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Temple
UNIVERSITY PRESS
NEW BOOKS
SPRING 2009
 
spring 2009
Contents
nBPg1-27BciPg28-31o/sIfmiPg32Ix IiBcC
sChedule
FeBruary
haney, tamicii f sciscic12Mays, IfidigGr27yun, tCisp2
MarCh
 aBate
, Tomboy12
JaCkson
, pictuefom a Dawe1
Juette
, WheelchaiWaio2
 aPrIl
BIshIn
, Tyay of the Mioity 26
CaBezas
, Ecoomieof Deie 19
GIlMan
, The Dace of politic22
Johnson
, ObjectifyiMeaue8
MInteer
, natue iCommo? 4
May
IrvIne
, Fillithe Ak 5
loPes
, Demadireect 6
M
c
CorMICk
, Mobilizisciece 24
PrIeto
, The Cubaof UioCity 20
raGland
, Múica noteña 18
yeP
, Outide the pait 3
zhou
, Cotemoay Chiee Ameica 15
June
 anderson
, rave Cultue 7
Manuel
, CeoliziCotadace ithe Caibbea21
shandley
, ruaway romace23
July
BrIGhaM
, Mateial Law 25
Bush
, The Ed of White Wold suemacy 13
Collet
, The Taatioal politic of AiaAmeica14
delavan
, The TeacheAttetio9
Gershenson
, Ladiead get11
MoCCIo
, Live Wie 16
stoeCker
, The Uhead Voice10
ward
, A new Bad of Buie17
Temple
UNIVERSITY PRESS
temple Universiy Press is  proud memberof he associion of americn Universiy Presses
Catalo De: HOFFMAn sTUDiOCove ad above mae fom
Picturesfrom a Drawer 
. imae foud at theCumm Ut, state po, Akaa
 
1.800.621.2736
 .temple.ed/tempe
 TEMPLE univErsiTy PrEss
1
Bruce Jackson i sunY Ditigihd Pf dsml P. cp Pf f ami clt, uivityt Bffl. H i th th f m th 20 th b,ildig
The Story Is True: The Art and Meaning of TellingStories
(Tmpl),  dmty lmm d phtgph. Th Fh gvmt md him chvli i L’od d att d Ltt, F’ hight h i th t d hmiti.
1
Pht: Dae Chta
 Art and Photography/AmericanStudies/Law and Criminology
March
200 pp., 33 halftones, 121 duotones, 7 x 10”Paper 978-1-59213-949-1
$34.95T
£24.99Cloth 978-1-59213-948-4
$85.00
£59.00
 also of interest:
The Story Is True: The Art and Meaningof Telling Stories
Bruce Jckson256 pp.Pper 978-1-59213-607-0
$22.95
£23.99
Pictures from a Drawer
Pi d th at f Ptit
Bruce Jackson
 A remarkable collection of prison “portraiture” photos
F m th fty y, B J h b dmtig—i b, phtgph,di dig d lm—imt’ liv i ami pi. I nvmb 1975, hqid  llti f ld ID pht whil h w viitig th cmmi uit,  tt pifm i a. Thy  pblihd tgth f th t tim i thi mbl b. Th 121 img tht pp h w lily t btw 1915-1940. a Jdib i  bbig itdti, th fti f th pht w t ptit—thi fti w t “fld  p it th tlld p f  di.”H, fd fm thi pi “jt” d pitd t iz f lg ththi igil, th -tim ID pht hv w bm ptit.J’ tti tfm wht w mll bti tiftit mvig img f l m d wm.
Pictures from a Drawer 
l ti  xtdiy dipti f vydy lif t cmmi pi i th 1950, witt igilly by hdd ptd t J i 1973 by it th,  lgtim imt.
I’m intrigued by the portraits of these prisoners. These pictures all speak to me of another time not only becauseof the way the people are dressed, but also because of the direct simplicity and innocence of the images. Today,when so many photographs are altered and manipulated,the honesty and reality of these images make them standout as powerful and true portraiture for all time.”
—Mary Ellen Mark
nEw bookssPrinG 2009
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