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to Learn How to Make Earrings: Designs and Instructions for Handmade Earrings
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Contents
Hydrangea Earrings
Techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAGE 13
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to Learn How to Make Earrings: Designs and Instructions for Handmade Earrings
editor, beadingdaily JENNIFER VANBENSCHOTEN
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project
2 jump rings 2 earring wires 93 size 11 seed beads 18 size 6 seed beads 2 faceted 75mm barrel beads FireLine
Materials
Tools
Techniques
tie one end to a jump ring, using a surgeons knot. Dab jewelry glue on the knot. Thread the needle on the other end of the FireLine.
size 6 seed bead, 1 barrel bead, and 1 size 11 seed bead. Skipping the last size 11 stitched, bring the thread back through the barrel bead, 1 size 6 seed bead, and 1 size 11 seed bead. This is the core of your fringe.
The cool blue beads paired with the warm, deep browns bring this inspiration to life.
and 1 size 11. Skipping the last bead strung, come back through the size 6, 5 size 11s, and the next size 11 of the core. Repeat until you have 7 rows. Exit the last size 11 of the core. ring, 1 seed bead, and tie a halfhitch knot. Stitch down through 2 more size 11s and tie another halfhitch knot. Stitch down and exit through a size 6 bead. Snip off excess FireLine. Attach the jump ring to the ear wire. the matching earring.
TERRI WLASCHIN lives in Rockville, Maryland and sells her jewelry primarily through home-based shows and craft shows. Her work has been featured several times in Creative Jewelry. Terri can be reached via e-mail at starseedjewelry@aol.com. See more of her work on Etsy at star seedjewelry.etsy.com.
Resources
Check your local bead shop.
More wonderful beadwork projects are available at interweavestore.com 2011 Interweave Press LLC. Not to be reprinted. All rights reserved.
page 1
project
40 bicone 4mm crystals .5 g size 15 Japanese seed beads FireLine 6lb test 1 pair French ear wires
Materials
Tools
Netting
length of Fireline, leaving an 8 tail. String the inside of the medallion as follows for a total of 12 beads: 1 size 11 seed, 1 crystal, 1 seed, 1 crystal, 1 seed, 1 crystal, 1 seed, 1 crystal, 1 seed, 1 crystal, 1 seed, 1 crystal (Figure 1).
1 2 3 4 5 6 7 8 9 10 11 12
Figure 1
Figure 1
2 3
1
1 2 12
2
3
Jim Lawson
12 11 10
These crystal sunbursts can be made in any color combo you choose. Just mix your favorite color of bicones with contrasting or matching seed beads. This easy, but beautiful design begs to be repeated again and again!
Figure 2
Figure 3
1 12
1 12 11 10 9 2 3 4 5
3
51
4
44 3 13 14
12
15 16
11 10
8 7
5 6
37
11 10
23
9
Figure 2
Figure 4
7
30 Figure 5
Figure 2
More wonderful beadwork projects are available at interweavestore.com 2011 Interweave Press LLC. Not to be reprinted. All rights reserved.
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Figure
seeds, skip the next crystal in the circle and pass through the seed bead 5 (Figure 3). repeating the bead pattern in Step 3, passing through the seed beads 7, 9, 11, 1 and exiting bead 3 (Figure 4). and crystal, beads 13-16. String 1 seed, 1 crystal, 1 seed and pass through the next crystal, bead 23 (Figure 5).
cle of beads created in Steps 5 and 6 to tighten the circle, exiting crystal bead 51. Do not pull too snug or the shape will cup. Knot the working thread to existing thread between beads in several half hitches, but do not cut the thread.
3 3 4 4 5 5 6 6 7 7
and tie off using half-hitch knots. Trim. Thread a needle on the tail and weave that into the beads; trim. open the loop on an ear wire. Slip the loop of the ear wire through the loop of seeds at the top of the medallion. Close the loop of the ear 3 3 wire. Repeat Steps 112 to make a second earring. 4 4
5 5 6 6
repeating the bead pattern in Step 5, passing through beads 30, 37, 44, 51, and exiting bead (crystal) 16 (Figure 6).
6 7 8 9 10
seed, 1 crystal, 1 seed and pass back Figure 1 Figure 1 through bead 51 (Figure 7). Reinforce, passing pass back through the 1 1 3 beads11 just22 added, 3 beads 52-56, and continue through44beads 52, 5312 and 12 12 12 54.
11 11 5 5 11 11
2 2
PILAR BURG is an active member of the Iowa Bead Society and lives in Iowa, where she
7 7 8 8 works as a computer programmer. She can be
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through 54. Repeat through99 9 7 9 bead 7 8 8 the loop of beads again including 12 bead 54 to reinforce (Figure 8).
Figure Figure2 2 Figure Figure3 3
reached at pilar.burg@q.com
51 51 15 14 1415 13 13 3 3
1 12 11 10 9
Figure 3
3 4 5 6
12 12 11 11 10 10
1 1
2 2
3 3 4 4 5 5 6 6
44 44
16 16
9 9
8 8
7 7
37 37
23 23
7
Figure 4
Figure Figure4 4
Figure 5
Figure Figure5 5
30 30
Figure 3
51
51
44 16
54 55 53 52
54 55 56 51 53 52
3 4
37
44
15 13 14
56
1651
5 6 7
Figure 6
30
23
37
Figure 7
23
Figure 8
Figure 5
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project
figure 8 earrings
LESLIE ROGALSKI
14 black 3mm cubes 18 size 8 matte pewter seed beads 24 matte black size 11 seed beads 2 thin gauge head pins 2" long Ear wires Black beading thread Needle
Materials
Tools
string 1 size 11, 1 size 8 and 1 cube, leaving a 3" tail. String 2 size 8s and 1 cube four times. String 1 size 8 and one 11. Pass back through the size 8 and cube (Figure 1).
Figure 1
Pass through the third cube strung in Step 1, the middle cube (Figure 2).
Figure 2
This fast and easy pair of earrings is inspired by the netting technique and color palette used in the Egyptian Collar by Adrienne Gaskell (from the November-December 2008 issue of Step by Step Beads).
Pass through the first cube and size 8 strung. Tie the working thread and the tail in a secure square knot between the size 8 and the size 11. Your shape should look like a slim figure 8 with one cube at its waist and extended tips (Figure 3).
More wonderful beadwork projects are available at interweavestore.com 2011 Interweave Press LLC. Not to be reprinted. All rights reserved.
page 4
Step 5: Pass one head pin carefully through one of the tip
Figure 3
size 11 beads, a size 8 and the cube. Use your fingers to turn the tip size 11 bead so the pin can pass straight through it into the other beads. As the head pin emerges from the cube into the space between the sides of the shape, string 5 size 11 beads. Pass through the waist cube. String 5 more size 11s. Pass through the top cube, size 8, and tip size 11 bead (Figure 5).
Step 4: Weave the working thread and tail back into the
beads to the middle cube and trim. You will need to rethread the tail on a new needle (Figure 4).
Figure 5
Figure 4
head of the pin, to squash the figure 8 into a rounder shape. Holding the beads in place, use your round nose pliers to make a small wrapped loop above the size 11 to secure the beads in that squashed shape.
it! (Make a second earring, naturally.) Try varying other beads in lieu of the cubes.
project
Frank DeSantis
These earrings are fun to make and can be a wonderful seasonal addition to your wardrobe. The basic branch design shown is a great technique for adding fringe to your work.
More wonderful beadwork projects are available at interweavestore.com 2011 Interweave Press LLC. Not to be reprinted. All rights reserved.
page 6
mend Little Fiskars scissors for cutting Fireline because of their unique ability to cut this product cleanly. Thread your needle to the center of the thread to work with a doubled thread. If using Nymo, run the thread twice over the beeswax. Pass the needle through a jump ring and tie a square knot, leaving a 6 thread tail.
Pick up 7 size 11s. Skip the last 3 beads then sew back through the next 2. Pick up 5 size 11s. Skip the last 3 size 11s, sew back through the next 2, then through the first 2 of the branch. Sew back up through the next 2 of the main stem, toward the jump ring.
8 leaf-shaped beads, drilled lengthwise 4 size 8 seed beads Size 11 seed beads, about a teaspoonful FireLine/4lb, or Nymo D thread 2 soldered round jump rings, 4.5mm, or 2 small oval jump rings 1 pair of ear wires G-S Hypo Cement
Materials
Pick up 1 size 8 bead, 1 leaf, 1 size 8, 14 size 11s, 1 leaf, and 3 size 11s. Slide all the beads up against the knot at the jump ring. Skip the last 3 beads (the 3 nearest to the needle) and sew back through the leaf and 2 size 11s just above the leaf. Note: Sew back through means to pass the needle and thread again through the indicated beads, in the opposite direction to the first pass. Exit between bead 13 and bead 12. Tighten up the work. The main key to success with making branches lies in keeping a firm, even tension (Figure 1).
bead 10. Tighten up the work. Repeat Step 3 three more times, each time ending by passing up through the next 2 beads on the main stem. Tighten the work each time and finally exit between beads 5 and 4 (Figure 2).
Tools
Fringe Stringing
Techniques
Pick up 4 size 11s, 1 leaf, and 3 size 11s. Skip the last 3 size 11s then sew back through the leaf and 2 size 11s. Pick up 5 size 11s. Skip the last 3 size 11s, sew back through the next 2, then the first 2 of this branch, and finally up through the next 2 on the main stem.
bead 2. Tighten the work. Repeat Step 5 but pass through only 1 bead on the main stem, exiting between bead 2 and bead 1 (Figure 3).
last 3, sew back through the next 2 on this branch, then up into the
Figure 1
Figure 2
Figure 3
main stem through the last 11, the size 8, the leaf, and the top size 8. Pass through the jump ring and tie a square knot with the thread tail. Cut the threads even, leaving 6" tails (Figure 4).
Step 8: Thread the needle with
PAT WEXELBLAT is a former English country dance/New England contra dance musician, machine knitter, and wood turner. She has three adult children and is married to her best friend who is also a mentor, advocate, and enabler. Shes doing what she loves best and having the time of her life!
both tails. Sew down through the top size 8 and the leaf. Make a half-hitch knot around the threads between the leaf and the second size 8, then continue down through the size 8 and several of the main stem beads to hide the thread ends. Put a tiny dot of glue on the knots and allow to dry. Trim thread close to beads, being careful not to cut into your work (Figure 5).
wires, flip one of the earrings over from left to right, so that it becomes a mirror image of the other one.
Figure 4
Figure 5
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More wonderful beadwork projects are available at interweavestore.com 2011 Interweave Press LLC. Not to be reprinted. All rights reserved.
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project
hydrangea earrings
KELLI BURNS
Kelli wanted to use marguerites for a simple project she could teach her clients. The sparkle of the flower-shaped crystals and transparent seed beads make these a pair of earrings youll want in every color.
A rtist s T ip
Do not pull your thread too hard; the marguerites may fray or even cut the thread.
More wonderful beadwork projects are available at interweavestore.com 2011 Interweave Press LLC. Not to be reprinted. All rights reserved.
page 9
string 6 green seed beads; pass through them again to form a circle. Large leaves. String 12 green; pass back through the fourth and fifth beads to form a loop. String 8 green and pass back through the second and first beads to form a loop (Figure 1). Small leaves. String 10 green; pass back through the fifth and sixth beads. String 6 green; pass back through the second and first beads to form a loop (Figure 2). Repeat to make a second set of large and small leaves (or for the desired length). End the vine with a set of large leaves, then string 4 green and pass back through the first 3 beads to form a fringe, exiting between the last set of leaves (Figure 3).
1 rose seed bead; pull snug and pass back through the crystal. Repeat three times to form a cluster of four flowers. Pass through the first crystal and seed bead again to tighten the cluster. Pass back through the next 4 green to exit between the next set of leaves (Figure 4). Repeat four times for a total of five flower clusters. Use the pliers to twist the ear-wire loop open and attach it to the seed bead loop at the start of the vine. Repeat all steps for a second earring.
1 g rose size 15 Japanese seed beads 4 g transparent green size 11 Czech seed beads 40 rose 6mm marguerite crystals 2 sterling silver French ear wires 6 lb braided beading thread
Materials
Tools
Leaf fringe
KELLI BURNS owns and teaches at The Hole Bead Shoppe in Bartlesville, Oklahoma. Reach her at www.theholebeadshop.com or the hole beadshop@aol.com. She is a frequent contributor to Beadwork.
Resources
Check your local bead shop or contact: Swarovski marguerite crystals, seed beads, ear wires, and thread: The Hole Bead Shoppe, (918) 338-2444, www.theholebead shop.com.
Figure 1
Figure 4
Figure 3
Figure 2
project
seven feathers. The center feather of each set should be the longest, and the three feathers on each side of it should symmetrically decrease in size.
ified head pin by using the flat-nose pliers to bend one end of the wire into a U-shape just wide enough to hold a 4mm bead (the heads of traditional head pins will bend the shafts of the feathers and they wont hang straight). String 1 topaz. Dab glue on the shaft of a short feather and pass into the bead at the end of the head pin (Figure 1). Repeat for three more pins and set aside to dry. You may want to test the strength Figure 1 of the glue bond by tugging gently on the feather.
using 114" wire. String 1 topaz, 1 spacer, and 1 brown, and attach a feather slightly larger than the one used in Step 2. Repeat for three more pins and set aside to dry.
It is always a good thing to incorporate gifts of nature into artworkyou gain a sense of connectedness to the world around you. A farmers gift of feathers gathered from his free-range chickens coop inspired a run of ideas for this designer, who incorporated pheasant quills into these earrings.
String 1 topaz, 1 spacer, 1 brown, 1 spacer, and 1 topaz, and attach a feather slightly larger than the one used in Step 3. Repeat for three more pins and set aside to dry. 1 topaz, 1 spacer, 1 brown, 1 spacer, 1 topaz, 1 spacer, and 1 topaz. Repeat once and glue the largest feathers into the beads.
wrapped loops at the top of each of the 14 beaded feather head pins. Use round-nose pliers to curl one end of each piece up to form a simple loop. String the head pins on the crossbar with 3mm
More wonderful beadwork projects are available at interweavestore.com 2011 Interweave Press LLC. Not to be reprinted. All rights reserved.
page 11
smoke beads between them so that the feathers form a V. Form a loop at the other end of the wire, trimming off any unnecessary length (Figure 2).
Step 8: Cut 2" of 26-gauge wire and
jump ring to the soldered ring on an earring post. Repeat to finish the other earring.
wire-wrap a loop at one end. String 1 brown, 1 spacer, 1 topaz, 1 spacer, and 1 smoke. Attach to a jump ring with another wire-wrapped loop. Repeat once using the same jump ring. Attach each end to the wire loops of the feathered crossbar, using pliers if necessary to close the loops.
Figure 2
Jewelry artist MELODY M ACDUFFEE loves finding ways to use nontraditional, not-socommon materials in her pieces. She works part-time in a state-of-the-art bead store in Mobile, Alabama, where she organizes and teaches classes on a variety of beading techniques. She is widely published in both bead and crochet publications.
14 pheasant or other feathers measuring 1" to 114" in slightly graduated lengths 18 smoke 3mm round fire-polished beads 28 topaz round 4mm round fire-polished beads 16 metallic brown 4mm button-shaped fire-polished beads 30 copper 4mm daisy spacers 312" of 22-gauge sterling silver wire 2' of 26-gauge sterling silver wire 2 sterling silver 4-6mm soldered jump rings 1 pair of sterling silver ear posts G-S Hypo Tube Cement
Materials
wire to make another modified head pin. String 1 smoke, 1 spacer, 1 brown, 1 spacer, and 1 topaz. Form a wrapped loop to attach the head pin to the jump ring between the two pins already there. Attach the
Tools
Techniques
techniques
Right-Angle Weave (single needle)
String 4 beads and pass through them again to form the first unit. For the rest of the row, string 3 beads, pass through the last bead passed through in the previous unit, and the first two just strung; the thread path will resemble a figure-eight, alternating directions with each unit. To begin the next row, pass through the last 3 beads strung to exit the side of the last unit. String 3 beads, pass through the last bead passed through, and the first bead just strung. *String 2 beads, pass through the next edge bead of the previous row, the last bead passed through in the previous unit, and the last 2 beads just strung. Pass through the next edge bead of the previous row, string 2 beads, pass through the last bead of the previous unit, the edge bead just passed through, and the first bead just strung. Repeat from * to complete the row then begin a new row as before.
Stringing
Stringing is a technique in which you use beading wire, needle and thread, or other material to gather beads into a strand.
Fringe
Exit from your foundation row of beads or fabric. String a length of beads plus 1 bead. Skipping the last bead, pass back through all the beads just strung to create a fringe leg. Pass back into the foundation row or fabric.
Surgeons Knot
The surgeons knot is very secure and therefore good for finishing off most stringing materials. Tie an overhand knot, right over left, but instead of one twist over the left cord, make at least two. Tie another overhand knot, left over right, and pull tight.
More wonderful beadwork projects are available at interweavestore.com 2011 Interweave Press LLC. Not to be reprinted. All rights reserved.
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