ene 4 FAKE BOOKBill Evans Fake Book transcribed and edited by Pascal Wetzel from Bill Evans’ recordings FOREWORD To make these leadsheets, I have used, whenever possible, the following material: Bill Evans’ original leadsheets, published sheet music, and transcriptions from recordings. ‘Some compositions have been recorded several times and were part of the Bill Evans Trio’s reper- toire over a period of time. In this case, the leadsheets generally follow the latest recording to show the evolution of the tune and the maturation of the artist. To point out the harmonic richness of Evans’ music, I chose to be more precise than usual for a leadsheet, adding counterlines, codas, extensions of chords as well as some passing chords and alter- nate chords (Bill Evans would often simplify the chord changes for improvisation). Each tune is written in the original key, but please note that some compositions such as “Letter to Evan” and “Song for Helen” were played in several keys during the same interpretation. ‘Transposition was one of Evans’ favorite devices to add interest and contrast. T would like to dedicate this work to the memory of the great artist that Bill Evans was Pascal Wetzel August 23, 1996 LUDLOW MUSICEditor's Note: In addition to Pascal Wetzel’s leadsheets, this book includes seven unrecorded manuscripts composed between 1965 and 1967 as well as lyric versions of ten of the tunes which appear side by side with the originals. Bill wrote lyrics for two more. This fake book would not be complete without “Blue In Green” dating from Bill’s time with Miles Davis (copyright by Miles) and a tune from the TRO catalogs, Denny Zeitlin’s “Quiet Now”, performed and recorded by Bill Evans throughout his career. Many of the Bill Evans tribute recordings by musicians all over the world as well as the compositions written in his honor have been listed in previous issues of Letter From Evans now on the Internet. As we go to press, Jean Yves Thibaudet, the French classical pianist, has just finished recording an Evans tribute album, and Bernard Maury’s Bill Evans Piano Academy announces its opening as of October 1, 1996. This academy has flexible courses of study on three levels ranging from 5 to 20 hours per week spread over 33 weeks a year for both jazz pianists (professional or amateur) and teachers as well as those with classical training interested in jazz and musical improvisation. For further information please contact the school at 6 rue Damiens, 92100 Boulogne Billancourt, France, Tel: (331) 46 21 40 95. Fax: (331) 46 21 74 54. credits and acknowledgments editor: Judy Bell vocal editor: Nancy Marano piano arrangement “Quiet Now”: Jed Distler art and design: Tee Design & Advertising front cover photo: K. Abe bback cover photo: Louis Ouzer interior photos: collection of Nenette Evans (with the exception of contact prints by Louis Ouzer, 1977) Special thanks to Nenette Evans for her encouragement and interest and to Pamela Bendich, Director Music Licensing / Business Affairs, Fantasy Inc, for permission to include the Orphewn Music tunes: Comrade Conrad, TE TandT. 1... "TRO ©Copyright 1996 Ladiow Music, Ie, New York, NY Intemational Copyright Secured Made in US. AIT Rights Reserved Incloding Public Perfomance For roit,oa a8do5019 oyuB Minor Waltz (For Ellaine) BILL EVANS Slow Jazz Waltz Bn? Ere ee AR sus ae Dsus pb? Cus 63 eID — ADB yp Bs gTt) gat gid) ay? o Dw 0%), gga? HD ge) B® class) pind) Tast time rit. ~~ Bm? Em? as Deus DF Mai? glen Fin) FM) Bh! bay WP ous BCD) bY. bp” Pai? gir gain Fino) Solos on AB ® ohm 19) 5 After solos D.C. al Coda ch F Bm ‘TRO © 1978 and 1961 LUDLOW MUSIC, INC., New York, NY.Bill’s Belle BILL EVANS Fn? BM BD) ebatay? al? gn? ov) —3— 3 7 7 a(t 7, p71) Fm Gm Revie) 5. Diss D+ 6PM? Braj? Bhs? hn Ain? Day D7) BT Bln? gba TH®) Abn? Bhn? BmiMai’) E7sus E47 Aaj? Doiaj? Chm? Fim? Bf (am) m7) chs? Fly? (Em) Dota) ch? i Fn? Din? Gis? Che? Am? Bm? BP An? o” Maj? Maj” Fm? B%us BT) ot) Fr! Gn? Abn? — Dsus ‘TRO © 1996 LUDLOW MUSIC, INC., New York, NYBill’s Hit Tune BILL EVANS Medium Swing Haus G7 fC cm) Abana? pal) Ges emote) Bo Cn? &° part EWM aus EMD Re Ang Gin) cht Fhaje — pH6 FT oe g’m? gi) my TRO 6 1979 and 1991 LUDLOW MUSIC, INC., New York, NYDm75) GT aus G70) Ic Gm? APM? eG) em Bo Gm? E° Dm) G%us) G3 CMai™5) AP sus Al) Dee | op) Gl GOL oe emits) last time rit.Blue In Green MILES DAVIS. or) Dm? prs7ds) Last time to Coda Astd9, © 1959 WARNER-TAMERLANE PUBLISHING CORP. and ESTATE OF MILES DAVIS Copyright Renewed ‘Al Rights Administered WARNER TAMER ANE PUBLISHING CORP. ‘All Rights Reserved — Used by Permission.C Minor Blues Chase BILL EVANS Fast Swing Cn? Cm AP Maj? (Gm’) Fm? a7) om Bai? ant) ® ‘TRO © 1996 LUDLOW MUSIC, INC., New York, NYCarnival BILL EVANS, Medium Jazz Waltz Be Din? @? CMa’ Bb Dm? ae? Maj? Cmé ‘TRO © 1996 LUDLOW MUSIC, INC., New York, NYG Pedal ~- Dim(Maj’) Dm? Ahn? ee Fin? Fe Em? Eb Dn? bbe0 Catch The Wind BILL EVANS (Fe) Gn? Bin? BIT Fai” Are) Dm Amn? Coy (Am? Gm?) ¢7 FMai7 ares) Dm? Fe Gm? c7 Am? Bhai? Cn! fF? Bhai? e7 Gm Bin? e745) Maj? ‘TRO © 1996 LUDLOW MUSIC, INC., New York, NYn Chromatic Tune BILL EVANS Cn! Bmé Bia? ATCA) Altai? Ralls FIG) Flo Gn’ Be Cm? 87 Bin? Bhai?) B'T Abytai? Fm! Flo Gn’ peat D7 Cai? ebm’) ET sus E711) Bas ares) Dota? ict Bu! is Haus Gh? cn? Fly? Bn? Gren) °° or Ps) B Evaj"1 hs TRO © 1996 LUDLOW MUSIC, INC., New York, NY2 Children’s Play Song BILL EVANS Moderately CMaj7FMaj’Em? Am? | Dm? G+) Em? Am? | Dm? G7? Em? Am? | D7 Em? FMaj7G? Fine CMa? FMaj7 Em? Am? | Dm? G91) 62% 67 | FMaj7 Bm?) Em? Am? | D7. @? 4 —3 He 2 D.C. al Fine Solo on{B)as Intro ‘TRO © 1967 (renewed) LUDLOW MUSIC, INC., New York, NY.Bill Evans also wrote this as a duet for children, Ist player e 2nd player To next strain [Fine 1 OWT peat Fine 2 rrr fF Pore OP REE OTP4 Comrade Conrad Medium Swing BILL EVANS Bin? EM BHTED dbs? m9 4109) ‘m9 mn G c Fi Fm'/ps Disa? os76 Fn? Fas Dntbd gid) Cm! Bl Fa! BM eae 70) ebay? Avi? path ids) Cm? 4 Omg —— last rime: rall. to Fine A’Maj? Gi? Cm? Cols Amie p79 Gm!! ——s1———> Quarter notes on may be anticipated. Fe solos transpose each section on the ascending circle of Sths: Ist Alstarts on Cm7, Ist [Blon G7, 2nd| Dai, ete, to lat chord of last chorus: Fmt - then D.C. al Fine. Note: “Sugar Plum” is built on the descending circle of Sths. We are unable to locate the publisher so cannot print i ©1971 ORPHEUM MUSIC Used by Permission1s Displacement BILL EVANS Fast swing J = ea 144 Cm? Fm? Bn? es wba? 7) ahs ee break (Pno fill) Am’ Dm’ Gn? ce? Faaj’ | ! Fe break (no fill) Em? A%us) DMs? Em? Fla? Fm? Bus E’vaj7 Fm? Gn? oo ro Daj? Bm? Em? ATC) Fhe? ff Bm Gm? eo An? Dm? Bn? Gm? Fu? Dm) | | Gat ‘TRO © 1965 (renewed) and 1996 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY16 BILL EVANS Freely Sg Cm a a 5s 8 & | : =e: = o— Es = = =E8 GT Melody on bar 8 & 9 may also be played in 6th’s (within Eb scale). ‘TRO © 1965 (renewed) FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY"7 Five Lyrie by Music by JANICE BORLA BILL EVANS Medium up Swing a Gm? Cm? Fl a Gn? Cm? Fl es. ——s——_, My song: is a sim-ple sto - ry con cerns. nei- ther love nor glo ry. Join us— in this mad af - flic- tion, a tome. to my pre- di- lec- tion $ 7 7 u 8 Gm Cm? oF ys Tm just sing- ing four beats to five, four beats to five, four beats to five, four beats to to jux - ta pose four beats with five, four beats with five, four beats with five, four beats with Gm? Cm? FM a Gn? Cm? FM Ey o> five. You atk, is this fact ot fic tion? Why cause. all five. I'S real = ly quite en - er- giz ing, once you- come to re - a- liz ing et Qn? Cn? Ft (huai7t9y by just sing ing four beats to five, four beats. to five, four beats to. five, four beats to five? that you can sing four beats with five, four beats with five, four beats with five, four beats with five Am p79) git BinteD pits) —i— 5 Se ee ee te erie Onceyou find it, you can feel it has, way of swing. ing that-' move you to it; Gm? 7d) Fm Fant) B7 ae Bs fs ae ee Soon you'll find you'll have a mind to try it on what - ev- er tune might help you do it Gm? Cm?gt a Gn? Cm? gt —— oa And so— we are left to pon- der how much. more is left be- yond there. Gn? Cm? FM Ae pm fs", ss ‘Once you~ have felt four beats with five, four beats with five, four beats with five, four beats with five. Recorded by Janice Borla / Lunar Octave DMP CD-3004 ‘TRO © 1967 (renewed), 1983 and 1996 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY18 BILL EVANS Medium up swing 4 = ca 92 NC 2nd time only res 7 s—— p7¢s) ety Abnied pits) Gm’? cry F7d9) Fhy7?) B? ‘TRO © 1967 (renewed), 1983 and 1996 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY19 Solos (“Rhythm” Changes) e) By as??? agag?—sg? paoght | An? p7ds) Dn? gi Gn? cw Cm? F705) 87 eb E° a7 a7 7 FT “After Solos D.C. al Coda poy ———s—_, Bhna(niay7)20 In April Lyrie by (For Nenette) Music by ROGER SCHORE BIL ‘ANS: Ballad fl pha? BES) hn? APs Fell Bll hn? 4 7 f - G as <> oF i = T You feel the charm of spring in A some-thing’s inthe Your lie has “just” be- gun in A or Fn’? En? Wous oy e Wap, D a* hb * lo Ie —- _» 9 *# ¢ 3 wi, the worlds a playground swing im A -—p Sud- den = ly the whote, due “To that Spe ="ell “one im A He can make Ghai? nt em? Bhat!) bm? Aes Dhyialasds) 2p Ss un - shine dis - chor = es soon there'll be os = cot ‘tage 2 | tows ee d's fw = ee Gm? Css Fn? Baty) edn Was : 4 o —— == SSS SS—= your heart pro. = pos = es twice day omag ~ it ar er a lime > ine! dw? BEB) eb? ABs Fo! Bhml! —e’n? 7 j - os t 2 aS ht +? 7— 2 | | ===> Love los - soms all «a= round. in A nota sin= gle toe “SS She on ty pme in A noth: ing can dom Fm? er E'n? Ass Fol? Bee ee) ee And in the ‘Then you'll take care, your lone - ly heart has found «a home to = day. pare when ec - pid plans to. aim his Te = thal dart. Recorded by Meredith d Ambrosio Love Is Not A Game / Sunnyside SSC 1051D ‘TRO © 1978 and 1991 LUDLOW MUSIC, INC, and HAMPSHIRE HOUSE PUBLISHING CORP. New York, NY21 End, a8 aha . of 2 min’ + ute, ina, Ee oe your “sens = es Sm os Gives? FTA) Bn? wh ext) S with luck you'll ‘That hap py. end- ing, ashe com When you start fall - ing Fm? Bits) en Pus DM?For Nenette BILL EVANS Ballad (e900 D'vai7B? BII-*5 Bh? AIS Abus on Fn? Bim? Em? 71 4 (e%1) Fa? BP BIS hn? AI Ay ab he —t 4 3 Ghai? ons Fn? Bix? Bn? Bsus A) — Db>catai7) hv? Gn? C%sus 07° — Fm? Bre) P+) We B13 Asus PTC B (E961) Dhtaj? B? BPD—H5 etn? AIS Abus Ka) Fel Bin? ein? = al7 ig? tet Soe ee ebm? Al AbBous we Fni@) 9 Bn ebn?™ W709 pPo(ntg7) DN? FT) Bhan? Ehn? Fe7b9) Bn? Abad Cla) Ghani? F709) (ac) Bn? mab m9 obit) Fn? Be BITE) EID Bln? AIS AMPs POCO or ‘TRO © 1978 and 1991 LUDLOW MUSIC, INC., New York, NYFudgesicle Built For Four BILL EVANS ‘Medium up swing J = ca 192 Al Gi, 3 3 he- Se BS ‘TRO © 1965 (renewed) FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY28 bMaj? Cm? Amie) p79) Gm ir ees) a) Dm? 87 Dm? abo Gn! ort) Fai? Ent at Dm Ie BmIe) ETE) An? F7 An? glo Dm? G7) CN? Fai? Bm7?5) E3769) An? Dm gate Cm? aT Cm? aT Cm? Fm! 87 Bhs? Fm? Dm’ ga7h9) Cm? B7 Amt’) p79 ZS Z Z + ze ~ “fier Solos D.C. al Coda by by (ade9) 27) jm e a mn a o & G E ci To Vamp, solo and fade6 Fun Ride BILL EVANS Fast swing J = ca210 Intro. (Piano) Ab’ Gm! ain? Fm? Em’? bn? Dm’ D'm? Bas in 2 forthe fist 10 bars Cale oR mia Am? wrt) @mT int) FO Em™S go Dm) pho Cm? rey oy Flsus Emi git Maj? abo Am? bo Gm? ge Fn? E° co Bm? bo An? FO “Rhythmic fill (bar 7) is also played in bars: 9, 25,27, 45,47, 49,51, 53,55. ‘Rhythmic fill (bar 21) is played in bar 21 to 24 and bar 39 10 44 ‘TRO © 1971 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY27 emt) gist Dm’ phe : : be Cm F? Bm? Bro . — SSS SNe - Ef = 7 oe - a os =— a t bn? pe Din? co 4 Bm? hn? 70) Dim? BT) Aon? BP) bm? FH) Bhan? om) Fm? Dnt) Gs? Cm(Maj’) Cm? Ain 75) pam) Gm? oF Em) At Dm? Gm? = Cm? pi7) Gm? ¢ cle Dm? Cm? fF? B’Maj? (E'Msj’ = Dm? Gm”)28, Funkallero BILL EVANS Medium up Swing Db? Ge? cm Solos prt G7 cn a7) puts) 6 Cn Cm? Bau? Bh? EW Abvaj7 (0 Cm? Fm’) pit a Cn @% Coe os pail After solos D.C al Coda (w/repeat) ‘Chords in parentheses are optional, TRO © 1971 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY29 Funny Man BILL EVANS Slow Eliai? Be Cm? ge Fn? ox7e9) Fn? Bt? b7 (E ) Gm? Fm? EPMaj7 E'S Bm? Bem AQ) Abytai? Dm?) G79 Cm? F769) Bin? e7 Ay? pbb) Bai? Fn? 8° Brus Bh.79) Eva? Be Cm? Eo Fm? csth) Fm? Flo Gm? Cnt BT En? Am?e)— op? GMa? Ca!) fo) cw) Fr? Bh eb89 (eo Fr? By) ‘TRO © 1967 (renewed) LUDLOW MUSIC, INC., New York, NYG Waltz BILL EVANS Medium up Jazz Waltz Gai? 3 68 Fin7S) By? ‘TRO © 1991 LUDLOW MUSIC, INC., New York, NY31 GMaj? : 63 A Fined 7 CMa? Am? Fn? Brust Ebvai? Abyigj™1D Amie) D7att Gai? : G3 5 Fan73) Be? @Mai7 pio Am? pb? “D Pedal “After Solos D.C. al Coda laa? Anthd pb? GMa? iF _ Anté5 FB Acs Gm? EP aa?) Cm? Abstai71) GMa? Fn? Em? Fill2 Interplay BILL EVANS Medium Blues Pho. (tacet Ist and last time) 3 Solos (F minor blues) Fimo Binf Fé F409) (a7 ce ) m7 7 Fiié Dnt D'Ma;? Gai? Last time, D natural for bassin bar 10 may be played as Nat. ‘TRO © 1963 (renewed), 1965 (renewed) FOLKWAYS MUSIC PUBLISHERS, INC.,. New York, NYIt’s Love - It’s Christmas Words and Music by BILL EVANS Ballad Go F7 7 a Dane - ing tothe. mu- sic low, the world cov - ered white with Am? 7 GMaj7 Bin? ew snow; A kiss that wont et 80, is love, its Christ — mas. Jack Frost paint - ing win - dow anes, a sleigh, San = ta atthe reins; A GM? Bin? es fire, can - dy canes, its love, its o e An? — Fo bd? Christ -— mas. Lov - ems watch - ing a star, their dreams 50 near yet 80. far; Its love, the spirit of Christ mas. ‘TRO 1991 LUDLOW MUSIC, INC., New York, NY34 Knit For Mary F. BILL EVANS Medium Ballad 06 ey Foaj?—AXT BT Guus 709 le Is yi bo Ey a 7 769) Cosi] el D CMa, Mal Ge °? 4 ts 5 9 Feb) tele Fo 4 ——— 4 — sts ena? Gnu 3 CMs /g eboy Fai? AaT wyT gt Fed E%sus E70) 63 63) Am? D+) gm? e711) FMag7## — 5 Brat) Bd CD) Ema? Bout) Bes 613) b b Ebytai? Alot) 03 63) vai? Aras) abd 02) bi * by ‘TRO © 1980 and 1991 LUDLOW MUSIC, INC., New York, NYD'vaj7 Bhat Gaur G3 én) Cai? Am? Fiiaj? Coy E’o Dm? Maj fn Ending Fm(Maj”) Foes Datbd (Fm) a7(3 Maj? ill) Solos on AB After Solos D.C. al Fine36 Laurie Lytie by he Dream) Music by BOB DOROUGH (The Dream) BILL EVANS Medium Ballad Bi vtj? E79) sus E3749) Deep in a dream. 1 stir and speak the name of Am 1 Am(staj?) Am? ps7) m9 her when 1 cal Lau = rics Is she real or 4769) Cm | / Cm(ataj?) Cm? F719) is she just a name 1 dreamed of, Lau - rie? See her come _—_smil - ing! Charm - ing! Be - guil - ingl_— Then I tum- ble Bai? E709) eus esd) ‘Out on the street I hear the — sound of taf fie Am | J Ami) Am? ps7) Gm while 1 look for Tsu ee co Search - ing vo oy Cm? Fa7d9) cid) Cm | / CmMaj face but still no trace = is-——sthere, «of eu ne, Recorded by Harold Danko-Bob Dorough/Alone But Not Forgotten/Sunnyside SSC 1033, TRO © 1979, 1990 and 1991 LUDLOW MUSIC, INC., New York, NY37 Sweet in - spi - ra - tion, in sweet. © des - “pe - ta - tion 1 sleep once a = gain but to dream for it hn? clo ones) (7) Fa7d9) b, (Bsus) seems that Lau = rie only loves. me when I'm BP Bsus RB ous a3 Flys F749) aoe38 Laurie BILL EVANS Medium Ballad Bvt? E7%)eus E749) Am | Am(Mtaj?) Am? — pve ad "nd time only Gn 1749) Cm ff CmMtaj?) Cm? TED Fm? Bert ebm? aT, bs 7 So Dm? D’%us D9 CP sus ce Be 435 cha? cte em (7) 7d) (Bsus) Fine TRO © 1979, 1990 and 1991 LUDLOW MUSIC, INC., New York, NY39 For my son Evan on his 4th birthday, September 13, 1979 Letter to Evan Words and Music by Medium Ballad BILL EVANS En? FM? Bal’) Tas) e7 that is all, will = ing? Am? patty Dsus D9 Gus B95) Gm G49 Ts there @——heart__ That ial beau = C%sus 8 pc? oF? gh Is there a love thats ev = ty ome | ever!) 1 write this et - ter just once, my son, there. = is noomore. Your CMaj745) Bada poe FMai7@9) Bm E7eus9) ® mind is the place he ais wil ig, pedi) D%ssD? Gaus GIED..5) Gan G49 . T - = e # i a Er — You have the heart that all bea C2sus ce pest) 69 G96) eMaj7 You are =the dove. thats ev = ty an swer, oo By Duly Fh?) Fema”) Just fis = tem mmm, There is but this. one mu = sic, En! e? Dial °° oe? (Om? G7) Ey - an you will ~— need. =o. oth_ = er star ‘Chords falling on beat 4 fall on beat 1 for solos, Bar 1 of letters and [Bare simplified for solos: the 2nd and 3rd changes are omitted. Solos swing, ‘TRO © 1990 and 1991 LUDLOW MUSIC, INC., New York, NYLoose Bloose BILL EVANS. Medium swing 4 = ca 120 (tacet Ist time) Piano be Guitar Bass ‘TRO © 1975 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY4 Solos e7 e ct” Bb Eb? a7 Dh? 7 clay? he) an? pb? ma? Bh Eb? Ww Din? 7 FT BH? en 7 FT Bb After Solos D.C. al Fine (w/repeat) on repeat, Piano Solos over Bass parta Maxine BILL EVANS Medium up Jazz Waltz Bars) eT) Am? pb? Gm? 7 FM? B? Ents itt) bm? og Cn? F7 Bb Maj? Ble e7 AMaj7 As Abn? bh maj? Gh Gm? c? FMaj7 87 EMaj7 ria Bo Fixer) WT ‘TRO © 1978 and 1991 LUDLOW MUSIC, INC., New York, NY.4B Foxe) 6° wea Dom? aT Db? aber) Baus gato) Coa? pnts 7% Am? D9 Gn? °° Faaj7 B? E705) p70 Dm? og Cn? F7 B>Maj7 Em) Al) Dm? @ D%cus_ D7) Gn? Bm765) Bro a7 pb? ® Gm? Am? BPMaj7 Bm705)C%sus FS ® Maj? B Emi) a1 Dm? GI34+1) Gm? oR? Bom? E97 be Alm? pb Flm7 — B7 Em? ES AMaj?My Bells Lyric by Music by GENE LEES BILL EVANS Medium - Ballad Fieus Bai? FA Pedal o(B] , ‘ : es foe ¢ = ——— v On Sun - days 1 was smal, Td a+ wake and But then the years hur tied by and my bells fell Bota? Fou Byaj? Flas Fo lie there In the mu - sic of bell that_‘filed the. == mom ing silent ‘And T” assked how the skies could tose their right - ness Emi? chat FAT Din? Gin? a? Fis Td hear my bells ring - ing out, sing - ing out, fling - ing Some - how had lost my way, search - ing here, search ing a Axi? Di us DFTs IY hn Din? out tothe ais, cre (eprom yee ott there ev = “ry where, care Un - tl the day you 7 ENaj7 Fieus By? Fen) sil - ver days be = fore me. found me tured a = round and EMaj? Din? Cn? Din? Eva? FAsus EMaj7 — oo Sud-den- ly all omy bells are once more. sing == ing Din? Cin? EMaj™ Frlsus Maj Byaj?— (FY¥sus Bai?) Lis-ten now, and T'm sure you'll hear them = ring—_____ for you, Note: Ist ending of Lyric Version omits last 2 bars of instrumental 5) ‘TRO © 1965 (renewed) and 1987 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY48 My Bells BILL EVANS F# Pedal to [B] Bai? FY su B Maj? FM sus Fy o (8) 8 ¢B) Avia? DP aus DAT) — gays gt) hn’ Dhin? E Maj” FT sus) FISD) E Maj? D'm? cha? E Maj? 0 Changes for soloing or FH sus Bai” FH sus B Maj? FH sus BM? F¥7sys FAT Fd Pedal ~~ ‘TRO © 1965 (renewed) and 1987 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY46 N.Y.C.’s No Lark BILL EVANS Slowly Repeat as long as desired: Repeat to about 1/2 the length of Am7(6); then, to Dm? then, to Cmaj7 . Ant Dn? time : - o o About 1/2 length of Dm7; Same length as Cmaj7; then, to Fmaj7(4) then to Bmi( 5 ) hay 6 CMai7 Faj7(*4) Repeat Am7(}6) with diminuendo and rtard, until a= (Fine) on the first best sound pntb32) Antt9 ‘Twice length of Fmaj7(4); then, to Am7(b6) = Recorded Jan.21, 1963 for Verve. This part of an LP in which I play 3 pianos dubbing 2 tracks to a first which in this ease was an improvised ostinato figure similar to that I have notated, The 2nd track was primarily a melodic improvisation over the ostinato and the third track a “commentary” on the first two. Bill Evans TRO © 1963 (renewed) FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY7 One For Helen BILL EVANS Fast Swing i ae) Dn a? Cm? Fn? 8° Aol pithy (eit Gn7S) ort) Fm? Fut? Dn a? Gu709 oh Fn? ‘TRO © 1968 (renewed) and 1969 LUDLOW MUSIC, INC., New York, NYOnly Child Lyric by Music by ROGER SCHORE, BILL EVANS Fre9) Bioaj? —BP2¢ataj?)—F9sus Fg Bhai? BUM") 9 My one and on - ly. child Dear as a child canbe, EbMaj? a8 Dn? Gm? Fm Em? ACS) (45) You'll nev = er know how much you mean wo me. ebm? wB Dini? Bhan? Gn? co? Fai? FS oe One day you're climb = ing trees and chas~ ing dra - gon - flies, Em? AB Daj? DMaj9 Rm? pb”? G'vaj? G6 fe day, "well Took who’ grown right before my eyes. Bin? iA Gu? chs Fm? Bin? a and in the blink of an eye You're here and figs = 7) pies cm? FS) opin? gh? gone, the years goa = cing by. One — day you'll Abvai? 1G Fm? fe Dm) gids) CMaj? /B An? ABEL) Gn69 fall in love like no = one’s ev - er known. gh cha Jab Feu) F ped. f day my on-ly child, You'll =~ ove _______ a child of your own 79) em TRO © 1966 (renewed), 1969 and 1996 LUDLOW MUSIC, INC., and HAMPSHIRE HOUSE PUBLISHING CORP. New York, NY49 Only Child ‘Medium Ballad BILL EVANS 9, er a aa 9, a(qih bat) Bhai Fsus F(t) Boal) Bei), F sus F749), Bieta), Bway F bass pedal- - (E’m®) Bhai? Elo Dnt Gm? Fm) En? as b) Ea? a? Diesel) Diva Ga? es Fai? Fo F749) Bin Bin b Gm! cH? Fm? Bin? Cm? FA? Bim? e”7 z pated ga? cma? Am? BEA) G9 AMajig Fm? bis bata) Teas? 10) © Bhajai7 Boma G CMa) F FA) Bia, | 1 BMT TRO © 1966 (renewed), 1969 and 1996 LUDLOW MUSIC, INC., New York, NY30 The Opener BILL EVANS Medium Swing mi? e Bm) gx) Am? AreledeCH) Gm? GT Fai? Bul) E79) Am? pret) Gm? ce 2nd time: DCAD FMai7 3° 6 x7 Am? E+? xi) Dm? @7 BinteD bp’ Em? A) Dm? Gg? En? eho? @? C2 (Maj?) Cai ‘TRO © 1978 and 1996 LUDLOW MUSIC, INC., New York, NYSI Orbit (Unless It’s You) BILL EVANS Medium Swing (in 2) (Gm?) (637) (Cm?) Gm? E47 Am? D7 @Maj? 75 Cm FT Gm(*ss9) 7 Esai? FGS) Bn? Bb? Wn? B? EMaj? G7 Cn? E47 Am? 69045) Fai? G7 cin? oR Bind 7 Avi? — Dlaj7 7 (Cm?) Fn? BB Ebytai? — AbMaiT™ D’viai? Ga7¢) Cm? p74) Bin? ge? Dm 5 Gg? Mai? Fai? Em? E’m’ Dm? Cin? = f = Cn? Ba? Ant), 7 Cee eho ees Em? E911) Eon? pit) DinTS) eb Em) Ate) Dm) G7 Gm) 7 Fn BM? Gai? After solos D.C. al Coda (Melody is interpreted very freely.) © pha? ey Dnt G74 Cai? Fai” Bly? AM? — Dai"+11) Ga? CM)! Bai? EMaj7 —AMaj7 Daiai710) Diva? Maj)? ‘TRO © 1967 (renewed) LUDLOW MUSIC, INC., Now York, NYB 34 Skidoo BILL EVANS Medium up «(p09 E79 13 Play 3 times @ ce ) aire cel) F E709 (288) xz solo’ fe Aa Te % E Pedal to(B) (79) em) Fo E709) eG 7 Em(ase9) Dm? Cm? Bnd erty) — 69) Am(aj?) Am? Bn? Rr? m5) cat) g 709) Fin(Mj?) m6 Fen? IE Dimd) Gh? hn? or) arty "3 Play 3 times So CMa? Bro Em(ade®) a o B Pedal tol] (7!) (67) Coa? Bre) Brita) ————_ +5 6 Da, 16 FIPS) Bid) gb Em(aiaj7) Em? Cm? Bin? Amoed p+7¢9) p79) Gm?) Go Era? cmt x79, B’m(Maj7) B’m® © Solo py? Pley Primes abn? avel0son ABCD ‘AbPedal~ *Optiona chords for sols in parentheses ‘TRO © 1962 (tenewed) and 1996 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY4 Tiffany BILL EVANS, Medium Jazz Waltz Ist time: rubato (07) GMaj? Am? BPeS po optional D pedal - - Gui? ped En? pints) Gui, Bre An? ES D9 GMai? B79) Em? co Gs? C Maj? FI Bm? 7 ‘TRO © 1980 and 1991 LUDLOW MUSIC, INC., New York, NY5 1 aitempo J = ca 150 (Am?) 7) Interlude ' Maj? Bm? Am? pb? Maj’ A’vtaj7 a? aj 7 Wai] Gj avg Gui, iy p79 Gai, p76 ne — re 7 = | Dic. al dad ending Solos on A B 2nd ending only Chords in parentheses ae used fr solos. “After solos D.C. al Coda 6 : Freely me 7 a7 af 9 9 7 ahaa CM B A gD? Gna, fy Bata?) Dota) pata?) Cotaj2C1 Batg%CHD Bbvs%2)—Aaj%HD ArvgP2 Gey) a t bee — y= f rit6 Time Remembered Lyrie by Music by PAUL LEWIS BILL EVANS Medium Ballad Bm? Cveai7411) Fai? Em? re re = membered Re = —mem = ber spring as you tine in > ide you. Youre "ook © ing down at jour Tine re! mom pered "Res = mem = bet spring as Sou An? Dn? Gn? Maj? Biv? Lis - ten the mu = sic calls you. La i take you a Take them—— show thom the way magni ~~ cent How then could we) Te pay your Ta. your mo. ment ‘on fo” En? Bn? —, way © shores where dol - phins play see and Gm > at “hals® where “gh Sims lay car you wught” “ts tobe ve in Bping Bn? An!t Cm? Fin? Back to your qui'- et mind where col ors change in time ‘And though they're going” to. cheer ‘hey real =I “Want {0 hear And When “your what ‘did “you nd there, Bll? EbMaj? Re - mem - bered re. fe ins those “qui et lines that lead them back in > Ply just one line Show us what lies bet —— te -mem ~ bered time You feel. the = oe = mem ~ bered time, — _ = oe = mem + bered time = Recorded by Katie King / Jazz Figures KK 002 ‘TRO © 1965 (renewed) and 1994 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY7” Time Remembered BILL EVANS Medium Ballad Bu? Cmaj71) F¥aj7#1) Em? Am? Dm? Gn? Bistgi 71) abytg 710 Dm? Cm? ‘TRO © 1965 (renewed) and 1994 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NYTurn Out The Stars Lyric by Music by GENE LEES BILL EVANS Medium Ballad pnt?) E36) am(@49) An? Date) ag? cma? ir fe P Turn out the stars, Turn out the stars. Fra! B7 E’Mai7 Am? D7 GMa? T cant have you be - side me, Let e- ter-nal dark - ness. hide me. IE Cin? FtIb9) Bai? Bint ebnt) Put out their fires, Their end = less splen.- dor an? Brig Ela? 5 chy? Ena, On - ly re - minds me of your ten. - der ~ ness Aes) Da), En’, Anse Dota, Stop the © ~ —ceanss roar, Dont let the rv = ers rum 9 1369) ° on B a 1B Dn, G Cui, Dail, G Coil, c = : - = the won drous, = mu sic of a Let me_—hear = no.more Recorded by Meredith d' Ambrosio/The Cove!Sunnyside SSC 1028D; Judy Niemack/Mysteriosa/Free Lance CD ‘TRO © 1966 (renewed), 1969 and 1987 LUDLOW MUSIC, INC., New York, NY2» ards) Em? ap ae ards) Dn? aos sky - lark inthe sun Let it be done. 7 Cm? eb Asta? een Fm? 1 Tun out the stars, turn out theta, shutoff their_—_Light. Dats arte Cm? EM sus Abstaj7™ oe CMa)? Stop—— ev = ys com = et in fis mag = ic tone - ly flight, But) 13+) Am(*429) Am? Aes wey hn Let there be night Tun out the stars.80 Turn Out the Stars Lyric by Music by GENE LEES BILL EVANS Medium Ballad Bie 1369) Am(Maj7) Am? Dm? a7) CMa? (On) Fn? BT? EbMai(G+7 Cm? Bn?) Am? 07 Gmaj7(B+7 Em? Din6) Cha? (BMaj7) DE:749 Gm? y Cha? Bim?’ glad) £ : > re o = r aba? ie FmibS——Bhy749) Bla? (ym? ie? iB ABae alse) a Dvtaiy Deiat), AB sus GBeus @13e9) CMaj} G9 sus aj cB “1g -. Be bee Be Em’) as? Dim(¥aj?) Dm? a? Dm) ga? Cm? e abi? a9) Fo? Chords in parentheses are not used for solos. TRO © 1966 (renewed), 1969 and 1987 LUDLOW MUSIC, INC., New York, NYDir) v7) cm EM) ED Abntas? §— 7H) aj?) bo ' oO a) (Fine: FE) Bm?) E13¢9) Am(Maj7) Am? Aus abe) chy FAB T. T. T. Twelve Tone Tune BILL EVANS Medium up Swing E911) | am? p79 Fine Solo changes in parentheses ©1971 Orpheum Music. Used by Permissiona T.T.T.T. Twelve Tone Tune Two BILL EVANS Medium up Swing Intro Freely he A © 1973 Orpheum Music Used by Permission83 Solos (Lydian mode on all chords) Gai? Fai? Esta? Divi? BMaj? Bvt? AMaj7 Avi? CMaj” Dai? Ema” Fai? Bava? CMaj? Chi? Daj? Afier Solos D.S. al Coda (w/repeat) (On repeat Piano tacet, Bass plays melody. © Freely Pao, AM) Abyiaj7O1D) Gvaj71) Bass : V Vv Cinta) Rata Eng) — Bb TODD pataiT+10D Dintai211)The Two Lonely People Lyric by CAROL HALL, Medium Jazz Waltz. 75) Fro? Bin? 79 ds) Music by BILL EVANS Fm? The two lone - ly Bhai? ct 5) peo - ple Fm? sit si iy eel J Folles their oem me Hea Te Dm? 7 cna? Wm? SS —— wo bee pws pe ome ted and ee car = tg bt Em) Be7(HS) Bn? pee tiie al ° ver and dead —_— They Bn? of749 Fin? arb) bee e—te SS te dont know what hap ~ pened, they cant’ think what ap ~ pened, they Da? i745) cha? F#7b9 e — we te 2 —— fo = # some - thing fine of their own But the Ba? E769) Am? pie wo have Gm? lone - ly peo - 7 ple tumed in 0 stat vues tuned in An! ot TRO © 1971 and 1977 LUDLOW MUSIC, INC.,. New York, NY yes ‘TheGn? art Dm? F? world was their moon once, yel = low bal = toon once, it Bly? E769 ‘Am? p79) SS = —ie = 7 — held all their hopes their = dreams But lant ares) Dm? F7 time came and broke them, =e al iy woke them, the Bivai7 E745) Amn? op? worlds not so pret = iy, it seems. —_____ For Gm? ATs) Din? F7 love that once mat - tered is old now and bat = tered, but Bhai? amd Dm? arb two lone - ly peo - ple would give. = all, ~—their. =e, yes, would two lone = ly peo - ple sit si - em - ly star - ing, their eyes Took = ing cold = a - head,86 The Two Lonely People Lyric by Music by CAROL HALL BILL EVANS Medium Jazz Waltz =(E8) (a’viaj7) ce? Bim? es) Fs) SSS SS 2S | 4 om?) 719) 7 0 ‘im? + ‘im B c Fi ale Fini) Be E’m? 3 iD? Ba? ch? Fla? me) Daj” ln? Fm) Bn? Ee) An? pb) Gm? oe F Mai) B! Misi? Bl (em) E’Maj) At Dm’? F7 Chords in parentheses are used for solos. TRO © 1971 and 1977 LUDLOW MUSIC, INC., New York, NY.p™) Bi Maj? BY An’ Gn? as Dnt Ea (” ) i Bhai? Bm B7(45 An! v’(33) (On? - a, Gn! AT Dn? Din”) Cm’ F? Foe) Em Abn? b® Ghai? 7) Bim? ot +709) % Dbn? eo” CP Maj? EMaj7 bal! D'm? c's? AM! Ae Ela!88 Very Early Lyric by Music by CAROL HALL BILL EVANS Medium Jazz Waltz cai? Bl eva? gore) , @y or cx +I love came wee = Morey cr: iy i came Tm nies D'Maj7 ov Maj? Be) Daj Aunt vine sow you vou we lig) = cee i¢—— tee ws tT Flat? Bw) En? pre Dau? as? ev + cf want = ed, Strange how car = 1 knew! ele asked” for Love came won = rows and wild! —— Dhstai? abe Now, the ar. Wy rain beats on =o my win - dow, Bai? ed Cai? abe D’vaj7 grr) Sweet sound rain can make. Nice to lie here, CMa? are Dm? Em? FS GYD? Em F os Sot - ly sigh here, you and 1 here, Wait - ing for the FMaj? Em? Dm? Maj BMaj? ver = year = Wy. sun to a Recorded by Janice Borla / Lunar Octave DMP CD-3004; Mark Murphy & Nine Very Early | West & East Music CD 220 022-2 ‘TRO © 1962 (renewed), 1965 (renewed) and 1987 FOLKWAYS MUSIC PUBLISHERS, INC.,.New York, NY89 Very Early Lyric by i Music by CAROL HALL BILLEVANS Medium Jazz Waltz Mai? Bis Eb Maj? Aix) Db aaj? as CMaj7 Ben) DMaj7 An? Fin? Bis) Solo break ~~ © Dn? En? Fai? G? Dm/C Chm) Bb visi GMaj? Bai? it~ - ‘TRO © 1962 (renewed), 1965 (renewed) and 1987 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY90 Walkin’ Up BILL EVANS Fast swing BM? Abstai7? Gai? F Maj? B79) EMaj? — AMaj7 Ab Pedal- Dm’ (Dorian) Golo: 67) AbNaj? Mai? BMaj7 EDMaj7 Amoi? OMaj7 Gy? @ Solos on form AABA (Lydian Mode on all Maj? chords) After solos D.C. al Coda Emi? cba?) — patai7™#9 abana? eaaai7#9 s An 8 bars Intro may be played on Dm7 (Dorian) over G Pedal TRO © 1962 (renewed) FOLKWAYS MUSIC PUBLISHERS, INC., New York, NYon Waltz For Debby Lyrie by Music by GENE LEES BILL EVANS Medium Jazz Waltz in one e} (Am?) Eilat) FMajJ Dm? Gm! cv 7 by 7 7 "a “Ie let Sle le FIs Bui Gui, c7 ee Am? Dm? Gn? c7 - tan’, 7 7 7 v 7 1 4 Foay/, Oo Gm c _— 8, Cie = (Amaj? x Z) a Dn? eB? 7 (Dey Bm? AM? ict Bhaaj7 AT Dm? oe Aaj? Dhta\? Gn! 7 Feb Bai oni}, C7 An? b7 Bn? e7 ‘TRO © 1964, 1965, 1966 (copyrights renewed) FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY2 An? F7 Bai? As7d9) Dm? a ato , (c7) OW An? aro Gn? ate Fai? Dm? Gn? c7 = * Solos on A BC After solos D.C: al Coda @ 11 (C bass Pedal -— [Tending in2 Dm? Gat Fiai7 abo Gm? te An? abo ad ib atempo Cibase Pedal - Gm? ato Am? avo Gm? cto EM? Dm? = Gm? 7) (Am?) 7 Fai] Dm? Gm? 7 Allee D7 B cy cet93 ce” An? D7 Gn? ar Dm? Cm? Am? D7 Bm? &7 Am? 7 -BMaj? x79) (7) Dm? @ Gio An? Ako Gm? Glo Maj? Dm? Gm? ¢7 Soloson DEF After solos D.S. al Coda I or : An? ae Gm! aio Am? (Cass Pedal - - ~~~ ‘Alternate changes in parentheses - on both endings and coda Am? is interchangeable with FMaj7.Waltz For Debby Lyric by Musie by GENE LEES BILL EVANS Medium Jazz Waltz in one ai] Dn? im? Ey yi Dy fe PM & lot *Te let e q " i : — In her own set ae ; Gy cy FY B’Maj 'm c F le eb "Ib GoTo 8 = pop - u - lat - ed by dolls. and clowns anda prince and a big’ pur - ple An? Dn? Gm? c7 An? Dm? Gm? c7 beng, Lives ny 7 te AY DY GY c} al Dm B let Ic B BP Ie uns a= ware of the wor - ied frowns that we wear - Ev AMaj7 Bn? AMaj7 grown-ups all wea h___ the sun, she dic = cs to B al Cn! al a= - a — — : - = - si + tent = music, Songs that are spun of gold some - Dm? @ Ava? D’ naj? Gm? c? where in her = own——silit’ = tle head PF 7 7 7 1 % Din Gm Ele Me Te One day all too soon, TRO © 1964, 1965, 1966 (copyrights renewed) FOLKWAYS MUSIC PUBLISHERS, INC.,. New York, NY1 4 y y 75) 1 6 c FIs fo _. c F E Shell grow up and she'll leave her dolls and her prince and her sil = Wy old Am? po? Bm? &7 Am? Fy bear When she goes. they will «ary. cer 749) 7 ° © B A Dm G B aa a5, as they whis - per good = bye They wil Fe Fo Gn? c7 F miss he, fear, but then so will L Recorded by Tony Bennett / Who Can I Turn To / Sony 6503-2, 40 Years: The Artistry of Tony Bennett Columbia (C4K-46843; Johnny Hartman / The Voice That Is GRP GRD 144-2; Gene Lees / Yesterday | Heard The Rain JazzLetter Records; Mark Murphy / Satisfaction Guaranteed / Muse LP MR $215; Judy Niemack / Long As ‘You're Living / Free Lance FRL-CD O14; Ellyn Rucker This Heart OF Mine / Capei 74010-2; Sylvia Syms /Then ‘Along Came Bill DRG 91402Waltz in EP BILL EVANS Cn? Fn? 87 E’Mai? Fm”) An? of May? BHT e'Mai™ Ant?) Abn Ghai? emits Bné Cha? Dm? ¢? Csi? Fn? 87 TRO © 1996 LUDLOW MUSIC, INC.,. New York, NY” We Will Meet Again BILL EVANS Medium Jazz Waltz Cm? Cm? Be Cm) © Om? Em? 4 pc F; : Fal Dm) 79) Cm Bo Cm B ws @7e9 om Cm(aj) my elfy Asai? a? cme? AmTe5) p79) G13%us G7 @ Freely Tit ‘TRO © 1979 and 1991 LUDLOW MUSIC, INC., New York, NY98 Yet Ne’er Broken BILL EVANS bo Fe) : ("3 cle m9 AIG om, CMaj7/ Dm? Em? ee Medium Swing (75!) Fa? Bas 37 ban bas go ‘Te _ ew E ) Bn! 1 1 79 59 (6? ) Bhn? Dat ere BY, Cai? ate Am? cfe (637 7) 619) bisb9) i | Ne om, se = re 7 : = Ef a 7) Fin? Bsus By, erm Eu B”? (pbs? ) e749 ) Fml@) p79) Gn) i ii 79) 2 ‘Chords in parentheses are used for solos, TRO © 1980 and 1991 LUDLOW MUSIC, INC., New York, NY63 Yo. ots ek aay FB Es 1.4 J. A131) eho 1 J. ET) 99100 Your Story BILL EVANS Freely p13. pes) a, Dn? Dmé D chats) Fie) Bn? iA Bait) fj = —t ee —— By eh? Eas : bo, cess) Bintd en Abstai7(5) B'sta\7 GT) Frnt JE ‘TRO © 1960 and 1991 LUDLOW MUSIC, INC., New York, NY101 D!3.us D5) GMa? Cmaj711) Fin7e9) Bre) Em? CMai711) ee ~—=6.DISCOGRAPHY Chronological authorized Bill Evans recordings of tunes in this book on USA record labels Bill Evans / New Jazz Conceptions- Teddy Kotick (b), Paul Motian (dr) 1956 Riverside OJCCD 025-2 Bill Evans Trio / Everybody Digs Bill Evans Sam Jones (b), Joe Jones (dt) 1958 Riverside OJCCD 068-2 Portrait in Jazz Scott La Faro (b), Paul Motian (dr) 1959 Riverside OJCCD 088-2 1 Waltz For Debby (same personnel) 1961 Riverside OJCCD 210-2 Bill Evans Trio at the Village Vanguard (same personnel) 1961 Riverside FCD 60-017 Bill Evans Trio / Moonbeams -Chuck Israels (b), Paul Motin (dr) 1962 Riverside OJCCD 434-2 Bill Evans Trio / How My Heart Sings (same personnel) 1962 Riverside OCD 369-2 Bill Evans Interplay Sessions [currently released as Interplay -Freddie Hubbard (cp), Jim Hall (g), Perey Heath (b), Philly Joe Jones (de) Riverside OJCCD 308-2 and Loose Blues -Zoot Sims (ts) Jim Hall (g), Ron Carter (b), Philly Joe Jones (dr) Milestone MCD 9200-2) 1962 9 Bill Evans/Conversations with Myself 1963 Verve CD 821984-2 10 Bill Evans Trio at Shelly’s Manne-Hole -Chuck Israels (b), Larry Bunker, (dr) 1963 Riverside OJCCD 263-2 [/“Time Remembered” from these sessions only available on Bill Evans / The Complete Riverside Recordings “12 CD set; double LP Time Remembered Milestone M-47068} 11 Stan Getz & Bill Evans 1964 Verve CD 833802-2 12 Bill Evans Trio with Symphony Orchestra -Chuck Israels (b) Lamy Bunker, Grady Tate (dr), Claus Ogerman (conductor) 1965 Verve CD 821983-2 13 Bill Evans at Town Hall -Chuck Israels (b), Ariold Wise (dr) 1966 Verve CD 831271-2 14 Bill Evans & Jim Hall /Intermodulation 1966 Verve CD 8371-2 15 Bill Evans / A Simple Matter of Conviction - Eddie Gomer (b), Shelly Manne (dr) 1966 Verve CD 837757-2 Bill Evans / Further Conversations with Myself 1967 Verve LP V6-8727, 17 Bill Evans / California Here I Come -Eddic Gomer (6), Philly Joe Jones (dr)1967 Verve double LP VE2-2545 18 Bill Evans At The Montreux Jazz Festival - Eddie Gomez (b), Jack DeJohnette (dr) 1968 Verve CD 827844-2 19 Bill Evans / Jazzhouse -Eédie Gomer, (b), Marty Morel (dt) 1969 Milestone MCD 9151-2 20 Bill Evans / You're Gonna Hear From Me (same personnel) 1969 Milestone MCD 9164-2 21 Bill Evans / From Left To Right (same personnel + Sam Brown (g) and orchestra conducted by Michael Leonard) 1970 MGM LP SE-4723 22. Bill Evans / Montreus II (sate personnel) 1970 Sony Legacy CD ZK 45219 foriginally on CTI] 23 The Bill Evans Album (same personnel) 1971 Columbia Legacy CD CK 64963 24 Bill Evans / The Tokyo Concert (same personnel) 1973 Fantasy OJCCD 345-2 25 Bill Evans / From the 70's (same personnel) 1973 Fantasy F.9630-4 26 Bill Evans Trio / Since We Met (same personnel) 1974 Fantasy OICCD 622-2 27 Bill Evans / Re: Person I Knew (same personnel) 1974 Fantasy OJCCD 749-2 28 Bill Evans / Blue in Green (same personnel) 1974 Milestone MCD 9185-2 29 Bill Evans Trio featuring Stan Getz / But Beautiful (same personnel) 1974 Milestone MCD 9249-2 30 Bill Evans & Eddie Gomes / Intuition 1974 Fantasy OJCCD 470-2 31 Bill Evans /Bloquenee 1975 Fantasy OJCCD 814-2 ‘The Tony Bennett Bll Evans Album 1975 Fantasy OJCCD 439-2 ‘Tony Bennett & Bill Evans / Together Again 1976 DRG CDMRS 901[ originally on Improv] ‘The Bill Evans Trio /1 Will Say Goodbye -Eddie Gomez (b), Eliot Zigmund (de) 1977 Fantasy OICCD 761-2 Bill Evans / You Must Believe in Spring (same personnel) 1977 Warmer CD 3504-2 Bill Evans / New Conversations 1978 Warner CD 28P2-2477 37 Bill Evans & Toots Thielemans / Affinity -Larry Schneider (ss, 1), Hot Zigmund (dt) 1978 Warner CD 3293-2 38 Bill Evans / We Will Meet Again -Larry Schneier (s,s, 1), Tom Harel (pt), Marc Johnson (b, Joe LaBarbera (r) 1979 Warner CD 3411-2 39 Bill Evans / The Paris Concer, Edition One - Marc Johnson (b), Joe LaBarbera (dr) 1979 Elektra Musician LP 60164-1-E 40 Bill Evans / The Paris Concert, Edition Two (same personnel) 1979 Elektra Musician LP 60311-1-E 41 Bill Evans Trio / Letter To Evan (same personnel) 1980 Dreyfus CD 36554 I Evans Trio / Turn Out The Stars (same personnel) 1980 Dreyfus CD 36553 43 Bill Evans Trio / Turn Out The Stars: The Final Village Vanguard Recordings (same personnel) 1980 Warner 6 CD set 2-45 925 {A 9arack,single-dise set, “The Artist's Choice: Highlights from Turn Out The Stars” 2-46 425 i also available) 44: Bill Evans Trio / The Secret Sessions 1966-1975 Milestone 8 CD set 8MCD-4421-2 [recorded in performance at the Village Vanguard and released in late 1996, this boxed set does not fit the chronological format of this discography] "Note: Complete Riverside, Fantasy and Verve boxed CD sets also include tunes in this book.