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Table Of Contents

SECTION I
SECTION II
SECTION III
SECTION IV
SECTION V
SECTION VI
SECTION VII
SECTION VIII
SECTION IX
SECTION X
SECTION XI
SECTION XII
SECTION XIII
SECTION XIV
SECTION XV
P. 1
The Violin - The Original Classic Edition

The Violin - The Original Classic Edition

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Published by Emereo Publishing
This is a high quality book of the original classic edition. Contents: Section I-The Early History Of The Violin, Section Ii-The Construction Of The Violin, Section Iii-Italian And Other Strings, Section Iv-The Italian School, Section Ix-The German School, Section V-The Italian Varnish, Section Vi-Italian Makers, Section Vii-The French School, Section Viii-French Makers, Section X-German Makers, Section Xi-The English School, Section Xii-English Makers, Section Xiii-The Violin And Its Votaries, Section Xiv-Sketch Of The Progress Of The Violin, Section Xv-Anecdotes And Miscellanea Connected With The ViolinThis is a freshly published edition of this culturally important work, which is now, at last, again available to you.Enjoy this classic work. These few paragraphs distill the contents and give you a quick look inside: ...Lott; his instruments copies of Amati, bearing the labels of Thomas Dodd or John Betts, and highly valued-FENDT, BERNARD SIMON; good work, but sometimes artificially matured; his Violins, Tenors, Violoncellos, and Double-Basses; follower of the Guarneri and Gasparo da Salò models; his quartett of instruments in the London Exhibition of 1851-Fendt, Martin-Fendt, Jacob; his work finely finished; skilful copies of Stradivari, but artificially and cleverly aged-Fendt, Francis-Fendt, William-Ferguson, Donald-Firth-Forster, W.-Forster, William (i.); spinning-wheel and Violin-maker-FORSTER, WILLIAM (ii.); also a maker of spinning-wheels and Violins, and amateur Fiddler; an excellent copyist of Stainer and of the Amati models; high character of his work and varnish; his Double-Basses for the Band of George the Third; his instruments highly valued by Robert Lindley-FORSTER, WILLIAM (iii.); excellent work-Forster, William (iv.)-Forster, Simon Andrew-Frankland-Furber, John-Furber, Henry John305-313... Sterne on Hobby-horses-Tender relationships between the Violin and its Votaries-Wendell Holmes on the Violin-Thomas Mace on early prices of instruments-Early makers, continental and English-Advent of the Stainer model, and its temporary preference over those of the Italian masters; its depressing influence on prices of Amatis and Stradivaris-Guarneri del Gesù brought to the front by Paganini, and Maggini by De Bériot-Recognition of the merits of Bergonzi, Guadagnini, and Montagnana-Luigi Tarisio, and his pilgrimages in search of hidden treasures; his progress as amateur, connoisseur, devotee; his singular enthusiasm, and Charles Reades anecdote thereon; the Spanish Bass in the Bay of Biscay; Tarisios visit to England, and the Goding collection; his hermit life; purchase of his collection by M.
This is a high quality book of the original classic edition. Contents: Section I-The Early History Of The Violin, Section Ii-The Construction Of The Violin, Section Iii-Italian And Other Strings, Section Iv-The Italian School, Section Ix-The German School, Section V-The Italian Varnish, Section Vi-Italian Makers, Section Vii-The French School, Section Viii-French Makers, Section X-German Makers, Section Xi-The English School, Section Xii-English Makers, Section Xiii-The Violin And Its Votaries, Section Xiv-Sketch Of The Progress Of The Violin, Section Xv-Anecdotes And Miscellanea Connected With The ViolinThis is a freshly published edition of this culturally important work, which is now, at last, again available to you.Enjoy this classic work. These few paragraphs distill the contents and give you a quick look inside: ...Lott; his instruments copies of Amati, bearing the labels of Thomas Dodd or John Betts, and highly valued-FENDT, BERNARD SIMON; good work, but sometimes artificially matured; his Violins, Tenors, Violoncellos, and Double-Basses; follower of the Guarneri and Gasparo da Salò models; his quartett of instruments in the London Exhibition of 1851-Fendt, Martin-Fendt, Jacob; his work finely finished; skilful copies of Stradivari, but artificially and cleverly aged-Fendt, Francis-Fendt, William-Ferguson, Donald-Firth-Forster, W.-Forster, William (i.); spinning-wheel and Violin-maker-FORSTER, WILLIAM (ii.); also a maker of spinning-wheels and Violins, and amateur Fiddler; an excellent copyist of Stainer and of the Amati models; high character of his work and varnish; his Double-Basses for the Band of George the Third; his instruments highly valued by Robert Lindley-FORSTER, WILLIAM (iii.); excellent work-Forster, William (iv.)-Forster, Simon Andrew-Frankland-Furber, John-Furber, Henry John305-313... Sterne on Hobby-horses-Tender relationships between the Violin and its Votaries-Wendell Holmes on the Violin-Thomas Mace on early prices of instruments-Early makers, continental and English-Advent of the Stainer model, and its temporary preference over those of the Italian masters; its depressing influence on prices of Amatis and Stradivaris-Guarneri del Gesù brought to the front by Paganini, and Maggini by De Bériot-Recognition of the merits of Bergonzi, Guadagnini, and Montagnana-Luigi Tarisio, and his pilgrimages in search of hidden treasures; his progress as amateur, connoisseur, devotee; his singular enthusiasm, and Charles Reades anecdote thereon; the Spanish Bass in the Bay of Biscay; Tarisios visit to England, and the Goding collection; his hermit life; purchase of his collection by M.

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Published by: Emereo Publishing on Jan 30, 2013
Copyright:Traditional Copyright: All rights reservedISBN:9781486415090
List Price: $7.95

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10/31/2014

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9781486415090

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