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Historical Photos Preservation Guide

Historical Photos Preservation Guide

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Published by CAP History Library

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Published by: CAP History Library on Oct 13, 2012
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Preservation Advisory Centre
The British Library96 Euston RoadLondonNW1 2DBT +44 (0)20 7412 7612blpac@bl.ukwww.bl.uk/blpac
Photographic material
Susie Clark, ACR, Accredited Photographic Conservator 
978 0 7123 0909 7
The British Library Design Office
Antoine Jean François Claudet, Portrait of William Henry Fox Talbot,early 1840s. Daguerreotype.
First published August 1999Revised October 2009
Preservation of photographic material
Photographs are housed in libraries, archives and museums all over the world.Whilst photographic conservation is a relatively new specialism and treatmentoptions are often limited, it is usually possible to prolong the life of a photographthrough good preservation practices in handling, housekeeping and storage. Thisbooklet describes the most common historical photographic processes,outlinesthe causes of deterioration and provides guidelines on good preservation practice.It is aimed at people working or volunteering in libraries, archives and museumswhose responsibilities include photographic collections.Whilst the booklet focuseson monochrome photographs, much of the information is applicable to colour photographs and other imaging materials such as microfilm, x-rays and motionpicture film.
What is a photograph?
A photograph is an image produced by the action of light. The light initiates achemical reaction which leads to a long lasting chemical change in a light-sensitivecompound bound to a support. The support is usuallymade of paper, plastic,glass, or metal, but sometimes leather or cloth. Photographic images are usuallycontinuous in tone, meaning changes in shading between light and dark aregradual and patterns such as regularly spaced dots or grids are not usually seen.Imagesproduced by photomechanical processes for books and newspapers arenon-continuous in tone.
The Preservation Advisory Centre has beenawarded the CILIP Seal of Recognition basedon an independent review of the content ofits training courses and its engagement withthe CILIP Body of Professional Knowledge.
The Preservation Advisory Centre is supported by:

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