ViA arquitecturaViA arquitectura
worse et
Colegio Oficial de Arquitectos de la Comunidad ValencianaRSS CC Oe nS ce ue atu Cue ae rena me
BO CeCe scare ROC usar ace cng
architecture or an inescapable presence.
(Rete uur Riaz re ea ae nC
stream, allowing nature to be felt in its constant flow, symbolised by the
Pree Rca acu Rot Aa ea
Teen TC Cea CRC wa eae Cute ees an cy
magnificent setting, at the top of a cliff, facing the sun, at the meeting
place of sky, earth and sea. José Parra’s article looks at the work of Le
Cee a Rn sR mec nee Cae ered
projects we show works where a sheet of water takes on a symbolic
function, as in Tadao Ando’s Komyo-Ji temple. Water as landscape appears
ne enn sg cs An Ue usage cei te ga
inseparable from its relationship with water is Kengo Kuma’s Water-Glass
Villa, where the Japanese architectural principle of allowing the house to
flow into its natural surroundings and the seasons of the year is evident.
Wind enters the house. It rains in the house. The idea of a bridge house is
Prec gen ot iChat oles
Societies that could not guarantee a water supply have disappeared.
Water is life, but is also threatening. We fight for water and we fight the
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Pe Sa Ron Cea aa er ae ee)
Pleat
Some cities look towards the sea and others look away. Port architectures,
eur ieee a runagate
Boe Ce er rae Co kee Cee ecu ata
CO ru eran
Water becomes vapour in Diller + Scofidio’s Blur and creates sound in
Taiko Shono’s proposal.
Not forgetting the shut-in water that opens up to the exterior in the Vall
Croan AEE ze a areca tLe