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The Making Of All Eyez On MeThe Making Of 2Pac - All Eyez On MeProduced by: Dr. Dre, Dat Nigga Daz, David Blake, DeVante Swing, DJ Pooh, Mike Mosley,Johnny J, D. RasheedCo-Produced by: 2PacExecutive Producer: Suge KnightProject Coordinator: Roy TesfayMastered by Brian "Big Bass" Gardner at Bernie Grundman MasteringRecorded at Can-Am Studios.Guest Appearances by: Rappin 4-Tay, Richie Rich, Redman, Method Man, D-Short, E-40, B-Legit, Roger Troutman, Dru Down, KC, JoJo, C-Bo, Outlawz, Snoop Doggy Dogg, Kurupt,Dat Nigga Daz, Nate Dogg, Danny Boy, Storm, Dramacydal, George Clinton, Jewell, Mutah,Michel'le, Big Syke, CPO Nominated for 1997 Grammy Award for Best Rap Album.THE MAKING OF 2PAC - "ALL EYEZ ON ME" (from XXL Magazine)"Skandalouz" Featuring Nate Dogg Produced by Dat Nigga Daz Nate Dogg: That song was done in 10 minutes. The beat was always already made. We don'tgo in the studio and wait on nobody to make a beat. We'd Never stay in their long enough.[Working with 'Pac was] like working with your little brother. He was a little wildmuthafucka, full of life. He got an opportunity and ran with it. 'Cause he didn't want to be onDeath Row Records. And I think he had a three or four.....I'm not sure what kind of albumdeal he had. But he wanted to get off, though. So he pushed out at least two to three songs aday."Got My Mind Made Up" Featuring Dat Nigga Daz, Kurupt, Redman and Method ManProduced by Dat Nigga Daz
 
Kurupt: The original record was me, Rage, Redman, Method Man and Daz. I told Daz, "Man,this is the one, we need to drop this, we need to put this on Dogg Food." 'Cause we did itwhen we was making Dogg Food. When 'Pac came home, we put it up for 'Pac, like "Youwant this record?" 'Pac was like "Hell, yeah, I want that record!" And he dropped his versewhere Rage's was, 'cause Rage said she'd put her verse on something else, and that's how thatrecord made it on 'Pac's album. Me, Method Man and Redman and Daz and Rage-that was theoriginal record, and Inspectah Deck was on it at the end. That's him you hear at the end:"Wish....this....bliss...."Thaat's inspectah Deck. I went and picked up Red and Meth and Deck  personally and too them to Daz's house. We knocked the record off in about three, four hours.It was a done deal, and then we....we didn't use it, 'cause Daz wasn't feeling like mixing it anddoing all that. We end up taking it to 'Pac when 'Pac came 'cause Suge was like, "When it'stime to work on a project, everybody needs to give everything to whoever's project it is."Daz: We did that song at my house. Kurupt had brought Method Man and Redman over to myhouse. And Inspectah Deck was on the song too. He was at the end-"I.N.S., the rebel...." Justhis voice. They had taken his voice. They had taken his verse out and kept the background'cause it sounded good. It wasn't originally 2pac song. I had transferred it at Dr. Dre's houseand had left it out there. [2pac was] flossing like. "I got a beat with Method Man, Redman.Dre made it." That's what Dr. Dre told 2pac. That's how the whole fued started between Dreand 'Pac. 'Cause I happened to be walking by the studio like, "That's my beat. I did that." 2pac[was] like, "that's your stuff?" from that situation, that's when he and Dre started fueding. Dr.Dre was taking credit and wasn't doing nothing, wasn't coming around."California Love [RMX]" Featuring Dr. Dre and Roger Troutman Produced by Dr. DreTommy D: f##k it, I can say it: Dre really didn't want nothing to do with that record. He didn'tlike it at all that 2pac came to Death Row, which I thought was kind of interesting, 'cause Iremember he said, "That's it, I'm done with Death Row now that 2pac is here." I was like,"What the f##k!?" I mean, if you look at that album, he didn't do shit on "All Eyez On Me"except for "California Love," which basically was, ughhh, that was going to be his single for Aftermath, right? And Suge heard that shit and said, "f##k it," and rushed up to Dre's houseand made him put 2pac on there. So basically he lost his first single for Aftermath, and itended up being the first single for 2pac. Because the original version of that is three verseswith dre rapping on it. The only person who's got that original version is DJ Jam, Snoop's DJ.So basically Suge was like, "f##k it, we're putting 2pac on that shit, and this is going to be thesingle off the record..." that shit was dope. Suge ain't no dummy."Life Goes On" Produced by Johnny JJohnny J: We had people in sessions you want to call them street guys or hardcore, they weredeep into their thing-and they broke down in tears. I can't believe I saw that. [that record] justhad so many people emotionalDru Down: That was more on the serious tip. When they got serious about something, therewasn't too many people up in the studio. When a nigga wanna really be serious, 'Pac justdumped out all the weed on the mixing board-about four ounces of smoke-and was writing.And niggas had to be quiet. It was on the real low, quiet tip. That was a serious time."2 Of Amerikaz Most Wanted" Featuring Snoop Doggy Dogg Produced by Dat Nigga Daz
 
Dave Aron: We were in the studio and 'Pac was there, and Snoop was in there. In walks bigSuge, and this was before they did "2 of Amerikaz...." He's so big, and he walks up. Snoop'skinda talll, but he was very skinny. He grabs 'Pac with one arm, and he grabs Snoop with theother and pulls them both together, almost squeezing them into one. He's like, "I think youguys oughta do a song together. I think that'd be great." That was awesome to see how big hewas, and he put 'em both together like that. And they ended up doing that song.Daz: 'Pac was going to court. Snoop was going to court. There was a lot of chemistry betweenthem.Rick Clifford: 'Pac was very adamant that the album was spontaneous. Everything that youhear, everybody got one take. They couldn't go back and fix anything. 'Pac said that number one, hip-hop is different from R&B. If a guy can't get out and spit eight to 16 bars, he's notready yet. Then he said he loves the first take because there's a certain feel to it. He said if  people go back and try and fix it, they would start thinking about it, they would lose the feel,they would mess it up. So the only one who refused to get out there like that was Snoop.Snoop said he'd come back tomorrow and do it. I think Snoop went home and wrote his stuff,learned his stuff came in and knocked it off, first take. All Snoop said was, "Wait a minute.You ain't going to put me out on one take. I'll come back and do it tomorrow""How Do You Want It" Featuring K-Ci and JoJo Produced by Johnny JDave Aron: Danny Boy was originally on the hook. I already had it mixed. And at the lastminute. 'Pac wanted to put K-Ci and JoJo on it. Maybe that was a decision between him andSuge and whatever I don't know.K-Ci: One night we were sitting in the crib, and Suge Knight gave me a call, 'cause we realgood friends with Death Row family and everything. They asked us would we like to do asong with 'Pac, and we were like, "Hell Yeah, why not?" That's our boy. So we got in thestudio that same night, actually, that we got the phone call. Man, we were just tripping in thestudio, having fun. If y'all read between the lines, y'all know what we was doing up there.[We] had the girlies up in there, doing our thing. The song came out blazing. The funny partwas at first, when 'Pac was trying to sing it, trying to teach us how it go. I was like, "I seewhere you're trying to go, 'Pac, but it's not sounding too good." Anyway, then we heard himdoing his rhyme, and we're like, "Man, we got to rip this, because he came strong.""Ambitionz Az A Ridah" Produced by Dat Nigga DazKurupt: First day he came home, "Ambitionz Az A Ridah"-that was the first record that hedid. Suge brought him in. The word went through the office that 'Pac was home. Everybody[who was] at the studio at that time was up there. I came a little bit later, and when i came,Daz already had the beat started. 'Pac wasn't in the studio for any more than 45 minutes beforehe had his first verse done and laid. that fast. He didn't even wanna chill; all he wanted to dowas get on the mic. Whatever day he landed in Los Angeles, two hours after he landed, he hadhis first verse laid.Dave Aron: That's the first song I ever did with 2pac. The day he got out of jail, he didn't go tothe clubs. He didn't go try to meet women. He went straight to the studio like he was on amission, and he recorded "Ambitionz Az A Ridah" and "I ain't Mad At Cha." 2pac came in,
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