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Table Of Contents

THE PROS AND CONS
1. Choosing Your Tools: By Hand vs. by Computer
2. Scores by Hand
PENCILS AND OTHER TOOLS
CHOOSING THE RIGHT SCORE PAPER
EQUIPMENT
3. Computer-Generated Scores
PAGE ORIENTATION: PORTRAIT VS. LANDSCAPE
THE SCORE SYSTEM
1. Basic Elements of the Score
BRACES, BRACKETS, AND BARLINES
SCORE ORDERS FOR COMMON “CLASSICAL” ENSEMBLES
SCORE ORDERS FOR COMMON JAZZ AND POP ENSEMBLES
CONCERT VS. TRANSPOSED SCORES
TITLE PAGE LAYOUT
3. Score Page Layouts
CONTINUATION PAGE LAYOUT
THE DISTANCE BETWEEN STAVES
MARGINS AND “WHITE SPACE”
MULTIPLE SYSTEMS PER PAGE
MEASURES PER PAGE
SCORE OPTIMIZATION AND “SHORT” OR “REDUCED” SCORES
MEASURE NUMBERS
4. Measure Numbers and Rehearsal Markings
FORMATS FOR REHEARSAL MARKINGS
SCORES BY HAND
COMPUTER-PREPARED SCORES
CHANGING THE CLEF
CHANGING THE KEY SIGNATURE
CHANGING THE TIME SIGNATURE
SPACING AND ALIGNMENT
2. Notes
DYNAMICS
ARTICULATIONS
SLURS AND PHRASE MARKS
ACCIDENTALS
4. Divisi Parts
5. Words and Performance Directions in the Score
PERFORMANCE DIRECTIONS
ONE- AND TWO-MEASURE REPEATS
OMITTED NOTEHEADS
6. Repeat Notation and Form Markings
REPEATED BEATS
USE OF “COL”
LARGE-SCALE REPEAT SCHEMES
PLAYING TIME AND THE CHANGES
7. Rhythm-Section Notation and Improvisation
STOP TIME
CUES AND HITS OVER TIME IN THE DRUM SET PART
FILLS, SOLOS, AND AD LIB PASSAGES
LYRIC FONT AND SPACING
8. Text Setting and Vocal Notation
HYPHENS
SLURS AND WORD EXTENSIONS
THE FINAL SCORE LAYOUT
9. Finishing the Score
PROOFREADING AND EDITING
10. Summary: Entering the Contents of the Score
USING A COMPUTER
1. Choosing the Tools
CREATING PARTS BY HAND
PAPER
EQUIPMENT AND PAPER
REHEARSAL MARKS, MEASURE NUMBERS, AND MULTI-MEASURE RESTS
PAGE TURNS
AFTERWORD
APPENDIX A. INSTRUMENT NAMES AND ABBREVIATIONS
APPENDIX B. RESOURCES
INDEX
ABOUT THE AUTHORS
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[Nichollgrud] Music Notation Prepar(Bookfi.org)

[Nichollgrud] Music Notation Prepar(Bookfi.org)

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Published by: Daniel Cepeda González on Nov 06, 2012
Copyright:Attribution Non-commercial

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07/12/2014

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