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Captured, A Thesis by Serena Kuo

Captured, A Thesis by Serena Kuo



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Published by: scribblepop on Feb 20, 2009
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 A Thesis 
Presented in Partial Fulllment o the Requirements or the Degree o Master o Fine Arts in Digital Mediain the Department o Digital Media o The Rhode Island School o Design
 BySerena Kuo
Rhode Island School o Design2008Master’s Examination CommitteeApproved by:
Teri Rueb, Digital + Media Associate ProessorRhode Island School o Design, Primary Advisor John Terry, Dean o Fine ArtsRhode Island School o DesignAmy Kravitz, Film/Animation/Video ProessorRhode Island School o DesignDietrich NeumannProessor or the History o Modern Architecture and Urban Studies, Brown University Vincent Scully Visiting Proessor or the History o Architecture, Yale University Department o the History o Art and Architecture, Brown University 
by Serena Kuo is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States Liscense.
The word ‘shot’ can be reserved or xed spatialdeterminations, slices o space or distances in relationto the camera. […] It is then the sequence o shots which inherits the movement and the duration. Butsince this is not an adequately determinate notion, itis necessary to create more precise concepts to identiy the unities o movement and duration. […] From ourpoint o view or the movement, the notion o shot[plan] has sucient unity and extension i it is givenits ull projective, perspectival or temporal sense. Inact a unity is always that o an act which includes asmuch a multiplicity o passive or acted elements.
,as immobile spatial determinations, are perectly capable o being, in this sense, the multiplicity whichcorresponds to the unity 
o the shot 
, as mobile section ortemporal perspective. The unity will vary according to the multiplicity that it contains, but will be no lessthe unity o this correlative multiplicity.
1 Deleuze, Gilles.
Cinema 1: Movement-Image
. University o Minnesota Press, 1986. PP. 25-26

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