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Continuing legacy of Sarasvati hieroglyphson ancient coins of Hindusthan
Indus script as a writing system uses hieroglyphs.http://sites.google.com/site/kalyan97/indus-script These are called Sarasvati hieroglyphs in the context of the finds of about 80% of thearchaeological sites of the civilization on the river basin of Vedic River Sarasvati.Separate monograph and powerpoint presentation explain the function and meanings of the hieroglyphs in mleccha (cognate: meluhha),
lingua franca
related to the repertoire of mine workers and smiths. The same tradition of mlecchita vikalpa (cryptographic writingby mleccha artisans) continues in the devices punched on early punch-marked coins andcast into ancient coinage of Hindusthan. The region referred to as mleccha in ancienttexts is coterminus with the findspots of early ancient coinage of Hindusthan in anextensive area spanning from Gandhara to Anuradhapura, from Saurashtra to Magadha oras Alexander Cunningham noted, from Himalayas to Cape Comorin.This monograph compares the symbols used on early coinage of Hindusthan with theSarasvati hieroglyphs, consistent with the tradition of khanaka, miners and kamar, smiths.In Gypsy language, kaulo mengro means ‘blacksmith’. This is represented rebus by acrocodile holding a fish in its jaws [(magar ‘crocodile’ (Santali); kolli ‘fish’ (Te.)]. InTamil, kol means ‘alloy of five metals, pancaloha’. This word is represented rebus onSarasvati hieroglyphs by a tiger; kolom ‘rice plant’ rebus: kolami ‘smithy’; as are thehieroglyph pictorials related to metallurgy such as: elephant, crocodile, tiger, antelope,markhor, ibex, hare, scorpion, snake, zebu, tree, bow-and-arrow, leaf (ficus), mountain-summit, sun’s rays, nave of wheel and spokes, svastika, dotted circle, sprout, rice plant,dance-step, chain, rim of jar, rimless pot.Most of the symbols employed on ancient coins are traceable to the Sarasvati hieroglyphswhich are composed of pictorial motifs and unambiguous glyptic signs.All the hieroglyphs relate to one category: repertoire of miners’ and smiths’: minerals,metals, alloys, furnaces. The sacredness associated with the glyphs is apparent from onelexeme of Kota language: kol.el This word means: smithy, temple. The smithy in whichthe artisans work becomes a temple, a sacred workspace. The veneration of ancestorsevidenced by the Mohenjodaro stupa and citadel mounds on many sites continues into thehistorical periods, together with the evolution of mints. The word for a mint is: kampa
ṭṭ
a(Ma.). The hieroglyph which shows this rebus is: 1. person seated in penance; kama
ḍ
ha‘penance’ (Pkt.); kama
ṛ
kom ‘ficus’ (Santali)The evidence for continuity of cultural markers of the civilization is reinforced on thesymbols used on ancient coinage of Hindusthan, even when the scripts of Kharoshthi andBrahmi were employed to write the names of the rulers who issued the coins. The
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