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Table Of Contents

Acknowledgment
Introduction:
Chapter 1: The musician
1.1 The Allan Holdsworth story
Chapter 2: The principles
2.1 Jazz in theory
2.2 The traditional concept of scales and chords
2.2.1 Basic structures in music
2.2.2 Playing chromatic
2.2.3 Playing modal
2.3 Holdsworths theoretical approach
2.3.1 His view on musical structures
2.3.2 Scales
2.3.3 Chords
2.3.4 Rhythm
2.4 Making a different sound:
2.4.1 Legato
2.4.2 Equipment
2.5 Videos and litterature
Chapter 3: The music
3.1 The objects of analysis:
3.2 Pud Wud
3.2.1 Sand
3.2.2 “Pud Wud”
3.2.3 Head
3.2.4 The solo
3.2.5 Summary
3.3 The Sixteen Men of Tain
3.3.1 A jazz album
3.3.2 The Sixteen Men of Tain
3.3.3 Head
3.3.4 The solo
3.3.5 Summary
3.4 Countdown
3.4.1 In an unfamiliar setting
3.4.2 The background and structure of Coltrane’s composition
3.4.3 Holdsworth’s Countdown
3.4.4 Intro
3.4.5 The second solo
3.4.6 The head
3.4.7 Summary
Chapter 4: Thoughts of review
4.1 Seeing the whole picture?
4.2 Sound
4.3 Harmony
4.4 Roots to the impressionism
4.4.1 Giving the music the appropriate context
4.4.2 Harmony
4.4.3 Chords, Melody and Rhythm
4.4.4 Putting it in perspective
4.5 Words of conclusion
Bilbliograpy
CD track list:
Appendix 1:
Appendix 2
Appendix 3:
Appendix 4:
Appendix 5:
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AllanxHoldsworthx-xReshapingxHarmony

AllanxHoldsworthx-xReshapingxHarmony

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Published by rwg1
Holdsworth Harmony
Holdsworth Harmony

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Published by: rwg1 on Feb 23, 2013
Copyright:Attribution Non-commercial

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07/16/2013

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