid company that operates across the mainstream and independent cinema sectors; examines the film in relation to the genres of the western and melodrama; and positions it within the context of gay film spectatorship and queer cinema. March 2010 o 160pp o e 12 b&w illustrations Pb o 978 0 7486 3383 8 o 12.99 Hb o 978 0 7486 3382 1 o 50.00

Yannis Tzioumakis, University of Liverpool Featuring a heavily convoluted narrative, a distinctive visual and belonging to the genre of the con game film, this book analyses The Spanish Prisoner as a film that bridges genre filmmaking with personal visual style, independent film production with niche distribution, and mainstream subject matter with unconventional filmic techniques. April 2009 o 160pp o e 11 illustrations Pb o 978 0 7486 3369 2 o 12.99 Hb o 978 0 7486 3368 5 o 50.00

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Film, Media & Cultural Studies

American Film / Film History

American Independent Cinema
The American Horror Film
An Introduction

Yannis Tzioumakis, University of Liverpool This book offers a comprehensive industrial and economic history of the independent sector from the studio era in the early 1910s to the present. Each chapter includes a number of case studies which focus on specific films and/or filmmakers. 2006 o 320pp o t o e Pb o 978 0 7486 1867 5 o 18.99 Hb o 978 0 7486 1866 8 o 60.00

Film History
NEW

Reynold Humphries 2002 o 224pp Pb o 978 0 7486 1416 5 o 21.99

Romantics and Modernists in British Cinema

American Politics in Hollywood Film

Ian Scott 2000 o 224pp Pb o 978 0 7486 1246 8 o 23.99

John Orr, Emeritus Professor, Edinburgh University

The American Western

Stephen McVeigh, University of Wales, Swansea Structured chronologically, this book explores the interconnections between the Western in literature and film, and traces the evolution of the Western as a uniquely American form. 2007 o 256p o t o e Pb o 978 0 7486 2141 5 o 19.99 Hb o 978 0 7486 2140 8 o 65.00
ALSO AVAILABLE

John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been neglected in the The Vietnam War in History, Literature and Film study of UK cinema and downplayed in the Mark Taylor development of Western cinema. The book BAAS Paperbacks covers a broad selection of films, film-makers 2003 o 176pp and debates but also brings a fresh perspective Pb o 978 0 7486 1533 9 o 20.99 to how scholars might understand and the major traditions that have shaped British Terms of Endearment Hollywood Romantic Comedy of the 1980s and 1990s cinema history. Edited by Peter William Evans Covering the period between 1929 and the & Celestino Deleyto present this book examines directors such o 240pp 1998 as Alfred Hitchcock, David Lean, Carol Reed, Pb o 978 0 7486 0885 0 o 18.99 Nicholas Roeg, Terence Davies and Bill Douglas

American Science Fiction and the Cold War

Literature and Film

Andrew Pepper & Trevor McCrisken 2005 o 240pp o t Pb o 978 0 7486 1490 5 o 18.99 Hb o 978 0 7486 1489 9 o 60.00

American History and Contemporary Hollywood Film

David Seed 1999 o 224pp Pb o 978 1 85331 2274 o 27.99

Gender, Ethnicity and Sexuality in Contemporary American Film

Jude Davies & Carol R. Smith BAAS Paperbacks 1998 o 160pp Pb o 978 1 85331 1741 o 19.99

and discusses two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. The author also assesses the powerful impact of major expatriate directors like Joseph Losey, Michelangelo Antonioni, Roman Polanski, Stanley Kubrick and Jerzy Skolimowski on modernism in the 1960s and 1970s. After critical readings of key films, the conclusion analyses the persistence of romantic and modernist forms in the 21st century in two recent features, Control and Hunger. Edinburgh Studies in Film April 2010 o 240pp Hb o 978 0 7486 4014 0 o 60.00

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Film History
The Cinema of Basil Dearden and Michael Relph Pierre Batcheff and Stardom in 1920s French Cinema
ALSO AVAILABLE

Alan Burton, Klagenfurt University, Austria & Tim OSullivan, De Montfort University, Leicester Basil Dearden and Michael Relph came together at the famous Ealing Studios in the wartime period and became the most prolific production team at the studio. This book offers a full assessment and evaluation of the work of this important partnership and considers their contribution to wartime cinema at Ealing. Later, Dearden and Relph branched out into independent production. This study takes a fresh look at their cycle of controversial social problem films, and looks at their later period of filmmaking for the international market in the 1960s. Attention is also given to the significant place of comedy in their cinema and Michael Relphs considerable achievements as an art director. Films discussed include The Captive Heart (1946), The Blue Lamp (1950) and Pool of London (1951), Sapphire (1959) and Victim (1961). December 2009 o 416pp 41 b&w illustrations Hb o 978 0 7486 3289 3 o 80.00

Phil Powrie, University of Newcastle upon Tyne & ric Rebillard, Association Franaise de Recherche sur lHistoire du Cinma This study of French silent cinema star, Pierre Batcheff places him in the context of 1920s popular cinema and analyses his links to intellectual circles such as the Surrealists in a period when European cinema was caught between commercialism and art. January 2009 o 320pp o e 50 b&w illustrations Hb o 978 0 7486 2197 2 o 60.00

John Mills and British Cinema

Masculinity, Identity and Nation

Gill Plain 2006 o 264pp o e Pb o 978 0 7486 2108 8 o 17.99 Hb o 978 0 7486 2107 1 o 54.00

Censorship in Theatre and Cinema

Anthony Aldgate & James C. Robertson 2005 o 208pp Pb o 978 0 7486 1961 0 o 18.99

The First World War and Popular Cinema

1914 to the Present

Film Histories

Edited by Michael Paris 1999 o 240pp Pb o 978 0 7486 1099 0 o 12.99

An Introduction and Reader

Edited by Paul Grainge, University of Nottingham, Mark Jancovich, University of East Anglia & Sharon Monteith, University of Nottingham The authors have managed successfully to combine two types of film text book: an all-embracing and succinct history book and an excellent collection of essays which provide a chronological analysis of the development of cinema. Art, Design, Media Subject Centre Newsletter A wide-ranging introduction to film history, this anthology covers the full history of film from 1895 to the present day. 2006 o 720pp o t Pb o 978 0 7486 1907 8 o 19.99 Hb o 978 0 7486 1906 1 o 65.00

Post-war Cinema and Modernity

A Film Reader

Edited by John Orr & Olga Taxidou 2000 o 464pp Pb o 978 0 7486 1281 9 o 17.99 Hb o 978 0 7486 1282 6 o 85.00

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Film, Media & Cultural Studies

Film Genre
Film Noir and the Cinema of Paranoia
Wheeler Winston Dixon, University of Nebraska, Lincoln

Science Fiction Cinema

Christine Cornea, University of East Anglia This broad historical and theoretical reassessment of the science fiction film genre explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of selected films within a wider historical/cultural context, while concentrating on a specific thematic issue. Thematically organised for use as a course text, Science Fiction Cinema introduces theories and practices, and provides an overview of the main themes, approaches and areas of study. 2007 o 336pp o t o e Pb o 978 0 7486 1642 8 o 17.99 Hb o 978 0 7486 2465 2 o 55.00

The Erotic Thriller in Contemporary Cinema

The book offers an impressive catalogue of marginal and forgotten films of the studio era, accompanied by handfuls of Hollywood Babylon dirt for added impact... noir addicts will walk away with one hell of a screening list. Film Comment This overview of noir and fatalist film practice from 1945 demonstrates the ways in which American cinema has instilled a climate of fear in our daily lives, reinforced from the 1950s by TV, video and the internet. Film Noir and the Cinema of Paranoia expands the definition of what constitutes a noir film, and includes examples from a variety of genres such as science fiction noir, horror noir and even musical noir. Neo-noir films explored include The Last Seduction, Angel Heart, The Grifters, Red Rock West, The Usual Suspects, Mulholland Drive, L. A. Confidential, and Memento. February 2009 o 192pp o e 32 b&w illustrations Pb o 978 0 7486 2400 3 o 18.99 Hb o 978 0 7486 2399 0 o 60.00

Linda Ruth Williams, University of Southampton This book discusses the erotic thriller and the new relationship between pornography and film noir which the erotic thriller has brought about. Chapters cover the erotic thriller as womans film, erotic thriller science fiction and horror, and the genres influence on other forms, such as European sex-thrillers and art house erotic thrillers. 2005 o 480pp Pb o 978 0 7486 1148 5 o 22.99 Hb o 978 0 7486 1149 2 o 80.00
ALSO AVAILABLE

The Battle of Britain on Screen

The Few in British Film and Television Drama

Film Genre

Hollywood and Beyond

Barry Langford, Royal Holloway, University of London The most authoritative introduction to the key topic of film genre and genre theory, Film Genre provides a comprehensive account of genre history and contemporary trends in Hollywood and global cinema, alongside the critical debates they have provoked. Langford presents genre as a constantly evolving phenomenon. 2005 o 320pp o t Pb o 978 0 7486 1903 0 o 19.99

S. P. Mackenzie 2007 o 192pp o e Pb o 978 0 7486 2390 7 o 20.99 Hb o 978 0 7486 2389 1 o 65.00

New Queer Cinema

A Critical Reader

Edited by Michele Aaron 2004 o 224pp Pb o 978 0 7486 1725 8 o 23.99 Hb o 978 0 7486 1724 1 o 70.00

The Documentary Film Movement

An Anthology

Ian Aitken 1998 o 224pp Pb o 978 0 7486 0948 2 o 18.99 www.euppublishing.com 13

Film Theory
JOURNAL

Deleuze Studies

Deleuze, Altered States and Film

ALSO AVAILABLE

Editor: Ian Buchanan, Cardiff University Deleuze Studies is the first paper-based journal to focus exclusively on the work of Gilles Deleuze. Increasing to three issues a year in 2010, and edited by a team of highly respected Deleuze scholars, Deleuze Studies is a forum for new work on the writings of Gilles Deleuze. A bold journal that challenges orthodoxies, encourages debate, invites controversy, seeks new applications and proposes new interpretations, Deleuze Studies is as interdisciplinary as Deleuze himself was and welcomes contributions from scholars working in all fields. Three issues per year Volume 4 o 2010 ISSN: 1750-2241 o e-ISSN: 1755-1684 www.eupjournals.com/dls

Anna Powell, Manchester Metropolitan University This book offers a typology of altered states, defining dream, hallucination, memory, trance and ecstasy in their cinematic expression. Case studies include Donnie Darko, 2001, Performance and Easy Rider. 2007 o 224pp o e Hb o 978 0 7486 3282 4 o 50.00

Deleuze and Cinema

Barbara Kennedy 2002 o 224pp Pb o 978 0 7486 1726 5 o 26.99

European Film Theory and Cinema

A Critical Introduction

Ian Aitken 2001 o 280pp Pb o 978 0 7486 1168 3 o 26.99

Deleuze and Horror Film

Feminist Film Theory

A Reader

Anna Powell, Manchester Metropolitan University Powell argues that film viewing is a form of altered consciousness and the experience of viewing horror film an embodied event. This book explores themes of insanity, sensory response to film, fractured time, the body and cinematography. 2006 o 240pp Pb o 978 0 7486 1748 7 o 18.99

Edited by Sue Thornham 1999 o 320pp Pb o 978 0 7486 0890 4 o 22.99 Hb o 978 0 7486 0959 8 o 70.00 Maggie Humm 1997 256pp Pb o 978 0 7486 0900 0 o 24.99 Hb o 978 0 7486 0908 6 o 85.00

Feminism and Film

Deleuze and the Cinemas of Performance

Powers of Affection
Elena del Ro, University of Alberta This book is the first study of the interface between Deleuzian theory and film performance and offers a unique reconsideration of the performing body. Elena del Ro draws on Gilles Deleuzes philosophy of the body, and on Deleuze-Spinozas relevant concepts of affect and expression, to examine a kind of cinema that she calls affective-performative. 2008 o 248pp o e Hb o 978 0 7486 3525 2 o 55.00 14 Film, Media & Cultural Studies

Contemporary Cinema

Deleuze, Cinema and National Identity

Narrative Time in National Contexts
David Martin-Jones, University of St Andrews This book fruitfully and originally combines three areas of investigation: recent cinema, Deleuzean film theory, and national identity. Forum for Modern Language Studies 2008 o 256pp o e Pb o 978 0 7486 3585 6 o 18.99

John Orr 1998 o 224pp Pb o 978 0 7486 0836 2 o 26.99

The Art and Politics of Film

John Orr 2000 o 208pp Pb o 978 0 7486 1199 7 o 24.99

Television Studies
SERIES

TV Genres

The Great War on the Small Screen

Representing the First World War in Contemporary Britain
Emma Hanna, University of Greenwich, London There is a difficult relationship between the wars history and its popular memory. Emma Hanna examines the personal, political and ideological struggles which have occurred during attempts to discuss the history of the First World War in British television, taking readers behind the scenes of programmes from the landmark series The Great War (BBC, 1964) up to The Somme (Channel 4, 2005). November 2009 o 200pp 21 b&w illustrations Hb o 978 0 7486 3389 0 o 55.00

Series Editors: Deborah Jermyn, Roehampton University & Su Holmes, University of East Anglia The TV Genres series provides accessible introductions to the study of key identifiable genres within TV Studies. Volumes are theoretically informed and innovative, while maintaining a reader-friendly approach. www.euppublishing.com/series/edtv

The Sitcom

Brett Mills, University of East Anglia Although sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book explores the sitcom in terms of production, audiences, and texts, drawing on a range of examples and case studies in order to examine the genres characteristics, social position, and pleasures. It takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Includes extensive interviews with members of the British television comedy industry Offers detailed textual analyses of a range of programmes, drawing on Humour Theory eo explore the ways in which jokes and comic moments work September 2009 o 160pp o t Pb o 978 0 7486 3752 2 o 16.99 Hb o 978 0 7486 3751 5 o 60.00

The Quiz Show

Su Holmes, University of East Anglia Despite its enduring popularity with both broadcasters and audiences, the quiz show has found itself marginalised in studies of popular television. This book offers a unique introduction to the study of the quiz show. The book ranges across programmes from Double Your Money, The $64,000 Dollar Question, Twenty-One, The Price is Right, Who Wants to be a Millionaire and The Weakest Link to the controversial Quiz TV Call phenomenon. Topics covered include the relationship between quiz shows and television genre; the early broadcast history of the quiz show; questions of institutional regulation; quiz show aesthetics; the social significance of games; ordinary people as television performers, and questions of quiz show reception (from interactivity to on-line fandom). 2008 o 192pp o t o e 3 b&w illustrations Pb o 978 0 7486 2753 0 o 16.99 Hb o 978 0 7486 2752 3 o 55.00

Social Issues in Television Fiction

Lesley Henderson, Brunel University, London This groundbreaking book crosses the boundaries between media communication, television fiction and reception. Journal of British Cinema and Television Drawing on unique empirical data this study examines the ways in which television fiction plays a vital and powerful role in reflecting and shaping socio-cultural attitudes. It uses a series of case studies to link practice to theory. 2007 o 208pp o e Pb o 978 0 7486 2532 1 o 17.99 Hb o 978 0 7486 2531 4 o 55.00 www.euppublishing.com 15

Television Studies / Media Studies

Masculinity and Popular Television
Rebecca Feasey, Bath Spa University A comprehensive and accessible introduction to the key debates concerning the representation of masculinity in a wide range of contemporary television genres. Feasey looks at the depiction of public masculinity in the soap opera, homosexuality in the situation comedy, the portrayal of fatherhood in prime-time animation, emerging manhood in the teen male melodrama, alternative gender roles in science fiction, authority in the police drama, anxiety in trauma television, violence and machismo in sports coverage, exhibitionism in reality television and domesticity in lifestyle programming. 2008 192pp Pb o 978 0 7486 2798 1 o 18.99 Hb o 978 0 7486 2797 4 o 60.00
o

Media Studies Media Studies: A Reader

Third Edition
Edited by Sue Thornham & Caroline Bassett, both University of Sussex, & Paul Marris, Anglia Ruskin University Media Studies: A Reader introduces the full range of theoretical perspectives through which the media may be explored, analysed, critiqued, and understood. The Reader reaches back to essential statements from writers such as Raymond Williams, Stuart Hall, Marshall McLuhan, Jrgen Habermas, Jean Baudrillard and Michel Foucault, whose work was central to forming the field. It also includes wide ranging contemporary work from diverse theorists, including Annabelle Sreberny, Paul Gilroy, Charlotte Brunsden, Angela McRobbie, Asu Askoy and Kevin Robins, Micheal Bull, and Nick Couldry. Finally, the Reader looks to the future, through the work of Mark Andrejevic, Lev Manovich, Jonathan Sterne and others. The sixty-seven readings are divided into two main parts: Studying the Media and Case Studies, and all sections of this new edition have been updated with a rich selection of contemporary writing complementing re-chosen media classics. April 2009 o 896pp o t Pb o 978 0 7486 3784 3 o 24.99 Hb o 978 0 7486 3783 6 o 80.00

SERIES

Media Topics

Series Editor: Valerie Alia Volumes in the Media Topics series critically examine the core subject areas within Media Studies. Each volume offers a critical overview as well as an original intervention into the subject. Volume topics include: media theory and practice, history, policy, ethics, politics, discourse, culture and audience. Praise for the series: Media and Ethnic Minorities sets up a radical anthropological account of power and representation. Media International Australia [Media Ethics and Social Change] is an ambitious attempt to look at media ethics from social scientific, philosophical and vocational perspectives The book successfully negotiates the rocky path between vocational and academic life, demonstrating how in the media field an awareness of both is required to inform the protagonist. The Lecturer Women, Feminism and Media is a first-class textbook and will become a must for students in media studies, womens studies and cultural studies alike. Jackie Stacey, University of Lancaster Media Policy and Globalization serves up an ambitious, readable, and concise synthesis of how the messy world-system of communication policy is described and pondered in the communications and media studies discipline. Global Media and Communication

ALSO AVAILABLE

Television Policy
The MacTaggart Lectures

Edited by Bob Franklin 2005 o 304pp Pb o 978 0 7486 1718 0 o 19.99 Hb o 978 0 7486 1717 3 o 60.00

The Contemporary Television Series

Edited by Michael Hammond & Lucy Mazdon 2005 o 272pp Pb o 978 0 7486 1901 6 o 19.99 Hb o 978 0 7486 1900 9 o 65.00

16

Film, Media & Cultural Studies

Media Studies
Media Audiences
Television, Meaning and Emotion
Kristyn Gorton, University of York An engaging and original study of current research on television audiences and the concept of emotion, this book offers a new insight into key issues within television studies. Topics discussed include: television branding; emotional qualities in television texts; audience reception models; new research on fan cultures; quality television; television aesthetics; reality television; individualism and its links to television consumption. The book is divided into two sections: the first covers theoretical work on the audience, fan cultures, global television, theorising emotion and affect in feminist theory and film and television studies. The second half offers a series of case studies on television programmes such as Wife Swap, The Sopranos and Six Feet Under in order to explore how emotion is fashioned, constructed and valued in televisual texts. The final chapter features original interview material with industry professionals in the UK and Irish soap industry along with advice to students on how to conduct their own small-scale ethnographic projects. September 2009 o 192pp o t Pb o 978 0 7486 2418 8 o 16.99 Hb o 978 0 7486 2417 1 o 60.00

Women, Feminism and Media

ALSO AVAILABLE

Sue Thornham, University of Sussex Over the past few decades feminist media scholarship has flourished, to become a major influence on the fields of media, film and cultural studies. At the same time, the cultural shift towards post-feminism has raised questions about the continuing validity of feminism as a defining term for this work. This book explores the changing and often ambivalent relationship between the three terms women, feminism and media in the light of these recent debates. 2007 o 184pp o t Pb o 978 0 7486 2071 5 o 15.99

Media Policy and Globalization

Paula Chakravartty & Katharine Sarikakis 2006 o 224pp o t o e Pb o 978 0 7486 1849 1 o 16.99 Mitzi Waltz 2005 o 160pp o t o e Pb o 978 0 7486 1958 0 o 16.99 Hb o 978 0 7486 1957 3 o 60.00 Richard Haynes 2005 o 176pp o t Pb o 978 0 7486 1880 4 o 19.99

Alternative and Activist Media

Media Rights and Intellectual Property

Media Discourse

Representation and Interaction

Mary Talbot, University of Sunderland This lively and accessible study of media and discourse combines theoretical reflection with empirical engagement, and brings together insights from a range of disciplines. The book is divided into two sections, the first outlining key theoretical issues and concepts and the second being a sustained interrogation of social interaction in and around media. 2007 o 208pp o t o e Pb o 978 0 7486 2348 8 o 15.99 Hb o 978 0 7486 2347 1 o 60.00

Valerie Alia & Simone Bull 2005 o 216pp o t o e Pb o 978 0 7486 2069 2 o 19.99 Hb o 978 0 7486 2068 5 o 60.00 Valerie Alia 2004 o 240pp o t Pb o 978 0 7486 1771 5 o 16.99 Hb o 978 0 7486 1773 9 o 65.00

Media and Ethnic Minorities

Media Ethics and Social Change

www.euppublishing.com

17

Media Studies
Power Play
Sport, the Media and Popular Culture

Raymond Boyle, University of Glasgow & Richard Haynes, University of Stirling Since its first publication in 2000 Power Play has become a key text in the burgeoning study of media sport. This fully revised and updated edition reviews recent developments in the interdisciplinary field of media sport studies. It also provides new analysis of the global sports media marketplace taking into consideration the rapid changes in the media coverage of sport introduced by the Internet and new digital media platforms. May 2009 o 264pp o t o e Pb o 978 0 7486 3593 1 o 22.99 Hb o 978 0 7486 3592 4 o 60.00

Media Regulation, Public Interest and the Law

Second Edition
Mike Feintuck & Mike Varney, both University of Hull Through its very well organized and presented material, the book analyses the different types and forms of copyright, the ways it is enforced, who exactly owns it and whom it protects, as well as what kinds of practices are restrained by it. The Years Work in Critical and Cultural Studies The second edition has been substantially revised and updated, to take account of matters such as European Directives, the UKs Communications Act 2003 and the process of reviewing the BBCs Charter. 2006 o 240pp o t o e Pb o 978 0 7486 2166 8 o 24.99
ALSO AVAILABLE

An Alternative Internet
Radical Media, Politics and Creativity

Chris Atton 2004 o 192pp Pb o 978 0 7486 1770 8 o 19.99 Hb o 978 0 7486 1769 2 o 70.00 Andrew Tolson 2006 o 208pp o t Pb o 978 0 7486 1826 2 o 18.99 Hb o 978 0 7486 1825 5 o 65.00

Media Talk

Studying Media
Problems of Theory and Method

John Corner 1998 o 192pp Pb o 978 0 7486 1067 9 o 14.99 Fiona Douglas April 2009 o 192pp o e Hb o 978 0 7486 2437 9 o 50.00
Tomorrow May Be Too Late

Scottish Newspapers, Language and Identity

The Media in Scotland

Edited by Neil Blain, University of Stirling & David Hutchison, Glasgow Caledonian University A very welcome addition... The book is of importance to all who study the Scottish media. Media Education Journal [The authors] are to be congratulated on assembling such a rich array of contributions and producing such an enjoyable, wide-ranging overview of the media north of the border. European Journal of Communication 2008 o 320pp o e Pb o 978 0 7486 2800 1 o 17.99 Hb o 978 0 7486 2799 8 o 55.00 18 Film, Media & Cultural Studies

Get Set for Media and Cultural Studies

Tony Purvis 2006 o 224pp o t o e Pb o 978 0 7486 1695 4 o 12.99

British News Media and the Spanish Civil War

David Deacon 2008 o 208pp 19 b&w illustrations Hb o 978 0 7486 2748 6 o 60.00

Practical Research Methods for Media and Cultural Studies

Making People Count

Mire Messenger Davies & Nick Mosdell 2006 o 224pp o t o e Pb o 978 0 7486 2185 9 o 16.99 Hb o 978 0 7486 2184 2 o 55.00

Music & Media

Music, Sound and Multimedia
From the Live to the Virtual
Jamie Sexton, University of Wales, Aberystwyth A valuable book about important topics, written by fresh voices on the academic music scene. Music, Sound and the Moving Image [Music, Sound and Multimedia] will be useful to those in ethnomusicology and popular music studies who have been contemplating the new musical environments of digital media and broadband internet in recent years. Ethnomusicology Forum This book provides a unique study of how music and other sounds play a central part in a host of media forms. It focuses on four areas music videos, video game music, performance and presentation, and production and consumption and addresses the importance of these aural concerns within our everyday experiences. Charting historical developments, mapping contemporary patterns, and speculating on future possibilities, this book is invaluable to students of sound and media. 2007 o 224pp o e 6 b&w illustrations Pb o 978 0 7486 2534 5 o 17.99

Films Musical Moments

ALSO AVAILABLE

Edited by Ian Conrich, Roehampton University & Estella Tincknell, University of the West of England Films Musical Moments will be of use to film and TV scholars, as well as scholars whose work is more directly focused on music in media. Film International This is something more than a collection of articles about music in film [a] welcome addition to the literature on films musical nature. Journal of British Cinema and Television Films Musical Moments is of equal importance to students of film studies, cultural studies and music. The book is organised into four sections which cover: cinema representations of music forms; stars, fan cultures and intertextuality; the importance of popular music to contemporary cinema; and specific national contexts. Chapters include jazz and animation, the country and western biopic, cult musicals and fandom, the importance of the soundtrack film, and musicals from the former East Germany. 2006 o 240pp o e Pb o 978 0 7486 2345 7 o 18.99 Hb o 978 0 7486 2344 0 o 70.00

Dan Laughey 2006 o 256pp o t o e Pb o 978 0 7486 2381 5 o 20.99 Hb o 978 0 7486 2380 8 o 60.00

Music and Youth Culture

Popular Music Genres

An Introduction

Stuart Borthwick & Ron Moy 2004 o 256pp o t Pb o 978 0 7486 1745 6 o 24.99 Hb o 978 0 7486 1744 9 o 65.00

Music and Copyright

Second Edition

Edited by Simon Frith & Lee Marshall 2004 o 224pp Pb o 978 0 7486 1813 2 o 19.99 Hb o 978 0 7486 1812 5 o 65.00

Film Music
Critical Approaches

Edited by K. J. Donnelly 2001 o 24pp Pb o 978 0 7486 1288 8 o 23.99

www.euppublishing.com

19

Cultural Studies
NEW

Cultural Studies and the Study of Popular Culture

Third edition
John Storey, University of Sunderland This revised and fully updated edition of the best-selling textbook maps the development of cultural studies and introduces the range of methods that have been used to study contemporary popular culture. Organised around a series of case studies, each chapter focuses on a different media form and presents a critical overview of the methodology for the actual study of popular culture. Individual chapters cover topics such as television, fiction, film, newspapers and magazines, popular music, consumption (television, fan culture and shopping), and the culture of globalisation. The third edition has been rewritten and expanded, including a revised and updated bibliography. It incorporates new sections on print media and celebrity, communities in cyberspace, and a postscript on the circuit of culture. May 2010 o 208pp Pb o 978 0 7486 4038 6 o 19.99 Hb o 978 0 7486 4051 5 o 65.00

NEW

Culture and Power in Cultural Studies

The Politics of Signification
John Storey, University of Sunderland Culture and Power in Cultural Studies is a collection of John Storeys best and most significant contributions to the field of cultural studies, spanning 25 years. Covering a variety of topics, all chapters share a common focus on culture and power and the politics of signification: the struggle to define social reality; to give the world and its contents meaning in particular ways to generate desired effects of power. March 2010 o 208pp 13 illustrations Hb o 978 0 7486 4015 7 o 60.00

Research Methods for Cultural Studies

Edited by Michael Pickering, Loughborough University Research Methods for Cultural Studies is a brilliant book. It is inspiring, challenging, stroppy, provocative and well written. This is the best book that has been written on cultural studies methods. Times Higher Education A clear, concise overview of the qualitative and quantitative approaches to research methods in cultural studies, this book will be useful for undergraduate students of all aspects of cultural study from anthropology to media studies. The Bookseller This textbook provides students with clear overviews of research methods in cultural studies, along with guidelines on how to put these methods into practice. It advocates a multi-method approach, with students drawing from a pool of techniques and approaches suitable for their own topics of investigation. Designed for the needs of students on upperlevel undergraduates and above, reviewers agree this book is of enormous value across all fields of study involved in cultural enquiry and analysis. Research Methods for the Arts and Humanities 2008 o 256pp o t Pb o 978 0 7486 2578 9 o 17.99 Hb o 978 0 7486 2577 2 o 55.00

AUTHOR CLOSE-UP

John Storey is Professor of Cultural Studies and Director of the Centre for Research in Media and Cultural Studies at the University of Sunderland. He has published widely in cultural studies, including eight books. His work has been translated into many languages.

20

Film, Media & Cultural Studies

Cultural Studies
Englishness
NEW JOURNAL

Twentieth-Century Popular Culture and the Forming of English Identity

Simon Featherstone, De Montfort University, Leicester This book examines the conflicts, dilemmas and contradictions that marked Englishness as the nation changed from an imperial power to a postcolonial state. The chapters deal with travel writing, popular song, music hall and variety theatre, dances, elocution lessons, sport, festivals, literature and film. January 2009 o 208pp o e Hb o 978 0 7486 2365 5 o 60.00

Modernist Cultures

Culture Wars

Editors: Andrzej Gasiorek, University of Birmingham, Deborah Parsons, University of Birmingham & Michael Valdez Moses, Duke University Modernist Cultures seeks to open modernism up to new kinds of inquiry, new subjects, and new arguments, and to examine the interdisciplinary and international contexts of modernism and modernity. The journal is committed to innovative scholarship and to dialogue across international borders, and intended as a genuinely interdisciplinary space for the lively, polemical discussion of contemporary trends in the field, a discussion that will, we hope, represent a range of critical approaches and foster debate between scholars working within different intellectual traditions. The editors invite essays from various fields of inquiry, in an attempt to reanimate the discourses through which modernisms diverse cultures have hitherto been conceived. Two issues a year Volume 4 o 2010 ISSN 2041-1022 o e-ISSN: 1753-8629 www.eupjournals.com/mod

The Media and the British Left

James Curran, Ivor Gaber & Julian Petley, all Goldsmiths College, University of London This book is comprehensive and very readable. Political Studies Review Culture Wars charts the battle between young politicians in London town halls and their elders in central government. It describes a clash not only between collectivism and market liberalism, but also between social and moral values shaped by different eras. 2005 o 320pp o t o e Pb o 978 0 7486 1917 7 o 20.99
ALSO AVAILABLE

Christmas, Ideology and Popular Culture

Edited by Sheila Whiteley, University of Brighton This introduction to the study of popular culture uses one central case study Christmas. It explores the cultural, social and historical contexts of Christmas in the UK, USA and Australia, covering such topics as fiction, film, television, art, newspapers and magazines, war, popular music and carols. 2008 o 232pp o e 18 b&w illustrations Pb o 978 0 7486 2809 4 o 18.99 Hb o 978 0 7486 2808 7 o 60.00

Violence and the Cultural Politics of Trauma

Jane Kilby 2007 o 224pp Hb o 978 0 7486 1816 3 o 50.00

www.euppublishing.com

21

American Culture
SERIES

Twentieth-Century American Culture

Series Editor: Martin Halliwell This series provides accessible but challenging studies of American culture in the twentieth century. Each title covers a specific decade and offers a clear overview of its dominant cultural forms and influential texts, discussing their historical impact and cultural legacy. The books provide an intellectual context for examining the culture of each decade and include case studies featuring key texts, trends, events and figures, a chronology of the decade and bibliographies for each chapter. The series is complete in 2010 with the publication of the 1910s and 1990s volumes. www.euppublishing.com/series/tcac
NEW

NEW

American Culture in the 1990s

ALSO AVAILABLE

Colin Harrison, Liverpool John Moores University The 1990s was witness to Americas expanding influence across the world but also a period of anxiety and social conflict. March 2010 o 248pp o t 18 b&w illustrations Pb o 978 0 7486 2222 1 o 17.99 Hb o 978 0 7486 2221 4 o 60.00

David Eldridge October 2008 o 224pp o t o e 21 b&w illustrations Pb o 978 0 7486 2259 7 o 17.99 Hb o 978 0 7486 2258 0 o 55.00 Jacqueline Foertsch March 2008 o 312pp o t o e 20 b&w illustrations Pb o 978 0 7486 2413 3 o 17.99 Hb o 978 0 7486 2412 6 o 55.00 Martin Halliwell March 2007 o 224pp o t o e 24 b&w illustrations Pb o 978 0 7486 1885 9 o 17.99 Hb o 978 0 7486 1884 2 o 65.00 Sharon Monteith October 2008 o 224pp o t o e 10 b&w illustrations Pb o 978 0 7486 1947 4 o 17.99 Hb o 978 0 7486 1946 7 o 55.00 Graham Thompson March 2007 o 224pp o t o e 12 b&w illustrations Pb o 978 0 7486 1910 8 o 17.99 Hb o 978 0 7486 1909 2 o 66.00

American Culture in the 1930s

American Culture in the 1940s

American Culture in the 1920s

Susan Currell, University of Sussex An engaging account of the major cultural and intellectual trends that have been pivotal to the decades characterisation as the jazz age. March 2009 o 272pp o t o e 17 b&w illustrations Pb o 978 0 7486 2522 2 o 17.99 Hb o 978 0 7486 2521 5 o 60.00

American Culture in the 1950s

American Culture in the 1910s

Mark Whalan, University of Exeter This book provides a fresh account of the major cultural and intellectual trends of 1910s America, a decade characterised by war, the flowering of modernism, the birth of Hollywood, and Progressive interpretations of culture and society. March 2010 o 248pp o t 15 b&w illustrations Pb o 978 0 7486 3424 8 o 17.99 Hb o 978 0 7486 3423 1 o 60.00

American Culture in the 1960s

American Culture in the 1970s

Will Kaufman, University of Central Lancashire This volume provides an exploration of American culture in the 1970s and charts the changing complexion of American culture from the 1950s into the 1980s. February 2009 o 264pp o t o e 14 b&w illustrations Pb o 978 0 7486 2143 9 o 17.99 Hb o 978 0 7486 2142 2 o 60.00

American Culture in the 1980s

22

Film, Media & Cultural Studies

American Culture
SERIES

Introducing Ethnic Studies

9/11 and the War on Terror

Robert Con Davis-Undiano, University of Oklahoma Providing the latest and the best of what is being thought in Ethnic Studies, this series is directed toward literary studies and particularly American Studies but also covers interdisciplinary topics appropriate to cultural studies and traditional area comparative studies, including material culture. Each volume provides a comprehensive introduction to the topics that are raised in discussions about ethnicity in contemporary culture. www.euppublishing.com/series/iets
NEW

David Holloway, University of Derby Illustrated throughout, this interdisciplinary study discusses representation of 9/11 and the War on Terror in a variety of disciplines including film, literature, visual art and mass media. 2008 o 208pp o e 20 b&w illustrations Pb o 978 0 7486 3381 4 o 12.99 Hb o 978 0 7486 3380 7 o 45.00

American Thought and Culture in the 21st Century

Edited by Martin Halliwell & Catherine Morley, University of Leicester This volume considers the changing patterns of American thought and culture in its transition into the early twenty-first century, bringing together high-profile thinkers and scholars to explore the most significant political, social and cultural trends in the United States during the current decade. 2008 o 336pp o e Pb o 978 0 7486 2602 1 o 24.99 Hb o 978 0 7486 2601 4 o 90.00
ALSO AVAILABLE

The Kennedy Assassination

Peter Knight, University of Manchester This book offers an authoritative critical introduction to the way the Kennedy Assassination has been constructed in a range of discourses. Peter Knight explores representations of the assassination in historical, literary, cinematic, political, sociological and artistic discourses. 2007 o 192pp o e 10 b&w illustrations Pb o 978 0 7486 2411 9 o 13.99 Hb o 978 0 7486 2410 2 o 50.00

African American Studies

Jeanette R. Davidson This introduction to the large and rich area of inquiry and scholarship known as African American Studies covers topics including African Aesthetics, African American Visual Culture, African American Womanist Literature and Theory, and African American Religion and Philosophy. It discusses current challenges and opportunities for African American Studies in the context of predominantly white institutions and addresses important new curricular directions for the future, those that push the boundaries of Black Studies. April 2010 o 272pp Pb o 978 0 7486 3715 7 o 18.99 Hb o 978 0 7486 3714 0 o 50.00

African American Visual Arts

Celeste-Marie Bernier, University of Nottingham BAAS Paperbacks 2008 o 280pp o t o e 16 colour illustrations Pb o 978 0 7486 2356 3 o 16.99

The Cultures of the American New West

Neil Campbell BAAS Paperbacks 2000 o 182pp Pb o 978 0 7486 1176 8 o 19.99
A Handbook

Issues in Americanisation and Culture

Edited by Neil Campbell, Jude Davies & George Mackay 2004 o 288pp Pb o 978 0 7486 1943 6 o 20.99

www.euppublishing.com

23

American Culture / Cultural Theory

American Youth Cultures
Edited by Neil Campbell 2004 o 272pp Pb o 978 0 7486 1933 7 o 18.99

Cultural Theory
NEW

FORTHCOMING

The Baudrillard Dictionary

American Cold War Culture

Literature, Cinema and Politics, 1930-1945

Reading between the Frames
Laura Feigel, Kings College, London This detailed study of the relationship between politics, literature and cinema in the 1930s tells the story that unfolded between 1920s cinematic modernism and postwar cinematic neorealism, exploring the rise and fall of a distinct genre of politically committed cinematic literature. June 2010 o 288pp 40 b&w illustrations Hb o 978 0 7486 3950 2 o 65.00

Edited by Richard G. Smith, Swansea University This is the first dictionary dedicated to the work of Jean Baudrillard and is an essential reference for students and scholars of his work. Written by over 30 specialists, it defines and contextualises the key terms and influences within Baudrillards thought, including hyperreality, symbolic exchange, reversibility, simulation, disappearance, seduction, fashion, pataphysics, cloning, the Gulf War, terrorism, and 9/11. July 2010 o 256pp Pb o 978 0 7486 3921 2 o 19.99 Hb o 978 0 7486 3922 9 o 60.00

Edited by Douglas Field 2005 o 224pp Pb o 978 0 7486 1923 8 o 18.99 Christopher Gair 2007 o 240pp o e Pb o 978 0 7486 1989 4 o 19.99 Hb o 978 0 7486 1988 7 o 65.00

The American Counterculture, 1945-1975

Religion, Culture and Politics in the TwentiethCentury United States

Mark Hulsether BAAS Paperbacks May 2007 o 256pp o t o e Pb o 978 0 7486 1302 1 o 15.99

Deleuze and Performance

The Jean Baudrillard Reader

Edited by Laura Cull, Northumbria University Deleuze and Performance is a collection of new essays dedicated to Deleuzes writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuzes writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance. Deleuze Connections May 2009 o 288pp o e 4 b&w illustrations Pb o 978 0 7486 3504 7 o 24.99 Hb o 978 0 7486 3503 0 o 75.00

Jazz in American Culture

Edited by Steve Redhead, University of Brighton This Reader comprises extracts of Baudrillards writings from the sixties to the noughties, with an editorial introduction and a concluding reading guide. Arranged chronologically in order of original publication, each section includes a translated extract prefaced by a short bibliographical introduction setting the scene. 2008 o 240pp Pb o 978 0 7486 2789 9 o 16.99 Hb o 978 0 7486 2788 2 o 50.00

Peter Townsend BAAS Paperbacks July 2000 o 160pp Pb o 978 1 85331 204 5 o 19.99

Animation and America

Paul Wells BAAS Paperbacks March 2002 o 172pp Pb o 978 1 85331 203 8 o 20.99

24

Film, Media & Cultural Studies

Cultural Theory
Paul Virilio
Theorist for an Accelerated Culture

Postfeminism

Cultural Texts and Theories

Exploring Visual Culture

Steve Redhead, University of Brighton The first authoritative study of the life and work of French urban and cultural theorist Paul Virilio, this book sets out to explain and analyse what Virilio has actually said over the years and exactly when he said it, correcting many mistaken interpretations along the way. 2004 o 184pp Pb o 978 0 7486 1928 3 o 20.99 Hb o 978 0 7486 1927 6 o 65.00

Stphanie Genz & Benjamin A. Brabon, both Edge Hill University The first introductory text on postfeminism, this book provides an indispensable guide that both surveys and critically positions the main issues, theories and contemporary debates surrounding the term. Adopting an inclusive and interdisciplinary approach, this teaching-focused text includes topical case studies. April 2009 o 240pp o t o e Pb o 978 0 7486 3580 1 o 16.99 Hb o 978 0 7486 3579 5 o 75.00

Definitions, Concepts, Contexts

Edited by Matthew Rampley, University of Teesside A recognisable guide that will be of use to undergraduates and those who want to come to terms quickly with the increasingly entrenched discourse. The Art Book Drawing on a wide range of examples from the last 100 years, the book explores the limits of visual culture as an interdisciplinary field of study, engaging in current debates about the uses and value of the study of visual culture. 2005 o 272pp o t Pb o 978 0 7486 1845 3 o 19.99
ALSO AVAILABLE

The Paul Virilio Reader

Edited by Steve Redhead, University of Brighton Virilios work, originally published in French and stretching back to the 1950s, has until now been very difficult to access in full in English translation. The Paul Virilio Reader collects together for the first time readable extracts of Virilios work from the entire range of his career. 2004 o 288pp Pb o 978 0 7486 2003 6 o 20.99 Hb o 978 0 7486 2002 9 o 65.00

New Cultural Studies

Adventures in Theory
Edited by Gary Hall & Clare Birchall, both Middlesex University Just when even the stodgiest of academics was getting used to the idea of cultural studies as a traditional academic discipline, here comes a book to shake everything up again. Popmatters This book explores the past, present and future role of theory in cultural studies. 2006 o 336pp o t o e Pb o 978 0 7486 2209 2 o 18.99 Hb o 978 0 7486 2208 5 o 60.00

Deleuze and Memorial Culture

Desire, Singular Memory and the Politics of Trauma

Adrian Parr 2008 o 216pp o e Hb o 978 0 7486 2754 7 o 55.00

Spaces of Hope

David Harvey 2000 o 320pp Pb o 978 0 7486 1268 0 o 33.00

Spaces of Capital
Towards a Critical Geography

David Harvey 2001 o 432pp Pb o 978 0 7486 1541 4 o 27.99

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25

Cultural Theory / Index

JOURNAL

Paragraph

A Journal of Modern Critical Theory

Paragraph publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and key figures in modern critical theory. Three issues per year Volume 33 o 2010 ISSN: 0264-8334 o e-ISSN: 1750-0176 www.eupjournals.com/para
JOURNAL

Derrida Today

Editors: Nicholas Mansfield, Nicole Anderson, both Macquarie University Derrida Today focuses on what Derridas thought offers to contemporary debates about politics, society and global affairs. Controversies about power, violence, identity, globalisation, the resurgence of religion, economics and the role of critique all agitate public policy, media dialogue and academic debate. Derrida Today explores how Derridean thought and deconstruction make significant contributions to this debate, and reconsider the terms on which it takes place. Two issues per year Volume 3 o 2010 ISSN: 1754-8500 o e-ISSN: 1754-8519 www.eupjournals.com/drt 26 Film, Media & Cultural Studies

9/11 and the War on Terror Aaron, Michele African American Studies African American Visual Arts African Filmmaking Aitken, Ian Aldgate, Anthony Alia, Valerie Alternative and Activist Media Alternative Internet, An American Cold War Culture American Counterculture, The American Culture in the 1910s American Culture in the 1920s American Culture in the 1930s American Culture in the 1940s American Culture in the 1950s American Culture in the 1960s American Culture in the 1970s American Culture in the 1980s American Culture in the 1990s American History and Contemporary Hollywood Film American Horror Film, The American Independent Cinema American Politics in Hollywood Film, Second Editon American Politics in Hollywood Film, First Edition American Science Fiction and the Cold War

23 13 23 23 7 13, 14 12 17 17 18 24 24 22 22 22 22 22 22 22 22 22 11 11 11 9 11 11

American Thought and Culture in the 21st Century American Western, The American Youth Cultures Anderson, Nicole Animation and America Armes, Roy Art and Politics of Film, The Asian Cinemas Atton, Chris Badley, Linda Balmain, Colette Bassett, Caroline Battle of Britain on Screen, The Baudrillard Dictionary, The Bernier, Celeste-Marie Beugnet, Martine Birchall, Clare Blain, Neil Borthwick, Stuart Boyle, Raymond Brabon, Benjamin British Film Directors British News Media and the Spanish Civil War Brokeback Mountain Buchanan, Ian Bull, Simone Burton, Alan Cairns, Lucille Campbell, Neil Censorship in Theatre and Cinema

23 11 24 26 24 7 14 7 18 6 7 16 13 24 23 8 25 18 19 18 25 4 18 10 14 17 12 8 23, 24 12

Index
Chakravartty, Paula Chapman, James Chaudhuri, Shohini Chinese Martial Arts Cinema Christmas, Ideology and Popular Culture Cinema and Sensation Cinema of Basil Dearden and Michael Relph, The Cinema of Contradiction, A Cinema of Small Nations, The Cinematic Journeys Conrich, Ian Contemporary Cinema Contemporary Television Series, The Contemporary World Cinema Cornea, Christine Corner, John Creekmur, Corey Cull, Laura Cultural Studies and the Study of Popular Culture Culture and Power in Cultural Studies Culture Wars Cultures of American New West, The Curran, James Currell, Susan Czech and Slovak Cinema Davidson, Jeanette Davies, Jude Davis, Glyn Deacon, David del Ro, Elena 17 4 7 6 21 8 12 8 8 3 5, 19 14 16 7 13 18 6 24 20 20 21 23 21 22 6 23 23 10 18 14 Deleuze and Cinema Deleuze and Horror Film Deleuze and Memorial Culture Deleuze and Performance Deleuze and the Cinemas of Performance Deleuze Studies Deleuze, Altered States and Film Deleuze, Cinema and National Identity Deleyto, Celestino Derrida Today Dixon, Wheeler Winston Dobrenko, Evgeny Documentary Film Movement, The Donnelly, Kevin J. Douglas, Fiona Dumbrell, John Eldridge, David Eleftheriotis, Dimitris Englishness Erotic Thriller in Contemporary Cinema, The European Cinemas in the Television Age European Film Theory and Cinema Evans, Peter William Exploring Visual Culture Far From Heaven Faulkner, Sally Feasey, Rebecca Featherstone, Simon Feigel, Lara Feintuck, Mike 14 14 25 24 14 14 14 14 11 26 13 8 13 19 18 23 22 3, 7 21 13 8 14 11 25 10 8 16 21 24 18 Feminism and Film Feminist Film Theory Field, Douglas Figurations of Exile in Hitchcock and Nabokov Film and Video Censorship in Modern Britain Film Genre Film Histories Film Music Film Noir and the Cinema of Paranoia Film Remakes Film Sequels Films Musical Moments First World War and Popular Cinema, The Foertsch, Jacqueline Franklin, Bob French Queer Cinema Frith, Simon Gaber, Ivor Gair, Christopher Gasiorek, Andrzej Genz, Stphanie Gertz, Nurith Get Set for English Language Get Set for Media and Cultural Studies Gorton, Kristyn Grainge, Paul Great War on Small Screen, The Hall, Gary Halliwell, Martin Hames, Peter 14 14 24 4 5 13 12 19 13 4 4 19 12 22 16 8 19 21 24 21 25 7 11 18 17 12 15 25 22, 23 6 27

www.euppublishing.com

Index
Hammond, Michael Hanna, Emma Harrison, Colin Harvey, David Haynes, Richard Henderson, Lesley Heritage Film Audiences Hjort, Mette Holloway, David Hollywoods Blacklists Hollywoods Cold War Holmes, Su Hulsether, Mark Humm, Maggie Humphries, Reynold Hutchison, David International Film Musical, The Introduction to Japanese Horror Film Issues in Americanisation and Culture Jancovich, Mark Japanese Horror Cinema Jazz in American Culture Jean Baudrillard Reader, The Jess-Cooke, Carolyn John Mills and British Cinema Journal of British Cinema and Television Journalists in Film Kaufman, Will Kennedy Assassination, The Kennedy, Barbara Khleifi, George 16 15 22 25 17, 18 15 3 8 23 9 9 15 24 14 9, 11 18 6 7 23 12 7 24 24 4 12 4 3 22 3 14 7 Kilby, Jane King, Geoff Knight, Peter Langford, Barry Laughey, Daniel Literature, Cinema and Politics, 1930-1945 Lost in Translation Mackenzie, S.P. Mansfield, Nicholas Marris, Paul Marshall, Lee Martin-Jones, David Masculinity and Popular Television Mazdon, Lucy McCrisken, Trevor McKay, George McNair, Brian McNeill, Isabelle McRoy, Jay McVeigh, Stephen Media and Ethnic Minorities Media Audiences Media Discourse Media Ethics and Social Change Media in Scotland, The Media Policy and Globalization Media Regulation, Public Interest and the Law Media Rights and Intellectual Property Media Studies 21 10 3 9, 13 19 24 10 13 26 16 19 5, 14 16 16 11 23 3 3 7 11 17 17 17 17 18 17 18 17 16 Media Talk Memento Memory and the Moving Image Messenger Davies, Maire Mills, Brett Modernist Cultures Mokdad, Linda Molloy, Claire Monk, Claire Monteith, Sharon Morley, Catherine Mosdell, Nick Moses, Michael Valdez Moy, Ron Music and Copyright Music and Youth Culture Music, Sound and Multimedia Needham, Gary New Cultural Studies New Korean Cinema New Punk Cinema New Queer Cinema New Zealand Cinema Orr, John Ostrowska, Dorota OSullivan, Tim Palestinian Cinema Palmer, R. Barton Paragraph Paris, Michael 18 10 3 18 15 21 6 10 3 12, 22 23 18 21 19 19 19 19 7, 10 25 7 7 13 5 11, 12, 14 8 12 7 6 26 12

28

Film, Media & Cultural Studies

Index
Parr, Adrian Parsons, Deborah Paul Virilio Paul Virilio Reader, The Pepper, Andrew Petley, Julian Petrie, Duncan Pickering, Michael Pierre Batcheff and Stardom in 1920s French Cinema Plain, Gill Popular Music Genres Post-Classical Hollywood Postfeminism Post-war Cinema and Modernity Powell, Anna Power Play Powrie, Phil Practical Research Methods for Media and Cultural Studies Purvis, Tony Quiz Show, The Rampley, Matthew Rebillard, Eric Redhead, Steve Rees-Roberts, Nick Religion, Culture and Politics in the Twentieth-Century United States Research Methods for Cultural Studies Roberts, Graham Robertson, James C. Robinson, Christine 25 21 25 25 11 4, 5, 21 8 20 12 12 19 9 25 12 14 18 12 18 18 15 25 12 24, 25 8 24 20 8 12 11 Romantics and Modernists in British Cinema Rombes, Nicholas Sandbrook, Dominic Sapphism on Screen Sarikakis, Katharine Schneider, Steven Jay Science Fiction Cinema Scotland: Global Cinema Scott, Ian Scottish Newspapers, Language and Identity Seed, David Sexton, Jamie Shail, Robert Shaw, Tony Shin, Chi-Yun Sitcom, The Smith, Richard Social Issues in Television Fiction Spaces of Capital Spaces of Hope Spanish Prisoner, The Stalinist Cinema and the Production of History Storey, John Straumann, Barbara Stringer, Julian Studying Media Talbot, Mary Taylor, Mark Television Policy 11 7 23 8 17 6 13 5 9, 11 18 11 19 4 9 7 15 24 15 25 25 10 8 20 4 7 18 17 11 16 www.euppublishing.com 29 Teo, Stephen Terms of Endearment Thompson, Graham Thornham, Sue Tincknell, Estella Tolson, Andrew Townsend, Peter Traditions in World Cinema Tzioumakis, Yannis Varney, Mike Verevis, Constantine Vietnam War in History, Literature and Film, The Violence and the Cultural Politics of Trauma Waltz, Mitzi Wells, Paul Whalan, Mark Whiteley, Sheila Williams, Linda Ruth Women, Feminism and Media 6 11 22 14, 16, 17 19 18 24 6 10, 11 18 4 11 21 17 24 22 21 13 17

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