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Table Of Contents

Introduction: Deleuze’s Cinematographic Consciousness
Ciné-system
Movement: the Movement-image
Frame, Shot and Cut
Montage
Perception
Transsemiotics
Signs (Vector)
Conclusion: Cinematographic Ethics
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Colman-Deleuze and Cinema

Colman-Deleuze and Cinema

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Published by leandro lelis

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Published by: leandro lelis on Mar 13, 2013
Copyright:Attribution Non-commercial

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07/02/2013

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