Moments in Mosques
One of the roles played by mosques is as a pit stop for travelers, fulfilling spiritual as wellas physiological needs. But then, each mosque has its own story to tell. Either the story of the builder, the community, or the era it hails form. As such, it is possible for ‘normal’mosques to be the destination itself. ‘Normal’ in the sense that it is not prescribed as aholy site in Islam.A quirky itinerary brought me travelling to six mosques in Penang, Perak and Singaporewithin five days. The mosques are; Tanjung Bungah Floating Mosque in Penang, MasjidUbudiah in Kuala Kangsar, Bencoleen Mosque, Masjid Khadijah, Masjid Abdul Ghafoor,and Masjid Sultan in Singapore.
Syukur & Nazar
The northern pair of Tanjung Bungah Floating Mosque and Masjid Ubudiah speaks of gratitude although in a slightly different manner. The 2004 tsunami reached the shore of Penang and Tanjung Bungah is one of the hardest hit areas. Miraculously, the mosque isspared from the wrecking wave that swept the surrounding area.The floating mosque is built not far from the original mosque as well as theaccompanying new settlement for tsunami victims beside it. The gratitude expressed isnot only for those who live on nearby but also recounting the blessings that Malaysia islargely free from devastating disasters.As for Masjid Ubudiah, it is a product of the nazar made by Almarhum Sultan Idris of Perak. He vowed to build a mosque in Bukit Chandan, Kuala Kangsar once he is curedfrom maladies. The construction was hampered when a pair of elephants clashed at theconstruction site, ruining the imported Italian marbles. In the end, the mosque iscompleted a year too late when Almarhum Sultan Idris passed away in 1916.
Islamic Identity?
Masjid Ubudiah & Masjid Sultan is an interesting study of how colonial architects shaped‘Islamic’ architecture in both our physical and psychological landscape. By adapting‘Moorish’ & ‘Saracen’ image, it lends to the image ‘Arabization’ of Islam in this regionrather than imbuing the traits of Malay, Chinese, and Indian Muslim community.Masjid Sultan in Muscat St., Singapore originally sports the traditional two-tiered pyramidal roof. The watercolor painting by John Thomson in 1846 shows that theoriginal mosque even incorporates Chinese influences. It is the 1925 design by DenisSantry of Swan & MacLaren that plants a foreign design in the heart of SingaporeMuslim community.
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