Alexander Grove
, British tenor, is a graduate of the Royal Northern College of Music,Manchester and also trained as a chorister at St Paul’s Cathedral, London. He is the recipientof the Anne Ziegler Award, the Alfred Alexander Award, Peter Moores Foundation, MarioLanza Foundation and MBF Major Scholarships. 2007-2008 engagements include The Nose,Pytor and Yarishkin
The Nose
(The Opera Group), Ramiro
La Cenerentola
(Stanley Hall Opera),Fenton
Die lustigen Weiber von Windsor
, Count
Zedlau
Wiener Blut
and Alfred
Die Fledermaus
,Pedrillo
Die Entführung aus dem Serail
, and Danilo
Die lustige Witwe
(Scottish Opera). Hereceived international acclaim for his interpretation of Gabriele in Foroni’s
Christina Regina di Svezia
for Vadstena Akademien (Swedish debut) with live European broadcasts on Sveriges andBBC Radio. Notable recitals include a private performance for President Bush Senior at theWhite House, performing with Jose Carreras under Sir George Solti at the RFH, London, Formore information please visitwww.alexandergrove.com
Stuart Haycock
, Australian tenor, holds a Bachelor of Performing Arts from the WestAustralian Academy of Performing Arts and a Graduate Diploma of Opera from the SydneyConservatorium of Music. He currently studies opera at the Royal Academy of Music. Hisoperatic repertoire includes the title role in
Candide
, Fileno in
La Fedeltà Premiata
, PrincePhillipe and Errand Boy
A Dinner Engagement
, Little Bat Mclean and Elder Gleaton
Susannah
,Sam Kaplan
Street Scene
, Bill
A Hand of Bridge
, and roles in
L’Incoronazione di Poppea
,
L’Orfeo
, and
Dido and Aeneas
. Stuart's concert repertoire includes Carissimi, Handel, Charpentier, Mozart
,
Haydn, Bach
,
Ramirez, Dvorak,
Purcell
,
Bruckner, and Mendelssohn Stuart has been anensemble member with West Australian Opera, performing comprimario roles in
The Merry Widow
and
Nostradamus
;
and has also been a full-time chorister with Opera Australia inSydney. His studies at the Royal Academy Opera are supported by the Ian Potter CulturalTrust, Opera and Arts Support Group Sydney, the Opus 50 Trust, Ars Musica Australis, OperaAustralia and the Joan Sutherland Society of Sydney.American baritone
is in his firstseason with the Domingo-CafritzYoung Artist Program at Washington National Opera (WNO). This past season Nathan madehis WNO debut as Schaunard
La Bohème
followed by performances as Masetto
Don Giovanni
,and the Father
Hansel and Gretel
. Nathan recently made his European debut singing Masetto
Don Giovanni
with Opera de Monte Carlo. Nathan’s many past engagements have includedturns as Rigoletto
Rigoletto
, Marcello
La Bohème
, Guglielmo
Così fan tutte
, Prince Yamadori
Madama Butterfly
, and Gianni Schicchi
Gianni Schicchi
. Upcoming engagements include: TheCaptain
Eugene Onegin
(NSO), Baron Douphol
La Traviata
, for the Duluth Festival Opera, BaronDouphol
La Traviata
, WNO, Germont
La Traviata
, WNO Young Artist Production, and Ping
Turandot
, WNO.After reading Modern Languages in Edinburgh and Vienna, British baritone
Rhys Jenkins
trained at the RNCM and the RSAMD. He is a member of the Britten-Pears Young Artist’sProgramme and a National Eisteddfod prize-winner. Roles include Title Role,
Gianni Schicchi
, Sid
Albert Herring,
Figaro
Il Barbiere di Siviglia
, Peter
Hänsel und Gretel,
Dandini
La Cenerentola
, Tonio
I Pagliacci
, Schaunard
La Bohème ,
Scarpia
Tosca
(cover), The Sorceress
Dido and Aeneas
, LeGendarme
Les Mamelles de Tiresias and
Pistol
Falstaff.
Recent concerts include Brahms’
Requiem
, Dvo
ř
ák
Mass in D
, Handel’s
Messiah &
Israel in Egypt
, Stanford
Songs of the Sea
, Elgar’s
Coronation Ode
, Mozart’s
Mass in C
and
Berlioz’
Messe Solennelle
and an Aldeburgh FestivalRecital (Duparc and Mussorgsky’s
Songs and Dances of Death)
.
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