The Film Paintings of David Lynch

The Film Paintings of David Lynch: Challenging Film Theory
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The Film Paintings of David Lynch
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For Pip, and the memory of my father, Allister Mactaggart (19141997)
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The Film Paintings of David Lynch

Challenging Film Theory
Allister Mactaggart
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First published in the UK in 2010 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2010 by Intellect, The University of Chicago Press, 1427 E. 60th Street, Chicago, IL 60637, USA Copyright 2010 Intellect Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission. A catalogue record for this book is available from the British Library. Cover designer: Holly Rose Copy-editor: Rebecca Vaughan-Williams
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Contents
Acknowledgements Introduction: Towards a Palimpsest
7 9
Chapter 1: Ever Died? Ever Failed? No Matter. Die Again. Fail Better. Immanence and Transcendence In Twin Peaks (With Apologies To Samuel Beckett) 23 Chapter 2: Reasons to be Tearful: Snapshots of Lynchian Excess Chapter 3: Driven to Distraction: Hitching a Ride along the Lynchian Highway Chapter 4: Pierced by the Past: Filmic Trauma; Remembering and Forgetting Chapter 5: It is Happening Again: Experiencing the Lynchian Uncanny Chapter 6: The Return of the Repressed: INLAND EMPIRE, DavidLynch.Com, and the 47 69 93 115
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One of the most distinguished lmmakers working today, David Lynch is a director whose vision of cinema is rmly rooted in ne art. He was motivated to make his rst lm as a student because he (More) One of the most distinguished lmmakers working today, David Lynch is a director whose vision of cinema is rmly rooted in ne art. He was motivated to make his rst lm as a student because he wanted a painting that would really be able to move. Most existing studies of Lynch, however, fail to engage fully with the complexities of his lms relationship to other art forms. The Film Paintings of David Lynch lls this void, arguing that Lynchs cinematic output needs to be considered within a broad range of cultural references. Aimed at both Lynch fans and lm studies specialists, Allister Mactaggart addresses Lynchs lms from the perspective of the relationship between commercial lm, avant-garde art, and cultural theory. Individual Lynch works The Elephant Man, Blue Velvet, Twin Peaks, Lost Highway, The Straight Story, Mulholland Drive, Inland Empire are discussed in relation to other lms and directors, illustrating that the solitary, or seemingly isolated, experience of lm is itself socially, culturally, and politically important. The Film Paintings of David Lynch offers a unique perspective on an inuential director, weaving together a range of theoretical approaches to Lynchs lms to make exciting new connections among lm theory, art history, psychoanalysis and cinema. (Less) Add To Collection 3.3K Reads 42 Readcasts 12 Embed Views Search Search History: Searching... Result 00 of 00 You're reading a free Purchase the full version and... 00 results forpreview. result for
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