Read without ads and support Scribd by becoming a Scribd Premium Reader.
See Premium Plans
 
short filmDistributionguiDe
NIGEL R SMITH
got
 
gotYou’ve
 
You’ve
`  
it
 
itmADe
 
mADe
 
page 2page 1
 
Niel has prdued a number  aardinnin shrt lms, inludinStland’s mst idely suessul shrt t date,
Cry for Bobo
, hih has mademre than 150 lm estial and ther eent appearanes spannin 34 untries.It has reeied 25 aards and mmendatins aln the ay, inludin a MélièsD’Arent r Best Eurpean Fantasy Film, a Ryal Teleisin Siety Aard ,a BAFTA nminatin and seeral estial Audiene Aards. Niel’s erts tprmte
Bobo
sa him bth seepin the streets  Harajuku and dinin iththe Kin  Mr.Films he’s prdued hae ariusly sreened: r a remte island mmunity;at a nentin  US atinal uidane unsellrs; in Italian shllassrms; t sta abard an Antarti explratin essel; and at a Eurpeanirus ln nentin.
about the
author
STRATEGY FOR YOUR SHORTYOUR FILMINTRODUCTION
 
DEVISING AN OVERALLDelivery materials2379
contents
APPENDICESFINAL COMMENTSOTHER OPPORTUNITIESTHEATRICAL SCREENINGSDIGITAL DISTRIBUTIONDVD SALESUK
&
INTERNATIONALINTERNATIONAL DISTRIBUTORS
 
SALES AGENTS
/
THE FESTIVAL CIRCUITTELEVISION SALESONLINE DOWNLOADSAND STREAMINGFOR PROMOTION113642446465525861NIGEL R SMITH
Cr y  f or Bobo
 
page 2page 3
Yu like yur lm. Le it, een. There ere prblems aln the ay (therealays are) but yu eel that yur lm is a suess. I yu’re a prduer, yu’restill talkin t the diretr. I yu’re a diretr, yu an still stand t be in thesame rm as the prduer. Yu’e shn the lm t riends h all le it.Yu’e shn it t enemies h berudinly tell yu that it’s pretty d.Sine, as a lmmaker, yur primary reasn r makin lms is presumably thatyu hae smethin t say r a isin t share, yu shuld ant t make eeryeasible attempt t reah as brad an audiene as pssible.Yu may hae made the lm as a steppinstne t reater thins  althuhe d appreiate the shrt as an artrm in its n riht  s yu ill ant thae it seen by industry ures h ill be able t assist yu reah yur al  beme a pressinal lmmaker.H d yu  abut ndin yur audiene and inreasin the lm’s and yurn prle?
YOUR
INTRO-
YoU’vE MADEA gREAT SHoRTFILM – Now YoUwANT AUDIENcESEvERYwHERE ToLovE IT AS MUcHAS YoU Do!
 This bklet is aimedat thse ith little rn experiene  shrtlm distributin rmarketin, and illlk at the prmtinand distributin  the shrt lm rm be it animatin,dumentary, narratier experimental. Itaims t pride yuith a sle  pratialinrmatin that illhelp yu t make yurlm as suessul as itan be. There’s been anexplsin in the number shrt lms prduedin Stland er thelast ten years  aninrease that’s beenehed arss thelbe  bruht abutby the aailability  inreasinly heapprdutin equipment and nnlinear editinstare aimed at bth the industry and hmensumers. It’s neer been easier  and perhapsheaper  t make a shrt lm and hundreds areprdued in Stland alne eah year. That’s a LoT  lms. Sme are ineitably mreamplished than thers but they hae all beenmade by lmmakers ith smethin t say anda desire t mmuniate this t an audiene.Yet the eneral publi is nly able t see a smallratin  these lms  and in this untry, leels aareness utside  thse nneted ith, raspirin t rk in, the industry, remain l.why spend all the time, ert, expense andheartahe t make a shrt lm i yu’re ntsubsequently in t  thruh all the time,ert, expense and heartahe  ettin it seenby audienes? The d nes is that there hae neer beenmre pprtunities r shrt lmmakers treah audienes ith their lms. The traditinalrutes  the internatinal estial iruit andteleisin sreenins hae been aumentedby the pssibility  DvD sales and theinreasin prealene  nline streamin anddnladin t a ariety  deies. The bad nes  primarily r prduers, but alsr diretrs h’e taken the driin seat n albudet prdutin  is that, hain spentseeral mnths ettin t a pint here they’resittin ith a master tape  their lm in theirhand, they’re still less than halay thruhthe press. They still need t et it seen byaudienes and that’s hat this bklet aims thelp them d. This is a questin yu shuld beaskin rm the ery earliest staes prjet and sript deelpment beause the anser an at leastpartially determine yur shtinrmat, runnin time, subjet matterand all manner  ariables. It uldseem asteul (and ery expensie!)t sht and pstprdue yurlm n 35mm i yur sle intent is tplae it n a lreslutin ebsite,r example. Many mpanies n’tinle themseles ith a prjetuntil they kn h and here itan be marketed, and hae made aninrmed ‘uesstimate’ as t its likelyhanes  nanial  and t a muhlesser extent ritial  suess. A shrtlm is a dierent beast rm a studieature, but it an be useul t think aln thse lines hen min tmake yur shrt.
FILM
DUCTION
Search
Search History:
Searching...
Result 00 of 00
00 results for result for
  • p.

    • More From This User

    16 p.
    G322 q30 q46 t76
    Julie Thrasher
    71 Reads
    16 p.
    G322 q44 q47 t91
    Julie Thrasher
    67 Reads
    16 p.
    G322 q39 q45 t84
    Julie Thrasher
    62 Reads
    16 p.
    G322 q40 q50 t90 - FULL MARKS on Film Industry
    Julie Thrasher
    77 Reads
    4 p.
    G325 Exam Paper Jan13
    Julie Thrasher
    107 Reads
    4 p.
    G325 Exam Paper Jun12
    Julie Thrasher
    47 Reads
    4 p.
    G322 Exam Paper Jan13
    Julie Thrasher
    63 Reads
    4 p.
    G322 Exam Paper Jun12
    Julie Thrasher
    34 Reads
    1 p.
    Yr11 BTEC STUDENT Outline Schedule Summer 2013
    Julie Thrasher
    78 Reads
    2 p.
    UNIT 2 – Assignment One GCSE Guide
    Julie Thrasher
    254 Reads
    2 p.
    Yr10 How to Get the Advertising Done Schedule 1213 (Part 1)
    Julie Thrasher
    246 Reads
    5 p.
    yr13 evaluation guide
    Julie Thrasher
    388 Reads
    5 p.
    yr12 Evaluation Guide
    Julie Thrasher
    396 Reads
    2 p.
    Spring Plan 2013 Sixth Student Version
    Julie Thrasher
    272 Reads
    20 p.
    Representation Booklet Intro - Yr12
    Julie Thrasher
    237 Reads
    1 p.
    Yr13 BLOG Marking Sheet 2013
    Julie Thrasher
    287 Reads
    1 p.
    Yr13 BLOG Check and Marking 2013
    Julie Thrasher
    311 Reads
    1 p.
    Yr12 BLOG Marking Sheet 2013
    Julie Thrasher
    257 Reads
    1 p.
    Yr12 BLOG Check and Marking 2013
    Julie Thrasher
    348 Reads
    2 p.
    Yr13 New Schedule 1213 Final Deadlines
    Julie Thrasher
    238 Reads
    2 p.
    Yr12 New Schedule 1213 Final Deadlines
    Julie Thrasher
    266 Reads
    5 p.
    A2 Student Outline Schedule Autumn Spring Production Detail 2012/13
    Julie Thrasher
    671 Reads
    4 p.
    AS Student Outline Schedule Autumn-Spring Production Detail (2012/13)
    Julie Thrasher
    628 Reads
    16 p.
    G322 Jan 12 Mark Scheme
    Julie Thrasher
    508 Reads
    4 p.
    G325 Jun 12 Exam Paper
    Julie Thrasher
    557 Reads
    Notes
    Load more