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HyperLightness Ad Absurdum-Support Material

HyperLightness Ad Absurdum-Support Material

Ratings: (0)|Views: 40|Likes:
Published by Margarida Sardinha
An optical illusion afterimage deconstructs geometrical solid’s structures and reveals its divine progressions. Dynamic symmetry interlaces self-reflective mirror images of the original icon and creates a hypnotic procedure leading to extreme consciousness and visual telepathy. The Symbolism of Kabbalah's and Christian omnipotent God reveals itself as Buddhist or Taoist illusionary rotational mandalas or yantras emphasising Maya’s attributes where space-time is an illusionary phenomena and paradox is latent in every polarised assumption only culminating in Absolute absurdity ad aeternum… HyperLightness ad absurdum reveals the optical characteristics of hyperspace and hypertime in a supersymmetric continuum by means of an optical illusion which is formed by a spatial overlapping that seemingly occurs in nature’s manifold illusion. Several relative dimensional spaces seem to converge into successive fractions of one codimension visually evoked by the film’s frame rate format and the rotative torsion of the symbols.
An optical illusion afterimage deconstructs geometrical solid’s structures and reveals its divine progressions. Dynamic symmetry interlaces self-reflective mirror images of the original icon and creates a hypnotic procedure leading to extreme consciousness and visual telepathy. The Symbolism of Kabbalah's and Christian omnipotent God reveals itself as Buddhist or Taoist illusionary rotational mandalas or yantras emphasising Maya’s attributes where space-time is an illusionary phenomena and paradox is latent in every polarised assumption only culminating in Absolute absurdity ad aeternum… HyperLightness ad absurdum reveals the optical characteristics of hyperspace and hypertime in a supersymmetric continuum by means of an optical illusion which is formed by a spatial overlapping that seemingly occurs in nature’s manifold illusion. Several relative dimensional spaces seem to converge into successive fractions of one codimension visually evoked by the film’s frame rate format and the rotative torsion of the symbols.

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Categories:Topics, Art & Design
Published by: Margarida Sardinha on Nov 07, 2012
Copyright:Traditional Copyright: All rights reserved

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12/26/2012

 
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