Science Center, the mushrooming population, the cultural energy of its many large (and for themost part relatively amicable) ethnic minorities.Quite a few cities (Atlanta, Miami, Denver, Seattle) can make similar Chamber of Commerce orTourist Board boasts. And indeed the established giants--New York, Chicago, Los Angeles--arebeginning to see their lunches being eaten by the new-tech upstarts. They are rightly threatenedby the wave of major corporate relocations to the sunbelt and the former Empty Quarter.But this would only be an argument for Dallas as a place to work, not a place to live. After all,Dallas has no mountains, no ocean, no forests, no river to speak of, very little history (and someof it gruesome), almost no literary publishing industry, and a climate that tops 100 degrees forseveral weeks during the summer; and it is at least a day's car journey to anyplace that wouldcount as a major tourist attraction. Everything that would make Dallas a good place to live hashad to be imported and paid for, or invented
in situ
. And this, in fact, is the beginning of ananswer to my solicitous New Acquaintance.For to our doleful little list of things Dallas doesn't have, one can add a number of moral evilsthat are strangely lacking or scarce in my city. Dallas has very little of the corrosive envy thatpoisons the air of New York (I except a few academics who are trying to escape to a morepessimist environment). If you live in New York and do not leave it, you can have no idea of theamazing liberation and lightness of being you feel when you get out of its culture of envy, thatdark miasma of resentment that creeps across the upper East and West Sides and the Village onan autumn day. Dallas is also remarkably free of the snobbery that paralyses Boston, and theclass hatreds of London. It lacks the totalitarian liberal guilt of politically-correct Berkeley, AnnArbor, New Haven, Madison-Wisconsin, and Hollywood, and the kneejerk partisan paranoia of Washington, D.C.. Above all, Dallas possesses none of the subtle and pervasive sense of culturaldespair that one finds in almost every Northern and Eastern city (a Texan often feels in New York as if he were made of a denser reality than the waterish stuff around him, as if he could put hishand, like Superman, through the walls)--a feeling of despair one even encounters, in a differentform, in the far West. That sense of cultural despair I have privately christened the "Casablancasyndrome"--everything has been going to the dogs since Bogey said goodbye to Ingrid by theairplane, and
real
civilization won't return until we get back Paris, Gauloises, Marxist politicalintegrity, trenchcoats, abstract art, proper coffee, classy novelistic adultery in the afternoon, Jazz,Hemingway, and protest poetry.Underneath this attitude is a deep hatred of business and technology, a convulsive rejection of thefuture, and a perpetual adolescent desire to escape responsibility. Though Dallas does have itsown small share of this, for the most part Dallas is a city of hope--or as David Byrne of theTalking Heads put it in
True Stories
, his remarkable movie about Dallas, Dallas is the city of
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