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Distribution of Knowledge
Conversations and Interviews Salzburg 2008
Iva Kovač & Nataša Tepavčević29
th
Youth Salon − Salon of the Revolution
 
1. Preface
Distribution of knowledge
5
2. East & West
 Detecting structure and issues to be dabated
9
First Conversation
17
3. Immaterial works of art
Outlines of the folowing topics
29
Second Conversation
33
4. Interview
53
Impressum
 
61
Contents
Iva Kovač & Nataša TepavčevićIva Kovač & Nataša TepavčevićIva Kovač & Nataša Tepavčević with Dan and Lia PerjovschiIva Kovač & Nataša TepavčevićIva Kovač & Nataša Tepavčević with Dan and Lia PerjovschiIva Kovač & Nataša Tepavčević with Gülsun Karamustafa
 
   1 .   P   R   E   F   A   C   E   4
1   .P R E F A  C E  5 
PrefaceDistribution of knowledge
Iva Kovač & Nataša TepavčevićThis work was conceived during the ∫rst week of the workshop ‘Ex-panded Drawing: From illustration to installation’ that was led byDan Perjovschi at the Summer Academy Salzburg. The conversationsstarted as a process of getting to know each other and continuedtrough attempts to de∫ne our positions. We haven’t really thoughtof ourselves as representatives of our nations, the ∫rst thing thatcomes to mind when you think of Croatian and Serbian artist work-ing together. After a couple of introductory ‘meetings’ we decided tostart documenting our conversations and use these as materials forthe later ‘piece’. In time we have exhausted themes we were both en-gaged with and needed to ∫nd the material over which the discussionswould be held. We have concluded it could be interesting to ask Danand Lia Perjovschi whose workshop we attended, as well as GülsunKaramustafa who led a parallel workshop, if they would like to talk tous about issues we believed were the common ground for all of us.The questions of the common discussions with the whole workshopgroup were dealing with different aspects of functioning as an artist(visibility of different groups of individuals who engage with arts) andwe wanted to raise speci∫c questions about the expectations imposedon the artists who come from the East. This issue is frequently dis-cussed throughout different artistic as well as theoretical practicesduring the period of the last ten to ∫fteen years. Knowing that, butstill being interested in what speci∫c artists thought of this issue, westarted our ∫rst talk about this theme.
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