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Table Of Contents

1The sequel—a sign of a cautious industry: Scream 2
Early aesthetic approaches
Realist approaches
Bazin
Auteurs and genres
The institutionalization of film studies
Film as social practice
Film languages
Culture and language
Film as a signifying practice
The signifying systems
8A conventional three point set-up for high-key lighting
Reading the film
Suggestions for further work
Film narrative
The universality of story
The function of narrative
Structuralism and narrative
Codes and conventions
Genre
10Genres and stars: the key elements in movie posters
Structuralism, genre, and the western
Narrative and narration
Film audiences
Specifying the audience
Stars
The film experience
The film spectator and psychoanalysis
Audience identification
Desire and the image
Audiences, texts, and meanings
Film and national culture
A national cinema: the Australian revival
Ideology in the text
Issues in ideological analysis
Applications
Butch Cassidy and the Sundance Kid
Desperately Seeking Susan
Conclusion
References
Index
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Film as Social Practice

Film as Social Practice

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Published by Non-Public
Film as Social Practice
Graham Turner
Film as Social Practice
Graham Turner

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Categories:Types, Research
Published by: Non-Public on Feb 27, 2013
Copyright:Attribution Non-commercial

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09/18/2013

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