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Table Of Contents

The Beginnings of Film Continuity
Griffith: Dramatic Emphasis
Pudovkin: Constructive Editing
Eisenstein: Intellectual Montage
General
Who Edits a Film?
The Order of Shots
Selection of Camera Set-ups: Emphasis
Presentation: Smoothness
The Contribution of Editing
Special Styles of Editing
Constructing a Lucid Continuity: Smoothness
Matching Consecutive Actions
Extent of Change in Image Size and Angle
Preserving a Sense of Direction
Preserving a Clear Continuity
Matching Tone
Making Sound Flow Over a Cut
Timing
Pace: Rhythm
Selection of Shots
Analysis of a Sound-Track
Sound and the Editing of the Picture
River of No Return
Andr é Bazin
Widescreen Examples
Cin é ma-V é rit é
Cin é ma-V é rit é and the Documentary Film of Ideas
Chronique d’un Et é
Le Joli Mai 3
H ô tel des Invalides
Cam é ra-Stylo
New Wave
Fran ç ois Truffaut
Jean-Luc Godard
Michelangelo Antonioni
Conclusion
Sound Editing
Glossary of Terms
Index
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0240521854FilmEditing.1

0240521854FilmEditing.1

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Published by: wubefiwvebojqnpm on Oct 15, 2012
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