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MUS 201: Table of Contents
COMMON-PRACTICE TONALITY:
A Handbook for Composition and
Analysis
TABLE
of
CONTENTS

qIntroduction
qSound and Its Notation
qPitch Intervals, Consonance, and

Dissonance

qTonality
q Pulse, Rhythm, and Meter
qThe Basics of 4-Part Writing
q Basic Harmonic Grammar
qContrapuntal Progressions and Voice-

Leading Harmonies
qScale-Degree Triads in Context
qThe Minor Mode

qMelodic Figuration
q Rhythmic Figuration
qDiatonic Seventh Chords
qHarmonic Tonicization and Modulation
qHarmonizing a Melody
qMotive, Phrase, and Melody

qDiatonic Sequences
qModal Mixture

qChromatic Voice Leading to V
qOther Chromatic Voice-Leading Chords
qTowards Analysis
qAppendices

INTRODUCTION

qWhat is Common Practice and what is "Tonal"?
qWhy "Composition" and Not "Theory"?
q Why Study Common-Practice Tonality in the First Place?

[top]
SOUND AND ITS NOTATION
q What is sound, pitch, noise, and timbre?
q Distinguishing One Sound from Another

qPitch Notation
rThe Note
rTHE STAFF
r PITCH INTERVALS

qThe Hamonic Series, Pitch Class & Octave Perception

qTHE KEYBOARD
rHalf Steps and Whole Steps
rThe White Keys

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MUS 201: Table of Contents
r The Black Keys.

rEnharmonic Equivalence.
q CL E F S
qThe Horizontal and the Vertical
qTimbral Notation

rThe Score
rDynamics
rArticulation

qSummary
[top]
PITCH INTERVAL, CONSONANCE, AND DISSONANCE

qMeasurement of Pitch Intervals
rThe Ordinal or Diatonic Size
r The Absolute Size
rTHE DIATONIC QUALITIES
rTHE CHROMATIC QUALITIES
rSIMPLE AND COMPOUND INTERVALS

qInverting Pitch Intervals
q The Acoustical Foundations of Consonance and Dissonance

q CONSONANCE AND DISSONANCE
rTHE PERFECT CONSONANCES
r THE IMPERFECT CONSONANCES
r THE TRIAD

q DISSONANCE AND CONSONANCE
qENHARMONIC EQUIVALENCE
qDISSONANCE RELATED TO THE TRIAD

rDISSONANCE COMPELLED TO MOTION
rTHE PASSING NATURE OF DISSONANCE
q S U M M A RY
[top]
PULSE RHYTHM & METER
q Rhythmic Notation
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MUS 201: Table of Contents

rThe Note Tree
r The Rest Tree
rTies
rDotted Notes and Rests
rTuplets

qRhythmic Organization
rPatterning
r The Pulse
rTempo
rMeter
rAccents

qRhythm and Meter

qMetrical Notation
rMETER SIGNATURES
rTHE TYPES OF METER

sSIMPLE METER
s COMPOUND METERS

q RHYTHM, METER, AND TONALITY
r Rhythm and Dissonance
rPASSING AND NEIGHBORING NOTES
rRHYTHMIC DISPLACEMENT

sThe Anticipation.
sThe Suspension.
qPhrase Structure

r THE PERIOD
sAntecedent.
sConsequent.

rTHE SENTENCE
sStatement.
sContinuation.
sDissolution.

q S U M M A RY
[top]
TONALITY
qCOLLECTIONS, MODES, AND SCALES
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