Professional Documents
Culture Documents
IN ENGLISt
GOODEI.
THE
GREEK
IN
ENGLISH
GREEK
FIRST LESSONS IN
to
'
Etymology of English
Words of
G, :ck Origin
COPYRIGHT,
1SS6,
CO.
Typography by
J. S.
('<
shin.;
<".'.,.,
Boston.
PREFACE.
The
little
first.
book
The
it,
is
some real and living knowledge of that part of English which came from Greek, without at the same time compelling them to waste time and brain-tissue in " mental discipline " of
doubtful value.
fess to
Let
it
does not prohave compounded an educational nostrum which will, in a few weeks' time, electrify a boy or girl into the mastery of a difficult tongue and does believe heartily in giving an
;
important place in our educational system, for some generations yet, to the patient
language and
the
literature.
number
it
of those
it
who
shall enter
it
study, indeed
is
hoped that
is
Yet
is
classic author,
and hence
those
merely attempts to teach that minimum which even who wish to banish the study of Greek from our schools would admit can least easily be spared and it is written in
It
;
is
command
not only
but includes
many
He
to
whom
meaning enjoys
IV
PREFACE.
Many a man who thinks he has retained a great advantage. nothing whatever from his dreary conning of Greek grammar, and of half-understood Greek authors, except a lively
sense of the exact meaning of such words as cosmopolitan,
agnostic, synthetic, anarch)/, Russophobe, nevertheless regards
the firm grasp which he has on this portion of our speech as worth all it cost. But after all, how great the cost of this
one acquisition
of to
Surely this one result of the study lias been! Greek can he attained in a fan degree without devoting
-
it
years of time.
Yet mere dictionaries or etymological handbooks alone canIt is not enough to read or be told, is wanted. even repeatedly, thai synthetic is derived from such and such Greek words, ami therefore lias such and such a meaning.
The wonts in their Greek form, and with some fragment of their Greek associations, must become somewhal Eamiliar before one can be sensible of that grasp of their English derivatives which will enable one to use those derivatives fearlessly and
correctly.
In
in
English
is
than the Greek, so that no one ought to take up the study of the latter until a good beginning has been made in the Accordingly a year's study of Latin is taken for former.
granted.
Pupils are supposed to have a notion of
is,
what a
and
to
know
The material has been grouped about a grammatical outbecause, in the writer's judgment, based upon several years' experience in teaching beginners in Latin and Greek, such an outline is essential to the object in view. Thorough
line,
memorizing of a few inflections will save time and labor in the end. by enabling the pupil from the outset to make a
i
principles.
PREFACE.
In no other
way can the requisite familiarity with the Greek words be gained as easily. Besides, while the book is intended primarily for those who, without it, would never study Greek at all, those have also been kept in mind who
will afterwards continue the study.
Accordingly,
;
also,
the
is
is
marked
all
matter concerning
it is put in smaller type the dual number, though scarcely used in the exercises, is included in paradigms. Yet with the possible exception of the dual number, the learning of which is but a trifle, no feature whatever has been introduced which could involve labor outside of the main purpose, as set forth above. Thus the subject of contraction has been avoided, because it would have involved
;
difficulties in
the paradigms.
In other respects,
it
also, strict
would have obscured the relation of English derivatives to Greek originals. The non-Attic look thus given to some of the paradigms and exercises can do no harm to any one. In a few instances
Atticism has been disregarded, because
English idiom,
tion.
is easier,
In selecting the vocabulary, no attempt has been made at an unattainable completeness. From the large number of Greek words that appear in English far larger than one would suspect who has not given special attention to the matter those have been rejected which seemed likely to be
Probably no two
list.
But,
more freedom in forming exercises, nothing has been admitted which does not appear in English. Some English
derivatives included will be found
Vi
of
PREFACE.
young
pupils.
Nevertheless,
if
fixed in mind,
some inkling
also.
of the
meaning
of these hard
that a long word, which looked so difficult, really has something about it that he can grasp; and when he gets old
enough
for,
to comprehend the idea which the hard word stands a simple reminder that hypothesis, for instance, means supposition, will make that word at once a underputting
The dividing line between part of his intellectual property. purely technical terms and those which have passed into
class
A few of the former can do no great harm. And those who take up the study of any branch of science, after a faithful use of this book, will find themselves already in possession of a large
literature is often difficult to determine.
nomenclature.
In preparing the second edition every line has been careand few pages have escaped change. Some
fully scrutinized,
derivatives
and many explanations of 'derivatives have been added, and one Greek word got rid of that is not used
and
it is
The exercises have been slightly enlarged, hoped otherwise improved. For the roughness still remaining in them the peculiar restrictions of the vocabulary must serve as an excuse. It seems clearly my duty to repeat the statement of the preface to the first edition, that the idea of this book and its general plan were first suggested by Mr. Henry Holt. Despite his disclaimer (printed without my knowledge in a note to
in English.
the
first
it
edition,
and suppressed
if
at
my
one),
the
little
anything, to him primarily the credit will be due; although the writer is alone responsible for the working out of the plan in detail, a process which naturally involved considerable modification
PREFACE.
vii
Material has been taken freely from the Hadley- Allen Greek
dictionaries
is
and
also to
Tale College,
October, 1889.
: ::
: :
CONTENTS.
Introduction. Why every one should know something of Greek
I.
7 14
II.
III.
or A-Declension
.16
22 26 33 39
IV. Q-Verbs:
Active
Present
Indicative
and
Infinitive
V. A-Declension
VI. A-Declension VII. O-Declension
VIII.
:
O-Declension
IX. Additional A-
Second Class of Feminines Masculines Masculines and Feminines Neuters and O-Stems
. . .
.29
.
....
Infinitive
.
. .
X. Adjectives
of the
XL
OrVerbs
Present
Middle and Passive XII Consonant Declension Stems in -k- and -yXIII, Consonant Declension Stems in -t-, -S-, -6XIV. Consonant Declension Stems in -y- and -pXV. Consonant Declension Neuter Stems in -arand -eo-. DIoAijs XVI. Consonant Declension Stems in -i- and -cv-.
Aura/uai
63 68
74
79 86
and At'Sw^i XVIII Mi- Verbs "Iot^/ai and Kepdwv/u XIX. The Verb &r)(Ai; the Adjective lias English-Greek Vocabulary Greek-English Vocabulary Index of English Derivatives
:
XVII
Mt- Verbs:
........ ....
:
Ti%u
93
100
106
113 119
....
127
INTRODUCTION.
Every
was somewhat
;
like reg-al
and
virgo, virgin-is,
stella like
;
like virgin;
con-
many other resemblances of peared as the study continued. In cases like these, too, the English words not only look and sound like the Latin words, but there is plainly some connection in meaning also. For instance,
2
agriculture
the
is
constellation
stars; templum means temple; virtuous means having virtus, virtue ; " my paternal house " means Of the house of my father, pater : and so on. course such a great number of resemblances in both form and meaning of words could not possibly be accidental. There must be some reasonable explanation and the most natural one is that one
;
language inherited or borrowed ivords from the other. As Latin is some centuries older than English, plainly English must be the borrower in this case. And now. on tracing back the history of our tongue a few centuries, we see beyond question that our
explanation
is
when
the people
cially those
and
was a time
espe-
felt
a need of
that they took the words they wanted, in great part, directly from Latin. One might ask. Why did these people go to the Latin rather than to any other language to borrow words? Or, indeed, why did they not make their new words out of the stock which English already had, by putting together the old words in new com-
For that was the way in which the and the Greeks, and the Romans to some extent, made the new words which they wanted. To answer such questions fully would take too much time, and might not be
binations?
Germans,
for instance,
easy
given.
INTRODUCTION.
England had been conquered by the Normans, Although the cona form of French. querors could not compel the mass of the people to learn French, yet they were strong enough in numbers and influence to bring into English a The English langreat many French words. guage, then, at the time we speak of, had become mixed, as the people had and the new part of the language, like the new part of the people, was Now French is mainly derived from French. Latin is a sort of corrupted or changed form of Latin and everybody was used to that kind of This circumLatin words in every-day speech. stance would of itself naturally open the door a
who spoke
little
way for other Latin words. Then again the old Latin was
at that time a
sort of
common tongue for all educated people. Everybody who studied at all studied Latin everybody who could read at all read Latin books
;
were generally written in Latin all over Europe as well as in England. As Latin, then, was so generally understood, a speaker or writer, if he wanted a new or more -dignified word, might very natuThis went on rally help himself to a Latin one. until our language, especially the part of it used in serious and thoughtful speech and writing, is quite largely borrowed from the language of the Romans and besides, the custom of thus borrowing and forming new words has become firmly fixed, and the process is still going on. And this is one great reason why the study of Latin in
;
4
school
well
No one can know English is so necessary. without knowing- something ab.ont Latin. Every one who begins the study of this book can already partly see, from Iris or her own experience,
the truth of this statement.
same.
with Greek the case is pretty much the Some Greek words have come into English For the Romans learned much through Latin. The very of their civilization from the Greeks.
alphabet was taught them by the Greeks, whose literature the Romans translated and imitated: and along with every art or science partly or
And
such as painting. wholly learned from Greece architecture sculpture, geometry, medicine, there came into the language a larger or smaller number of Greek words connected with that branch of knowledge. These words, then, were a part of the Latin language, and were taken thence into English as readily as other Latin
words. Besides
this, for several hundred years now Greek and Latin have been studied together a This was natural, because the civiligreat deal. zation which our ancestors learned from the- Romans was so largely, as was just said, Greek in People saw that it was worth while to its origin. go back to the source, and become acquainted at first hand with the works of that remarkable people with whom the progress of the modern world began. Hence, after the custom of borrowing Greek words through Latin was once fixed, it seemed quite nat-
INTRODUCTION.
This step was made all the easier new compounds and derivatives were not freely made in Latin, but in Greek they were made with the greatest freedom. Thus it came about that if Latin could not give just the word desired, nor Greek either, two Greek words would be put together into a new word that no Greek
Greek
directly.
because
ever heard of. Many of our scientific terms, like thermometer and telephone, are of this last sort.
In all these ways, then, Greek words have come over into English and however much we might wish to get them out, we cannot do it. In fact new ones are all the while being brought in, and our need for new words will probably continue for a long time to be supplied largely from Greek. The only thing for us to do is to learn these words as soon as we can, if we wish to understand what thinking people are talking about. With some of them we make a partial acquaintance pretty early. Arithmetic, geography, poetry, music, telephone,
:
type, dialogue
all
these
all
and what
But one has a better idea of meaning if he knows also what the Greek words mean. Besides, it is very interesting to follow words back to their origin to know, for instance, just what is the original meaning of heliotrope, acrostic, Greorge, tropic, crystal, and a host of other words, even though one may have already a pretty good notion of their present significance.
THE GREEK
ENGLISH.
And
find out
words taken from Greek present themsome among them not very short selves which one must understand clearly in order to know at
familiar
all
what the writer's thought is. Thus it becomes necessary to learn something of Greek, if we wish to thoroughly know one impor-
own
language.
In order to grasp
some of these words of Greek origin, and in order to tell them to others, we must learn enough of Greek to become familiar with those words.
the thoughts which are expressed by
ALPHABET.
I.
ALPHABET.
1.
Greek
is
four letters
5]
letter begins
PRONUNCIATION.
\)
with the sound of that letter. Observe also the word delta from the shape of the capital letter, and how it happens that the phrase -'alpha and omega" means the beginning and the end, and that iota means a (Jot is a corrupted form of iota.) small quantity.
force of our
i
3.
Every
:
letter (except
subscript
see
5,
6)
is
sounded.
4.
Of
that is, were pronounced by the Greeks quantity v and co are in less time than the long vowels that is, had more time given them always long The others, a, 1, v, are somein pronunciation. In this book the times long and sometimes short.
there are no silent letters. the vowels, e and o are always short in
long d, I, v will be printed with a straight mark over the letter short a, i, v will be left unmarked. 5. The diphthongs (hi-$6oyyoi double sounds;
;
01,
&),
av,
ev,
ov,
vi.
a, a.
Originally the sounds of the diphthongs were made by simply pronouncing the separate vowels But some of the closely together, in one syllable.
diphthongs are not usually sounded so now. We may pronounce av like ow in now, ai like i in fine, 1 ev like eu in feud, ei like ei in rein, ov like ou in you, 01 like oi in oil,
vi like iv e.
a,
r/,
o)
are
pronounced
like a,
v, &>,
as
if
were
not there.
1
ei
like ei in height.
10
b.
[6
is
written below the other letter, (Latin sub-scriptus, written below'). When the first vowel of a diphthong containing i subscript is written as a capital, t is
called
subscript
written on the line: HI All I = 'QiSfj = wSrj. 6. The consonants are pronounced like the corresponding English consonants, with two or three
exceptions, as follows
like
k, 7, %, or f is sounded and is represented by n in English words from the Greek: cly/cvpa (Latin anWhen sounded in this way, 7 is cora), anchor.
a.
Gamma
(7) before
in anger, ink,
called 7 nasal
Latin nasus,
nose'),
because
all
the
breath used
the nose.
nasals.
making the sound comes out through For the same reason fx and v are called
in
b. Chi (;e) is now pronounced like German ch, and English has no corresponding sound. It is between the sound of k and that of h. One should begin by pronouncing it as h, and gradually learn to roughen the sound sufficiently. c. Zeta () is pronounced like dz.
BREATHINGS.
7.
With every
initial
vowel
is
written one or
the other of two marks called breathings. rough breathing (' ) is pronounced like our //
The
;
the
smooth breathing
pronounced at all. but merely shows that the vowel to which it belongs These breathings are has no h sound before it.
(')
is
not
left
of a
; :
9]
11
&pa (Latin hora) season," O^pos Homer. also has the rough breathing pyjrcop (rhetor') a public speaker. Double p is sometimes written pp, and is represented by rrh in English
capital:
Initial
/earappov? catarrh.
a.
auroq self. But t subscript does not take the breathing: "AiSvs Hades, <phri song.
second vowel
SYLLABLES.
Every vowel or diphthong, with or without one or more consonants, makes a separate syllable The last syllable of a word is v-yi'-ei-a health.
8.
9.
The accented
syllable in
Greek
'
is
are:
Trora/Aos,
to
rbv Trora/xov.
These different accents mark differences in the ancient Greek pronunciation, but all are now commonly pronounced
alike.
These accents are written over the vowel of the accented they are written over the second vowel of a diphthong, unless the second vowel is i subscript. If the vowel has a breathing also, the acute and the grave are placed at
a.
syllable
the right of the breathing; the circumflex is placed aborc the breathing: o fUKpov, o'i, <5. If the accented vowel is a capital,
it
:
"Ofirjpos.
12
THE GREEK
IN ENGLISH.
[10
10. a. The acute accent can stand only on one of the Lasl the circumflex can stand only on one of the three syllables last two syllables, and only on a long vowel or diphthong. When a vowel has the circumflex accent, thereNote.
;
fore, it
must be
long,
will be omitted
in this book.
b. If the ultima has a long vowel or diphthong, the acute cannot stand on the antepenult nor the circumflex on the
penult.
11.
The general
(1)
a.
b.
A word
rules of accent, accordingly, are: with short vowel in the ultima, if accented
c.
on thf out' j" on!/, lias the ovule: oiatra. on a short vowel in the penult, has the acuU tWoson a long vowel or diphthong in the penult, has the
:
cir-
cumflex: yAw<ra. d. on the ultimo, has the acute: 6e6$. (2) A word with a long vowel or diphthong in the idtima,
if
accented on the penult, has the acute: ao<pid, y\wo-o-n<;. /). on the ultima, sometimes has the acute and sometimes
a.
(fxovrj, (pon-r}<;.
the circumflex:
12.
-oi, although long, have the effect of short vowels on the accent of the penult and antepenult: yXwcraai,
Final
-at
and
avBpwTroi.
13. An acute on the ultima changes to the grave when followed by another word in connected discourse: ttjv, but rqv wpdv. This is almost the only use of the grave accent.
1 !
ANSLITER ATION.
14. Transferring words from a foreign alphabet respelling them in our own letters into our own is transliterating them (Latin trans, called
across,
and
this
litera,
letter^).
of
doing
would seem
to be simple.
And
for the
of
Greek words
into
141
TRANSLITERATION.
is
13
English
in fact simple
especial notice.
In the Introduction it was said that some Greek words have come into English through Latin, having been first borrowed by the Latins. Nearly all these words had been Latinized, that is, sufficiently changed in form to seem at home among other Latin words, before they were Anglicized or taken into English. Thus a fashion was set, as we might say, to be observed by any later comers from Greek into English. Again, not only were Greek and Latin studied together, but for a long time Greek was studied only through Latin. The Greek grammars were written in Latin, and in Greek vocabularies and dictionaries the definitions were given in Latin. Thus the fashion of treating borrowed Greek words as the Romans did that is, of Latinizing them was firmly established. At present this custom is not so closely followed with new words but generally, in tracing out connections between Greek and English, we are obliged to notice what changes are due to this Latinizing process. All these changes will be fully illustrated, later, in connection with the derivatives in which they are found but for convenience the
c?2,
is
repre-
b.
Kappa
(/e) is
usually represented by
/r,
/-
c,
which
although in later
often used.
is
14
[15
c. Upsilon (u), if not part of a diphthong, is represented by y. "When the Romans did most of their borrowing, v had a sound between that of i in machine and u in rule (nearly the sound of French u or German w), and that sound had no representative in the Latin alphabet. Therefore the Latins transferred the Greek letter itself, and T is the origin of our letter Y. Of course the sound of our y is very different and after spelling the word in
;
we
it in the English way. represented by ch, which, however, generally pronounce in English like k.
we pronounce
Chi (^)
is
e.
in Latin
f. e; for in the
ei
ai is represented by ae, which had nearly the same sound with at. The diphthong ei usually becomes a, sometimes
The diphthong
Roman
changed from that of Latin e g. The diphthong 01 becomes had nearly the same sound as
better our
which
in Latin
To
oe
represent
is
own
e.
pronunciation, this
often
changed
to
h. The diphthong ov becomes u in words that have come through Latin, and on in words taken from Greek directly. i. Iota subscript is omitted in transliteration. k. It was mentioned above (7) that p becomes
rh,
and pp becomes
II.
rrh.
Tin; Akticle.
i
i
In
as
that
is,
their
18]
THE ARTICLE.
15
forms are varied according to their relations to other words in the sentence. For example, leaving other parts of speech till later, nouns or substantives are declined to denote case
and number;
6,
?/,
and
16.
a.
article
to
the,
Greek has
Three
genders
masculine,
feminine,
and
neuter.
b.
Three numbers
the plural for more than one, the dual for two.
c.
Five cases
accusative,
17.
and
vocative.
6,
f),
The
definite article
declined in
cases
three genders
but the vocative. As the article may be used with any noun, it will be best to take this up before the nouns. It is declined as follows
:
18.
16
19.
[19
6, rj. 61. at (with a few other words of one have no accent of their own, but lean forward upon the following word, and hence are called proclitics (jrpo furward and kAIvw lean). The article the in English, unless emphasized, is a proclitic, as are many other words. Thus when we say, "The boy has a jack-knife he whittles," the, a, and he have no separate accent, but Lean forward on the following words, very much as Greek proclitics do. It will assist in remembering the forms to note that all genitives and datives have the circumflex, and thai all other In the dual forms (except the proclitics) have the acute. number, which was not much used, the nominative and accusative of all genders are alike, and also the genitive and
syllable)
dative of
all
genders.
ibis point on,
in
Note.
From
reciting paradigms.
these the pupil should firsl the singular only, or even less), taking especial pains
about the written accent and pronouncing each form aloud; then should close the book and write the same group from memory. Next let him compare bis work with the printed forms, correct all mistakes, and try again: and so on, until the work can be written correctly from memory. Then let him take another group of forms, not so large but that one or two trials will enable him to master it; finally let the whole paradigm be taken together. The first attempts may perhaps be discouraging, because the alphabet, though really But a few differing so little from our own, is unfamiliar. days of careful practice will make a vast difference, and soon
trial.
III.
20.
The
noun
is
Noun-stems
according
classified
23
17
end in (1) a, (2)3 (3) a c onsonan t or These three classes of stems are declined in three slightly different ways, named from the last letter of the stem: The A- Declension, or First Declension. The Q^Declension, or Second Declension.
as they
or j/.
The
21.
Consonant-Declension, or
T////-J
Declension.
All stems ending in -a- belong to the a-declension. The feminines have no case-ending in the nominative singular. The following are examples:
22.
18
[24
and plural. In the singular all feminines originally had -a in the nominative, and were declined like &pd. But in many words this -a has been shortened in the nominative, accusaalike in the dual
tive,
and
vocative, singular.
classes of feminines.
only the
24. First Class of Feminines. These have a long vowel, a or rj, in the last syllable throughout
the singular.
a.
it is
hong
is
retained after
t)
e,
t,
or p: otherwise
changed
to
25.
The accent of
all
An
accented ultima
in
27.
numbers
a long ultima,
28.
Further,
always has the circumflex on the last syllable. a. This is because the stem-vowel -d and the ending -wv were contracted to one syllable, so that -doiv became -w.
29.
))
Vocabulary. 1
uK/xi],
-rj<i
))
fiordvT], -?/9
1
botan-y).
learning the vocabularies to read over connection with each one. the corresponding section of Notes on Derivatives, at the end of each chapter; those notes, however, should not be required to be learned
It will assist
in
carefully,
30]
19
')
7'})
JV V
-
ypd<f>a)
iv,
1
1 write (geo-graph-y).
.
ev&)
I have.
youth (Hebe, goddess of youth).
sight, sJwiv (thea-tre).
2LV@v>
i]
>)
did, -a?
fcecfyaX)], -rjs
head (cephal-ic).
again, back (palin-ode).
ahout, concerning.
iraXiv, adv.,
ire pi,
tl,
7j
what.'
song. ode.
a>&7],
?/
(opd, -d<i
1.
Tt)? ft>S%.2
eV
tt}
7$.
e^a>.
3.
Tat? fiordvats
Ke(pa\i)v e%a).
rgs
6. 8.
7%.
4.
T?)y fiordvrjv
4
;
5.
Ti 3 ypdcpco
7re/n
t)<?
7.
Tt ypdcpco irepl
rwv
9.
(3orav(ov
7?}? ypdcpco
(ge-o-graph-y).
10. iv
ireplroyv
r/fir)
rfj
t?)?
In the prime of youth. 2. I write songs in 3. I write about the season the season of youth. of the herbs. 4. I write the song again (palin-ode). 5. What have I in my (Greek idiom in the} head
1.
1
Proclitic
see 19.
maybe
trans-
lated as in Latin.
3
4
Ti never changes its acute accent to the grave. The mark of interrogation in Greek is like our semicolon.
20
[31
(en-cephal-on)
6.
write
an
ode
about the
show.
31.
1.
Notes on Derivatives. 1
Hints have been given as to a few English derivatives from words in the above vocabulary. For instance, acme comes to us with only the
change of k to c (see 14, 6), and its meaning is about the same as that of ate fir}. 2. Botan-ist and botan-ic remind one at once of botan-y, and usually we need not stop to mention more than one member of a family in which the We shall see later family resemblance is so plain. thai the endings -ic and -ist are themselves of Greek origin, -ic making adjectives and -ist making nouns
1 The entire class should have ready access to at least one unabridged English dictionary, as the Imperial, Webster's or Hi fore Leaving a chapter all English derivaWorcester's. should tivesthe words partly or wholly in full-face type be looked up, and the connection between their present mean-
In many ings aud the Greek originals clearly understood. cases this connection is explained in this book; but often it
This is only hinted at and left to be brought out in class. course lias been followed because a little independent work on the part of the scholar, constantly directed and aided by
suggestions and questions from tin- teacher, is the best pos method of arousing interest and fixing indelibly in the pupil's
it is
book
to
repeat, then, constant use of the dictionary, with constant help and questioning on the part of the teacher,
To
must on no account be neglected. With some classes tnaj be thought best to omit, until review, a few derivatives whose conuectiou with their primitives is not easily made clear.
it
31]
NOUNS: FIRST
Oil
A-DECLENSION.
and
86, 11).
21
We
is
dropped
off,
for ease of
II.,
5), ge-o-metry
The -o- in ge-o(see 57, 4), apo-gee (see 57, 1). graphy, geology, horography, seems to have no business there
ble has
;
yet
we
same
sylla-
been put between the two parts of a large number of compounds, in which it has no more meaning than a hyphen. (See 51, 1.) 4. Graph-ite is a substance used in pencils foi writing, the syllable -ite being our remnant of an ending which denotes merely a vague connection.
(Compare
uses, goes
dynam-ite, 94.)
Graph-ic, in
some
of its
back
to
another meaning of
ypd(f>a),
We shall meet the sylFor -gram, see 91, 4. 5. En-cephal-on, a more learned and scientific name for brain, shows the change of k to c, and shows also the form cephal- which K<f>a\rj takes in several scientific words, such as cephal-ic, pertainnamely, draw or paint.
lable -graph- frequently.
ing
to
>),
headless,
and
palim-psest.
In palim-psest
takes the place of n for ease of pronunciation before a jo-sound the second Parchpart is from a verb, -tyaw, meaning to rub. ment was costly, and hence was often used a second
the
;
22
[.32
time, the old writing being rubbed off again ; but this process still left faint traces of the older writ-
and some very valuable ancient books have been recovered from palimpsests. 7. Several rather common words contain olS)) as one element: such are mel-ody (sec 100, 8), par-ody (see 46, 5), pros-ody, and rhaps-ody; and also, with a change which obscures the form of riSr}, trag-edy (rpay(phia, Latin tragoedia ). and com-edy (/ea>/A&>Si'a,
ing,
Latin comoedia).
The
significance of the
is
first
part
of rhaps-ody, trag-edy,
and com-edy
uncertain.
8. From &pa was taken the Latin hora'; and from hora, through a French form, is derived the English hour. Then directly from Greek we have
-o-)
IV.
32.
you write
he (she,
it} zrrites
3 ypd<pei
Dual 2 ypdeperov
3 ypdeperov
Plu.
1 ypd(poaev_
2 ypdtpere
3 ypdtpov^k
35]
O- VERBS.
23
33. Most Greek verbs are conjugated in the present tense like ypdcf)0), and are called, from the Besides the ending of the first form, co-verbs. singular and plural they have a second and third
person dual, but no first person dual. a. The accent of the verb, with but few exceptions, stands
as far from the end of the word as possible; that
if
is,
on the penult,
antepenult, if there
an antepenult.
34.
Vocabulary.
a/covco
ev, adv.,
7]
hear (acou-stic).
well (eu-phony).
history, story.
ICTTOpid, -?
learn (math-ematics).
machine (mechanic).
ov, ovk,
7)
not.
CJ-^oX//, -79
(f)a>v/), -779
sound (phonograph).
hand (chir-ography).
35. Exercises.
I.
Tjj
jjcrj-^avij
t i)\e
T>]v
cf)ojv>]v
(tele-phone)
1 Proclitic (see 19). The form ov is used before com ovk before a smooth breathing, o&x before a rough breathing. 2 Translate, By means of, etc. Tin- dative is used in Creek.
;i
like the
24
aKovofiev.
[36
fitj^avr)
rfj
t<j
>')
(fxovu*;
rypdfei (phono(chir-o-
graph).
5.
iv
a)(o\fi
4.
xiP
ypd<f>eiv
rfj
graphy) fiavOdvei.
7)
ov a)^o\d^L<; iv
6.
cr^oXfj
(hhi)
ev (pcoveet (eu-phony).
7. ti
ov cr^oA'b/xej>
*n)
<
ixavddvere irepl
yf}<;
The machine writes at-a-distance (tele-graph). 3. What are you 2. They have-leisure in youth. 5. They are writing? 4. What do you hear?
1.
writing the history (histori-o-graph-er) of the ma7. We are writing 6. They have herbs. chines. 8. We hear songs in the sounds (phon-o-graphy ). 9. Are you learning the the season of the herbs.
song again
36.
1.
Notes on Derivatives.
hearing,
is
Acoustic,
'pertaining to
a clipped
form of dicovariK6<i, an adjective with an ending which we shall meet frequently. The addition of
an
-s
as heard.
2.
The adverb
force
of of
ev appears in the
easy, good,
in
form
a
eu-
with
the
well,
considerable
number
60, 1.)
3.
(See
51, 5, a\
merely a corrupted form of history, to have a slightly different meaning. We speak" of such form-. ;is corrupted (literally spoiled), because at first the change was simply a
Story
36]
Q.-VERBS.
25
mistake, or blunder, due to carelessness or ignorance but after a while the new form became common, accepted by eveiy one. and general good usage makes a word entirely respectable and correct. These slight changes of form, followed often by a variation of meaning, are no small part of the growth and development of a language, and the process is all the time going on. 4. Mijxavi'/ also is represented by two different forms. First it became in Latin machina ; this became machine in French, from which the word was taken into English. Then more directly from
;
Greek we have mechan-ic (^j^aw/cc?), mechan-ism, with various derivatives and compounds. 5. A special meaning of er^oX?? was leisure devoted to study; this gave the Latin schola, from which we get schol-ar (Latin scholaris} and the corrupted form school. Scholastic ^a-^oXacnLKosi), is from cry;oA.&>. Again, from a^oXi] is derived (with a changed but clearly related meaning)
(T)(o\lov an explanation, comment, scholium. Scholium has the Latinized ending, -urn for -ov. Finally, from cr^o'Xtoy is derived scholiast ^a^oXiaarri^'), a commentator, especially one of those otherwise
unknown commentators whose explanations are found on the margins of old Greek and Latin
manuscripts.
6.
is
human
voice,
and
is
thus to be distinguished from acoustics (see 36. 1). Phonetic ((J)(ovr]TiK6'i). is the corresponding adjective.
26
[37-
V. A-Declensiox
37.
41]
A.-DECLENSION
SECOND CLASS.
27
iroieos
7]
f)
make. (poet).
-d<?
a(fialpa,
ball, sphere.
vyi&ja, -a?
health,
i)
xifAaipa, -a?
she-goat (ehimaera).
40.
I.
Exercises.
1.
"E^oucrt crfyaipav
3.
(t's)
,
d/covei.
a'i
rj
fiovaai
fiovcritcyjv
4.
7?)
tl
iari^v) 1
crcjiaipa.
Siatra
t?)<?
^ip,alpd\
5.
//
e'crrt
6.
at
fiovcrat,
ov
pbavOdvovai
al
yjixaipat
t?
rem
t>;?
^tfiaipd'i &>_?,
qyffi
7.
(nor)
ray
fJLOvawv
(pha<i.
II.
1.
^7^;
1) mode-of-life has good-health. 2. are learning about the mode-of-life of the 3. hear the language of the muse. muses.
compare
We
We
4.
They
are
writing music
5.
ball.
Notes
071
Derivatives.
poly-glot (poly-
Greek
91, 12).
In later
obsolete ov foreign
1 After (ttl and also after any word ending in -<ri, v is often added, whether the next word begins with a vowel or with a consonant. This is called v movable.
28
|-
word, requiring explanation, and then an explana tion given for such a word. In this sense we have
the form gloss, and the derivative glossary.
The
name
from yXojTra, was given (probably from the resemblance in shape) to the mouthpiece of a musical instrument like our clarinet: and k physicians applied the same term to the n irrow upper end of the windpipe or larynx (see the latter is the meaning of glottis. 76) 2. The muses were goddesses of literature and the arts, and everything over which they presided was included under fiovaiKi). Later, /movo-iki') was restricted to the art of music, as we understand
y\corri<;,
;
that term.
3.
its first
part
f)fii-,
Greek
prefix
prefix
semi-,
meaning
half,
related
to
the
Latin
HemiIn forms part of many English scientific terms. sphere and its derivatives, ae, the Latin equivalent The change was of ac, has been replaced with e. made because the letter e represents nunc simply the sound which was given to ae in the English
as a separate word.
pronunciation of Latin.
So
in diet
from
Siaira,
and
in chimera.
4. 'Tyieia was personified as a goddess of health. Hygeia. the English word representing the later From the same word we shortened Greek form.
fabulous
a
fire-spouting
monster, with
serpent's
goafs body,
lion's
is
head, and a
43]
A -DECLENSION
M. LSC'l
'L
IN ES.
29
fear.
It is usually spelled
ae, as in
sphere and
The
chimerical
often
is
does
not
fanciful
and
Masculines.
6 (iroXiTci-*)
6 (/3ope-)
30
[44
Vocabulary.
(3aX\(o
6 fiopidi, -ov 6 heairoTT]^, -ov
1
throw.
north-wind (Boreas).
..
of slaves ^despot).
Kpivw
o fcptTTjs, -ov
judge.
judge
(critic).
of,
beside (paxargraph).
irapa-fidXXw
U TTOLTITm, -OV
(
compare
,
poet (literally,
iroieco)
N
maker, from
7)
7rapa-j3d\A,
-179
6 iroXirrjs, -ov
virep,
prep.
\V.
ace.,
\
beyond (hyper-critical).
outdo, excel (literally, throw be-
v7rep-/3dXXa>
nd).
\
excess,
extravagance
(literally.
f)
v7rep-/3o\>j,
-f}<}
I
over-shooting), hyperbole.
45. Exercises.
I.
1.
2.
3.
wapd
6
'H x ei P T0U ^oXirov fidXXei r^v acpalpav. rfj coSfj ypdcpo/xev (paragraph) /xovaiKi'jv.
ov aypXd^ei
acpalpa 7rapafSdXXofiev.
ftdXXeiv rnv a<palpav. 5. S) heairora,
Sea-TroTi]?
4.
T))v <y?]V
OVK CLKOVei<i T)]V TOV KptTOV (p(i)V)']V ; 6. 01 TTOXlTai ovk aKovovat rrjv irapa^oX^v. 7. rco KptT.ypd<peTov 8. ri inrep rov irep\ rrjq twv ttoXitwv v7repf3oXi}^. fiopedv (hyper-borean) io-ri (is, Latin est)
;
Aco-n-oT^s
8eo"7roTa.
46]
A-BECLENSION
II.
MASCULINES.
31
throwing ball again. 2. The master compares the head of the poet to a ball. 3. Have we a master? 4. Citizens, yon hear the voice of the judges. 5. We do not judge the
1.
The
citizens are
citizens.
master.
poets.
the ball beyond the comparing the judges. 8. Citizen, you are learning the language of the
6.
7.
They throw
are
We
46.
1.
Notes on Derivatives.
is
From
derived
icpi-
the adjective
gives us
capable
of judging, which
;
also
Tijpiov criterion,
and
gives us
2.
litical,
crisis.
we have not only politics, pobut also (through TroXireid, -<? administration, form of government) polity, policy, and the still farther shortened police.
-rroXt-n^
;
From
politic
3.
The
derivatives of
fidWo show
the original
form of the root with one X, and often with a changed to o, as in 7rapa/3o\/) and u7rep/3o\?/. In parable the o, even, has been dropped, but the adjective parabolical is nearer to the Greek form. Another compound of ftdWco is Sia-(3dXX(o ler, in which the force of the separate parts is not very clear. From Sia-,SdX\o) come Siafto\>) slander and SidfioXo? slanderer. This latter was used especially as a title of Satan, and has been
corrupted into devil; but, as with parabolical, the
32
[46-
adjective diabolical
the
4.
Greek form.
Poet, poetry,
and poesy come to us through and poesis, which have lost the of the original Greek form. In Greek itself, however, iroUm and its derivatives were often written and pronounced 7roe&>, etc., without i. 5. In a par-ody (jrapwhia, horn irapd and -JS;y see 29 and 31, 7) the words of some writing are altered jusl enough to give them a laughable turn, while they still remind one of the original. Thus
the Latin forms porta
i
one seems to hear the origipoem, sounding beside it. Paragraph was used at first to denote a mark or note written beside the page, in the margin. Now it denotes especially the sign used to denote a break in the composition, and the beginning of a new line farther than usual from the margin; and.
usually
a
finally, the
word stands
Parais
for a section
or division
thus begun.
fcific
an element in
many
scien-
in
words. 6. The preposition birep has the meaning beyond a few English derivatives; thus hyper-borean,
<
beyond the north-wind, and so in the Secondly, in a number of derivatives the element hyper- denotes an extreme degree, or too much, of something, as in hyper-critical, (('dinpare witli this the related Latin word super-, as in
literally
./-
treme north.
super-natural, super-sensitive.')
49 J
0-BEGLENSION
MASCULINES.
34
KCLl
THE GREEK
and.
IX ENGLISH.
[50-
O KOa/MO<i, -OV
icoapeco
adorn (cosmetic).
speak,
(
Xeyco
6 A.0'709, -ov (fr
tell.
)
(
word,
-\
)
(2)
talk,
discourse,
Xeyco)
O fMvOoS, -OV
1)
account,
description
(an-
6809, -OV
see meter,
opaco
6 (piXos, -ov 6
xpovos, -ov
).
Psyche).
50. Exercises.
I.
1.
Ol
Troirjral
wSa?
Troieovai.
2.
fcpirov
ypd(pop,ev
(bio-graphy).
3.
ypdcpei
Ttov epeovtov
Xoyov (phon-0-logy) real Ttov puvOcov Xoyov (mythology). 4. 0/'Xo? avdpco-rrcov (phil-anthrop-ist) >. iaropidv ypdtpei. yXcoaaa tov Kptrov ev Xeyei.
>)
6.
<\vayiyvu>cricop,ev
rrj<;
"^UX ^
7
Y 0V
(psych-O-logy)
8.
7.
7roXiT^<?
opdere
rbv Spopov iv
b8ro
9.
ui>ayiyvcoo-K6Te
(
iv
rfj
ayoXf).
1
e%ei
/c6crp,o<;
">il
meaning)
yfrvxyv;
lux) (piXov.
it.
lias.
51]
0-DECLENSION
II.
MASCULINES.
35
1.
citizen of the
world (cosmo-polite)
is
read-
ing an account of the times (chrono-logy). 2. The 3. They are reading poets speak and Ave hear. 4. We hear the words the tale of the chimera. 5. They read an account of life (bioof friends. logy) and an account of the earth (ge-o-logy see 6. The poet is making an ode about the 31, 3). 7. The poets adorn the legends and write soul.
;
poems
9.
Qrroirifiara).
8.
The
life
Do you
see a
man
He
is
man and
a she-goat.
Notes on Derivatives.
end of the stem of ^ie number of that part, ftio-, Koafxo-, XP 0V0 'compounds in which the first member was an ostem was very large, so large that the o- came to be carelessly regarded as a mere device for connecting the two parts of any compound. Hence the -o- was often inserted in other cases, where it
logy,
first
o-
at the
part of the
compound belongs
to the
is
member may
(See
a consonant.
The root of ycyvMa-Koj is yvo- or yva>-, related word know, in which the k was formerly pronounced. From this root was formed cyvwarucos
to our
36
[51
"knowing" whence our word Gnostic. An ancient were called Gnostics, because they claimed to be particularly "knowing" on certain (For agnostic see 60, 3, J.) Gnome is subjects.
religious sect
also a derivative of yiyvcocncco
;
certain imaginary
beings were so called because they were supposed to know where mineral treasures were hidden in
the earth.
3.
Apofxos appears
in
palin-drome
to us
(see
31,
6),
K007A09 appears in English in two meanings, at first sight seem not very closely connected. First, from the meaning ornament, we
which
get,
through
Koa/xero
and
h'oa/-n]riKas\
the
word
cos-
Secondly, the visible universe was called k6(t/xo<;, as being an orderly, well-arranged system ; and in this sense we have cosmos, from which cosIn cosmo-polite, mic and cosmical naturally follow. cosmo-politan the tirst part, instead of including the entire universe, is restricted to the various counmetic.
tries of the earth.
So
in
second part
5.
a.
is
from opdm.
-log-,
The
syllable
representing
A,o'yo9
in
the sense of discourse, account, description, appears in many name.-, of sciences, like those in the Exercises.
In
fact
this
element, preceded by an
often
the
is
the separate
plural as a rather
in
the
sciences.
51]
0-DECLEN8I0N
MASCULINES.
37
Eu-logy (see 36, 2) is good talk, a speaking well, about one; that is, praise. Eu-logium is a longer form of the same word eu-logize is the correspond;
ing verb.
pro-logue
(77736
something spoken
before, as
poem
o-loge
or play.
(Compare
hor-
(wpa, see 31, 8) is an instrument which tells Further, X070? signifies that power of the time. the mind which is exhibited in speech, namely, From X070? in this sense we have logic reason.
(Xo'yiKrj), the science of reasoning.
b.
The
a variety of meanings, the connection of which is not so plain as might be wished. Like Latin re(seen in re-pel, re-novate, re-neiv) it signifies back
and again.
again,
word
or phrase
formed
by
re-writing in a different order, or transposing, the letters of another word or phrase. So anachron-ism is a transposition or confusion of the time
(j^povo<i) of events.
and likewise
in ana-
should be re-baptized
tize).
when
Then
in
in the sense of
two or three phrases dvd was used according to ; one of these was dvd
Xoyov, in which \6709 also has a highly specialized From this phrase sense, that of reckoning or ratio. was formed the adjective dvakoyos analogous, ap-
plied to things which are to each other according to a certain ratio, or which are alike in their rela-
38
[51
The neuter form avdXoyov tions or circumstances. gives us analogon or analogue, an analogous word or Am<7 ; analogy (avakoyla) is the relation between
analogous things.
The prefix ana- is found in many scientific terms. and should not be confused with negative an-, for which see 60, 3, b. c. The preposition Kara down is also much used in composition with meaning more or less changed.
Thus Kard-Xoyos
list,
a telling down, as
it
cata-logue;
cata-comb
(*:u/z/3?7,
-r/<?,
hollow), underground
passages
where the
dead
were deposited.
6.
Philo-, phil,
and
mankind, philharmonic (apixovid harmony), philter (<pi\rpov lovecharm, or means of producing love), philo-Turkish, Turco-phile, Slavo-phile, phil-hellenic ("EWvv a Philo-logy is etvmologieally Greek"), and others.
of
<f)l\o<i,
as in phil-anthropy, love of
fondness for words or for language ; hence the study of words or of language, or in a larger sense, the study of literature and all that is expressed in language. 7. Xpovo? gives us chronic, applied to diseases thai have lasted a long time, and chronicle, a narrative
8.
adjective
from
i/ruY^'-
the nature
and powers
54]
0-
40
to epyov, -ov
eo-Ti(v) 1
TIIE
GREEK IN ENGLISH.
work (en-erg-y)
he (she, it)
the// are.
is.
[55
to-i(vy
6 ?;Xto?, -ov
sun (helio-trope).
theatre (place of seeing, Bed). heat (therm-al).
rb dedrpov, -ov
to Oeppuov, -ov
to pieTpov, -ov
;,
, ,
prep. w. gen.,
about, concerning.
w.
ace.,
around (peri-meter).
rose (rhodo-tlendron).
staff, sceptre.
to poSov, -ov
to crKrjTTTpov, -ov
Tp7ro)
6 T/307TO?, -ov (fr. Tpe7T(o),
turn.
a turn (trope).
few other words,
is,
55.
The verb-forms
they usually
have no
a.
accent of their
in this
<<//
As to accents
connection we have
enclitic, (1) If
<>n
77-0177x179
lias
it
mill,
the circumflex on the penult, or the acute takes also an acute on the ultima : crfyalpa.
eari.
t>'-<>
An
enclitic of
if
the preceding
word
lias
56.
I.
Exercises.
1.
'O
av0pco7ro<i
1
See 40,
with note.
56]
O-DECLEKSIOS
2. 6 ev
NEUTERS,
41
dendron).
rpov.
tw Oearpai 1 dv9pcoiro<; e%et aKrfiriart to fihpov rfc 68ov 8ia (dia-meter) tov rjKuov Kal to fieTpov t?}<? 68ov irepl (peri-od) tov
3. tL
rfkcov (peri-helion)
4. i/c
5. 6 to tov Oepfxov fierpov (thermo-meter). Tpeiret ttjv (say his~) fce<f>a\r}v airo tov >)\lov.
KpiT^
6.
e'/c
tov fiiov
<ptkoi.
TffV -^rvxv v avOpoo-rrov ytyvwo-Kofiev. 7. 8. Oi TTOLt]Tai TpOTTOVS T>}? 6BoV OV% OpdeTG.
9.
tovs
etcn
tov Oefnpov SevBpov itrri. 11. ol <J)lXol KOo-fMeovai 12. tC 7T0ieet TO poSots TTjV TOV ttoiijtov /cecpakijv.
deppuov
II.
1.
You do
(chrono-meter).
3.
We
The man makes a road around the earth (peri4. The earth is far from the sun (aphgee). 5. In work (energy), not in talk, is the elion 2 ). way of the soul's health. 6. [There] is a tree 8. The 7. On the tree is a rose. beside the road.
sun makes the rose. 9. I see the helio-trope (to 10. What is the vikio-TpoTTiov) and the roses. 11. The sun adorns the measure of the staff? 12. The heat of the sun turns earth with roses. back the citizen from the road.
i
Such
a phrase standing
between the
oltto
article
and
its
noun
may
a<fi.
42
[57-
Notes on Derivatives.
Apology (a7ro-\oyLa, from a7ro and X0709) is literally a talking off, with which are connected
Apo-logue, though of the apologize and apologetic. same derivation exactly, has a curiously different meaning. Usage often proves stronger than etymology in fixing the significance of words. Apo-
gee has
2.
7,7
for its
is
Di-orama
to see through.
second part. from Si-opdw (from Bid and opdoi) (Compare cosmorama, 51, 4. and
is
osition fxerd,
fragment of 6S6?', the first part is the prepwhich with the accusative means after. As otto before the rough breathing becomes d<f>%so
Method, then, is primarily a going after, something; hence an inquiry, then the systematic way of making an in-
fierd
becomes
fie0\
way
after, or a
is our eon notion of Tecopwhich goes back finally to an older form of yij and the root of epyoi\ and so means earihrworker, In forming the compound, a petiller of the soil A similar culiar change of vowels lias taken place. change has taken place in geo-metry (yewperpea), land-measuring; for the Greek science of geometry was used originally for measuring land. For horo-meter (also containing fiirpov) compare 31, 8. 5. From rfkios come various scientific terms,
58]
43
such as
meter, originally
diameter of the sun. 6. Along with the theatre must be placed amphitheatre. The preposition a/x(pi around, about, is In composition it related to Latin ambo, both.
often
latter
means (1) on
is
both sides, (2) double. The the force of amphi- in amphi-theatre, and
having
double
life,
that
in the
7.
water and
tropic
is
in air.
The
the sun.
Trophy
is
related to rpoiros.
At
enemy
turned in flight during a battle, the Greeks piled up, or fastened on a tree, part of the armor taken from the enemy. This remained as a memorial of
victory.
7To?
of rpeTrw to o of rpo-
and O-Stbms.
Vocabulary.
6 clyye\os, -ov
ayyeWco
6 a,Se\(p6<;, -ov o aiikos, -ov
eVt, prep.
w. ace,
1 o 0eo<?, -ov
iWo?,
1
-ov
pipe (hydr-axil-ic). to (after verbs of motion). a god, God (theo-logy). horse (hippo-drome).
is
like
the nominative.
-II
[59
6 6
))
fcpvoTaWos, -ov
kvkXos, -ov
fAOpifil], -7]<i
cycle, cyclone).
form (morphology).
house of the muses, museum.
to puovaelov, -ov
fr. [xovo-a)
areWo)
a7ro-o~TeX\.(o 6 <<7TU-0"T0X09, -OV
send.
send away.
envoy, ambassador (apostle),
letter (epistle).
art, skill
V
?)
irrL-aroXi'],
->}<?
Tkyyy),
-77?
(techn-ology).
6 T07TO?, -OU
T(J l/Scop
place (topo-graphy).
water (hydr-aulics).
6 <p6j3os, -ov
fear
59.
I.
livdro-phob-ia).
Exercises.
1.
To
hydr-aulics).
opda>
ruv
iv
1
rm
vrorafxco
(hippo-potamus).
elo-i.
3. 01 d8e\<f>ol (piXoi
(Phil-adelphia)
4. (/>(Xo9
tinrmv (Phil-ip,
pel
<I>('X,i7T7rosO irepl
tmv
to
7TOTa/Ao sG.
iv
kvk-Xm
(en-cycl-ical)
irepl
fiovaelov.
1
ftopius iroieei
tcpvaraWov
;
iv
roU
The
article
is
omitted with
:i-;
hero.
iv
The
repetition of
tw
shows that
tw TrapaSucru belong*
tO TOTTUiV.
60]
45
p,op(pijv.
TTOTafiols.
8. 9.
tov deov
ol deol
ot
10. ol arrot9 iirLO~ToXa<i tmv turoaToXwv. aroXoc iirtaroX^v jpdcpovat to3 Kptrfj. 11. o <po/3o<; tov KpvcndXXov rpeirei fie (we) a7ro tou tottov. 12. ot
criceiv
(anthropo-morphic).
13. ol dirocrroXoi,
dyyeXXovai
1.
The
of war. turns the horse in a circle around the park beyond the museum. 4. The water in the pipes is from the river. 5. The horses perceive the fear of the 6. are reading an account of the arts master. (techn-o-logy) 7. Fear in war does not adorn the
horses in the park are learning the art 3. He 2. The messengers announce war.
We
.
citizens.
9.
8.
You do
letters
bassador?
from the brothers of the amadorn the life of men. 11. The letter reports the ambassador's words about war. 12. The heat of the sun sends-away 13. Do you see instruments ice from the rivers. 14. The brothers perof war in the museums ? 15. The amceive the skill of the citizens in war.
Have you
10.
The
bassador's friend
60. 1.
is
Notes on Derivatives.
(36,
2),
As was
said before
the adverb eS
From
46
[60-
ev and ayyeXos was formed the noun ev-ayyeXiov good tiding s, which is also the meaning of our Saxon word gospel. In Latin this became evanrara, the sound of the combination of Greek letters eva- being best represented to the Roman ear by eva-, pronounced in the Roman way. Evangelium gave us evangel, evangelical, evangelize, etc., pronounced in our English way, which causes the first syllable to sound very different from the Greek
ev.
2.
Philadelphia
is
usually translated
brotherly
cptXeco,
to
I
from
cf)i\os, is
the
common
word signifying
3. a. Theology is the science which treats of the nature of God,and his '.elation to his works. Theist
and theism
b.
are
formed from
deus* as deist
and
av- before a
to
This
such words as
is
in-active
av-
So from
fiop^tj
we have
a-morphous, literally
and from gnostic (see 51, 2), a-gnostic. Cai sometimes necessary in order to distinguish this an- followed by -a- from the preposition ana- (see
51, 5, 5).
60]
ADDITIONAL
Apo-theosis
V-
AND
O-STEMS.
47
deify,
is formed directly from airo-Oeixo which goes back to euro and deo^. Theo-dore (eo-So)/jo9 gift of CrocT) lias for its second part
c.
is
a belief
in
many
4.
gods.
Hippo-drome, from
is
tWos and
S/50/A09, literally
horse-race,
race.
5.
In
bi-cycle,
a Latin prefix
meaning
(For tricycle see 82, 8.) 6. Morpheus (from /xopcf)ij) was the god of dreams (literally the shaper or fashioner) and hence the god of sleep. From Morpheus in this latter s< we have morphine. In meta-morphosis (from p,eradouble.
(iop<p6a)
is
often
So also in met-emeV,
from ^erJ,
is
and ^%/y),
body which
tion of
it
inhabits,
Antliropo-morph-ism (av6pwrro<i)
the representa-
God
in tli"
form
man.
another instanc< of a word which Greek original, while its ad(Comjective apo-stolic has retained the vowel. pare parable and parabolic, devil and diabolic, 46, 3.) Epistle and epi-stol-ary are another similar pair.
7.
Apo-stle
is
o-
of the
(With the
rivatives of
8.
variation of
to o in the derivatives of
o in
drew compare
the variation of a to
46, 3.
the de-
fiaWw,
48
or trade
;
THE GBEEK
technique
TN ENGLISH.
[61
Examples arc hydra (a portentous water-serpent on which grew two new heads for every one cut off),
hydr-ant, hydr-o-meter (/zeVpoi/), hydr-o-graphy, hydr-
o-phobia
((/>o'/3o<?)-
X. Adjectives of
61.
These adjectives follow the second declension in the masculine aid neuter, and the first declension in the feminine.
Thus
-?/),
the
-ov
singular ends in
j
-09, -a
(or
u/m).
60
65.
[65-
The relative pronoun agrees with Rule. antecedent in gender, number, and person, but takes the case required by the construction of its
its
own
clause.
66.
Vocabulary.
a<ya$6<},
civtl,
-?;,
-ov
good (Agatha).
instead
of.
prep. w. gen.,
to darpov, -ov
(astr-al).
S-self;
etc.
(auto-biography); presd
bj the article,
mmc.
to fiifiXiov, -ov
8okco
;
book (Bible).
think.
&oa,
-77?
(compare 58 eV/)*
caco-phony
).
other (hetero-dox).
-ov
bad
6 \{0os, -ov
\
stone (litho-graph).
alone,
novo,,
-v,
-ov
j
gram)
,1.
p^pa
6 v6fio<i
2
f
al out, distribute
(Nemesis).
upright,
(1)
straight,
/////(/
(2)
6pd6s,
-i],
-6v
\ (
(3)
(as opposed to
wrong} (ortho-dox).
singular of aero? is declined like (ro<o?, but has no
2 No/xos means. first, what is deaft owi to one and so whal is held in use and possession hence the meanings custom, usage, and finally law. For change of to o compare 60, 7.
;
67]
51
6'?, 7] y
7r&)Xea>
6 /3i/3~\.io-7ra)\r}<;, -ov
book-seller, biblio-pole.
aocpos,
rj
-i],
-ov
wise (theo-soph).
crocpld, -a?
wisdom (Sophia).
67.
I.
Exercises.
1.
KpiTrj?
2.
ypdcpei
7rot??T/)9
dyadbv
{3lJ3\iov rrepl
rwv
vbpwv.
oi
3.
ol
rroXirai
vopovs
elac.
avrol
rroiiovaiv,
nomous)
ypdipeiv
crroXrjU,
4.
ov cryoXd^opev
5.
eirl
(litho-graph).
>}
dirbaroXos
eVt6.
ayyeWei
rr/v
iv
%p6v(p
p.avQdvovaiv dyaOd
6
dvayiyvda/ceiv
1
\Wo$
pijyvvai (breaks)
8. ra<i rcov aocpcov
rbv KpvaraXkov
Sola's
9.
rrepl
roiv
dcrrpcov /xavOdvofxev
Sk
ftiftXieov.
10. ol
crocpol teal
(tauto-logy).
12. (debs
13.
ol
dyaOa
dyaOols
ical
rot? /ca/cois.
rfi
"tyiJXV
1.
2.
1
Not booksellers alone sell (mono-poly) books. The wise and good man's opinion is right
adjective
The
may be used
52
(ortho-dox).
[68
Bad
citizens
laws.
4.
I see
a friend of
sell.
wisdom
who
[They]
6.
are
bad
in the land.
The sun
distributes heat.
is
7.
The
throwing stones. 8. The poets tell (Xeyovat) a legend about the two (St/o) ways of lite. We are ourselves leading a book about the laws of
'..
tli
stars (astronomy).
of
10.
We
11.
dom
God
in
the stars.
The
write on stone.
reading the books which they have. alone is mast< c of the upright citizen. have the same law.
68.
1.
Others
Notes on Derivatives.
means instead of; but was rather facing, opposite to, opposed to, and this last is its common meaning in composition, both in Greek and in English. Thus an anti-periodic (7rept-oSo9) medicine is one aga inst a periodical disease (as quinine for fever and
a preposition av-i
its
As
original
force
ague). The word avri-fywva (<&>!;). an adjective in the neuter plural, denoted a form of church music in which one choir or part of a choir responds to another. This became in late Latin
antifona
(retaining
the
being taken into English became (through the forms antSfne, antSvne, antSmne, dntemn, (intern)
1
An
68]
anthem, taking on a slightly extended meaning. Finally anti-phone was reintroduced in the original
sense.
said,
The
that
Anti-nomians
(i>o/ao<?)
denied,
it
was
laic.
Anti-nomy is an opposition or contradiction of laws. In fact anti- has been so fully naturalized that it
is
now used
word
2.
freely as a prefix,
of the
is
Greek or
not.
So far as derivation goes, we should expect have the meaning which is really given to astro-nomy (z/o/ao<?). But here, as often one might say, the happens, use and association have given a company which the word has kept
astro-logy to
certain twist to the original force of astro-logy, so that it is now the name for a false, astro-nomy
for a true,
of
science
is
of the
;
acrrpov
aar>jp
this
asterisk (do-repia/co^
is
gives
word.
3. a.
own laws is called auto-nomous, and Auto-maton and autoauto-nomy is the right itself. The second element is matic also contain avros.
making
its
fia- to
desire, or will;
hence
and
so self-acting.
The word
it
is
especially
used of machines.
b.
With
;
same
to avro,
often
\oyid tauto-logy.
54
4.
[68list
biblio-graphy
is
a description or
of the
5.
Hetero-dox
dox.
of
one,
and so fame,
glory.
Epi-graphy
6) which deals with inscriptions cut on stone, of which there are thousands in Greek and Latin
alone. Epi-gram (^eTri-ypafifia) meant originally but as these were usually such an inscription
;
short
and often
in
verse,
the
used for a
glottis
short, pit
is
n saying.
(see 41, 1)
in the vocal
epi-logue
(con-
a)
it
indici
something added on at the end. Further, f)nepa is the Greek word for day : before the rough breathing- itri loses the final vowel and becomes e<f thus is formed icpnfiepis diary or day-book, wh
\
eph-emeris.
Karco<i
63. 5);
and
in
caco-graphy.
68J
55
Lithol-ogy
is
the
words.
science which treats of stones or rocks. 9. Mows is represented by mono-, with the force
of one, or single, in a great
many English
examples are mono-gram; mono-graph, a tise on a single subject, usually of a limited nature; mon-ody, a mournful poem (&>8?/) exj> ing one persons grief; mono-theism (#eo<?), belief in owe God; mono-logue, a speech uttered by one person, contrasted with dialogue (see 105, 2), and not quite the same as soli-loquy (from Latin solus
Common
and loquor)
mono-lith
(Xfflos'),
large
:
column
mono-mania or statue of a single block of stone (jxavla 68, 4) madness on one subject only ; monotone (0 Tovos tone, from tclvm strain) mono-metallist (to fieraWov originally a mine, then metal) one
;
that one metal only, gold, should be used standard of value, whereas a ^'-metallist (compare bi-cycle 60, 5) believes that both gold and silver should be used as a double standard; monosyllable (see 110, 8); mono-phthong, a single vowel
who holds
as the
sound
derivative of the
80).
live
same
and fiovax^
single, solitary.
The
Litter
has been corrupted to monk; from fiovdfa we have mon-astery (ixovaar^ptov, -ov) and monastic (/jLovaariKos). The early monks lived alone, hence
the
name.
of
fiova^os-
56
[69
of
it is the name the measure Qperpov and vofio^) of an instrument for keeping the time in music.
From
vefico
and foot-note to wfyto?) and vofios pasture (one meaning of ve,uw is graze or pasture} vofidSe? was a term applied to tribes who moved from Hence pasture to pasture feeding their herds. our word nomad. Xe^ecrf? (originally distribution) denoted indignation at undue or too great good
(see 66
;
fortune; this indignation on the part of the gods was personified as a goddess, who repaired such
inequality by humbling those
in
prosperity, especially
;
who were too proud when such haughtiness hence our word nemesis,
writing;
ortho-epy
is
right
t-7ro?
right 'pronunciation
to
a word).
1 A
theo-sophist (6e6$
believes that
spirits;
God and
in
superior
sometimes used
the same
sense,
theosophists.
and theo-sophy is the belief or doctrine of (For sophist, etc., see 74, 10.)
XI.
69. The passive voice represents the subject as acted upon, while the active voice iepres< nts the
subject as acting.
There
is
also in
Greek
a middle
71]
57
which represents the subject as acting either to, itself. But in the presbense the passive and middle have the same endings, and often are to be distinguished only by the connection in which the words arc found. In
voice
book, only the one word fyaivw show will be in the middle voice; all other forms with these endings may be understood as passive, or else as deponent (see 71).
this
used
70.
Pres. Ind.
Middle.
Passive.
S.
1 (f)aLvo-fiac
I show
myself, appear
am shown
are shown
is
cf)alpi
3 (paive-rat
shown
Du. 2
cf)aiv-cr9ov
PL
1 tyaivo-fieda
we show ourselves
you show
//ourselves
cf)aive-(x0
3 (paivo-vrai
Pres. Inf.
are shoivn
aive-<rdai to
to be
shown
71. Deponent verbs, as in Latin, are such as have the passive (middle) form, but are net ice in meaning, as aKkirTo^iat view. The inflection is
;->S
[72-
Vocabulary.
lead.
ay to
6 6
aywyos, -ov
Bfj/xo<i,
guide (dem-agogue).
the free citizens,
the 'people,
-ov
the
true,
eru/u.0?,
-7),
-ov
logy).
equal (iso-thermal).
/xafcpos, -a, -ov
6 ol/cos, -ov
ol/ceo)
house (oeco-nomy).
inhabit, dwell in.
-c
7rpeo-/3vTepos, -a,
o-/c7TTOfiai, dep.,
(TKOTTOS,
-OV (fr.
o-K7TTOp:ai^)
O fcV('-(T/C07r09, -ov
<ro(f>iop,ai
(fr.
cro^o?), dep..
v7t6,
prep. w. dat.,
under.
(paivw
(pdLVOfAdL
1.
'O rov
8>)/xov aycoy'os
(dem-agogue) bv opdofiev
Followed by the dative. The ending -Tepos, -d, -ov is equivalent to the English denoting the comparative degree.
1
"
-fr,
73]
n-VEIiliS:
59
ouk dya0b<;
eVt
(to
iroKefJLOV.
troXtrrj^ ecrrl.
3.
ot
iroXlraL ayovrai
irri
puicpb<; \i9o<;
fBdWerai
yrj
fxaxpov
a long distance).
4.
>)
virep
top fiopedv
5. 0eo9 eo-Ttv eVtWoTro? (see 46, 6) ovk ol/cierai. toO /xaKpov /caa/xou (macro-ecsm) 1 koI rod puKpov
Koafiov (micro-cosm).
6.
ol eTrto-Koirot o-KeirrovTai
t9
teal
oSovs.
7.
irpeafivTepos
o'ikg).
dSeXcpbs
8.
crocpL^erac
ervfios 7rot?/T>/9
Xe'yei ervp^ovs
S>/'/a<m
9. ot dyyeXoi (paivovat too \6yovstoO tcpiTov eTTKJToXi'jV. 10. >; OLKeop-evrj 11. ti u7ro tm \t#&> (inhabited) yi) \xaKpd ecrri. e'crTt ; 12. to depfibv rwv aarpwv ovk taov eari rco
T?)f
6eppL(2
(iso-thermal)
ej(to,
rod
>)\iov.
13.
Trpeafivrepov
d&eXcpbv
14.
09
e%ei 6 8f/yuo9
;
dyadbv tottov eyet ev rco Oearpm. 15. t'crot elcrlv 01 bp6ov^ dywyovs
;
dvOpwrroi,
II.
2. To learn-tois not small. the true opinions of the people is the work 4. The 3. The seasons are equal. of a wise man. skill of the overseer himself is not equal to the
1.
The
star itself
know
skill of
the
the
little
There is 7. show themselves wise. 2 water under the house. 8. The laws of the people
overseers
are (being) written in books.
Tn contrast with the
r
9.
am
writing a
mind of man, the micro-cosm or little was called macro-cosm. A predicate adjective belonging to the subject must agree
univ< rse
it in
with
60
[74
long letter. 10. An upright leader of the people speaks true words. 11. In the long time of ice we do not see roses. 12. They examine the little
circles
ice.
13.
The
(aWa)
does not
show himself
74.
1.
Notes on Derivatives.
is
An
To
epi-demic disease
Demotic, belonging
erv/xov
sense of a
tive
3.
word
from which
word
xP V0li
is
,
From
t'0-09
time
heat, iso-therm. an iso-thermal line, or line passing through places of which the average tem-
equal
perature
is
'iaov
ure, iso-metric.
to creXo9, -eo? n
4.
The mark
of length over a
vowel
is
a macron.
objects a long
way
off.
seen in micro-scope
(o-/co7ro?),
(?/
micro-
meter,
micro-cephalous,
).
micro-nesia
vrjo-os
an
island
6.
Eco-nomy (formerly spelled oeconomy; see 14,//) from oifco-vofiia, which goes back to ol/cos and although the changes of meaning seem vo/jlos,
is
74]
SI-VERBS. MIDDLE
first sight.
ol/co<?
AND
is
PASSIVE.
61
strange at
which belonged
and one meaning of vifico, the primitive of v6fio<; An oIko-vo/ao? (see 66 and note 2), is to manage. was a manager of a house or an estate; hence oIkovofjbld came to signify, not only management, but This, then, is also good management, of property. the proper meaning of economy. present passive (middle) 7. In oUeofievi], the participle of ol/eea, the vowels eo were contraeted to ou; olfcovfievr], with yfj understood, was a term for the entire inhabited world. Accordingly an oecumenical council is one assembled from all
i)
lands.
8.
Priest
is
(An
in-
termediate form
9.
prester.)
from aKkirro^ai,
meant
originally one
who
is
inclined to examine
into statements,
examination.
in
(T/coTTo's-,
not accepting them without such The root also takes the form gkottwhich means not only watcher, but also
the
pose.
mark aimed
is
at.
Hence the
word.
original
meaning
of scope
aim, or pur-
From
this are
Among compounds
tele-scope (r//Xe)
we
have
and
(&pa;
see 31,
8)
held that one's whole life could be foretold Prom such a horoscope. The syllable is even put with
62
[74
some words not from Greek, as in spectroscope, from Latin .spectrum. 'E7ri-aK07ro<i gave the Latin episcopus and our epi-scopal, epi-scopacy; bishop is a
corrupted form of iiri-aKOTro^ (in old English Mscop, bisceop').
10.
From
<ro<f)io/u,ai is
derived
a-o$io~Tij<i sophist.
The
and as many of them were phy, and politics skilled in a wordy and showy, but false, mode of Hence iment, the entire class got a had name.
the implication of dishonesty, or of an endeavor to
To
sophisticate
is
ties of a so^iiist;
from
unsophisticated.
or (pa-. Phase phantasy or fantasy ((fravTaaui), fantastic (originally phantastic), phanall these have meantom, epiphany (eV* -<f>d veto) ings closely connected with that of appear'
11.
root
The
of (f>aivw
is
(bar-,
(^ttcrt?),
phantasm
((f)dvTaa/j,a'),
Fancy
is
a shortened
.id
form of
fantasy.
Em-phasis
from nearly the same sense of an appearing, took on the meanings declaration, significance, and finally special signifi(j)a(v(0~),
starting
adjective.
-ov
wing
is
like cvyado?.
The neuter
(paivo/xevov
phaenomenon,
ivhieli
ap-
pears.
75]
CONSONANT DECLENSION.
Consonant Declension: Stems and -7-.
in
63
XII.
-k-
75. To the Third or Consonant Declension belong nouns whose stems end in (1) a consonant Masculines and feminines are or (2) in 1 or v. declined alike.
>/
64
THE GREEK
76.
IN ENGLISH.
[76
Vocabulary.
alcrQavofxai, dep.,
6 dptOfios, -ov
perceive (aesth-etic).
upcOfxeo)
cowwf (arithmetic).
naked, bare.
exercise.
yvpvd^w
to yup.vdcnov, -ov
))
exercise').
fcXl/jiaj;, -/cos
\dpvyg, -7709
dep.,
6 /LU/A09, -OU
p.lfieo/xai,
imitator (mime).
imitate.
oyfrofxai,
dep.,
-7],
WpteTOS,
tj
-ov
(proto-type).
).
adpj;, -KO<i
flesh (sarc-ophagus
avv, prep. w.
TV7TTCO
6 TV7TO<i, -OU
ilat.,
with (syn-opsis).
strike.
is
caused
by a blow).
iiTTO-Kpivo/xai,
dep.
(payeiv, infinitive,
6 y_pvcro^, -ov
sarco-phag-us).
gold
77.
I.
chrys-alis).
Exercises.
1.
1
'Ez
to)
yvfivacrico
oyjreaOe
fia/cpas
root,
Kkip.aica<;.
6tt-,
and the
future suffix
(passive),
77]
CONSONANT DECLENSION.
avOpwiroL
elaiv
o't
65
2.
jiavOdvovai
rrjv
adpxa
4.
dv.
ovk aloi
crQdvecrOe rrjv
toZ<?
dvdpci>7rcov
rco
ev
<yv[ivao-ioL<i
5.
opyavcp tov
tov vTro/cpiTov \dpvyya (TKeirrerai (laryng-o-scope). aya6. o ctkotto^ alaOdverac to irpoyrov darpou. $ou<; VTro/cpiTas iv too 6edrp(p 6-^r6p,e6a, ol tovs rod
i
.
S/jfiov
dycoyovs ev pupbeovTai.
cpayelv.
9.
8.
6 xpvo-bs
0o?
ecrri
ovk
6-yjreL
rd darpa
rfk,icp.
11. 6 dpid-
/io? ra)V
ttoXIt&v
tcros
tmv
aarpcov.
rrj
6Bo3 8rjp:ov.
13. 6-<jr6pLe0a tov [liicpbv oltcov bv 6 inroKptTrj^ OLKeet, 14. oi/ceei ev tm irpcoTO) ol'/crp virep tov Tpoirov t?)s
68ov.
II.
2. The is an elder brother. ladder strikes the bookseller on the head. 3. They will see a man who writes letters with (dat. of 1.
With
the actor
4.
Wise
actors
The
6.
show The
see the solid types (stereo-type). We 8. perceive solid gold in the stone. 9. Actors see men who do not have flesh to eat. exercise their tongues (in Greek the tongues') and 10. To exercise the muscles (plural of throats.
overseers will
7.
We
<rdp) well is the way of health. see the messenger on a bare horse.
11.
12.
first
We
actor
shall
With
the
is
13.
The
good imitator
of others' voices.
14.
To count
the
66
little
[78is of")
a long time.
78.
1.
Notes on Derivatives.
l~)
From
of alaOdvoixcu
we have
an-aesthetic,
sible, mid an-aesthesia, the condition of insensibility produced by an anaesthetic. The word aesthetic (alaOrjTi/cos), which originally meant merely capable of perceiving,h&s been narrowed down to the meaning
capable of perceiving beauty, or pertaining to beauty; hence aesthetics, the science of beauty or taste.
the meanings of and yvfivd^w is due to the tact that the Greek hoys and men trained, in the gymnastic Of course gymnic, gymnast, schools, quite naked. gymnastic are all from the same primitive. 3. K\i/xaKT)'ip is the round of a ladder; hence
2.
tyvfivo?
one of the successive stages of developtim< of life. ment, and henc 4. Mimic and mimetic (/ii^Ti/co?), as well as Panto-mime has mime, are from ixlfxos, fil/xeo/xai.
climateric,
-
element
The
root of o^ofMai
which appears
in
optic, optics.
Aut-opsy (auras')
is self-seeing,
seeing
for one's
6.
self.
sarc-o-phagus was so named because it was originally made of a kind of limestone which quickly consumed the flesh of a corpse; then the name was given to any stone coffin. From adp^ was also derived the verb o-apKa^ca to tear the flesh. as dogs do. From thi s we have sarcasm (a-ap/cuo-fios).
The
78]
CONSONANT DECLENSION.
7.
67
The
stereo-type plate
is
as distinguished
The from the separate types. stere-opticon (crTepeo?, o-rr-) throws on the screen an image which appears solid ; the stereo-scope, >y the arrangement of its lenses, causes the picture to
1
look like a solid object. 8. Svv in English derivatives takes the forms syn-, sym-, syl-, or sy-, according to the nature of the following letter, and has the general meaning Thus, we have syn-opsis (oV-), a colof together. syn-od (oBos') a lective view (adjective syn-optic) meeting ; syn-agogue (^aw-wywyi) ; a>yw), place of
;
religious assembly
among
;
the Jews
syn-chronous,
;
syn-chronism
sym-metry,
correspondence
(</>cwy?;),
in
measure
a form of
symphony
syl-logism
51, 5, a,
;
end), a
form of reasoning.
crreXXo))
is
Systole
(av-aTo\r]
is,
crvv
and
contraction.
It is contrasted
with
dia-stole (Sta-o-roTu/), in
which
Bid has the force of apart, Latin dis-; thus dia-stole is the relaxation of the muscles of the heart, which
The same force of alternates with the sy-stole. Bid is seen in dia-critical, distinguishing (see 46, 1), and dia-gnosis QyiyvooaKw), the determination of a
disease
9.
its distinguishing marks. various significations of type can all be traced back to that of something produced by a blow. For instance, the image or other device on a coin was made by a blow upon the die under which the
by noting
The
08
[79-
Among compounds and that of character or kind. derivatives are typical, proto-type (irpooTos), phonotype (a printed
</>&>f >?),
character representing a
sound,
two
used to denote varieties of permanent photographs. 10. From xpucros we obtain chrysalis (from its color), chryso-lite (\i6o$), chrys-anthemum (avdefiov,
-ov flower
compare avdos, 98), chrys-elephantine from e'Xe</>a9, -avros elephant, and then In some of the finest Greek statues the ivory). flesh parts were of ivory and the rest of gold ; this kind of work is called chrys-elephantine. 11. We have already had occasion to notice many words from Greek which end in -ic, representing the Greek adjective ending -ikos as, in
:
(ekedbdvTivo?
This
it is
sylla-
ble
-ic is
so
common and
familiar that
added
to
many words
XIII.
80]
CONSONANT DECLENSION.
69
Dual N.A.V.
70
6,
7)
[81
child.
7rai8evQ>
&^
(or ped-agogue).
Aree (tri-cycle).
bear, carry (Latin fero).
light (photo -graph).
81.
6 7rou?, 7ro86?
/<9o (anti-podes).
Toet?
(pepco
to
(ptos, <j>o)t6<;
Exercises.
I.
1.
SjJ/xov,
"Ottov (where') oXlyot dvdpwrroi dpy^ovcrt tov 2 ivravOd (there') io-Tiv oXiyapxid (oligarchy).
2. 8e/ca 6pvi6e<i yvfxvd^ovai toi><? Xdpvyya? iv ycovia tov irapaheiaov. 3. eirrd puKpol Tralhes egco tov Trapaheiaov a/covovat tcov 6pvt0cov. s 4. aocpol TratS-
5.
ecrco
tov
yvp,-
vaaiov
eicrl
6.
eyofiev iv
eiTTa (3ift\ia tcov dpyaicov 7rocr/Tcov. 7. to tov ifkiov TrjXe cpaiveTai. 8. iv Ty dpyrj TJ79 7rpwT7]<; i7rio~To\r}<; dvayiyvcoo-Kopbev tov dpyaiov pJuQov. 9. Beo? /iwo? dpxei (mon-arch) tcov dvOpcool'/ccp
tw
cpcos
10.
rj
yij
cpepei
8ev8pa
zeal
7rai8evop,e0a.
12.
?;
/c\ip,ag
Se'/ca
7raoa<?
Vocative iral. In accent 7rais is like <ws (see 79, and b). Verbs of beginning and ruling, like apx^ govern the geni-
82]
CONSONANT DECLENSION.
13. rpe?? e/3So/xaSe<? elal fxa/cpb?
71
fia/cpa iart.
XP VQ,i
tois iraiaL
irepl
TOiv apxaioiv
II.
avayiyvooo-tcovaiv
oXljoc.
Translate into Greek.
2. The With the first bird we see seven other birds. 4. The seventh bird, the [one] on the ladder, is an overseer, who 5. [He] who begins is educating the first bird. war is not wise. 6. The sun shows its light to the earth. 7. The feet of the children are in the
1.
(deca-gon).
3.
government
few
is
bad.
8. What is the opinion of the ancients about the government of the few ? 9. The actors 10. In are leading horses which carry solid gold. a few weeks we shall see messengers who bear letters. 11. Within the house are three men who rule the people. 12. In the seventh house beyond the corner of the park dwells a man who reads few books. 13. An elder brother bears the child through the river.
river.
82.
1. a.
Notes on Derivatives.
of ap%&>
Both meanings
(which are
evi-
dently nearly related) are well represented in English. Thus, archaeo-logy (apxalo<;) is an account
of ancient things; archaic (ap^ai/cos, -rj, 6v) and archaism also refer to ancient things, but with a
slightly different
(apxi-TV7ro<i~)
struck off
arche-type shade of meaning was originally that which is first or first moulded as a model or example.
;
72
b.
[82^
60, 3,
Again, an-archy (hvap^id', dv- privative, see mon-archy (jiov-apyia) * s ^u b~) is no-rule ;
'
rule of one; hept-archy, the rule of seven ; dec-archy, patri-arch is a elan-ruler (?) the rule of ten.
irarpia clan,
from
irar/ip,
arch-angel, arch-bishop,
archi-tect (d
and has used in the sense of chief or leader, with many words not from Greek, such as archWhen used with words not duke, arch-thief, etc. from Greek, or with words, like bishop, so thoroughly Anglicized that the Greek origin is obscured, the ch of arch- is pronounced as in child ; in words directly from Greek ch is pronounced
re/crap builder), etc.,
to be also
ap^co.
from
come
like k.
2. Tcovld appears in goni-o-ineter (gerpov), and gives the syllable -gon, angle, in dia-gon-al (htd), poly-gon (see 91, 12), tri-gon-o-metry (to rpL-ywvoi'
and
an
-a3.
tri-angle
the
first
stem of
rpei?
e| six, with
which seems
to
analogy).
Ae/ca appears
in
names
4.
of metric weights
deca-gram (see
From
the stein of
we have hebdom(e<w),
adal, a
5.
clumsy word
for weekly.
An
exotic plant is
82]
CONSONANT BECLEXSION.
73
Esoteric (e<r&>) doctrines are, so to speak, foreign. the " inside" or secret, doctrines, contrasted with
be imparted to everybody. Ildt? takes the forms -paed- and -ped-; the latter syllable must not be confounded with ped in derivatives of Latin pes, pedis, foot. ped-o6.
may
baptist is
tl^co
one
who
baptize).
Ortho-ped-y
child
straightening
paedia
7.
and
cyclo-paedia (eV
and
/cu/cXo?).
appears in poly-pus, many-footed (see 91, 12), which is also shortened to poly-p. The stem-form -pod- is seen in chir-opod-ist (%etp), a healer of hands and feet, and tripod (rpels), and in numerous scientific words like cephal-o-pod (/cecpaXyj). Finally, anti-pode has been formed as the singular of anti-pod-es (avri), and
ttovs
The nominative
e.
TpeZ?
is
Peri-phery
(irepi
and
;
cpepw)
is
the
exact
is
used only
and spheres, while the former is used of other figures. The root of <pepco takes also the form (pop-. A meta-phor (/lera-cpopa) is, in a certain sense, a transfer (Latin trans and fero) of meaning as when a soldier is called a lion to denote that he is brave, the word lion contains a
;
meta-phor.
74
The stem (fxor- is found in phot-o-graph (ypd<pa> means to draw or paint as well as to write ; compare
graphic,
31,
4),
phot-o-sphere
(acpalpa*)
;
the
burning gas which envelopes the sun phot-ometer, an instrument for measuring the quantity of light; phot-o-litho-graph (\i'0o?), a print from a stone on which the picture has been printed by
photography.
XIV.
84]
CONSONANT DECLENSION.
84.
7.")
Vocabulary,
contest (agony).
struggle,
6 ayoov, a<ywvo<i
dycovi^o/xcu, dep.,
engage in a contest
(agonize).
dvT-aywvi^ofiai (avri
and a7 v),
6
6
ai'ip,
dep.,
6 (ivT-aycovLO-T))*;, -ov
ant-agonist,
air.
uepos
a0\os, -ov
athletic
game,
to dOXov, -ov
6 dOXvTljs, -ov
prize.
athlete.
6 halfxcov, -ovos
f)
eifcoov,
-ovos
-rj,
epnp<os,
-ov
6 KCLVOJV, -OVO<i
K~K.d(0
i]
vavs
6 vavrns, -ov
to irvp
6 pijrcop, -opo?
6
orator (rhetor).
yapa%,
-/to?
pointed stake,
scratch.
yapcKTcroi
o %apa/CTrjp, -P/pos
mark (engraved
something.
85.
or stamped on
Character).
Exercises.
I.
1.
1
'H
yXwcrcra
ayco
:
rov
pjropo$
dpx ei T0V
&VfJ<ov.
From
(1)
76
2.
TIIE
GREEK IN ENGLISH.
dOXa
(pepovaiv
i/c
[85
dycovcov.
oXiyoc d0Xr]Tal
ev
Tol<i
tcov
3. 4.
ywvia tov
ov
Ka/cb<;
oI'kov.
5.
yapdo~-
aei ttjv elicova tov tcov vclvtoov deov, real xXdei tov
6.
7rat9
ecrrt,
7.
//
tov
xpvo-hv
10.
tmv
9.
ddXyjTOJV
(pipei.
8.
opvlv
C as )
&>9
TOV VTTOKpiTOV
el/cova?
ClVTay(OViaT7]<;
xXdet
11.
Tr/?
dpyald^
tcov decov.
(paiveTai ep?;/A09.
(pepei
/cat
tw
tfpu-
o-TaXXw
elal.
II.
The Through
1.
3.
child bears
air are
4.
[away] the
first prize.
2.
good spirits who are guardians Small marks appear on the gold. 6. The 5. The statues in the park appear lonely. athlete has a measuring-rod seven feet 2 long.
In the
of
men.
7.
The orator
is
an antagonist of
a sailor in
the
8. The measuring-rod contest of the season. makes a long mark on the head of the ancient
first
mariner.
stones.
9.
Little children
break
11. seen afar. reading the tale of the ancient mariner. wise orator by a few words leads the
10.
The
fire
is
We
are
1 A
people.
13. Shall
1
we
Accusative of extent.
86]
CONSONANT DECLENSION.
14.
77
tree?
The
fear of
God
is
the beginning of
wisdom.
86.
1.
Notes on Derivatives.
Agony
(ciycov Id,
is
prop-
erly struggle, then the pain of struggle in a contest, but has come to include any severe pain or anguish.
From
this
dycovi^o/jLai is
7rp(>)T09
formed
aywvicrTi]<; contestant
gives prot-agonist, first contestant, used especially of the leading actor in a Greek
play.
2. Aer-o-naut is an air-sailor ; aer-o-lite, a stone which falls from the air. As aer was taken from Greek into Latin, some of our derivatives have
with
Latin endings or are compounded with Latin words. Such are a,er-ial, aer-ate, B&T-ifornv. Air has been further changed by coming through French. 3. Daemon, or demon, now denotes bad spirits
only, quite
daimon
monic,
is
differently from Greek usage and sometimes used in the more general
;
sense of Sai/Mov.
This sense
is
retained in dai-
and sometimes, though not usually, in daemonic demoniac and demon-ology are connected
;
Icon-o-clasm
is
is
icon-
o-graphy
pieturesi
5.
mon
Eremite (ipi]fxhv<i, from ep^o?) is less comthan hermit, the corrupted form of the same word.
78
6.
[86
more
For example, it denotes a rule of the church; the list of sacred books accepted by the church as belonging to the Bible the authoritative list of saints, as in the Roman Catholic church.
;
Hence we have
7.
Nai/T<,'A.o<r,
canonical
which
is
vavrrjs, is
The connection between vavs and nausea is plain to any one who has been sea-sick. 8. On a pyre (from irvp) the dead were burned, among the Greeks and Romans. Pyr-o-technics is
that sails over the water in
the art (reyvrf) of
making
fire-works.
The
ein-pyr-
on fire, iv and irvp) is the highest heaven, which the ancients imagined to be pure fire. 1*. Rhetoric is primarily /; pvTopiKr) rex^v f ?"' Ilrt of an orator ; but the term is now used to denote the art of composition, while oratory has more reference to the art of speakiii;/ in public.
ean (from
efx-irvpo^ in fire or
force of character is still seen sense of a distinctive mark, as a letter. figure, or sign. Then the word came to signify
10.
The primary
in
its
the
i
sum
of those invisible
lie
qualities of soul
character.
marks of one's nature, which make up what is called Hence characterize (x a P aKT VP^a} } an d
characteristic.
11.
several
87]
CONSONANT DECLENSION.
79
ing in -/ or
This ending -/ (-t^fiai) -iofiai. was used very freely in Greek to change nouns and so many Greek verbs have been into verbs taken into English with the termination -ize (or -ise) that this ending itself has been pretty fully naturalized, and is added to many nouns and adjectives which have themselves nothing to do with Greek. Also, from the same class of verbs were formed nouns in -lo-/jlo<; and -larr]?, which have given us the endings -ism and -ist.
;
XV. Consonant
80
[89-
singular,
English derivatives. Stems in -ecr- change the last sj'llable to -09 in the nominative, accusative, and vocative singular. This is the same vowel-change winch we have already met in Xeyo>, X0709; rpeww, -773077-09 (see
57, 7
)
:
a-Keirrofiai, cr/co7ro<?
areXXo), 0-7-0X09 (see 60, 7) vepno, vop,o<i (pepa), cpopo? (see 82, '.'). Be;
;
;
-<ri,
is
dropped.
nvuch
The adjective iroXvs, 7roXX?/, ttoXv (plural, many) has the stem -woXv- in some
and
in
forms,
Sing. N.
'
90
CONSONANT DECLENSION.
yapos, -ov
l
81
become,
\
7)
yiyvopai)
to
\fami iy (genea-logy).
)
yeW,
-eos (fr.
[
)
yiyvopat)
rb ypdfifia, -T09
(fr.
m ^ ^^
writing
^
(Latin
^ WMS
).
etUr (tele-gram).
yoa </)&))
->'),
to elSos, -eo?
ica\6s,
-ov
to KaXkoSy -eo9
to tcpdros, -eo?
KpaTeco (fr.
opoios,
-a,
KpaTo^
-ov
(homoeo-pathy).
opov, adv.,
together.
to
to
ow pa,
it ui9 os,
-tos
-eo?
-7-09
name (syn-onym).
feeling, passion (pathos).
breath,
to irvevpa,
wind (pneumat-ic)
lung (pneumon-ia). n-okfc, iroXkrj] tto\u much, plural many (poly-gamy). before (pro-gram). 7roo, prep. w. gen.,
6 TTvevpcov, -ovos
to ^poipa,
-7-09
to yjrevSos, -eo9
90.
I.
Exercises.
1,
'Ei>
Ty
apio-Tr)
apxfl
2.
oi
i)
apicrTOi
KpaTeovai
(aristo-crat, aristo-cracy).
apxv
icaicij
eanv
el
Root
ytv-
82
(jf) Ka/cbs
ttoXZtmv. 1
[90-
/cpareei (demo-cracy)
rwv dpiarcov
dvdpdyrrwv
4.
tcl
2
3.
ol
9eo\ vepLOvaL
toj
rcbv
yevei icaXXos
TTcidea Tcov
elai.
6.
7.
/cat
/cpdros ical ra
aXXa dyadd.
optov
rr/v
Trddecriv
O.
TroWal yeveai
ol/ceovcriv
yrjv.
ol tcaXol real
rw
icrri
ol TTvevpoves
kclI
tl
iariv
iv
aKenrropieOa
(kal-eido-scope).
11. ol
opvlOes
12.
icai
elai
ttoXXwv ^pwpdrwv z
ypd(f>ovo~t
irepl
(poly-chrome).
ttol^toX
/cpdreos.
rov
ydpou tcdXXeos
14. ov
iroXv
vei
r/>w?
e^Ofiev
i/c
twv darpwv.
;
15.
Si iral,
alaOd-
II.
1.
In
many
the
prizes.
The
3.
4.
athlete's
family
marks of beauty.
a
beautiful race.
The sailor's horses are from The child has a good name
is like the statues of the gods. painting (ypdcpco) the letters with beautiful colors. 6. Men do not rule the winds. 7. The ship is borne by the strength of the winds.
You
are
As
1).
[., -
and note
).
in
Latin.
91]
CONSONANT DECLENSION.
;
83
they arc 8. The orators are exercising their lungs reading together a song about marriage, i). The marriage takes-place before the season of roses. 10. We have like feelings (homoeo-pathy) with 11. In the books of ancient orators other men. 12. In the best schools are not a few falsehoods. 13. The solichildren are educated together. tary athlete shows much strength, but not much
beauty.
91.
1.
Notes on Derivatives.
those produced by the disease, is contrasted, as a mode of treating disease, with homeo-pathy (see 14,^).
2. From ydfxo<; we obtain mono-gamy (/.tow?), poly-gamy (ttoXvs), and />/-gamy; the last is another instance of the combination of a Latin with a
Greek element.
3.
(Compare
Hetero-geneous (^erepo-yev^
erepos
and yevo^
of different kinds, and is contrasted with homo-geneous (ofjuo-yev)'^ for 6/jlo- see 91, 8) of the same kind, or all of one kind. Eu-gene (eifyev???,
means
from
ev and ^eVo?) and its feminine Eu-genia, or Eu-genie (the French form), signify well-born, or The root of yiyvopuai takes the form of good race.
b,
gods; also in cosmo-gony, birth of the universe. 4. The syllable -gram, from ypdfifia, has been already given, in some words, as from ypdcpco (epi-
S!
[91
gram, 68, 6: mono-gram, 68, 9; deca-gram, 82, 3). Further, pro-gram {-rrpu is literally a before-writing ; grammar was first applied to written language; the adjective grammatical shows the t of the stem. have seen that in many compounds the 5.
)
We
vowel -o- is inserted to connect the two parts. sometimes taking the place of a different vowel at (Compare 51, 1.) In the end of the first stem. spher-oid (from a<palpa), aster-oid (from dari'ip, aarpov), delt-oid (from BiXra), anthrop-oid tin which, if it stood by itself, our might say that the o belonged to tlie stem of avdpcoTros), this o has been contracted with id, the remnant of elSo?, into the Then, as this ending occurred so syllable -oid.
frequently
(especially
in
technical
or
scientific
words), the syllable -oid has come to be regarded as a simple suffix, meaning like, which may be added to words from Latin as well as to words from Greek. Thus ov-oii Latin ovum, egg), albuThe syllable -ide. frequent in chem//////-oid. etc.
(
ical
6.
terms,
is
in
composition.
This gives
-eo?,
calli-
strength,
we have
;
the
;
forms
crat,
and
(0eo?)
These words have made the meaning of the part from Kparos so familiar, that -crat and -cracy are
91]
CONSONANT DECLENSION.
to
85
few words not from Greek. Thus and monocracy is sometimes heard instead of the more regular ochlo-cracy
added
a
bureanrCT&t, bureau-cra,cy
;
form of the adwhich early passed out But a number of compounds of of common use. use, and we have in 6/<io9 remained in common
8.
The adverb
oyLiof,
-rj,
ofiov is a genitive
-6v same,
English homo-geneous (o/xo-yei>?/9 see 91, 3) homonym, hom-onymous (ovvfxa), of the same name, that is, pronounced alike. 9. Besides hom-onym, ovufia gives us an-onymous (av privative ; see 60, 3, 6) syn-onym (crvv), a word of like meaning with another (to be distinpseud-onym (\|reOSo?) guished from hom-onym)
;
; ; ;
name
to,
and
ep-
onym, a name of a person given to a people or place. patr-onymic is a name derived from that of a father (jran'ip, irarp-oq father, Latin pater) or other Met-onymy (fierd indicating change ; see ancestor.
60,
6)
is
From
irddo<i
a-pathetic
treatment of disease by water, vBcop), and path-ology, the theory or doctrine of disease.
11.
12.
poly-
is
with the force of the plural, meat//, which has already been mentioned with a number of com-
[92-
(See
41,
1;
60,
3,
c\
60,
8;
82,
2;
13. Upo appears in pro-gnosis (yiyvcoo-KO)'). judgment beforehand, especially as to the probable course and result of a disease, whence pro-gnostic
and
pro-gnosticate.
14.
From
^pa>fxa
we have mono-chrome
I.,
(fMvvos),
4),
and
Chromatic, pertaining to
Ii most often used of is musical scale of which the intervals are all halftones, the intermediate tones having been at one
time
commonly
written
in colors.
CVI. Consonant
94]
CONSONANT DECLENSION.
a.
87
-09,
Stems
in
-i-
take
-ox?,
instead of
in the
and take -v in the accusative singular. The vowel t appears only in the nominative, accusative, and vocative singular elsewhere e (in the accusative plural ei) has taken its
genitive singular,
;
place.
b.
The
-1- still
keep
Stems
;
vowel
in the end-
ing
they take
and
-a<?
in the accusative
and, like
hvvafxai can, am nlh\ is a deponent, Latin possum, takes the infinitive in dependence upon it. It is conjugated as follows
The verb
Sing. 1
2
THE UUEEK
<y\v(pa>
o7<?,
IS ESGLlsR.
[95-
carve (hiero-glyph-ic).
adv.,
twid
can,
-co<;
8vvap,ai
am
y &vvapi<i,
/epo'?, -a,
force,
power (dynamite).
6 hvvdarrj^, -ov
-ov
-e&><?
sacred (hiero-glyphic).
priest (hier-arehy).
loose,
6 iepevs,
\vw
>)
Xiktis, -eco?
ava-Xvo)
\
7)
avd-\vo-i$, -eeo?
}
taking
apart,
to fAiaos, -eo9
ve/cpos, -a, -ov
vt'os, -a,
7]
hatred (mis-anthrope).
-ov
7TOX,i9, -eo><>
6 art^ot;, -ov
rdcro-a>
7)
TUMI'S, -0)9
<pVQ)
V)
make grow.
(originally
growth,
then)
(pi/ais, -eco?
to (bvrov, -ov
plant (neo-phyte).
95.
I.
Exercises.
1.
7rl
O/
yXixpovai ypdpLpara
(cosmo-gony).
\i0ois\
rov
koot/jlov
yevio-eco<s
ol
Swdarai iroWijv
95]
CONSONANT DECLENSION.
ttoWcov dv6pd>ir(ov.
iv
4. Sis"
89
<ri
dvayiyvooa/cet 6 fiaai-
irepl
7-779
tmv aarpwv
Ta^eco?.
7r0A.ee? (necro-polis).
<f)vrd.
8.
iroXXal Kal icaXai elaiv al twv veicpaiv 7. >) Svva/Xis tov rfkiov fyvet tcl
TrdOos
vaiis
eo-Ti.
ol 6eol
\vovat
tcl
TrvevfiaTU, /ecu
r]
Kal
tcl
via
cf)VTa icKdovrai.
Tai dvaXvetv to cpvTov, to ovvfia ov SvvavTat Xe'yeiv. 12. ol 11. Svvaaat tt\v tcov dcrTpcov cf)vatv \eyew ;
lepies oltceovaLV iv rfj d/cpoiroXei,
TO<i
dWa
i)
e^ovat.
13.
o~ocf)id<;
fjuavOavei
II.
The sacred writings are carved on stones. 2. The priests rule (hier-archy) the city, and arThe birth of a 3. range the sacred [things]. young king is reported in the sacred city. 4. The overseer takes-apart and examines the new ma5. The force of the wind breaks many chine. 6. The rulers come-to-know the hatred of trees. 7. The priests announce the loosing the citizens.
1.
8.
Sailors
winds.
cosm).
9.
Man
is
by nature a
little
10.
The plant
and
lias a
long name. 11. Many races of men arrange their houses in cities, and have kings and priests who make laws. 12. In the sacred books arc many
tales
13.
The
wise
90
[Ob-
man
of the laws.
writes a letter to the ruler about the nature 14. The top of the tree is dead.
96.
1.
Notes on Derivatives.
(atcpov
An
is
acro-stic
line)
a scries of lines of
or both,
Lei bers,
form a
and o-T</yo9, -ov verse or which the first or last word or words. A di-stich
(oV representing 8i<s or Bvo) is a couplet, or two This prefix di-, making complete sense. fo'wes meaning double, or two, appears in a number of derivatives, as di-graph, two letters standing for one
sound
(/>//,
for
example)
;
di-morphic or di-morphous,
;
appearing nnder two forms; di-phthong (see 68, 9) di-(s) syllable (see 110, 8). di-lemma (see 110, 8) This prefix must nol be confused with the di- from
Latin,
2.
meaning
apart, as in di-gress.
proper name and as the name of a Basilisk, a hind of serpent, plant, is from fia<rikev$. is from ftaaiXiatcos little king, the diminutive of fiao-cXevs, so called because something on its head
Basil, as a
slightly
68,
"2.)
resembles a crown.
basilica ((3a<rikiicrf)
building in which a judicial officer at Athens, called /3ao-t\eus\ held court. This style of building,
imitated and somewhat changed at Rome, became the prototype of the early Christian churches, and churches of this form are still called basilicas.
3.
esis.
is
Genetic
is
Palin-genesis {rrd\iv
and yeveais
see 31, 6)
again-birth, re-generation.
96]
CONSONANT DECLENSION.
The
tri-glyph
91
is
4.
a kind of
architectural ornament.
5.
Dynamic
(8vvapu/c6<;)
is
the
hvvajXL^.
Dynamo
common
which
electricity
was
it
engine.
is the adjective from were the sacred writing, or picture-characters, which were used by the Egyptian priests, and which have come down to us A hiero-phant (fyaivoo) is one carved on stone. who shoivs (make plain, interprets') the sacred things. Hier-onymns (oVtyxa) means having a sacred
6.
Hieratic
(lepariKos)
lepevs.
Hiero-glyphics
name
7.
Jerome
is
Para-lysis (nrapd-Xvcn^)
a loosing aside, or
disabling, the
name
of a disease
which disables
is
the nerves.
Paralytic (jrapaXvTiicos)
the corre-
sponding adjective, as analytic is the adjective corresponding to ana-lysis. Palsy is a corruption of paralysis, intermediate forms being parlesg, palesy. 8. A necro-logy is an account of the dead.
9.
words.
(pvrov)
;
neo-phyte
is,
is
that
new
convert, or a
new member
Also from yeo? we obtain the prefix neo- meaning new, used with a considerable number of words, as neo-platonism (JlXcnwv Plato).
of a religious society.
10.
Miso-gamist
gynist
from
puo-o<i
miso-
92
[96
been put at the end of several such as Indianapolis, Annapolis, in imitation of ancient Nea-polis (literally new In Constantino-pie (Kcovo-TavTitown), and others. vov-iro\i<i Constantine 's town) and in some others, A Greek the last element has been shortened.
modern names
of cities,
metr-o-polis
mate?-)
was the mother city (^/iijrrjp mother, Latin which sent out colonies, and to which these
common
centre.
The
metro-politan (77-0X1x779).
12. Tactics and tactic (tclktlkos from rdaaw) have reference to the arrangement of military or Syntax (avv and raft?) is the arrangnaval forces. syn-tactic is the ing together of words in sentences
;
adjective.
13.
From
fyvais are
derived
to
number
of
words
Thus
is
nature; phyai-o-logy
word
re-
human
body
physi-o-gnomy (yiyvcocncco) is the art of dis; cerning the nature of a person from his face, and then the word comes to mean the face itself.
Again, physics
is
have from
special
its
etymology.
meaning of the art of healing diseases (whence physician) then the word was employed in the sense of medicine, and finally for thai par;
ticular kind of medicine with which, in old times, In meta-physics fierd people were most familiar.
97]
Mt-VERBS:
after (a
TiOrjfii
AND
&iSa>fu.
93
signifies
common
coming
phenomena
of mind, psy-
14. An epi-phyte (tW, Qvtov) is a plant growing on another, without receiving from it any nourishment.
XVII. Mt-VERBS
97.
Tl07)fu
and
AiBcojjbt.
few verbs, some of them common ones, are conjugated in a slightly different manner from
the verbs thus far given (with the exception of This form of conjugation is called the hvvafiat).
/u.t-form,
from the
put and
St-
94
[98-
Passive (Middle).
St-So-fxac
Sing.
8t-8o)-p,i
Sl-So-aat
Bt-Bco-crt
8l-8o-tcu
8i-8o-cr8ov
Dual 2
3
Bl-Bo-tov
SlSo-TOV
Bi-Bo-fiev
8i-8o-adov
8i-86-p,0a
Plu.
Sl-So-re
8i-86-o<ti
8t-8o-ade
8i-8o-vtcu
Inf.
8t-86-vat
8i-8o-a6at
a.
The
root of
Tidrjfxi is Oe-,
Ti-drj-fii
that of
St-
8(8(ofjLt is
Bo-;
the syllables n- in
and
in Si-Bw-fii, called
in
the
reduplication,
do not appear
derivatives.
(Compare
So- are
yi-yvco-o-Keo.)
The
#??-
lengthened to
98.
and
in the singular
active.
Vocabulary.
to avdos, -eo?
fioiver (anther).
to Bepp-a, -tos
SiSco fit,
(dose).
8pd(o
do. accomplish.
to Bpd/xa, -tos to
r)0o<>, -eo<i
-?;,
(1) deed,
("2)
drama.
character (eth-ics).
Kevos,
-ov
empty (ceno-taph).
soothsayer, prophet (neero-mancy).
song, strain of music (mel-od\
).
to /ieXo?, -eo9
fj
fiv/jfirj, -779
memory (mnem-onic).
Mi-VERBS:
TL$T]fii
AND
Ai'Sw/u.
9~)
8e<ri<i, -e&>?
a-vv-ridrj/xi
put
'
together.
together,
.
putting
'
composition
"
(syn-thesis).
to (fjupfiaKov, -ov
drug (pharmacy).
99.
I.
Exercises.
1.
To Oeppbv tov
to,
dvdea.
2.
iiri
fti/cpa 7rat?
Taaaec dvOea
5.
eVt T&>
&Kp<p
(f)vai<;
icevco rd<p(p
(ceno-taph).
teal
4.
6 /3aat\ev<i 8v-
vaTai 8pdecv
t/}<?
iroWd
dyadd
Bpup,aTa.
eVt
ra
pivos
SlBohtiv
aofybs (pappctKevs (pharmacist, druggist) awTtdrjai. 7. tois epyois teal hpdpaai tov iraihbs yiyvdio-Kopiev
to
9.
rjdos.
8.
i)
avvOecris
^X
dvaXvaei.
yipaifivijpp
pa<?.
Trj
TroWd
\l0w
ev
11.
ol
iepe'e?
1"2.
TiOe'dat
%pvabv
vnro
ywvia tov
14.
a>
o'ikov.
dya6d
pubva Xeyopev
13.
dvBea.
htBbvai.
Accusative piva.
96
[100
1.
dead flowers.
The soothsayer sells drugs [which are] like The sun gives to the skin of 2.
good 3. the sailor's nose the color of a rose. character is shown by good deeds. 4. The best
actors have a
good memory. 5. The king who makes (tlBtj/ii) the laws of the people cannot make (iroieco) the songs. 6. Nature gives horns
and a thick Qtra-xy) hide (pachyhippopotamus. 7. The first flowers of the season are put upon the graves of the dead.
to the she-goat
derm)
8.
to the
Can you
is
tell
the position of
the cities
9.
which
war?
The peda-
gogue
woids.
The
priest
is
11. Young orators are able to the sacred songs. put together many words which have little force. 12. The gods appear to the soothsayer alone.
13.
beautiful deed
is
like a light
which can be
seen afar.
100.
1.
Notes on Derivatives.
is
Anth-o-logy
for the
primary meaning of
is
from which
('E^-Xe^Tt/co?
derived,
is
gather.
from e and
Xeyco.
of the verb.)
But
anth-ology
collection of choice
Heli-
the scientific
name
for sun-flower.
100]
Mt -VERBS:
Epi-dermis
(iiri
TiOvfAi
AND
Ai'Sftyu.
97
2.
and
hepfia),
the
into
scientific
word
use.
come
common
Hypo-dermis, the under skin (biro), is mostly confined to scientific writing and speech, although
the adjective hypo-dermic has become common from the practice of giving certain remedies by injecThe element hypo- is used in tion under the skin. many scientific terms in the opposite sense to that
of hyper- (see 46, 6,
prefix
super-).
sub-
is
in
like
The
adjective
Taxi-dermy is thick) preserves the -ar- of 8ep/xar-. the art of preparing skins so as to preserve their
natural appearance. 3. Dose is our remnant of Boats, -ew? a giving, from Stow fit. Anti-dote (avrt-horov) is a medicine that is, to counteract some effect. given against The plural av-eicAn-ec-dote is from av-U-horov. hora (literally things not given out or published)
[a Byzantine
writer of the sixth century A.D.] to the unpublished memoirs of the emperor Justinian, which consisted chiefly of tales of the private life of the
court
4.
of
the
name
to
is
an active, vigorous one. The t of the stem 8pdp,arappears in dramatic, dramatist, and in dramat-urgy (Bpdp.arovp'yid for 8pdp,aT-o-epyid, the second part being from epyov) drama-making, or the art of writing and representing plays.
98
5.
[100
An
earlier
meaning
of rjOos
is
custom, habit
hence, that body of habits and usages which make up character or morals. (In the same way Latin mos, moris, custom, has given us moral.} From
r/Oos in
we have
ethic, ethical,
per^
taining
6.
morals,
and
ethics,
Besides
rhin-o-ceros
fcepax;
gives us also mono-ceros (povo-fcepcos) unicorn (Latin unus, one, and cornu, horn).
7.
From
p,dvrt<;
we have
element -mancy (pavreid), divination, in chir-o-mancy. divination by examining the hand (%eip), necro-mancy. divination by consulting the dead (i/e-/oo<?), pyr-o-mancy, by interpreting the appearance of a fire (irvp), and
(pavTifcos), also the
and
the Bible
8.
(fttftXiov).
The corresponding
adjec-
Me\os (which
more
to
(oS/j
refers
the
)
melody (see 31, 7 play interspersed with music. 9. From p.vr\p.r\ is derived the adjective pv/jpeov mindful, which gives our word mnemonic, pertaining to memory, and mnemonics, a system of artificial aids to memory. A-mnesty (/i-pvyaTeid, alpha privative;
is,
see 60, 3, b) is a legal lack of memory, that a general pardon for past offences in time of war.
10. a.
The
root 6e-
is
number
of important derivatives.
100]
Mt-VERBS:
meaning
TiOwfAt
AND
MSa/ii.
99
figurative
of a position taken
and main-
tained in argument.
tion
thesis
(Note the derivation of posifrom Latin positio, from pono, to place.) Anti-
(aim)
is
is
op-position, contrast;
par-en-thesis
Qrrapd, ev)
literally
a putting
in
beside,
then
something put in beside, as a side or subordinate matter; hypo-thesis (ytro) is under-putting, a supsyn-thesis, putting position (Latin sub, under) together, is often contrasted with ana-lysis, talcing
;
apart.
The corresponding
each of which
-al is
Further, epi-thet (eiri-OeTov) is a descriptive word put on (figuratively) to a person or thing. b. Again, 0/jkv is a ease or chest in which to put
often added. things
;
away
in cases;
library.
Hypo-thecate
is
biro
and
is
drJKw.
Hence
re-
theme
(de/jua,
-ro$)
primarily a subject
;
from
this
are derived the other uses of the word. The adjective thematic retains the -ar- of the stem. Finally, dvd0fia, -to? (avd here meaning up) was originally
anything put up in a temple, that is, offered or devoted to a god. Later, however, the form dvd07]/j,a was used in this sense, and dvd-de/xa meant only what was devoted to an evil power. Hence
ana-themat-ize (dva-0efjLaTia>) signifies to devote to
100
[101
evil, to curse solemnly ; and ana-thema is not only the person thus cursed, but also the curse itself, which was formerly a solemn ceremony of the
church. 11. Pharmaco-poeia ((papfAaico-'rrou'd') signifies a book describing drug-making, or the preparation of
medicines.
XVIII. Mt-VEBBS
101.
crra-,
"la-TTj/Jbl
AND
Kepdvvv/xi.
to
The
root of
La-rijfii set
up, cause
stand,
is
and
the same root which appears in Latin sta-re The present indicative and English stand.
103]
Mi- VERBS
"larripu,
AND
Kepdvvvpu.
101
of the
verb,
which we
and most
meaning. 102. The root of Kepdvvupn mix is icepa-, which is The syllable shortened to Kpd-, in derivatives. -vvv-, -VW-, is a suffix used to form the stem of the
derivatives
show
present tense.
102
1810s, -a, -ov
THE GREEK
IN ENGLISH.
[104-
105]
Mi-VERBS:
II.
"larrffii
AND
KepdvvOfii.
103
1.
The
with the
priest,
and makes-known his private feelings (idio-pathic). 2. The young [man] cannot mould an image of a hippopotamus. 3. The poets make-known the character and deeds of the ancients. 4. They mix drugs in a little mixing-bowl. 5. The animal is able to eat and digest man)- kinds of plants. 6. They are setting up a new machine, which cuts
7. It is best to choose the level road. In time we learn to choose the good instead of the bad. 9. The sailor's brother seizes and throws the measuring-rod. 10. The leaders of the people cannot divide the city. 11. To converse with others is not given to many animals. 12. A level road leads to the river. 13. He chooses the best place in the theatre, from which he can see the
grass.
8.
drama
well.
105.
Notes on Derivatives.
-e&><?),
1. Di-eresis
or di-aeresis (h-aipecns,
liter-
shows the active signification of atpeco. From alpeco in its middle sense we have heresy (aipecris, -ecw?), a choosing, and heretic. The term heretic was originally given to people who did
ally a taking apart,
not accept the doctrines of the church, but chose their own beliefs and heresy was a belief thus chosen.
;
2.
From
force of Sid
dia-lect
(>)
Sid-
104
[105
logue (Sm-A.0709).
Dia-lectics
conversational form of
3.
argument and
is
A
is,
an animal-plant
zootic disease is
an animal very much like a plant. An epione which prevails among animals (eVt roh ^ftiot?) as an epi-deinic (see 74, 1) among human beings. The zodiac (&)8m/fo's\ an adjective formed from ^whiov, the diminutive of oW), that imaginary belt of the sky through which the sun seems to move-, contains the twelve constellations, which arc fancied to resemble various animals. 4. Idiom (iSlco/xa, -t<k) denotes, first one's <>mi peculiar use of language; thru a mode of expression which is peculiar to a particular language.
that
Idiomatic retains -ar- of the stem.
-ov)
Idiot (i8itoT>)-;,
in
the
Creek sense
a
of a
Then
it
came
to
mean
common, unedu-
cated, or simple
who
has
not the ordinary degree of intelligence. 5. From the root of 'h-ri]/j.t we have static (arat(kos')
and
statics.
A compound
of statics
is
hydr-o-
the science which has to do with the laws of pressure and equilibrium of water and similar liquids. An apo-state ^d-rro-aTari^) is one who stands off from, or deserts, his former faith or party.
statics (y8a>p),
state of emotion, in
is the act of so deserting. standing oat, is an extreme which, as we say, one is he-
ec-static is
the adjective.
Sy-stem
; ;
105]
Mi-VEEBS
.-
"laTiifjLi
AND
KepdvvvfiL.
105
(<TV(m]fia, -tos, from avv and idTTjfii) denotes the standing together of things, in an orderly manner systematic is the adjective, and systematize the verb.
The Greek
Kpdrrjp
which
resem-
named from
its
blance in shape.
ture
From
t8ios,
was formed ISio-o-vy-Kpdaia idio-syn-crasy, one's own peculiar mixture of qualities idio-crasy is rarely used in the same sense. 7. From 6pa\6s and av- 'privative (see 60, 3, 5), we have an-omalous (dv-oofiaXos with an irregular lengthening of o to &>), irregular, and ano-maly
(av-a>fAa\ia), irregularity.
8.
Eu-peptic
dys-peptic, (Zva-
and eu-pepsia are contrasted with and ireirro)') digesting ill, and dys-
pepsia,
9.
bad digestion.
rrXdaaoy
From
and
we
obtain
plaster
(ep.-ifkaa-
rpov),
moulding
10. The root of rep,vw is rep.-, which appears in English derivatives in the form to p.-, with the common change of e to o. A tome (ropbo<i, -ou) is
from the rest, hence a volume. alpha privative) is a particle so small that it cannot be cut in two, an indivisible particle. Ana-tomy is primarily the cutting up (dvaa part of a
cut
work
An
a-tom
(d-rop.o<;,
To/jbij),
dissection of a
body; then
it
came
to
mean
106
[107-
the structure of a body, as learned by dissection. Zoo-tomy is the anatomy of animals. An epi-tome
(e7ri-T0fji,?]~) is
a brief
summary
of
(Latin
in
and
seco,
ev-rofjbov,
because so
cut
first
many
wasp and
divided.
spider, are
Hence the
is
11. Phrase
<f>pd%a).
Compounds
and
( (
(irapd),
peri-phrasis QirepC),
peri-phrastic.
XIX.
106.
The Verb
&r)fit;
the Adjective
is
ITa?.
The conjugation
in
of (j>nfi(say, affirm,
nearly
present indicative of c/h//u is enclitic (see 55), except in the second person singular, (f>rj<n hence it
follows the rules in 55, a and b, in regard to accent, and should not be placed at the beginning of
a sentence.
Sing.
Dual.
Plu.
1 2
(f>v-H-i
(pt]<;
a-p,kv
<f)a-rov (J)a-r6v
Inf.
<f>a-T
(prj-crl
<f)dal
cpd-vai.
107.
The
singular, every)
of the third
declension
in
the
108]
THE VERB
cpnflt
THE ADJECTIVE
7ra?.
107
masculine and neuter, and of the first declension It has some irregularities of acin the feminine. cent, and is therefore given in full.
Sing. N.
108
rb
TO
jjbd6rifxa,
[109^
lesson (mathematics).
-ov
fivaTiKOS,
6\o<i,
-1],
-bv
-ov
whole (holo-caust
all,
).
every (pan-orama).
Trelpa, -as
o Treiparr)?, -ov
7rpdaaa>
accomplish (prac-tical).
deed, affair (pragniat-ii). split (schism).
say, affirm (cu-phe-mism).
109.
I.
rb Trpdypca, -to?
(p1]p,L
Exercises.
1.
Tt
2. iv rf)
elvai
(to
be);
SiBdiv
//
oi pijropes
b
/xavddvovcn
4.
\iyetv rep
3.
hvvaTai
roU
5.
a^oXfj p.a6)jp.aaL 7r\dacrovTai ol TraiSes. pLvariK)] crocpid twv dpyaiwv ovk eri (longer)
Trrerai.
G. 7.
icpvTr}$
ol TroXlrai
>)
(ppd^ovai rd Sbyp,ara
dyopds.
8.
ol
irapd-ai a7ro-rep.vovai
(i')(ov
a \ap,(3dvovai.
10.
rb SevSpov.
Trdvres
iralhes
puavOdvovai
11. TO KavcrrtKov b\ov pL<Wvp<a. 1-. 6 p/jrcop cpi]al Bepp,bv tov i]\iov Sl&olhtii' akyea.
to
The verb
$y)\x\,
like verbs of saying in Latin, takes the ina subject-accusative, as its >>i>ject.
finitive,
with or without
110]
THE VERB
SfjfjLOv
(prffii ;
THE ADJECTIVE
13.
7ra?.
109
rbv
ireipdovrac
Kaeiv rd hevhpa.
a6~\.i]Tov.
II.
They conceal the nature of the drugs which 2. The fire splits all the stones and they give. burns all the plants. 3. The whole affair is secret. 4. Pain teaches many lessons. 5. Can you tell in
1.
which the
priests teach?
7.
6.
The
Caustic words give pain. 8. The king conceals the attempt of the sooth9. The air in the lungs has not much sayers. 10. weight. learn from ancient books the opinions of the ancients about nature. 11. The
the gold in the city.
We
own
a
feelings,
others.
12. It
is
many
[things], but
few things.
14.
13.
What
much
plish?
trying to set
110.
1.
Derivatives.
Phantasm-agoria (cpdvrao- pa, 74, 11, and dyopa) denotes an assemblage of phantasms or images. In pan-egyric we have a derivative of a dialectic form
of dyopa.
Trav-T'iyvpiq
110
[110
X0705 was an oration delivered at such an assembly. As such orations were often
Trav-riyvpifcbs
in praise of
some
term came
to
mean
2.
a eulogy.
From aXyo?
is
and neur-algia (to vevpov nerve). 3. In bary-tone the y stands for v of ftapvs heavy which is plainly related to fidpo?. The word is (For tone see mono-tone. 68. also spelled baritone. 9.) The baro-meter is an instrument for measuring
algia (see 31, 5)
s
(SiBa/cri/cos,
from
SiSacr/cw,
the root
of
which
is 8i8a/c-)
means
instructive.
5. Aoypba sometimes has the same meaning as ho%a\ but the English dogma has taken on the sense of an accepted opinion, or one which is put Hence dogmatic forth as unquestionably true.
and dogmatize.
6.
The verb
the u
which
is
shown
Cautery
by other forms
(KavTijpiov a branding-iron)
or searing in surgery.
7.
Cauterize
the verb.
Apo-crypha
(u7ro-/cpu<,
from
inro-KpvTTrw)
signifies properly
hidden away; then by a curious transfer the word was applied to those books of the Bible which were not recognized as inspired.
8.
Syl-lable
is
is
from
au\-\a/3>j
ftdvco),
what
In
was
original!)
due
many
110 J
THE VERB
<f)t]fii ;
THE ADJECTIVE
7ra?.
Ill
Tri-syllable has for its first element the stem of rpels. Syl-labus, of the same etymology with syl-lable, denotes an abstract or compendium. In epi-lepsy (literally, an attack, seizure'), the root \aft- appears in the slightly different form \777r-. The root is still farther changed in di-lemma (81This word was originally the technVJ XijfifMa). name of a peculiar form of argument, but now is often used for a difficult situation, in which any course of action which may be chosen seems likely
spelling.
The
force of the
for
as double-catch;
see 96,
9.
1.
been restricted to a particular branch of learning. A philo-math (0/X.o?) is one who is fond of learning. 10. Holo-caust (6\os and Kavaro^ from tcau>) is used of sacrifices which were wholly burned, The phrase nadf 6\ov (for Kara. oXov) is used in an adverbial sense, wholly ; from this was formed the adjective Kado\i/c6<; universal, general ; hence our
word
catholic.
English in the forms pantThus, pant-e-mime (see 78, 4), pant-ophagous ((payelv), equivalent to omni-vorous, from Latin. Pan-demonhim (8ai\iwv) is the place of all demons ; pan-theon (irav-Oelov, 0eo?), a temple of all gods; pan-theism, the doctrine that the universe, taken as a whole, is God; pan-orama (opdoo), a complete view ; pan-acea (wav-d/ceia, from d/ceofxai to cure), a cure-all ; pan-oply (irav-oTfXld, from o-rrXov
11. I7a<? appears in
and pan-.
112
[110.
armor), complete armor. From frequent use in and similar words, the syllable pan- has come to be used freely with a like meaning in forming
these
often when the second part is not Greek, as in pan-evangelical, pan-Slavism. Diapason is an abbreviation of 8ca iraaoiv -^opSoov (?;
Xop&'i the string of a lyre, whence our chord) means, therefore, the octave, or the entire scale.
12.
;
new compounds,
it
is
An em-piric is one whose knowledge or skill gained only in trial or experiment (Jv ireipa), and is not founded on scientific principles. A
makes
is
pirate
on others;
piracy
13.
shortened from
irpaaaco we have practical (nrpdKTLKos), and praxis (irpagis), a technical term having one of the meanings of practice ; pragmatic shows the stem of irpaypa. 14. A schism (axio-fia, -ro<?, from er^i^eo) is a
practice,
From
"split" or division, in
a party or organization;
hence
schismatic.
15. From ev-(piyxoq well-speaking (eS and (pvpi) we have eu-phemism, eu-phemistic. A 7rpo-(p?]Tv<; is one who speaks for another (77730, like Latin pro,
often having the meaning for) ; pro-phet, one who speaks for, or in place of, God; that is, one who is inspired by God and declares his will. Hence
pro-phetic, pro-phecy,
and
pro-phesy.
Hetero-phemy
(eVe^o?)
is
GREEK-ENGLISH VOCABULARY.
dXXos,
-r\,
-o
other, 89.
read, 49.
riva-yi-yvojo-Kw
'A-yaGo's,
-tf,
-o'v
good,
66.
ayytWoi announce, report, 58. <vyYe\os. -on, d messenger, 58. ayopa, -as, t] assembly, 108. ayu lead, 72.
d-ywyds,
72.
o/ycov, 0I.7UVOS,
analyze,
94.
-ov,
leader,
guide,
man,
49.
-ov, d
antago-
d contest, 84.
nist, 84.
dvTi, prep.
66.
dird,
d-ywvii;o|j.ai
struggle,
engage
in a contest, 84.
d8eX<|>o's, -ov,
d brother, 58.
away
from,
diroo-T'X\w
d-rrdo-ToXos, -ov, d
game,
84.
bassador, 58.
dpi0p.a>
grasp, 103.
count, 76.
d
dpi0|j.ds, -ov,
number,
76.
dpio-Tos,
29.
-t),
summit, prime,
34.
dpxavos,
o-PX 1!'
-d, -ov
tj
ancient, 80.
(1)
dxcvu hear,
ciKpov, -ov,
-HS,
beginning,
80.
(2)
government,
94.
dpxw
ij
aKpoVoXis, -ws,
94.
acropolis,
d pipe, 58.
-d
aXyos,
-tos, to'
pain, 108.
avTo's,
-if,
-self;
myself,
dXXd but.
114
GREEK-ENGLISH
B. throw, 44.
to weight, 108.
o kiny, 92.
VOi
ABULABY.
-a8os.
BaMw,
Papos,
company of
-eos,
ten,
decad,
80.
Pao-i\vs,
-f'ws,
bookseller
master, 44.
66.
ptos, -ov,
o'
d people, 72.
Life, 49.
8ia.
prep. w.
gen., through,
pope'ds, -ov, d
north-wind,
44.
54.
PoTavti,
-Tjs,
tj
Staira,
-7]s.
r\
mode
of
life, 39.
SuaXe'-yopai
converse, 103.
Tdjios. -ov,
o'
marriage, 89.
family. 89.
rj
yevta, -as,
ij
ytvto-is, -a>s,
birth,
origin,
genesis.
ye'vos, -eos,
94.
8da,
-t|s-
t\
opinion, 66.
to'
A earth, land, 29. veyvopai become, be born, (of event- lake place, 89.
T1>
Y<\s-
8pdpa, -tos,
(1)
deed. (2)
98.
drama.
8pdp.os,
98.
yeyvcoo-KU)
perceive,
49.
learn
to
rate,
running,
know,
y\v<j>io
49.
Sv'vajiai can,
-tjs,
rj
carve, 94.
am
r\
able, 94.
yXuKro-a
or
yXuTTa,
39.
Sv'vapis, -e^S.
force,
power,
tongne, language,
Ypau.u.a.
94.
8vvao-TT|s. -ov, d ruler,
dynast,
94.
E.
'EpSop.ds.
d8os-rj
week.
80.
-ov,
to'
gymna-
'p8oposi8os.
-t),
sium,
76.
.
-cos.
shape,
figure,
yvu.vo's- -r
-o'v
rj
naked, bare. 76
89.
yiovtd, -ds-
corner, angle, 80
cLkuv. -o'vos.
84.
tlo-(v)
rj
image, statue,
Aaip.iov.
-ovos,
o'
divinity,
'k
or
eij,
spirit, 84.
from,
li;
prep. w. dat.,
outside, 80.
in, 29.
I.
fa>
own,
pri-
iwi, prep. w.
dat.,
upon, 66;
overseer,
vate, 103.
Upcv's, -ws, d priest, 94.
W. ace,
eirfcr koitos,
to, 58.
-ov,
guardian, 72.
emo-ToXri,
tle, 58.
-rjs,
rj
-ov, d
letter, epis-
Ho-os,
-t|,
to work, 54.
-ov solitary, lonely,
history, story,
34.
84.
K.
Ka and,
kgko's,
49.
80.
-v[, -o'v
bad, 66.
koMos,
genKaXds,
-eos, to'
-tj, -o'v
beauty,
89.
beautiful, 89.
uine, 72.
tv well, 34.
Kavtov, -dvos, d
measuring-rod,
burning,
rule, 84.
Kavo-TiKo's,
->i,
Xw have,
29.
-o'v
caustic, 108.
kow burn,
Kevo's,
-n',
108.
-o'v
empty,
98.
Zwov,
-ov, to'
animal, 103.
Kpdvvv|xi
mix, 103.
to horn, 98.
Kt'pas, Ke'pdTos,
Kj>a\Ti, -Vis,
rj
head, 29.
ladder, 76.
"H(3ii, -r,s,
t|
youth,
29.
kXoiio
break, 84.
-kos,
tj
character,
KX.ip.aj;,
Koo-p.e'w
adorn, 49.
(1)
Ko'o-iios, -ov, d
order, (2)
ornament,
0d,
-ds,
ti
sight,
show,
29.
89.
theatre, 54.
heat, 54.
position, put-
KpdTtjp, -npos, d
mixing-bowl,
strength, 89.
d a
0o-is,
-ws,
ij
ting, 98.
Kpmis,
-ov, d
judge, 44.
116
to house of the
58.
39.
muses,
museum,
t)
kvkXos-
p.ovo-iKn', -rjs,
music,
legend, 49.
108.
to secret doc-
trine,
mystery.
larynx.
p.vo-TiKo's, -tJ,
-dv secret,
mys-
tic, 108.
76.
N.
word,
Navs,
(2)
vavi-qs. -ov. d sailor, 84.
rj
ship, 84.
(1)
tion, 49.
vKpds,
r\
-d,
XvVis,
-tot's,
loosing, set-
ve'u.a)
new. young,
law, 66.
94.
'O.
?j,
to
the.
often transher,
its,
lated
by
his.
or
their, 18.
d5ds, -ov,
t]
-tws,
soothsayer,
otKt'w to inhabit,
dwell
in, 72.
prophet, 98.
(xcXos, -os.
oCkos, -ov, d
house. 72.
to song, strain of
music, 98.
lTpov,
FLTlX avTipiKpo's,
-ov,
-ov
-rj,
whole, 108.
-dv
to measure, 54.
ii
djiaXo's,
even,
level,
""i?,
machine,
72.
34.
103.
6'p.oios, -a,
-d -dv small,
dp.ov
together
d imitator, 76.
dvvp-a, -tos, to
name,
to
89.
(autos, -cos,
H-viiVti, -iis,
to hatred, 94.
ii
memory,
98.
instrument,
jidvos,
-T|,
one, 66.
(iop4>rJ, -lis.
t\
dp0ds,
-rj,
form.
58.
jiovo-a,
-ijs, t\
muse,
39.
dpvts, -60s, d,
rj
bird, 80.
11'
who,
that,
which
64.
ov, ovk,
dJ/op.ai
d foot, 80.
76.
Trpd-yua,
-tos, to'
deed, affair
108.
n.
IldOos, -60s,
sion, 89.
ircuSa-ywyo's, -ov, d child-leader,
to'
Trpao-o-w
accomplish, 108.
-d,
feeling, pas-
Trpeo-pvTepos,
72.
irpo',
teacher,
pedagogue,
o',
80.
Trpun-os,
child, 80.
w.
irapapaMw compare.
Trapo.poX.TJ, -t]s,
TJ
nose, 98.
irapdSeio-os, -ov,
park, 58.
every, 108.
2dp,
-ko's,
tj
flesh, 76.
irapa, -as,
tj
attempt.trial, 108.
o-KTTTop.ai
impdouai
try, 108.
o-K-rp-rrpov, -ov,
sceptre,
54.
o-kotto's, -ov,
d watcher, look-
out, 72.
o-o(|>d, -ds, tj
wisdom,
66.
o-o(J>top.ai,
am clever,
or wise,
irvtvaa, -tos, to
89.
72.
o-o<j)o's, -tJ, -o'v
wise, 66.
firm, solid, 76.
make,
39.
ttoit)ttJs, -ov,
ing)
o-vv,
94.
TrdXji,os, -ov,
tto'Xis, -ws,
tj
o-vv9o-is, -ws,
a putting to-
iroXvs,
ttoXXtJ,
tto\v
89.
much,
(plural)
many,
o-j>aipa, -as,
39.
118
leisure,
school.
4>atvu>
show,
72.
34.
4>aivop.ai
appear, 72.
to drug, 98.
T.
Tafjis, -ws,
Tcto-o-o)
ij
<j)dpp.aKov, -ov,
arrangement,
94.
j)'pw
4>ri|j.C
arrange, 94.
tomb,
98.
<j)iXos, -ov,
<j)d(3os. -ov,
j)pdi>
<t>v'o-is,
make known,
-ttosij
103.
nature. 94.
tC
what?
4>vto'v. -ov.
4>vo)
to plant, 94.
94.
make grow,
t\
d place, 58.
54.
<}>wyrj, -r\s.
<J>t5s.
TpiVw turn
Tpds three,
<j>o)To's. to'
tv'ttos, -ov, d
type,
76.
XapaKTTJp,
-T)pos- d
mark,
84.
\dp.
'Y-yUia, -as,
v'Sup.
vire'p,
t|
i}
hand, 34.
-as,
ij
health, 39.
X^aipa,
she-goat, 39.
to water, 58.
prep. w. ace, beyond,
44.
Xpwua,
-tos,
to color, 89.
vtto'.
^v8os,
-os, to'
t]
falsehood,
xj/vxii- -tis.
sold, 49.
viroKptvouai
answer,
'fliStf, -i\s
76/
v-rroKpiTTJs, -ov, d
actor, 76.
<opd, -as,
r\
ENGLISH-GREEK VOCABULARY.
Are, they
Able,
dcrL(y).
am
7rpt
Svvapai.
Around
irtpi
w. ace.
About
w. gen.
6.
rj-
d/</D07roAts, -ews,
Arrange Tacrcrw. Arrangement Tafis, -ews, Art Tx vV> " 77 s, 77Assembly dyopd, -ds, 17.
17.
Actor
VTTOKpLTrjS, -ov, 6.
Koap.lu>.
At a
distance
TrjXe.
6.
Adorn
Afar
rrjXe.
-ov, 6,
Affirm
(j>r)fAL-
Again
Air
All
7rdAiv.
Attempt 7mpa, -us. 17 At the side of 7rapd w. dat. Away from utto w. gen.
B.
drjp,
a epos,
-rj,
6.
Alone pdvos,
Ambassador
6.
airoo-ToXos- -ov,
-ov.
17.
-ov.
Ancient dpxaios,
-a, -ov.
Beautiful kuAos,
->/,
-ov.
And
ko.L
Beauty KaAAos,
-ds,
17.
-eos, to.
Become
yiyvo/xai.
-ov, to.
Announce
-ov, 6.
dyye'AAo).
Antagonist
dvTaytoviorr/s,
"*? s >
17-
Appear
(ftaivopw..
120
Beyond
ENGLISH-GREEK VOCABULARY.
xnrip
w. ace.
Book
6.
Dead veKpos, -a, -ov. Decad Sexds, -80s. 17Deed 8pap-a, -to?, to.
Description Adyos, -ov, Digest TriiTToi.
6.
Bookseller
Born,
am
yiyvopui.
-ros, to.
-ov, 6.
Brother d8eA<ds,
Burn
Kaeo.
-1?,
-ov, 6.
,
TrjXe.
-ovo?, 6.
-ov.
Do
Spdoi.
Drug
Can
Svvafxm.
<epa).
-ov, 6.
Carry Carve
yAv'<o>.
-7/,
Caustic Kauo-TiKos,
-dv.
Earth
Eat, to
inf., cpayeiv.
Choose
alpeo/MU.
o.
17.
-a, -ov.
Empty
Envoy
Epistle
Kevds,
-rj,
-ov.
a7rdo-ToAos, -ov, 6.
7rio-roAi7, -rj?,
-rj,
r).
Equal
lo-os,
-ov.
Compare
V-
Trapa/3dXXw.
rrapa(ioXrj,
-rj?,
Comparison
Composition avvueaL?, -ews, Conceal KpvrrTw. Concerning irepi w. gen. Contest dycov, dywvos. 6. Converse SiaXeyofiai. Corner ywvtd, -as, 17.
17-
Extravagance
V-
vTrepfioXrj,
-rj?,
V.
-fos, to.
17.
Far
TrjXe.
Fear
<p6/3o?, -ov, 6.
V<)<
AB ULAR Y.
e^o).
121
Few
Fire
oAtyot.
-at, -a.
Figure
leisure o-^oAd^o).
K<j>a\y'i, -77s, 17.
Health vyUui,
aKova>.
-ds,
17-
Firm
Flesh
First 7rpwT0S,
-or77.
crdpf, -/cos,
Herb Hide
fioravq,
-77s, 17.
Himself
-ov, 6.
Form
From
(verb) TrXdaaw.
<iAos, -ov, 6.
6.TTO
Hippopotamus
k, e
i7r7ro7roTapos,
Friend
w. gen., or
His, translated
6,
yj,
by the
article
w. gen.
G.
to.
History
lo-Topid, -ds,
77.
Horn
-17,
Ktpas, KtpdTos,
-ov, 6.
to'.
Game
d#Aos,
-ov, 6.
Horse tWos,
-ov.
povo-eiov,
God
Gold
#eds, -ov, 6.
xpvo~ds, -ov,
6. I.
Good dya^ds, -77, -ov. Good health vyieia, -as, 17Government dp^) -*??> VGrasp
Grass
aipe'o).
6.
-77s, 17.
Illustration TrapafioXrj,
Image
-77s, 17.
cIkwv, -oVos,
17.
(ioTavr},
-ov, 6.
,
<piia).
6.
zttlo-kottos, -ov, 6.
Guide dywyos,
-ov, 6.
Gymnasium
yvpvdcriov,
-ov,
Instrument opyavov,
Is eoTt(v).
Its,
-ov, to.
translated
77,
by the
article
Hand X etp,
Hatred
rj.
6,
TO.
pio-os, to.
122
Em
LISH-GBEEK VOCABULARY.
Live
oiKeo).
lprjpuo<;, -77. -ov.
Lonely
-or, 6.
Long
-(us,
7}.
Kind King
Lung
.
7TVeviitoV, -ovos, 6.
learn to
yiyvw-
M.
cr/cu).
Machine
,
p-qxavrj,
-77s. 7;.
Known, make
L.
<ppdia.
Make
tj-ouw.
<piiw.
.Make grow
Ladder
kXI/ui$, -kos.
y>ys.
77.
77.
Land
Large
y^,
7roAAa.
Language
yAtoorra,
-77s, rf-
Mark ^apaKnjp,
-jJ/jos, 6.
Law
i/ojuos, -ov, 6.
Lead ayw.
Leader dywyds, -or. 6. Learn fmvOdvw. Learn to know yiyi'too-Kw. ad firOus. -ov. 6. Leisure cr^oX,}. -77s, 7}; to have
leisure o-^oAa^w.
Marriage ya/ios, -ov, 6. Master oWttott;?. -or. 6. Measure fierpov, -ov. to. Measuring-rod /cavwv, -dvps,
6.
Memory
Mix
pvy/ii].
-77s,
?).
Messenger ayyeAos,
Ktpdvvvp.i.
-or. 6.
Mixing-bowl KpuTl/p.
-TipOS, O.
Lesson pdOqpxi. -70s. to. Letter (of the alphabet) ypd/x.fxa, -to?,
to.
-^s,
-77s, 17.
770A77.
Museum
o/xaAds.
-7/.
/wvaelov. to.
-77s, t).
-dv.
Music
,
p.ovo-iKy,
Life
Life,
/3ibs, -or, o.
mode
of
oYairu.
N.
Naked
ciais. c/xords,
yr/xvo's,
-17,
-ov.
to.
Name
1
Like Line
Nature. (pwris,
o-ri^os, -ov, 6.
North-wind /3opcds,
-ov, 6.
123
17.
Power
Prime
SvVa/xis. -ecu?,
Not
Number
dpi#pds, -ov, 6.
?}.
Private
-d, -ov.
-ov, to.
O.
Prize dOkov,
Ode
wSt;,
iv
-fjs, r).
Older
pea[Svt epos,
-d, -ov.
-ews, 6.
Put together
p,dvos,
-77s,
-rj,
avvTL$rjp.t.
o-vv0eo-is,
-ov.
Putting
-ews.
17.
together
r)
or
R.
Race, kind, yevos. -eos, to. Race, running. Spdpos, -ov,
Orator prjrwp, -opo?. 6. Origin ye'vecris, -cojs, 17. Other aAAos. -rj, -o or eVepos,
;
c.
-d, -ov.
Read dvayiyvwcrKw.
Real IVvpos, -17, -ov. Report dyye'AAw. Right 6pd6s, -rj, -ov. River 7roTap.ds, -ov, 6.
Road
68ds, -ov,
17.
Pain dAyos,
-eos, to.
Rose pdSov, -ov, to. Rule (noun) Kavwv, -dvos, 6. Rule (verb) ap\<x> or Kpareo). Ruler Svvacrnjs, -ov, 6.
Park
7rapdSeio-os. -ov, 6.
Running
6.
opdpo?, -ov,
b.
Passion
Pedagogue
7rai8aywyds, -ov,
yt-
Sacred
tepds,
-of.
-ov.
Pipe avAds.
Same
6 urrds.
i)
avrrj.
to avTO.
Pirate ireipdTrjs,
Sceptre
Place (noun) toVos, -ov, 6. yiyvopxxi. Place, take Place (verb) ri6rjp.i.
,
School o"xoA?/, -rjs, r), Scratch ^apdo-croj. Season wpd, -ds. r).
Secret /juiotikos, -rj, -ov. Secret doctrine pvorr/piov, -ov,
-ew>,
17.
TO.
124
oif/ofmt.
Strike twttw.
Straggle dym'i,op.ai.
Sell 7rwXeo).
Send
Set
o-re'AAa);
send away
d7ro-
17.
up
lo-rrjfu-
-ov.
17.
Take Aap/3dvio. Take apart dvaXvu). Take place yryvopai. Taking apart dvdAvo-is,
V-
-ews,
Ship
vui"s.
'}
17.
-ov, 6.
Skill ri-xyy],
-77s, rj-
Skin
Ten The
SeKa.
6,
17,
T<i
-ov, to.
Solid o-repcds.
-a, -ov.
-77,
Theatre Bedrpov,
Their, translated
cle 6,
17,
Solitary ep^pos,
-ov.
;
by the
arti-
Song, ode, wSy. -t/s. 17 strain of music, pc'Aos, -tos, to. Soothsayer pdvTis, -ecus, 6. Soul ipvxv> "*7 ? 17>
TO.
-yyos,
6.
Through
Sid
\v.
gen.
-17s, rj-
Time
^povos. -ov, 6;
1/.
season
uipa, -ds.
6.
Together opoO.
Tomb
Top
Tree True
rdcpos, -ov, 6.
yA.uxrcru
-/7s, *)
Star acrrpov,
-ov, to.
17-
Tongue
dxpov,
-ov, TO.
Story
lo-Topid, -ds,
-rj,
17-
ert'pos,
-r?,
-ov.
Straight dp#ds,
-ov.
Strength updTos,
-cos, to.
ENGLISH-G REEK
Turn (noun) TpoTros. Type twos, -ov, 6.
U.
-ov, o.
r
1
0( 'AB ULA E Y
eySSopds, -80s,
17.
1-"
Week
-eos, to.
ds,
-7?,
t)',
d.
Under
viro w. dat.
A.vo>.
-ov.
Undo
Upon
Unloose dvaAvw.
7rt
w. dat.
-77,
Upright
dptfds,
-y, -ov-
dat.
V.
VieW
Voice
<TK7rTOjU*U.
<f>wvrj, -rjS, rj-
-ov, 6.^
-ov, to.
Koo-pos, -ov, 6.
-tos, to.
w.
War
7rdAepos, -ov,
Y
Youner
Way
6Sds, -ov, y.
\outn
Anabaptist
51, 5, b.
Acephalous
31, 5.
1.
Anachronism
51, 5, b.
1. 1.
Acme
29; 31,
Acoustic 34; 36, 1. Acoustics 36, 1 36, Acropolis 94. Acrostic 94; 96, 1. Adelphi 58; 59, I, 9. Aerate 86, 2.
;
Anagram
51. 5, b.
.">.
Aerial 86,
2.
Aeriform
Aeronaut
86, 2.
2.
Analytic 96,
7.
Aerolite 86,
Analyze
94.
86, 2.
1
;
Anarchy
78, 11.
82,
1, b.
Aesthetic 78,
Anathema
100, 10,
c.
Aesthetics 78,
1.
Anathematize
100, 10, c.
10.
Agatha
66.
3, b.
100,
3.
Agony
Air 84
;
84; 86,
86, 2.
1.
Anhydrous
91,
60, 3, b.
Albuminoid
91, 5.
9G, 11.
;
Allopathy 89;
2, a.
7.
84.
1.
Anthem
Anther
68,
98.
128
Anthology 100, 1. Anthropoid 91, 5. Anthropology 49. Anthropomorphic 59, I, 12. Anthropomorphism 60, G. Anthropophagi 77, 1, 2. Anthropophagous 77, I, 2.
Anti- G8,
1.
Archaism
82, 1, a.
,
b.
1,
b; 74,9.
Archduke
82, 1, b.
1,
b; 74,
9.
Antidote 100,
3.
1.
Antinomian
68,
1.
Antinomy
Antipathy
68,
91. 10.
1.
91, 7.
1;
Antiperiodic 68,
I,
91,
7.
2.
5.
10, a.
10, a.
Astrology 68,
2.
Apathetic 91,
10.
Astronomy
Atheist
Athlete
84.
Apathy
91, 10.
56. II. 4.
60, 3, b.
Aphelion
110,
7.
Atom
1.
105, 10.
67, I,
2.
3; 57,
Autobiography 66;
Autocrat
91,
7.
1.
1,
3; 68,
3, a.
a.
60,
7.
Apostolic 60,
Baptize 51,
a.
5, b.
3.
Baritone 110,
1,
Barometer
108.
129
Caustic 108.
Cauterize 110, 6. Cautery 110, G.
Basilica 96, 2.
Basilisk 96,
2.
Cenotaph 98
;
99,
I, 3.
Bible 66.
Cephalopod
82, 7.
10.
10.
Bibliopole 66.
Characterize 86,
10.
;
Chimaera, or Chimera 39
5.
41,
Bigamy
91. 2.
9.
I,
Chimerical 41,
5.
Bimetallist 68,
Biography 49; 50, Biology 50, II, 5; Bishop 74, 9. Boreas 44. Botanic 31, 2.
Botanist 31,
2.
2; 51,
1.
1.
35,
7.
I, 3.
51,
7.
14.
Chrome Chromo
89.
51,
1.
10.
Chrysanthemum
78, 10.
10.
Calligraphy 91,
6. 6.
Chryselephantine 78,
Chrysolite 78, 10.
Callisthenics 91,
Canon
84
86, G.
Climacteric 78,
3.
Climax
76.
Comedy
31, 7.
11.
Catacomb
Catalogue Catarrh 7.
51, 5, c.
51, 5, c.
Constantinople 96,
Catholic 110,
10.
4.
:o
Cosmogony
T. 2.
Democrat
91, 7.
;
Cosmopolitan
51,4.
Demon
1
:
84
86, 3.
3.
51, 1;
86, 3.
1.
49; 51,
51, 4.
4.
Derm
98.
Despot
6.
44.
I>evil46. 3; 60,7.
Di- 96.
Dia- 78,
8.
Criterion 46,
1.
1.
44
46,
1.
Critical 46.
Diaeresis 105,
1.
1. 8.
Criticism 46,
Criticise 46,
Diagnosis 78,
1.
Diagonal
82,
2.
Crypt 108.
Crystal 53.
Dialectics 105.
2.
Cycle 58.
82, 6.
I, 3.
Diaphanous 72;
74, 11.
Daemon
86, 3.
Diastole 78,
8.
4.
1.
Digraph
96,
1.
Dilemma
91, 4.
110,
8.
Dimorphic, -ous
96,
1.
tie 82, 3.
0; 96,
1.
8.
L08; 110,
5.
91, 5.
Demagogue
Democracy
72: 73,
90,
I,
I, 1.
91,
7.
131
Epidermis 100,
Epiglottis 68,
6.
2.
Drama
98.
4.
3.
Dynamo
96,
5.
Dynamo-electric
Epistle 58
60,
7.
Epistolary 60,
7. 2.
Epitaph
;
99, I,
105, 8.
8.
Epithet 100,
10, a.
Epitome
105, 10.
3.
Epizootic 105,
1.
Economy
74, 6.
5.
5.
Ecstasy 105,
Ecstatic 105,
9.
86, 5.
5.
Electricity 96,
5.
Elephant
78, 10.
11.
11.
5.
110, 12.
Etymology 72
74, 2.
Empyrean
86, 8.
Etymon
Eugene
74, 2.
Eucephalon
91, 3.
Encyclical 59,
Encyclopaedia
82, 6.
Energy 54; 56, II, 5. Entomology 105, 10. Eph- 68, 6. Ephemeral 68, G. Ephemeris 68, G.
Epi- 68.
G.
a.
5, a.
8; 105, 8
Euphemism
74, 1; 105,3.
Epidemic
Euphemistic 110,
132
Euphony
68, 7.
35, I, 5
36, 2
Harmony
51, 7.
;
Evangel
60,
1.
82, 4.
Exodus
57, 3.
Helianthus Heliometer
100.
57,
;
1.
"..
5.
56, II, 9.
9.
Fancy
74, 11.
1,
b.
Fantasy
74. 11.
1.
Genealogy
89.
3.
Geography 29; 30, 1,8; 31,3. Geology 31, 3; 50, II, .V Geometry 31, 3; 57, 4. George 57, 4
(.loss 41,
1.
5.
3.
15.
Hexagon
82,
2.
Hierarchy 94;
Hieratic 74.
1
;
95, II, 1.
96, G.
Hieroglyphic 94.
41.
1.
Glossary 39;
Glottis 41,
1.
Hieroglyphics 96,
0.
Hieronymus
3, b.
96, 6.
6.
Gnome
51,
2.
Hierophant 90
2.
ar 91,
4.
Leal 91, 4.
82, 10.
Holocaust 108;
110, 10.
Homer
91,
1.
7.
Gymnasium
!
76.
Homoeopathy
78, 2.
Gymnastic
78, 2.
Homogeneous
91,
;;
9i, 8.
9.
Gymnic
Hades
78, 2.
Homonym
91, 8; 91,
9'
!
Homonymous
7, a.
Horography
133
1.
Idiosyncrasy 105,
Idiot 105,
4.
6.
8.
Hydrant
60, 9.
1.
I, 1.
3.
Isothermal 72
9.
73, 1, 12
74, 3.
Hydrostatics 105,
5.
-IteSI,
4.
-ize86, 11.
Jerome
Jot
46,
6.
96, 6.
2, a.
Hyperborean
45, I, 8
;
6.
Kaleidoscopic 89
90, I, 10.
Hypercritical 44
46,
Hypo-
100, 2.
Hypodermis Hypodermic
100,
100,
Lithology 68,
8.
Logic
51, 5, a.
4.
74, 4.
Iconoclasm 84
Iconoclast 85,
86, 4.
I,
10; 86,
4.
Iconography
-ids 91, 5.
86, 4.
Idiocrasy 105,
5.
Idiom 103
105, 4.
4.
9.
Idiomatic 105,
Mechanism
36, 4.
134
Monoceros
100,
6.
14.
Metamorphosis 60, 6. Metaphor 82, 9. Metaphysics 96, 13. Metempsychosis 60, 6. Meter 54. Method 57, 3.
2.
68, 9
91, 4.
68, 9.
9.
Metonymy
Metric
54.
91, 9.
Metronome 66;
Metropolis
68, 10.
96, 11.
95, 11,9.
Monotheism 68, Monotone 68, 9. Morpheus 60, 6. Morphine 60, 6. Morphology 58.
74,5; 74,9.
Mime
Mimic
76; 78,
78, 4.
4.
Mimetic
78, 4.
Misanthrope 94. Misanthropy 95, I, Misogamist 96, 10. Misogynist 96, 10.
8.
Myth
49.
50, I, 3.
Mythology
9.
Naples 95,
I, 5.
Nausea 84;
Nautical 84.
86, 7.
Nautilus
86,
7.
Monad
68, 9.
Neapolis 95,
I,
5; 96, 11.
Necrology
96, 8.
Necromancy 98;
Necromantic
Necropolis 94
;
100, 7.
100. 7.
95, I, 6.
Monk 68,
9.
Nemesis 66;
68, 10.
135
Pan- 110,
11. 11.
Panacea 110,
9.
9.
Pandemonium
110, 11.
Neuralgia 108
110, 2.
11.
Nomad
68, 10.
Panorama
7.
57, 2
108; 110,11.
Ochlocracy 91,
Pantomime
;
78, 4
110, 11.
74, 6.
Pantophagous
Para- 46,
5.
110, 11.
74, 7.
7.
Parabolical 46, 3
60, 7
Ology
51, 5, a.
2, a.
Paradise
11.
58.
Omega
45,
I, 2
46, 5.
Paralysis 96,
Paralytic 96,
7. 7.
Organ
Ornithology
Paraphrase 105,
Parenthesis 100,
11.
Orthodox 66; 67,11,2; Orthodoxy 68, 7. Orthoepy 68, 11. Orthography 68, 11. Orthopedy 82, 6. Ovoid 91, 5.
10, a.
a.
91, 10.
Patriarch 82,
1, b.
9.
2.
C.
4.
54.
I, 3.
82, 9.
136
11. 11.
11.
Phantasmagoria 108;
Phantasy
74, 11.
13.
Physics 96,
13.
Physiognomy
;.
96, 13.
Phantom
74, 11.
1.
96, 13.
12.
100, 11.
Pharmacy
Phase
98.
74, 11.
Phenomenon
72;
74. 11.
6.
Pneumatic
91, 11.
89.
7.
Pneumonia
51.
6.
0.
Poem
50, II,
46, 4.
Philip 59,
I, 4.
6.
;
Philology 51,
Philomath 108
Police 46,
2.
Policy 46,
2.
Politic 46, 2.
Political 46,
2.
Politics 44
46, 2.
Polity 46,
2.
Phonograph 34; 35, I, 2. Phonography 35, II, 7. Phonology 50, I, 3. Phonotype 78, 9. Phosphorus 82, 10. Photograph 80 82. 10.
;
Photolithograph
82, 10.
2.
7.
Polytechnic 60,
60.
8.
.".,
c.
137
;
Sarcophagus 76
Sceptic 74,
9.
78, 6.
Practice 110,
3.
;
Pragmatic 108
110, 13.
Sceptre 54.
Schism 108;
110, 14.
14.
5.
Program
89; 81,
4.
Prologue 51, 5, a; 68,6. Prophecy 110, 15. Prophesy 110, 15. Prophet 110, 15. Prophetic 110, 15. Prosody 31, 7.
Protagonist
86,
1.
Sophia
Sophism
Prototype 76;
78, 9.
9.
Sophisticated 74,
10.
Pseudonym
Psyche 49. Psychic 51, Psychology
96, 13.
89; 91,
8.
9.
50, I,
6;
Spheroid
91, 5.
;
Static 103
105, 5.
5.
Pyre
86, 8.
Statics 105,
100, 7.
;
Pyromancy
Pyrotechnics 84
86, 8.
Rehypothecate
100, 10, b.
II,
78,
7.
Rhapsody
31, 7.
Syllable 108
110, 8.
8.
8.
Syllabus 110,
Syllogism 78,
99,
;
1,
00, 6.
1.
Rhododendron 54
Sarcasm
78, 6.
56,1.
138
Theogony
81,
3.
78, 8.
Synonym
89: 91,
;
9.
Synopsis 76
78, 8.
8.
ptic78,
Theology 53; 0, 3, a. Theosoph66; 68, 12. Theosophist 63, 12. Theosophy 68, 12. Thermal 54.
Thermometer
a.
56, I, 4. 10, a.
10.
Tome
103; 103,
System
105, 5.
5.
untie 105,
Systole 78,
8.
59, I, 4
oatize 105, 5.
8.
Triglypb.96,
4.
Tactic 96,
12.
Trigonometry
Trilogy
82. 8.
7.
82, 2.
Tautology
Trip..,! 82,
Taxidermy
Technical
100, 2.
Trisyllable 110,
8.
60, 8.
Technique 60, 8. Technology 58; 59,11,6; Tele-ram 89. Telegraph 35, II, 1. Telephone 34; 35, I, 1.
ope 74, 9. Theatre 29; 54; 57,
6.
7.
6.
Type 76;
78, 9.
9.
Typical 78,
Typography
77, II, 3.
Theism
60. 3, a.
3, a.
Unsophisticated 74,
c.
10.
Theist 60,
Thematic
100, 10,
c.
Theme
100, 10,
Zoophyte
105, 3.
Zootomy
105, 10,
UNIVERSITY OF TORONTO
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