The film will be seen entirely in black and white untilmid-way through Scene Six. At this point a heightenedcolor will be used for the remainder of the film, exceptfor security camera cut-a-ways which will remain blackand white through out.
1. EXT: QUEEN STREET, SIDE ALLEY, BACK ALLEY, TUESDAY NIGHT.
P.O.V.: of a person or persons moving quickly down thestreet. It’s Tuesday night, cold, and Queen street isbarren. We take in this atmosphere as if we are walkingdown Queen Street ourselves. We suddenly turn left intoa side alley. We see garbage and broken glass on theground, we move past graffiti covered walls until wereach a back alley. We take a quick left into the backalley where we suddenly find ourselves at the ominousentrance to a private night-club. We see a doormanstanding in front of a huge graffiti covered metal door,we move towards him ending in a close-up on his face. Theface belongs to Cue-Ball; a bald, martial
arts expert,alcoholic night-club bouncer who has no problem being anasshole.
(looking down into camera) Fuck.
CUT TO:2.EXT: BACK ALLEY, NIGHT-CLUB ENTRANCE, NIGHT.
Cue-Ball is glaring into the faces of Jack and Jill.These two characters are both strong representatives oftheir appropriate counter-cultures. Jack is a totalpunk-kid from Montreal; Mohawk, piercing, tattoos andanarchy symbols. Jill is a Goth; dark eye shadow, palemake-up, black lipstick.
(with a strong French accent) Do you havethe night off, fuck? Huh fuck? (pause)Open the fucking door.