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THE REEL WORLD
Issue 2- March 2009 
THE ONLY
 
FILM AND TV NEWSLETTER WITH NO CRITERIA OR METHOD!
 Welcome back!
It’s so nice to see you back with us for Issue Two. This month feature
s a carnivorousplant, a defective detective, a John Carpenter favourite, a droog and a deeper lookinto the history and recent revival of the musical.Keep the suggestions coming, they are very helpful.Keep it Reel!
Suggestions, comments...all arewelcome!
 
STAFFOK, so I
am
the staff! It’s just me,
editor extraordinaire, Catherine. Byday an inconspicuous clericalassistant for an insurance companybut in my spare time...a total moviegeek. Horror, sci-fi, comedy,
western, action, I’ll watch almost
anything. Critics are all well andgood but nothing is better than yourown opinion.
Films of the Month
The Little Shop of Horrors
Pleasantville
Spotlight -Malcolm McDowell
The Man
The Films
TV Treasury
Monk
Focus Episode -Mr Monk and the Actor
Genre Focus
The Musical
Delve into DVD
Big Trouble in Little China
Saw: Special Edition
 
 
FILMS OF THE MONTH
Seymour works in a florists
. He’s down on his luck,
desperate to get out of Skid Row and confess his love to Audrey, hisco-worker and friend. One day he finds a very unusual plant anddecides it might be a useful addition to the shop. Suddenly, businessis booming. Everyone wants to see this strange and interesting plant.
But the ‘Audrey II’ is much more than it seems…
 Little Shop of Horrors was originally conceived in 1960when the original black and white film was released. This versionwas much darker and more disjointed, it is pretty badly dated nowtoo and has little resemblance to this remake. This film is based onthe Off-Broadway stage production with some tweaks here andthere. Ellen Greene (Audrey) is the only member of the show toreprise her role in the film. Some of the songs have been removedfor the film for time reasons and some (most notably Mean GreenMother From Outer Space) have been added. Alan Menken is themaster behind these songs, known mostly for doing Disney films likeAladdin, The Lion King and Hercules, he adds a great humour to thelyrics.The cast are excellent, very comfortable in the charactersand they can overact without it seeming stupid. Steve Martin ishilarious and really plays up his solo, Dentist. Among the main castare a slew of cameos from popular actors of the time and they arestill recognisable today: Bill Murray, John Candy, Jim Belushi,
Christopher Guest…
a lot of Saturday Night Live talent.One of the main things that was changed from the originalstage show was the ending.
*SPOILERS*
Originally, Audrey wassupposed to get eaten by Audrey II as was Seymour. This led toTwoey taking over the world (as suggested in the final version) withhundreds of other plants. Test audiences did not respond well to thisdown ending and so Frank Oz decided to give us a happy ending (if with a slight twist).
*END OF SPOILERS*
When the DVD was firstreleased, it included the alternate ending as a feature. It was pulledby producer, David Geffen, as he wanted to re-release the entire filmwith this ending. However, not long after, the original footage wasdestroyed and all that remains is a black and white copy. Parts of thecolour ending can be found on the outtakes on the DVD and somewebsites like YouTube have the entire ending including the song
Don’t F
eed the Plants (still included on the soundtrack).Overall, this is one of your more unusual musicals but stillan excellent one. It is shot in a way that it makes you feel like you arewatching a stage production. The puppeteering of Audrey II is stillremarkable and the songs very catchy. Some parts may be a bit toointense for youngsters but it is good fun for all the family.
Director: Frank OzWriter: Howard Ashman, Charles GriffithCast
 
Seymour
Rick Moranis
Audrey
Ellen Greene
Audrey II
Levi Stubbs
Mr Mushnik
Vincent Gardenia
“Wait for me, Audrey. This is 
between me and the 
vegetable” 
 -Seymour 
 
 
FILMS OF THE MONTH
Director: Gary RossWriter: Gary RossCast
 
David
Tobey Maguire
Jennifer
Reese Witherspoon
George
William H. Macy
Betty
Joan Allen
Bill Johnson
Jeff Daniels
“Fire!...FIRE!...Cat?”
 -David
David loves Pleasantville. He watches this 50’s TV show
religiously and knows everything about it. When the TV set shorts out,a TV repairman offers him and his sister, Jennifer, another control
with more ‘oomph’. As they fight over what to watch, they suddenly
get transported into Pleasantville. Colour becomes black and whiteand David and Jennifer become Bud and Mary-Sue, the leads in theshow. But they soon realise that Pleasantville really is a world apart.What could have been a very ordinary family film has beenincredibly well thought through and decides to tackle some issuesalong the way while not detracting from the story or characters. Thisfilm is every geeks dream. Being able to live your favourite TV show isa dream come true for David and so it is easy to relate to him.Interestingly, Mary-Sue is also a term used within fan-fiction when afemale writes herself into the story.
It’s entertaining to see the 50’s meet the 90’s and how things
are different and how disconnected Pleasantville really is. But the filmgets really interesting when the two begin to meld. David andJennife
r’s actions affect the town and it begins to turn colour. Soon
enough, whole people are becoming colour, whenever theyexperience a new emotion. Cleverly incorporated into this is theproblem of racial discrimination. Seeing as how race was still adominan
t issue in the 50’s it plays very realistically within the film to
great effect. The black and white people begin to turn against thecoloured people and they start to get outcast and sent into hiding.Rules are passed by the governing bodies to keep everyone in line,places get vandalised. Gary Ross has stated that To Kill a Mockingbirdwas an influence on this film and that can clearly be seen in one of thefinal s
cenes where the black and whites and coloured’s are separated
within the courthouse.The casting is great, all of them very strong performers withgreat history. They all manage to convey so much without reallysaying anything. The relationships between Betty, George and Bill is
very well played out because it’s never really focused on as beingscandalous, it’s just the way it is. The ending is interesting because it
is left open ended: is she still seeing Bill, is she having an affair? Itshows that this
new Pleasantville is full of questions, it’s not straight
forward
 
anymore.
It’s a wonderful film because it is funny, exciting,enlightening and important all at the same time. It doesn’t bog you
down with the racial idea, you could still enjoy it without even
thinking about it, it doesn’t get in the way of the overall story. Highly
recommended.
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