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Obikhod for SATB Voices

Obikhod for SATB Voices

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Published by Patricia Balzer
Troparion/Samoglas Guide - Obikhod Lvov-Bakhmetev- Settings for SATB Voices.
Troparion/Samoglas Guide - Obikhod Lvov-Bakhmetev- Settings for SATB Voices.

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Published by: Patricia Balzer on Mar 03, 2013
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03/03/2013

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his book is based on the current practice St. Vladimir’s Seminary in Crestwood, NewYork, and therefore, much of the Orthodox Church in America. I have used someterminology not commonly found in today’s liturgical language.A
Samoglas
tone is a melodic pattern that is used for a stikheron. This is used for theopening psalm and stikhira or verses of Psalm 140 at vespers (“Lord, I call…”), for theapostikha, certain hymns,
 sidalen
, antiphons and the praises used at matins. Generally, if a text consists of a verse followed by a psalm verse and another verse and is not a prokeimenon, it will use the
Samohlas
tone. This is the current practice. Keep in thatthis is done as a convenience at the expensive of not using the appointed
 sidalen
 Troparion melodies, the
 Bulgarski
tones,
Samopodnij
, and other tones that exist for special purposes. Also the
Samoglas
Psalm tone has been left out that would be are sung between the verses have a related tone.The Troparion tone is used for both troparia and kontakia. This tone is also often usedfor Hypokoe hymns at matins, and for 
God is the Lord 
.
This and other free liturgical settings and music are available from Unmercenary Sacred  Music at 
http://unmercenary.com/index.html.Version 2.0 (20020723)
T
 
===================== &b
Troparion/KontakionPhrase 1
Ï_ÈÈÈÈöÇÇÇÇúÈÈÈÈúÇÇÇÇúÈÈÈÈúÇÇÇÇÏÈÈÈÈöÇÇÇÇWW
TONE ONE
öÇÇÇÇÏÈÈÈÈöÇÇÇÇÏÈÈÈÈöÇÇÇÇÏÈÈÈÈúÈÈÈÈúÈÈÈÈww
Phrase 2
ÏÈÈÈÈöÇÇÇÇWW öÇÇÇÇÏÈÈÈÈúÇÇÇÇúÈÈÈÈww_===================== ?b
Samoglas
ÏÈÈÈÈöÇÇÇÇúÈÈÈÈúÇÇÇÇúÈÈÈÈú_ÇÇÇÇöÇÇÇÇÏÈÈÈÈWWöÇÇÇÇÏÈÈÈÈÏÈÈÈÈöÇÇÇÇö_ÇÇÇÇÏÈÈÈÈú_ÇÇÇÇúÈÈÈÈw_wÏÈÈÈÈö_ÇÇÇÇWW_ÏÈÈÈÈö_ÇÇÇÇúÈÈÈÈúÇÇÇÇwwllllllllllÓÓÓÓÓ===================== &b
Phrase 1
öÇÇÇÇÏÈÈÈÈúÈÈÈÈúÇÇÇÇWWÏÈÈÈÈöÇÇÇÇÏÈÈÈÈöÇÇÇÇww
Phrase 2
WWúÈÈÈÈúÇÇÇÇúÈÈÈÈúÇÇÇÇúÈÈÈÈúÇÇÇÇ===================== ?bö_ÇÇÇÇÏÈÈÈÈú_ÇÇÇÇúÈÈÈÈWW_ ö_ÇÇÇÇÏÈÈÈÈö_ÇÇÇÇÏÈÈÈÈww_WW_ ú_ÇÇÇÇúÈÈÈÈú_ÇÇÇÇúÈÈÈÈúÈÈÈÈú_ÇÇÇÇlllllllllllllll===================== &b
Phrase 3
öÇÇÇÇÏÈÈÈÈúÇÇÇÇúÈÈÈÈWWöÇÇÇÇÏÈÈÈÈúÈÈÈÈúÇÇÇÇúÈÈÈÈúÇÇÇÇ
Phrase 4
WWúÈÈÈÈúÇÇÇÇúÈÈÈÈúÇÇÇÇúÈÈÈÈúÇÇÇÇúÈÈÈÈúÇÇÇÇúÈÈÈÈúÇÇÇÇ===================== ?b
Termination
ö_ÇÇÇÇÏÈÈÈÈú_ÇÇÇÇúÈÈÈÈW_Wö_ÇÇÇÇú_ÇÇÇÇÏÈÈÈÈúÈÈÈÈú_ÇÇÇÇúÈÈÈÈWW_úÈÈÈÈú_ÇÇÇÇúÈÈÈÈú_ÇÇÇÇúÈÈÈÈú_ÇÇÇÇúÈÈÈÈú_ÇÇÇÇúÈÈÈÈú_ÇÇÇÇlllllllllllllll=========== &b WWúÇÇÇÇúÈÈÈÈúÇÇÇÇúÈÈÈÈww=========== ?bW_Wú_ÇÇÇÇúÈÈÈÈ# ú_ÇÇÇÇúÈÈÈÈÈÈÈúwwlllllÓÓÓÓÓ

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