qIntroduction
qSound and Its Notation
qPitch Intervals, Consonance, and
qTonality
q Pulse, Rhythm, and Meter
qThe Basics of 4-Part Writing
q Basic Harmonic Grammar
qContrapuntal Progressions and Voice-
qMelodic Figuration
q Rhythmic Figuration
qDiatonic Seventh Chords
qHarmonic Tonicization and Modulation
qHarmonizing a Melody
qMotive, Phrase, and Melody
qChromatic Voice Leading to V
qOther Chromatic Voice-Leading Chords
qTowards Analysis
qAppendices
qWhat is Common Practice and what is "Tonal"?
qWhy "Composition" and Not "Theory"?
q Why Study Common-Practice Tonality in the First Place?
qPitch Notation
rThe Note
rTHE STAFF
r PITCH INTERVALS
qTHE KEYBOARD
rHalf Steps and Whole Steps
rThe White Keys
rEnharmonic Equivalence.
q CL E F S
qThe Horizontal and the Vertical
qTimbral Notation
rThe Score
rDynamics
rArticulation
qMeasurement of Pitch Intervals
rThe Ordinal or Diatonic Size
r The Absolute Size
rTHE DIATONIC QUALITIES
rTHE CHROMATIC QUALITIES
rSIMPLE AND COMPOUND INTERVALS
q CONSONANCE AND DISSONANCE
rTHE PERFECT CONSONANCES
r THE IMPERFECT CONSONANCES
r THE TRIAD
q DISSONANCE AND CONSONANCE
qENHARMONIC EQUIVALENCE
qDISSONANCE RELATED TO THE TRIAD
rThe Note Tree
r The Rest Tree
rTies
rDotted Notes and Rests
rTuplets
qRhythmic Organization
rPatterning
r The Pulse
rTempo
rMeter
rAccents
qMetrical Notation
rMETER SIGNATURES
rTHE TYPES OF METER
q RHYTHM, METER, AND TONALITY
r Rhythm and Dissonance
rPASSING AND NEIGHBORING NOTES
rRHYTHMIC DISPLACEMENT
r THE PERIOD
sAntecedent.
sConsequent.
rTHE SENTENCE
sStatement.
sContinuation.
sDissolution.
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