European heritage refers to the cultural landscape, buildings, techniques, art, and literature passed down from ancestors to be used by current generations and entrusted to future generations. This heritage includes both tangible and intangible aspects, and dealing with European heritage requires considering how to manage the plurality of heritages from different perspectives while also recognizing the responsibility that comes with stewardship over what was passed down.
European heritage refers to the cultural landscape, buildings, techniques, art, and literature passed down from ancestors to be used by current generations and entrusted to future generations. This heritage includes both tangible and intangible aspects, and dealing with European heritage requires considering how to manage the plurality of heritages from different perspectives while also recognizing the responsibility that comes with stewardship over what was passed down.
European heritage refers to the cultural landscape, buildings, techniques, art, and literature passed down from ancestors to be used by current generations and entrusted to future generations. This heritage includes both tangible and intangible aspects, and dealing with European heritage requires considering how to manage the plurality of heritages from different perspectives while also recognizing the responsibility that comes with stewardship over what was passed down.
Heritage means a property, something we use in everyday life for our personal or social purposes: the cultural landscape, buildings, techniques, works of art and literature. But any such heritage, on the other hand, was handed over to us by our ancestors for instance by our European ancestors. So we should not consider ourselves as the final users: this heritage should reach our descendants as well. Thus, heritage means something entrusted to our care and stewardship. And there is, third, an immaterial heritage of tasks, preferences or values, which our predecessors engaged us in. So the use of this heritage is not just a matter of choice, but also a responsibility. A complication in the present case is however that the European heritage must be regarded in a plural sense: how do we deal, in the light of the above, with this plurality? What do the European heritages look like from all these points of view? Alpbach, Austria, 2005
(Making Sense of History) Luisa Passerini, Liliana Ellena, And Alexander C.T. Geppert (Editors)-New Dangerous Liaisons_ Discourses on Europe and Love in the Twentieth Century (Making Sense of History)