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Table Of Contents

ABSTRACT
FOREWORD
I. INTRODUCTION AND SCOPE OF STUDY
II. CONSIDERATIONS
B. Prescriptive and Descriptive Transcriptions and Bi-musicality
C. Hybridism, Innovation and the Powers of the Popular
III. HISTORICAL PERSPECTIVE
IV. THE ARRANGEMENTS OF SÉRGIO ASSAD
A. Introduction
B. Verano Porteño
C. Invierno Porteño
V. THE ARRANGEMENTS OF ROLAND DYENS
VI. CONCLUSIONS
REFERENCES
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azu_etd_10555_sip1_m.pdf

azu_etd_10555_sip1_m.pdf

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Published by: mstislav11 on Feb 14, 2013
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07/12/2013

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