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Table Of Contents

INTRODUCTION
Aesthetics and modernity
Aesthetics and ‘postmodernity’
Modern philosophy and the emergence ofaesthetic theory: Kant
Self-consciousness,knowledge and freedom
The unity ofthe subject
The unification ofnature
The purpose ofbeauty
The limits ofbeauty
German Idealism and early German Romanticism
Thinking the infinite
A ‘new mythology’
Early Romantic ‘new mythology’
Reflections on the subject: Fichte,Hölderlin and Novalis
Selfand Other
Fichte
Hölderlin
Novalis
Schelling:art as the ‘organ ofphilosophy’
Nature and philosophy
The development ofconsciousness
Intuition and concept
The ‘organ ofphilosophy’
Mythology,art and modernity
Mythology,language and being
Hegel: the beginning ofaesthetic theory and the end ofart
Which Hegel?
Self-recognition
Music and the Idea
Language,consciousness and being
The Idea as sensuous appearance
The prose ofthe modern world
Philosophy and art after Hegel
Schleiermacher: art and interpretation
Linguistic turns
The ‘art of disagreement’
Immediate self-consciousness
Art as free production:‘individual’and ‘identical’activity
Hermeneutics as art
Literature and the ‘musical’
Music,language and literature
Language and music
Hegel and Romanticism:music,logos and feeling
The ‘presence’ofmusic
‘Infinite reflection’and music
Nietzsche and the fate ofRomantic thought
The old and the new Nietzsches
Schopenhauer:music as metaphysics
Marx,mythology and art
Art,myth and music in ‘The Birth ofTragedy’
Myth,music and language
The illusion oftruth
Music and metaphysics
Aesthetics,‘interpretation’and subjectivity
CONCLUSION
REFERENCES
INDEX
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AestheticsAndSubjectivityFromKantToNietschze Bowie

AestheticsAndSubjectivityFromKantToNietschze Bowie

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Published by: ataraxia_ galactica86 on Feb 03, 2013
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02/15/2013

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