Press Release London

For Immediate Release

London | +44 (0)20 7293 6000 | Matthew Weigman | matthew.weigman@sothebys.com Leyla Daybelge | leyla.daybelge@sothebys.com | Rosie Chester | rosamund.chester@sothebys.com

Sothebys To Sell the Finest Single-Owner Collection of Original Book Illustrations Ever Offered at Auction
THE MICHAEL WINNER COLLECTION
Including the first depiction of Winnie-the-Pooh with Christopher Robin from the first of A.A. Milnes story books, alongside works by Beatrix Potter, Edmund Dulac, Kay Nielsen and Arthur Rackham

"Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin."*
E.H. SHEPARD, INK DRAWING (195 BY 145MM) EST. 70,000 -100,000

The finest single-owner collection of original book illustrations ever to appear at auction will be presented at Sothebys London on 12th December 2012. The unprecedented collection of over 100 ink and watercolour drawings, featuring illustrations by the finest artists and from the most loved books, comes from the private collection of the renowned film director Michael Winner. Alongside E.H. Shepards first depiction of Winnie-the-Pooh with Christopher Robin (from Winnie-the-Pooh), the sale will include illustrations by Edmund Dulac, Kay Nielsen, Beatrix Potter, Arthur Rackham, William Heath Robinson and John Tenniel. In total, the sale will comprise over 150 lots of illustrations and books, and is estimated to realise in excess of 1 million.

Michael Winner remembered: It was many years ago that I went into an old bookshop in the Charing Cross Road; there I saw two paintings by Arthur Rackham which I found utterly memorable. They had a quality which was unique. From then on I became a collector: I was hooked. I retained an interest that has followed me through my life, keeping the fascination with all things illustrated: works by Arthur Rackham, Edmund Dulac, Kay Nielson, Mabel Lucie Attwell and many others. There were no aspects of my collection that I did not appreciate, whether it was the deep blue colours of Dulac or the childlike simplicity of Attwell. They all fascinated me, and above all were a great source of fun that always amused me. Dr Philip W. Errington, Sothebys Specialist Books and Manuscripts commented: The scope and quality of the pieces in the Michael Winner collection is breath-taking. To see the original artworks, so familiar from their reproductions in childrens books, is a great thrill and Sothebys is delighted to present collectors with the rare opportunity to acquire these well-known pieces. All the great names of Childrens illustration are here and the number of works by certain artists is certainly unprecedented. The Winner Collection is a testament to a discerning and remarkable collector. E.H. Shepard "Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin." This, the first depiction of Winnie-The-Pooh with Christopher Robin from A.A. Milnes Winnie-the-Pooh (Methuen, 1926), is aruguably the best-known illustration in all of childrens literature. The original pencil illustration (195 by 145mm), drawn by E.H. Shepard, is estimated at 70,000-100,000. Shepards illustrations were central to the success of A.A. Milnes tales of Winnie-The-Pooh. Works by the artist, who also drew the celebrated illustrations for Kenneth Grahames The Wind in The Willows (1931), are now held in collections at the Victoria and Albert Museum, and the Bodleian Library, Oxford.

Beatrix Potter
Gentleman rabbit with letter Beatrix Potter continues to be one of the most popular childrens authors, over 100 years since her first book, The Tale of Peter Rabbit, was published. Famous for her illustrations as much as for her story-telling, her depictions of rabbits are probably the most loved of all of her drawings. This particular illustration, a fine ink and watercolour drawing of a Gentleman Rabbit, adorned with a tail-coat, waistcoat, staff and hat (70 by 52mm) is believed to have been designed for a greetings card. Although unpublished at the time, it was later reproduced by The Beatrix Potter Society. Executed around the period 1890-93, it is estimated at 30,000 - 50,000.

Kay Nielsen The sale will also include a selection of 14 illustrations by the celebrated Danish artist Kay Nielsen (1886 1957). They include 12 ink drawings from Hans Andersens renowned Fairy Tales (Hodder and Stoughton, 1924) - including divisional title illustrations for both The Snow Queen and The Hardy Tin Soldier. Nielsen is also represented by two major watercolours in the sale including the plate for Hansel and Gretel. This illustration captures the moment Hansel and Gretel discover the witchs marvellous gingerbread house in the forest, her trap for catching little children. The drawing, dated 1924 is estimated at 20,000-30,000.

"They saw that the cottage was made of bread and cakes" KAY NIELSEN, INK AND WATERCOLOUR DRAWING (335 BY 247 MM) REPRODUCED IN HANSEL AND GRETEL AND OTHER STORIES BY THE BROTHERS GRIMM (HODDER AND STOUGHTON, 1925) Est. 20,000 30,000

Arthur Rackham The collection includes 24 pieces by the British illustrator Arthur Rackham (18671939), spanning the artists entire career - from his earliest contributions to late Victorian periodicals through to the early 1930s. Alongside original illustrations for Rip van Winkle and Hans Andersens Fairy Tales, the sale includes Rackhams ink and watercolour drawing for J.M. Barrie's Peter Pan in Kensington Gardens (Hodder and Stoughton, 1906) and the artists original ink and watercolour drawing depicting the fable of 'The Shipwrecked Man and the Sea' reproduced in a 1912 edition of Aesops Fables.

"Fairies are all more or less in hiding until dark" ARTHUR RACKHAM, INK AND WATERCOLOUR DRAWING (267 BY 182MM) DATED 1905, REPRODUCED IN J.M. BARRIE'S PETER PAN IN KENSINGTON GARDENS (HODDER AND STOUGHTON, 1906) EST. 30,000 -50,000.

"The shipwrecked man and the sea" ARTHUR RACKHAM, INK AND WATERCOLOUR DRAWING (340 BY 241MM) REPRODUCED IN AESOPS FABLES (HEINEMANN, 1912) EST. 20,000 - 30,000

Edmund Dulac

The sale will also include 18 works by Edmund Dulac (18821953) including original illustrations for Stories from The Arabian Nights (Hodder and Stoughton, 1907) and for Edgar Allan Poes The Bells and other poems (Hodder and Stoughton, 1912). It also includes a pencil, ink and watercolour drawing from Shakespeares The Tempest (Hodder and Stoughton, 1908) depicting Prospero in Act 1, scene ii (pictured right). This illustration pictured right - is estimated at 15,000 20,000.
"And by my prescience I find my zenith doth depend upon a most auspicious star EDMUND DULAC., PENCIL, INK AND WATERCOLOUR DRAWING, 397 BY 264MM. REPRODUCED, WITHIN DULAC'S EDITION OF THE TEMPEST (Hodder and Stoughton, 1908). EST. 15,000-20,000

"And ever with the tears falling down from her eyes she sighed and sang" EDMUND DULAC, INK AND WATERCOLOUR DRAWING (236 BY 150MM) PLATE FOR FROM 'THE STORY OF THE MAGIC HORSE' REPRODUCED IN STORIES FROM THE ARABIAN NIGHTS (HODDER AND STOUGHTON, 1907), EST. 15,000 - 20,000

"She poured into each jar in turn a sufficient quantity of the boiling oil to scald its occupant to death" EDMUND DULAC, INK AND WATERCOLOUR DRAWING (312 BY 218MM) REPRODUCED WITHIN STORIES FROM THE ARABIAN NIGHTS, (HODDER AND STOUGHTON, 1907), EST. 15,000 GBP - 20,000 THE ILLUSTRATION SHOWS MORGIANA SCALDING TO DEATH THE ROBBER BAND FROM 'ALI BABA AND THE FORTY THIEVES'.

Notes to Editors *Estimates do not include buyers premium ** In December 2008, Sotheby's the companion piece from the end of the book, 'Bump, bump, bump - going up the stairs' ('That Sort of Bear' - E.H. Shepard's Winnie-the-Pooh, from the collections of Stanley J. Seeger and Christopher Cone, 17 December 2008, lot 19). The illustration sold for 97,250.