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The Book of Revelation as Liturgical Commentary

The Book of Revelation as Liturgical Commentary



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Categories:Types, Research
Published by: New Liturgical Movement on Nov 22, 2012
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The Book of Revelation as Liturgical Commentary
Revelation as Mystagogy]Stratford Caldecott
What follows is based on an abridgment of an appendix I wrote for my book 
 All Things Made New
. The book as a whole is an exercise in mystagogy – an extendedcommentary on the spirituality of St John and the Virgin Mary as refracted throughthe Book of Revelation and the Holy Rosary.Much recent scholarship suggests that the Book of Revelation (literally ‘unveiling’)was intended not so much as a prediction of future events at the end of history, but asa mystagogical commentary on the Divine Liturgy or the Mass. As such it wasintended to be read aloud to assist the active and conscious participation of thecongregation. Scott Hahn gives a detailed liturgical reading to Revelation in
The Lamb’s Supper 
, and more succinctly in the final chapter of his book on the history of the Covenant,
 A Father Who Keeps His Promises.
Austin Farrer had already indicatedin the middle of the last century that the pattern of the book is not one of earthlyhistory, but of celestial liturgy performed by Christ and the angels: the taking andunsealing of a book, the offering of incense, the blowing of trumpets; theopening of a heavenly temple, revealing the Ark of the Covenant and a series of other portents on high; the pouring of libations from angelic bowls. (
The Revelation of St John the Divine
, p. 23.)The liturgy portrayed is one that fulfills the purpose of the Jewish Temple and bringsit to an end, so that ‘in the world to come there is no sanctuary other than the presenceof God and of the Lamb.’The Book of Revelation follows the structure of Liturgy roughly as follows. The threedistinct sets of visions leading up to John’s eating of the small scroll (10:8-11) may beseen as corresponding to three main parts of the Mass or Divine Liturgy leading up tothe reception of the Eucharist. The same pattern is then echoed in reverse order. By putting together the appropriate passages from the first and second half of the Book we find the basis for a spiritual commentary on the three main parts of the Mass.
Penitential Rites
 From the first half of Revelation.
Ch. 2:1-3.22: the seven messages tothe churches. Calls to repentance, promises of salvation.
 From the second half of Revelation.
Ch. 19:11-22:11: the seven finalvisions of the Church. Enacting the final judgment of God, binding theDevil, vision of the new Jerusalem.
Liturgy of the Word
 From the first half.
Ch. 4:1-8:1: the throne vision and the first six sealsof the Lamb’s scroll. A call to witness, a reading from the Scroll, thesealing of the tribes.
 From the second half.
Ch. 15:5-19.10: the seven bowl-plagues.Learning what is to come. Babylon exposed and cast down in prophecy.
Consecration, Communion
 From the first half.
Ch. 8:2-9:21: the seventh seal, oblation at theheavenly altar, and the sounding of the first six trumpets. Destructionof 1/3 of the cosmos.
The mid-point.
Ch. 10:1-11:19: the eating of the small scroll andsounding of the seventh trumpet. ‘The kingdom of the world has become the kingdom of our Lord and of his Christ’ (11:15).
 From the second half.
Ch. 12:1-15:4: the woman clothed with the sun,war with the Dragon, reaping of the earth. A recapitulation of John’s prophecies seen from within the Eucharist.This should become clearer as we go on.
 Inaugural vision and seven messages
John is told to write to the churches about what he sees: ‘what is and what is to take place hereafter’ (1:19). In other words, he is to reveal to the young Christiancommunities the meaning and goal of history. The whole Book of Revelation is thisletter to the churches, but first John presents a series of condensed messages,describing the tests and temptations that each of the seven churches undergo as theystruggle to remain faithful to the sacramental life of the Church (chapters 2 and 3 of Revelation). In these messages are contained glimpses of the imagery and propheciesthat will be expanded upon in the rest of the book. The function of the messages is toconsole the Christian community under persecution, but also to call it to repentance.The fact that there are seven churches is, of course, no accident. The number sevenrepresents completeness, and these communities are being taken as representative of the full spectrum of Christian experience in the world. Each of the seven churches,John tells us, is a ‘golden lampstand’ (one branch of the
) and each has anangel (a star) that is held in the hand of God. The seven stars are also, as Austin Farrer argued, the seven planets, which gave their name to the days of the week, representingthe plenitude of time held in the hand of Christ.
Throne vision and the seven seals of the Lamb’s scroll 
In chapter 4 John sees a door in heaven, and through it the throne of God surrounded by thrones for twenty-four Elders (one for each hour of the day), seven torchesrepresenting the sevenfold Spirit of God, a sea of glass, and four living creatures fullof eyes in the forms of lion, calf or bullock, man, and eagle, each with six wings, each praising the Trinity (cf. Ezekiel 1:10; Isaiah 6:2-3). As they sing their praises of God,the Elders cast down their crowns and join in the praise.The vision is of a heavenly liturgy, an eternal act of praise and worship. John seems to be saying that liturgy, after all, is what heaven
. John’s visions all take place in the
divine Presence and within the heavenly Temple – the Temple that is the Body of Christ – and the Christian reader is invited to see this heavenly worship going on allaround him in the earthly assembly.In chapter 5, John is shown a scroll sealed with seven seals, which only ‘the Lambthat had been slain’, with its seven horns and seven eyes representing the sevenspirits, is worthy to open. To us, a lamb with seven horns and eyes might seem arather grotesque image, if we can visualize it at all. John is using a symbolic languagein which horns represent power and eyes spiritual knowledge. (The Hebrew word for ‘horn’,
, is the same as that for ‘shine’; so we may wish to visualize the horns of the Lamb as rays of light. You may recall the famous statue of Moses byMichelangelo, in which the prophet is bizarrely shown with two horns because theBible describes his face as ‘shining’ so brightly after talking with God that he had towear a veil.)Having first called the assembly to repentance, the liturgy of heaven continues with areading of the Holy Scriptures, for as every creature in heaven and earth, under theearth and in the sea, along with the millions of angels, joins in the praise of God, thescroll is opened by the Lamb, just as the readings are interpreted for the Christianassembly by a priest representing Christ, who personally opened the Scriptures for hisdisciples on the road to Emmaus and in Jerusalem (Luke 24:27, 45).In chapter 6 we see the result of the opening of the seals in a new series of visions. Awhite horse carries a crowned rider representing the false messiah (the true one willappear later, in chapter 19), a red horse brings War, a black horse brings Judgment, a pale green horse brings Death. After the four horsemen are released from the first four seals, the fifth seal reveals the souls of the martyrs crying out for justice from under the altar, and the sixth the ending of the cosmic order in earthquake and star-fall.(These are the
unavoidable disasters
of which Jesus speaks in the Gospels: Matthew24, Mark 13, Luke 21.)The opening of the seventh seal is preceded by an interlude in chapter 7, beginningwith the four angels at the corners of the earth restraining the winds from the earth,sea, and trees, and with the Dawn Angel coming to seal 12,000 of the saved from eachof the twelve tribes. Then a multitude
beyond count 
of the saved (those outsideIsrael?), washed white in the blood of the Lamb who has died for all, are seen to beinvolved in the heavenly liturgy. But when the seal is finally opened there is silence inheaven ‘for about half an hour’ following which trumpets are given to the ‘sevenangels who stand before God’ (8:1-2) – the archangels or planets governing the danceof time.According to Margaret Barker, what John’s visions have been describing up to this point is largely based on the elaborate Jewish Temple rituals, transposed on to thecosmic level. The half-hour silence corresponds to the vesting or ceremonial clothingof the High Priest (cf. Zech. 2:13-3:5), whose ‘coming to the earth’ – his emergence,in the ancient ritual, into the great hall of the Temple, surrounded in clouds of incenseand surrounded by the rainbow light of the first day of creation, inaugurating the reignof God – is about to be announced by seven trumpets. This vesting ceremony alsocorresponds to the Catholic priest’s preparation for the Eucharistic Prayer. As for entering the silence, this is like entering the eye of the whirlwind, the still centre

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