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Table Of Contents

Developers and Publishers
Artist Jobs
Getting the Job
Art Tests
Crunch Time
The Game Development Pipeline
Game Art Limitations
Game Modeling Common Tools and Commands
Game Modeling Pointers
Efficiency
Edge Flow
Creating the Blade
Creating the Hilt and Grip
Tutorial:Creating the Character Model
Creating Silenus’s Head
Creating Silenus’s Body
Creating Silenus’s Armor
Texturing in the Gaming World
Mapping UVs
UV Projection Commands
The UV Texture Editor
Texture Resolutions and Formats
Alpha Channel and Pixel Shader Effects
UV Mapping the Sword
UV Mapping the Torso
UV Mapping the Leg
UV Mapping the Arm
UV Mapping the Armor
UV Mapping the Head
The Hypershade
Applying a Material to a Model
Applying a Texture to a Material
Optional Procedures
The 3D Paint Tool
Vertex Coloring
Baking Normal Maps
Texture Painting Tips
The Finished Model
Skeletons and Joints
Creating a Skeleton
The Pelvis and Legs
The Spine
The Arms
The Hands
Extra Joints
Setting the Local Rotation Axis
Forward and Inverse Kinematics
Leg IK
Displaying Selection Handles
Armor Parenting
Binding to the Skeleton
Painting Weights
Joint Rotation Limits
Eye Controls
Rigging the Face
Blend Shapes
Binding the Head
Set Driven Key
Facial Skeletons
Creating SDK Controls
Sword Constraints
Creating a Character Set
Editing the Character Set
Creating a Subcharacter Set
Creating a Quality Animation
Animation Reference
Making an Attack Animation
Creating Emphasis
Modify Timing in the Trax Editor
Secondary Motion
Idle Animation
Forward Movement
Blending Between Clips
The End?
Sprites
Creating a Sprite Effect
Adjusting the Effect
Creating a Second Effect
Continuing the Dust Effect
Geometry Effects
Creating Impact Effects
Additional Helpful CD Files
Final Thoughts
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25307264-maya

25307264-maya

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Published by Robert Foster

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Published by: Robert Foster on Dec 29, 2012
Copyright:Attribution Non-commercial

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